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Статті в журналах з теми "Frontier mythology"
Edwards, Leigh H. "The Endless End of Frontier Mythology: PBS's Frontier House 2002." Film & History: An Interdisciplinary Journal of Film and Television Studies 37, no. 1 (2007): 29–34. http://dx.doi.org/10.1353/flm.2007.0010.
Повний текст джерелаTaylor, Cheryl. "Shaping a Regional Identity: Literary Non-Fiction and Short Fiction in North Queensland." Queensland Review 8, no. 2 (November 2001): 41–52. http://dx.doi.org/10.1017/s1321816600006826.
Повний текст джерелаDemenyuk, Veronika Maksimovna. "The transformation of frontier mythology in short stories by Ambrose Bierce (based on the "Tales of Soldiers and Civilians", 1891)." Litera, no. 1 (January 2022): 106–13. http://dx.doi.org/10.25136/2409-8698.2022.1.37346.
Повний текст джерелаCarter, Matthew. "Personalizing the Apocalypse: Frontier Mythology and Genre Hybridity in „Maggie”." Studia Filmoznawcze 38 (June 21, 2017): 121–35. http://dx.doi.org/10.19195/0860-116x.38.9.
Повний текст джерелаBindas, K. J. "Frontier Figures: American Music and the Mythology of the American West." Journal of American History 100, no. 2 (August 13, 2013): 556. http://dx.doi.org/10.1093/jahist/jat265.
Повний текст джерелаMACNEIL, DENISE. "Mary Rowlandson and the Foundational Mythology of the American Frontier Hero." Women's Studies 34, no. 8 (December 2005): 625–53. http://dx.doi.org/10.1080/00497870500359522.
Повний текст джерелаKing, Geoff. "Spectacular Narratives: Twister, Independence Day, and Frontier Mythology in Contemporary Hollywood." Journal of American Culture 22, no. 1 (March 1999): 25–40. http://dx.doi.org/10.1111/j.1542-734x.1999.00025.x.
Повний текст джерелаGohar, Saddik Mohamed. "Pursuing the Zionist Dream on the Palestinian Frontier." Acta Neophilologica 53, no. 1-2 (November 26, 2020): 61–81. http://dx.doi.org/10.4312/an.53.1-2.61-81.
Повний текст джерелаBecker, Carlo. "“Every New Land Demands Blood”: ‘Nature’ and the Justification of Frontier Violence in Hell on Wheels." aspeers: emerging voices in american studies 10 (2017): 21–37. http://dx.doi.org/10.54465/aspeers.10-04.
Повний текст джерелаKrynytska, Nataliya. "Forest as an element of the frontier mythology in contemporary U.S. science fiction." Vìsnik Marìupolʹsʹkogo deržavnogo unìversitetu. Serìâ: Fìlologìâ 12, no. 20 (2019): 88–95. http://dx.doi.org/10.34079/2226-3055-2019-12-20-88-95.
Повний текст джерелаДисертації з теми "Frontier mythology"
Buss, Kato M. T. "Cowboy Up: Evolution of the Frontier Hero in American Theater, 1872 – 1903." Thesis, University of Oregon, 2012. http://hdl.handle.net/1794/12302.
Повний текст джерелаOn the border between Beadle & Adam’s dime novel and Edwin Porter’s ground-breaking film, The Great Train Robbery, this dissertation returns to a period in American theater history when the legendary cowboy came to life. On the stage of late nineteenth century frontier melodrama, three actors blazed a trail for the cowboy to pass from man to myth. Frank Mayo’s Davy Crockett, William Cody’s Buffalo Bill, and James Wallick’s Jesse James represent a theatrical bloodline in the genealogy of frontier heroes. As such, the backwoodsman, the scout, and the outlaw are forbearers of the cowboy in American popular entertainment. Caught in a territory between print and film, this study explores a landscape of blood-and-thunder melodrama, where the unwritten Code of the West was embodied on stage. At a cultural crossroads, the need for an authentic, American hero spurred the cowboy to legend; theater taught him how to walk, talk, and act like a man.
Committee in charge: Dr. John Schmor, Co-chair; Dr. Jennifer Schleuter, Co-chair; Dr. John Watson, Member; Dr. Linda Fuller, Outside Member
Edley, Christopher. "Riding into myth: Manifest Destiny, Nietzschean ethics and the creation of a new western frontier mythology in Cormac McCarthy’s Blood Meridian." Thesis, Rhodes University, 2017. http://hdl.handle.net/10962/7334.
Повний текст джерелаGrguric, Nicolas Grguric, and eqeta@yahoo com au. "Fortified Homesteads: The Architecture of Fear in Frontier South Australia and the Northern Territory, ca 1847-1885." Flinders University. Humanities, 2007. http://catalogue.flinders.edu.au./local/adt/public/adt-SFU20080225.161715.
Повний текст джерелаHarper, Rowena. "Frontier mythology in the American teen film." 2009. http://hdl.handle.net/2440/56952.
Повний текст джерелаThesis (Ph.D.) -- University of Adelaide, School of Humanities, 2009
Allan, Elizabeth. "The Road to Nowhere: Myths of Homeland and Expulsion in Australian Road Stories." Thesis, 2018. http://hdl.handle.net/2440/118120.
Повний текст джерелаExegesis: Through the lens of Richard Slotkin’s theory of the mythogenesis of the frontier, the exegetical component of the thesis proposes that the circular process of analysis and regeneration of the violent mythology of the frontier in both Australian and American literature has dominated the road writing genre. The triumphant frontier narrative of America and the transcendent failure frontier narrative of Australia repeat in contemporary road writing. Road stories featuring women and characters from positions of cultural, ethnic, class, religious and sexual difference offer one possibility for the disruption of this process. Australian road stories Hiam by Eva Sallis, All the Birds, Singing by Evie Wyld and Floundering by Romy Ash offer a reimagining of road stories beyond the frontier legacies of racial, sexual and class oppression. Ross Gibson’s theory of badlands in Australia, which are narratives set in natural locations which attract more atrocities to occur, informs my approach to the reading of these texts.
Thesis (Ph.D.) -- University of Adelaide, School of Humanities, 2018
Weatherstone, Lynda Shirley. "The impact of creation myths in forging new frontiers of religious education." Thesis, 2020. http://hdl.handle.net/1959.13/1415470.
Повний текст джерелаThe aim of the thesis has been to develop and track both the evolution and the loss of the Feminine Principle. I intend to provide a coherent account of the social ramifications that have been applied to both women (and men) that have underpinned this loss. I argue that the Feminine Principle is a philosophy based on wholeness, non-dualism, and personhood, rather than the rational metaphysics that permeates Western culture today. I endeavour to track the journey of the Feminine Principle starting with the myth of the Great Goddess of Beginnings, or Great Mother, who gives birth to her son-lover-consort: both bring forth life and the world (Baring & Cashford, 1991). Hereafter, the relationship changes from one of partnership to the overthrow of the Great Goddess by her son who becomes the all powerful, patriarchal warrior Sky God who now creates alone without any reference to the fecund womb of the archetypal Mother Goddess. I indicate how this Bronze Age myth travels through to the Iron Age myth of Genesis whereby the Father God creates life by word alone, giving rise to reason replacing all mythical thought. Within the framework of these structural impediments, I demonstrate how the theology of Genesis is a palimpsest of myths that have been misappropriated by patriarchy setting women apart by men because of their “creational difference” (Fiorenza, 1985, p.4). It could be argued that this form of religiously orientated sexism and bigotry is being perpetuated and retold as the dominate focus within Religious Education. A way of addressing this form of discrimination is by exploring the relationship between Public Theology and public education. Although Public Theology has been extensively overlooked (Perner, 2019), as a topic, Public Theology offers a vehicle for reconceptualising the status of women by making theology and religion relevant to the social order (Ali,1995).
Watt, Diane Lilian. "The disintegration of a dream : a study of Sam Shephard's family trilogy, Curse of the starving class, Buried child and True west." Diss., 1995. http://hdl.handle.net/10500/17851.
Повний текст джерелаM.A. (English)
Книги з теми "Frontier mythology"
Frontier figures: American music and the mythology of the American West. Berkeley: University of California Press, 2012.
Знайти повний текст джерелаSlotkin, Richard. Regeneration through violence: The mythology of the American frontier, 1600-1860. New York, NY: HarperPerennial, 1996.
Знайти повний текст джерелаSlotkin, Richard. Regeneration through violence: The mythology of the American frontier, 1600-1860. Norman: University of Oklahoma Press, 2000.
Знайти повний текст джерелаBlack masculinity and the frontier myth in American literature. Norman: University of Oklahoma Press, 2002.
Знайти повний текст джерелаEarly-twentieth-century frontier dramas on Broadway: Situating the western experience in performing arts. New York: Palgrave Macmillan, 2011.
Знайти повний текст джерелаWhere the tall grass grows: Becoming indigenous and the mythological legacy of the American West. Golden, CO: Fulcrum Pub., 2011.
Знайти повний текст джерелаGrecità di frontiera: I percorsi occidentali della leggenda. Padova: Esedra, 1994.
Знайти повний текст джерелаThe vigilantes of Montana. Guilford, CT: Globe Pequot Press, 2003.
Знайти повний текст джерелаReminiscences: Incidents in the life of a pioneer in Oregon and Idaho. Moscow, Idaho: University of Idaho Press, 1989.
Знайти повний текст джерелаElwin, Verrier. Myths of the North East Frontier of India. Munshiram Manoharlal Publishers, 1999.
Знайти повний текст джерелаЧастини книг з теми "Frontier mythology"
Carter, Matthew. "“Crossing the Beast”: American Identity and Frontier Mythology in Sin Nombre." In The Post-2000 Film Western, 89–105. London: Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137531285_6.
Повний текст джерелаRickles, Dean. "History and Mythology." In The Frontiers Collection, 1–18. Berlin, Heidelberg: Springer Berlin Heidelberg, 2014. http://dx.doi.org/10.1007/978-3-662-46036-8_1.
Повний текст джерела"Introduction: Spectacle, Narrative and ‘Frontier’ Mythology." In Spectacular Narratives. I.B.Tauris, 2000. http://dx.doi.org/10.5040/9780755699315.0005.
Повний текст джерелаCarico, Aaron. "Cowboys and Slaves." In Black Market, 105–37. University of North Carolina Press, 2020. http://dx.doi.org/10.5149/northcarolina/9781469655581.003.0004.
Повний текст джерелаTowlson, Jon. "“I Knew That the Only Way to Do This Was to Just Beat It to Death”: Production." In Dawn of the Dead, 47–68. Liverpool University Press, 2022. http://dx.doi.org/10.3828/liverpool/9781800856370.003.0004.
Повний текст джерела"Imagining America: US Influence and American Mythology in Post-War Italy." In Radical Frontiers in the Spaghetti Western. An imprint of I.B.Tauris & Co Ltd, 2011. http://dx.doi.org/10.5040/9780755694761.ch-001.
Повний текст джерелаZaytoun, Kelli D. "“An Artist in the Sense of a Shaman”." In Shapeshifting Subjects, 41–64. University of Illinois Press, 2022. http://dx.doi.org/10.5622/illinois/9780252044434.003.0003.
Повний текст джерелаТези доповідей конференцій з теми "Frontier mythology"
Lin, Guanqiong. "MYTHOPOETICS OF THE FOX SPIRIT IN THE SHORT STORIES OF B. M. YULSKY AND PU SONGLING." In 9th International Conference ISSUES OF FAR EASTERN LITERATURES. St. Petersburg State University, 2021. http://dx.doi.org/10.21638/11701/9785288062049.29.
Повний текст джерела