Добірка наукової літератури з теми "Frances Ingram"
Оформте джерело за APA, MLA, Chicago, Harvard та іншими стилями
Ознайомтеся зі списками актуальних статей, книг, дисертацій, тез та інших наукових джерел на тему "Frances Ingram".
Біля кожної праці в переліку літератури доступна кнопка «Додати до бібліографії». Скористайтеся нею – і ми автоматично оформимо бібліографічне посилання на обрану працю в потрібному вам стилі цитування: APA, MLA, «Гарвард», «Чикаго», «Ванкувер» тощо.
Також ви можете завантажити повний текст наукової публікації у форматі «.pdf» та прочитати онлайн анотацію до роботи, якщо відповідні параметри наявні в метаданих.
Статті в журналах з теми "Frances Ingram"
Tucker, Nick, Jonathan J. Stanger, Mark P. Staiger, Hussam Razzaq, and Kathleen Hofman. "The History of the Science and Technology of Electrospinning from 1600 to 1995." Journal of Engineered Fibers and Fabrics 7, no. 2_suppl (June 2012): 155892501200702. http://dx.doi.org/10.1177/155892501200702s10.
Повний текст джерелаZhang, JianFeng, Tania Z. Thomas, Susan Kasper, and Robert J. Matusik. "A Small Composite Probasin Promoter Confers High Levels of Prostate-Specific Gene Expression through Regulation by Androgens and Glucocorticoids in Vitro and in Vivo**This work was supported by R01-DK-55748 from the NIH and the Frances Williams Preston Laboratories of the T. J. Martell Foundation. Transgenic mice were bred by the Transgenic Core/ES Cell Shared Resource of the Vanderbilt-Ingram Cancer Center (NCI Grant 2P30-CA-68485–05)." Endocrinology 141, no. 12 (December 1, 2000): 4698–710. http://dx.doi.org/10.1210/endo.141.12.7837.
Повний текст джерелаWilliams, Ann. "Rites of the Republic: Citizens’ Theatre and the Politics of Culture in Southern France by Mark Ingram." French Review 85, no. 3 (2012): 573–74. http://dx.doi.org/10.1353/tfr.2012.0411.
Повний текст джерелаCairns, John C. "The Politics of Dissent: Pacifism in France 1919-1939, by Norman IngramThe Politics of Dissent: Pacifism in France 1919-1939, by Norman Ingram. Don Mills, Ontario, Clarendon Press (distributed by Oxford University Press), 1991. viii, 366 pp. $100.00." Canadian Journal of History 27, no. 1 (April 1992): 145–48. http://dx.doi.org/10.3138/cjh.27.1.145.
Повний текст джерелаDuff, D., D. Illingworth, J. Saunders, S. E. Fraser, J. Hay, M. Perry, W. Leigh, et al. "John (Iain) Wylie Cook Ian Macdonald Dingwall Clara Jean Fraser William Ingman Francis Stephen Perry Zoe Christine Randall Joseph Robinson James Gordon Searle John Elphinstone Underwood William Van Essen James Meighan Wallace John Logan Wilson." BMJ 323, no. 7320 (November 3, 2001): 1072. http://dx.doi.org/10.1136/bmj.323.7320.1072.
Повний текст джерелаBruder, J. Simon. "Architecture and Stratigraphy. Investigations at the Pueblo Alto Complex Chaco Canyon, New Mexico 1975–1979, Vol. II. Thomas C. Windes, with a contribution by H. Wolcott Toll. Publications in Archeology 18F, Chaco Canyon Studies (two-part set). U.S. Department of the Interior, National Park Service, Santa Fe, 1987. xxii + 706 pp., figures, plates, tables, references, appendices, index. Free (paper). - Artifactual and Biological Analyses. Investigations at the Pueblo Alto Complex: Chaco Canyon, New Mexico, 1975–1979, Vol. III. Frances Joan Mathien and Thomas C. Windes, editors, with contributions by Nancy J. Akins, Catherine M. Cameron, Karen H. Clary, Eric Ingbar, Stephen H. Lekson, Frances Joan Mathien, Peter J. McKenna, Judith Miles, H. Wolcott TollIII , Mollie S. Toll, and Thomas C. Windes. Publications in Archeology 18F, Chaco Canyon Studies (two-part set). U.S. Department of the Interior, National Park Service, Santa Fe, 1987. xxvi + 822 pp., tables, figures, references, index. Free (paper)." American Antiquity 55, no. 4 (October 1990): 864–66. http://dx.doi.org/10.2307/281261.
Повний текст джерела"Teacher education." Language Teaching 39, no. 1 (January 2006): 41–45. http://dx.doi.org/10.1017/s026144480625331x.
Повний текст джерела"Suffolk." Camden Fourth Series 31 (July 1986): 412–13. http://dx.doi.org/10.1017/s0068690500005997.
Повний текст джерелаFranks, Rachel, and Simon Dwyer. "Build." M/C Journal 20, no. 2 (April 26, 2017). http://dx.doi.org/10.5204/mcj.1236.
Повний текст джерелаLindop, Samantha Jane. "Carmilla, Camilla: The Influence of the Gothic on David Lynch's Mulholland Drive." M/C Journal 17, no. 4 (July 24, 2014). http://dx.doi.org/10.5204/mcj.844.
Повний текст джерелаДисертації з теми "Frances Ingram"
Blin, Jean-Pierre. "Max Ingrand(1908-1969). Un atelier de vitrail dans la France du XXe siècle." Thesis, Paris 4, 2015. http://www.theses.fr/2015PA040128.
Повний текст джерелаMax Ingrand (1908-1969) was one of the most famous French glassmakers in the twentieth century. He studied at the National School for Decorative Arts and joined Jacques Gruber’s studio (1870-1936) in 1927. He began his own career as a glass designer in 1931 and produced many engraved glass decorations, both in public and religious buildings. He created the stained glass windows of Saint-Agnes Church at Maisons-Alfort and took part in the project of the windows executed for the nave at Notre-Dame de Paris, which were first displayed inside the papal pavilion of the 1937 Exhibition. An officer in the French armed forces in 1939, he was made a prisoner and jailed for five years in a camp in Germany. When he returned home, he became one of the most active glassmakers in the whole country, being involved in the reconstruction effort and working, in particular, to the project of a monumental church in Yvetot (Normandy). He was part of prestigious projects led by the French Heritage in cathedrals (such as Rouen, Beauvais, Saint-Malo and Strasbourg), in castles (such as the chapels of Blois, Amboise, Chenonceau), in churches (such as La Charité-sur-Loire and the Jacobins in Toulouse). Due to his fame, he won a large amount of orders abroad in the mid-fifties, especially in the United States, in Canada and in South America. He acted at the same time as a decorator and a designer. He was, for instance, an art director for thirteen years at the Fontana Arte, a big design company in Italy, and created many lighting fixtures for them. Before and after World War II, he was involved in the decoration of liners as important as the Normandy and the France. He also designed lit fountains in public spaces, the best known being along the Champs-Élysées in Paris. He had to change career dramatically in his late years and stopped glassmaking. He then specialized in architectural design and lighting fixtures. He died suddenly in 1969, a few months after he had passed his workshop on to his associate Michel Durand
Bloom, Kelly. "Orientalism in French 19th Century Art." Thesis, Boston College, 2004. http://hdl.handle.net/2345/477.
Повний текст джерелаThe Orient has been a mythical, looming presence since the foundation of Islam in the 7th century. It has always been the “Other” that Edward Said wrote about in his 1979 book Orientalism. The gulf of misunderstanding between the myth and the reality of the Near East still exists today in the 21st century. Napoleon's invasion of Egypt in 1798 and the subsequent colonization of the Near East is perhaps the defining moment in the Western perception of the Near East. At the beginning of modern colonization, Napoleon and his companions arrived in the Near East convinced of their own superiority and authority; they were Orientalists. The supposed superiority of Europeans justified the colonization of Islamic lands. Said never specifically wrote about art; however, his theories on colonialism and Orientalism still apply. Linda Nochlin first made use of them in her article “The Imaginary Orient” from 1983. Artists such as Jean-Auguste-Dominique Ingres, Eugène Delacroix and Jean-Léon Gérôme demonstrate Said's idea of representing the Islamic “Other” as a culturally inferior and backward people, especially in their portrayal of women. The development of photography in the late 19th century added another dimension to this view of the Orient, with its seemingly objective viewpoint
Thesis (BA) — Boston College, 2004
Submitted to: Boston College. College of Arts and Sciences
Discipline: Fine Arts
Discipline: College Honors Program
Yoon, Hyuneok. "Le cheminement spirituel d'Ingmar Bergman à travers les films principaux après les années 50 : Analyse à travers la Subjectivité kierkegaardienne." Lyon 2, 1998. http://theses.univ-lyon2.fr/sdx/theses/lyon2/1998/hyoon.
Повний текст джерелаBergman movies belonging to the period directly following 1950 deal with the film director progressive attempt to free herself from commonly accepted values and attitudes. In our opinion, that inward trip leads the spectator to consider the importance of Subjectivity in the Kierkegaardian way. Originally unknown, the freeing power of Subjectivity is gradually discovered by the Bergmanian characters. Three stages can be identified. In the first period movies (Summer Interlude 1951 - The Devil's Eye 1960), the characters rebel against society. Confronted with its conventions and to religious dogmatism they feel powerless and the whole situation hurts them. On the contrary, in the second period (Winter Light 1961 - The Passion of Anna 1969), the characters manage to escape objective truth. This newly conquered freedom opens the way to the concept of choice in the Bergmanian world and consequently to anguish. Moreover the characters are confronted with the experience of losing all reference to common values and they are submitted to various types of violence. During the third period (The Touch 1971 - After the Rehearsal 1984) the characters try to develop the ability to take upon themselves the responsability for their own existence. To be a fully self recognized subject becomes an essential prerequisite. The final stage of the subject freedom is determined by the repetition Gjentagelsen" : endless progression and new beginnings
Nociti, Filho Jose Roberto. "As obras de Jean-Auguste-Dominique Ingres no museu de arte de São Paulo." [s.n.], 1997. http://repositorio.unicamp.br/jspui/handle/REPOSIP/278659.
Повний текст джерелаDissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias Humanas
Made available in DSpace on 2018-07-22T18:17:37Z (GMT). No. of bitstreams: 1 NocitiFilho_JoseRoberto_M.pdf: 5258866 bytes, checksum: 998e02c892aeb2d07f4d9558ced0009b (MD5) Previous issue date: 1997
Resumo: Não informado
Abstract: Not informed
Mestrado
Mestre em História
Püngel, Stefan Eric. "L’œuvre sculptée de Jean-Antoine Étex (1808-1888) : l’expressivité comme source de l’inspiration artistique." Thesis, Paris 4, 2010. http://www.theses.fr/2010PA040114.
Повний текст джерелаDisciple of Pradier, Ingres and Duban the french sculptor, painter and architect Jean-Antoine Étex (1808-1888) created works in nearly all categories of art. He left after his death a highly impressive number of more than 450 works of art. A great deal of his sculptures are dispersed in the french capital city of Paris all placed at strategic locations. But also a lot of other french cities and museums conserve important works by this artist. Among the most famous sculptures made by him are certainly the two monumental reliefs “La Résistance” and “La Paix” at the Arc de Triomphe de l’Étoile as well as the marble group “Cain and his race coursed by God”, masterpice of the french romantic scuplture, conserved at the mueum of Lyon. As a convinced member of the republicain partie Étex took actively part in the revolutions of 1830 and 1848 fighting incessantly for the republic idea. During the monarchie de juillet his works achieved extreme success but after the instauration of the Empire his works were no more appreciated. Constantly ignored by the imperial government Étex lost his place among the first artists in France and his works were soon forgotten. This present dissertation constitutes for the first time a detailed biographie and a complete catalogue of the works of this important artist. His own writings (publications and correspondence), hundreds of documents from the french archives and the critiques of art concerning his works are seriously explored
Tucci, Ingrid [Verfasser]. "Les descendants des immigrés en France et en Allemagne : des destins contrastés ; participation au marché du travail, formes d'appartenance et modes de mise à distance sociale / Ingrid Tucci." 2008. http://d-nb.info/993962807/34.
Повний текст джерелаКниги з теми "Frances Ingram"
Françoise, Soulier-François, ed. Ingres, Flandrin --: Dessins du musée de Besançon /cMusée des beaux-arts et d'archéologie de Besançon ; exposition conçue par Françoise Soulier-François. Besançon: Musée de Besançon, 2000.
Знайти повний текст джерелаIngres cartons de vitraux. Réunion des Musées Nationaux (RMN), 2002.
Знайти повний текст джерелаStaging Empire: Napoleon, Ingres, And David. Pennsylvania State University Press, 2007.
Знайти повний текст джерелаGreat Britain: Parliament: House of Commons: Public Administration Select Committee and Tony Wright. Lobbying: Six months on, oral evidence, Thursday 2 July 2009, Tamasin Cave, Alliance for Lobbying Transparency, Peter Facey, Unlock Democracy and Owen Espley, Friends of the Earth; Mark Adams, Foresight Consulting, Francis Ingham, PRCA, Keith Johnston, CIPR and Robie Macduff, APPC; Rt Hon Angela E. Smith MP, Minister of State, Cabinet Office. Stationery Office, The, 2009.
Знайти повний текст джерелаЧастини книг з теми "Frances Ingram"
Atack, Margaret, Alison S. Fell, Diana Holmes, and Imogen Long. "Introduction." In Making Waves, 1–16. Liverpool University Press, 2019. http://dx.doi.org/10.3828/liverpool/9781789620429.003.0001.
Повний текст джерелаFairfax, Daniel. "The Film Aesthetics of Jacques Aumont." In The Red Years of Cahiers du cinéma (1968-1973). Nieuwe Prinsengracht 89 1018 VR Amsterdam Nederland: Amsterdam University Press, 2021. http://dx.doi.org/10.5117/9789463728607_ch19.
Повний текст джерелаТези доповідей конференцій з теми "Frances Ingram"
Rouvié, A., O. Huet, S. Hamard, J. P. Truffer, M. Pozzi, J. Decobert, E. Costard, et al. "SWIR InGaAs focal plane arrays in France." In SPIE Defense, Security, and Sensing, edited by Bjørn F. Andresen, Gabor F. Fulop, Charles M. Hanson, Paul R. Norton, and Patrick Robert. SPIE, 2013. http://dx.doi.org/10.1117/12.2015355.
Повний текст джерелаHashemipour, Saman. "INTERTEXTUALİTY İN ASGHAR FARHADİ’S THE SALESMAN." In 2. Uluslararası Sinema Sempozyumu. Yakın Doğu Üniversitesi İletişim Araştırmaları Merkezi, 2022. http://dx.doi.org/10.32955/neuilamer2022-03-0214/ch12.
Повний текст джерела