Дисертації з теми "Folk performance"
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Wright, Lucy. "Making traditions, practising folk : contemporary folk performance in the Northwest of England : a practice-led enquiry." Thesis, Manchester Metropolitan University, 2014. http://e-space.mmu.ac.uk/578919/.
Повний текст джерелаSingh, Brahma Prakash. "The performance of cultural labour: a conceptual framework for understanding Indian folk performance." Thesis, University of London, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.603539.
Повний текст джерелаPatrick, Declan. "Contesting the narratives : identity, representation and performance in Filipino folk dance." Thesis, Manchester Metropolitan University, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.533143.
Повний текст джерелаCholod, Kirsten L. (Kirsten Lynn). "Children's causal attributions for performance in creative dance and folk dance." Thesis, McGill University, 1994. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=22574.
Повний текст джерелаCarpenter, Damian A. "Lead Belly, Woody Guthrie, Bob Dylan and American Folk Outlaw Performance." Digital Commons @ East Tennessee State University, 2017. https://www.amzn.com/1472484428.
Повний текст джерелаhttps://dc.etsu.edu/etsu_books/1158/thumbnail.jpg
Vinci, Teresa. "Performance practice in Hungarian folk music and its relationship to the Style Hongrois." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2019. https://ro.ecu.edu.au/theses/2265.
Повний текст джерелаYi, Chung-han. "A performance guide to Heejo Kim's choral arrangements based on traditional Korean folk tune and rhythmic patterns." connect to online resource, 2009. http://digital.library.unt.edu/permalink/meta-dc-9818.
Повний текст джерелаDacey, Katherine. ""Gershwin Gone Native!": The Influence of Primitivism and Folk Music on "Porgy and Bess"." W&M ScholarWorks, 2001. https://scholarworks.wm.edu/etd/1539626290.
Повний текст джерелаRutsate, Jerry. "Performance of Mhande song-dance: a contextualized and comparative analysis." Thesis, Rhodes University, 2008. http://hdl.handle.net/10962/d1002321.
Повний текст джерелаReal, Nicolas. "Concerto No. 1 for Flute, String Orchestra and Percussion." Diss., Temple University Libraries, 2013. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/252765.
Повний текст джерелаD.M.A.
A doctoral thesis based on the Concerto No. 1 for Flute, String Orchestra and Percussion by Nicolas Real. Historic background and musical analysis of the work.
Temple University--Theses
Real, Nicolas. "Flute Concerto [Score]." Diss., Temple University Libraries, 2013. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/252808.
Повний текст джерелаD.M.A.
A doctoral thesis based on the Concerto No. 1 for Flute, String Orchestra and Percussion by Nicolas Real. Historic background and musical analysis of the work.
Temple University--Theses
Yi, Chung-han. "A Performance Guide to Heejo Kim's Choral Arrangements Based on Traditional Korean Folk Tunes and Rhythmic Patterns." Thesis, University of North Texas, 2009. https://digital.library.unt.edu/ark:/67531/metadc9818/.
Повний текст джерелаSharma, Devendra. "PERFORMING NAUTANKI: POPULAR COMMUNITY FOLK PERFORMANCES AS SITES OF DIALOGUE AND SOCIAL CHANGE." Ohio : Ohio University, 2006. http://www.ohiolink.edu/etd/view.cgi?ohiou1150982520.
Повний текст джерелаWilliamson, Linda Jane. "Narrative singing among the Scots travellers : a study of strophic variation in ballad performance." Thesis, University of Edinburgh, 1985. http://hdl.handle.net/1842/8223.
Повний текст джерелаBoneh, Galia. "Moving from entertainment towards art a new model for creating performance on HIV/AIDS /." Diss., Restricted to subscribing institutions, 2008. http://proquest.umi.com/pqdweb?did=1568127991&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.
Повний текст джерелаSönmezler, Ahmet. "Turkish Musical Influences upon Carlo Domeniconi's Variations on an Anatolian Folk Song and Koyunbaba: Implications for Performance." Diss., The University of Arizona, 2013. http://hdl.handle.net/10150/306145.
Повний текст джерелаYu, Youngmin. "Musical performance of Korean identities in North Korea, South Korea, Japan and the United States." Diss., Restricted to subscribing institutions, 2007. http://proquest.umi.com/pqdweb?did=1417807691&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.
Повний текст джерелаMeyer, Julianne. "Words Carried in with the Tide: Boundaries of Gender in FisherPoetry." Thesis, University of Oregon, 2016. http://hdl.handle.net/1794/19723.
Повний текст джерелаMisgeld, Maria. "FOOTPRINTS OF THE FOREST : Exploring the indoor space as an artistic quality in herding call." Thesis, Kungl. Musikhögskolan, Institutionen för folkmusik, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-3592.
Повний текст джерелаMaria, Fernandez de Larrinoa Pedro. "Carnival performance and folk aesthetics in a French Pyrenean Basque valley in the twentieth century : an anthropological study." Thesis, London School of Economics and Political Science (University of London), 2000. http://etheses.lse.ac.uk/2256/.
Повний текст джерелаBidgood, Lee. "Book Review of 'Exploring American Folk Music, Ethnic, Grassroots, and Regional Traditions in the U.S.’ by Kip Lornell." Digital Commons @ East Tennessee State University, 2015. https://dc.etsu.edu/etsu-works/1040.
Повний текст джерелаRosenberg, Susanne. "Kurbits-ReBoot : svensk folksång i ny scenisk gestaltning." Doctoral thesis, Kungl. Musikhögskolan, Institutionen för folkmusik, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-1348.
Повний текст джерелаChen, Wei-Sian. "HARVEST FESTIVAL BY YANN-JONG HWANG: A PIANO DUET INSPIRED BY TAIWANESE FOLK TUNES." UKnowledge, 2017. http://uknowledge.uky.edu/music_etds/86.
Повний текст джерелаYang, Yang. "The challenges inherent in promoting traditional folk song performance and pedagogy in Chinese higher education : a case study of Hua'er." Thesis, Institute of Education (University of London), 2011. http://eprints.ioe.ac.uk/7504/.
Повний текст джерелаAwi, Jane Pumai. "Creating new folk opera forms of applied theatre for HIV and AIDS education in Papua New Guinea." Thesis, Queensland University of Technology, 2014. https://eprints.qut.edu.au/81643/1/Jane%20Awi%20Thesis.pdf.
Повний текст джерелаHeredos, Rosemary M. "Medieval Minstrels and Folk Balladeers: An Analysis of Orfeo in Celtic Music and Literature." Kent State University Honors College / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=ksuhonors1462977417.
Повний текст джерелаSilva, Leonardo da. "Canção Caipira: Poesia, Performance, Plasticidade." Niterói, 2017. https://app.uff.br/riuff/handle/1/3454.
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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior
O objetivo principal deste trabalho é analisar, sob a tutela da semiótica discursiva, algumas canções caipiras em busca de uma dimensão plástica, que se revela tanto por seu plano de conteúdo quanto por seu plano de expressão. A atenção voltada para a materialidade da canção pode nos levar a descobrir os caminhos que ainda estão se construindo na articulação entre categorias plásticas e musicais. Para pensarmos na passagem do audível das canções para uma dimensão da visualidade e da plasticidade, a noção de figuratividade ocupa um lugar central, ao lado da tematização e da narratividade (BERTRAND, 2003). Todavia, o estudo se abre para a interdisciplinaridade, por essa razão, aproveitamos os conceitos de “produção de presença” e o conceito de Stimmung (GUMBRECHT, 2010, 2014)
The main objective of this paper is to analyze, under the tutelage of discursive semiotics, some folk songs in search of a plastic dimension, which is revealed as much for its content as plan for their expression level. The attention focused on the materiality of the song can lead us to discover the ways that are still being built on the relationship between visual and musical categories. To think of the passage of the listening of the songs to a dimension of visuality and plasticity, the notion of figuration occupies a central place, next to the thematization and narrativity (BERTRAND, 2003). However, the study is open to interdisciplinarity, for this reason, we take the concept of "production of presence" and the concept of Stimmung (GUMBRECHT, 2010, 2014)
Olson, Ted. "Blind Alfred Reed: Appalachian Visionary." Digital Commons @ East Tennessee State University, 2015. https://amzn.com/B01AHK4WLU.
Повний текст джерелаhttps://dc.etsu.edu/etsu_books/1117/thumbnail.jpg
Gómez, Sobrino Isabel. "Poesia hecha cancion: adaptaciones musicales de textos poeticos en España desde 1960 hasta el 2010." University of Cincinnati / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1367937390.
Повний текст джерелаFabellini, Antonella. "El performance en la clase ELE: : La danza, un recurso pedagógico para el desarrollo de la competencia lingüística y sociocultural." Thesis, Stockholms universitet, Institutionen för spanska, portugisiska och latinamerikastudier, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-78379.
Повний текст джерелаEn esta investigación se aborda el uso del performance, y en particular la danza, como un recurso didáctico útil para el desarrollo de la competencia lingüística y sociocultural, en el ámbito de aprendizaje del español como lengua extranjera (ELE). Se trata de un trabajo profesionalizador en el que se realiza un análisis comparativo de una propuesta didáctica puesta en práctica en dos entornos de aprendizaje ELE distintos: un contexto académico estadounidense y un instituto de secundaria sueco.Los datos, obtenidos a través del análisis de las respuestas proporcionadas en los cuestionarios entregados a los alumnos y a los docentes al finalizar el proyecto didáctico y también a través de la observación en el aula de las distintas sesiones, evidencian que la danza puede favorecer el desarrollo de la competencia lingüística puesto que establece entornos de aprendizaje relajados donde los aprendientes ponen a prueba sus destrezas lingüísticas y además provoca emociones que promueven el uso específico de elementos lingüísticos cuando ocurren interacciones. Además, los resultados demuestran que la elección de un tipo de danza (la tradicional-folclórica y la étnica) y la autenticidad de los materiales permitieron también el desarrollo de la competencia sociocultural.
Ruiz-Caraballo, Noraliz. "Continuity and Change in the Puerto Rican Cuatro Tradition: Reflections on Contemporary Performance Practice." Kent State University / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=kent1448876345.
Повний текст джерелаKyser, Tiffany S. "Folked, Funked, Punked: How Feminist Performance Poetry Creates Havens for Activism and Change." Thesis, Connect to resource online, 2010. http://hdl.handle.net/1805/2192.
Повний текст джерелаTitle from screen (viewed on July 19, 2010). Department of English, Indiana University-Purdue University Indianapolis (IUPUI). Advisor(s): Karen Kovacik, Peggy Zeglin Brand, Ronda C. Henry. Includes vitae. Includes bibliographical references (leaves 79-83).
Lunelli, Diego Conto. "Performance e religiosidade : ritmo, canto e poesia oral nos rituais de batuque e umbanda em Caxias do Sul/RS." reponame:Repositório Institucional da UCS, 2017. https://repositorio.ucs.br/handle/11338/3379.
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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior, CAPES.
This dissertation approaches the poetic an musical practice in the Afro-Brazilian religiosities practiced in the city of Caxias do Sul in Rio Grande do Sul, Umbanda and Batuque, from the perspective of the performance and vocality, theory based especially on Paul Zumthor (1915 - 1995). For the elaboration of this dissertation two methodological processes were used, initially a bibliographical research to observe questions related to the social formation of the studied region, formation of the Brazilian religions with African roots and the conceptual base on oral poetry. The second methodological process was an ethnography, developed in a Afro-Brazilian religion house of Caxias do Sul, called Ilê Axé de Ogun Onire, for two years. This research had an unprecedented investigative character, as far as we know there is a few researches on religion that studies oral poetry and, at the same time, performance research according to Zumthor (1997) does not refers to the Afro-Brazilian religions practiced in Rio Grande do Sul. Another important objective of this work were to observe ritualistic practices from the perspective of cultural region, since religions as social practices have important peculiarities to be observed according to the context in which they happened, and also to observe the musical practices as regional marks, also in the region of Caxias do Sul. At the end of the research process it was possible to see the constant presence, and especially the importance, of the voice, the rhythm and the melody in the oral poetry of religious rituals with African roots in Caxias do Sul. Oral poetry, as a significant monument of the sociocultural practices of a group is an expression of resistance, ancestry, culture, identity and expressivity of Afro-Brazilian religions.
Murdoch, J. L. "Unmasking Talchum: An Embodied Inquiry into Korea’s Masked Dance-Drama." Bowling Green State University / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1300734669.
Повний текст джерелаStock, Marel Angela. "Puppets, Pioneers, and Sport: The Onstage and Offstage Performance of Khmer Identity." Diss., CLICK HERE for online access, 2009. http://contentdm.lib.byu.edu/ETD/image/etd2944.pdf.
Повний текст джерелаBrito, Mariana do Socorro da Silva. "A construção da performance das seis danças romenas de Béla Bártok: memorial de um processo criativo centrado no corpo." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2018. http://hdl.handle.net/10183/174079.
Повний текст джерелаThis dissertation is the performer’s account of the process of constructing a performance of Béla Bártok’s Romanian Folk Dances from the perspective of embodied cognition. Based on Godøy’s proposition of gestural-sonic coarticulation (2006; 2011), and Alexandra Pierce’s gestural approach to piano performance (2007), this research investigated how gesture and sound shape one another, and how this continuous process affects the conception of the work and the relations between performer, music and instrument. Considering that lived experience exceeds piano practice, perspectives from extra-musical activities were considered due to their contribution towards promoting bodily awareness and insights that were relevant to the artistic process. The methodological approach draws from Artistic Research and Autoethnography in regard to uncovering embodied knowledge ingrained in the process of artistic creation through personal narrative. The documentation of the process comprised: 1) a journal describing practice sessions, piano lessons and extra-musical experiences; 2) video recordings of practice sessions; 3) video recordings of performances along the process; 4) a comparison between the final performance and the first recording of the piece made prior to the present research. These records were examined with the purpose of comprehending the artistic process from the perspective of body and music in a constant state of becoming, identifying the most meaningful moments of insight, and mapping creative resources devised by the performer during the artistic process. The performer’s reflections upon the process lead to recognizing oneself as an embodied subject, to perceiving music as an essentially corporeal phenomenon, and to transformations in the conception of the musical work. The artistic process centered on the performer’s body promoted significant changes in the performer’s interaction with the instrument, the development of a broader gestural repertoire, an increment in expressive resources, and the refinement of aural perception, fostering the growth of creativity and artistic autonomy, as well as emotional maturation.
Noh, Wonil. "A Conductor's Guide to Hyo-Won Woo's Choral Music as Reflected in "Oh! KOREA"." Thesis, University of North Texas, 2018. https://digital.library.unt.edu/ark:/67531/metadc1404580/.
Повний текст джерелаMitchell, Aaron Paul. "A Conductor's Guide to Ariel Ramírez's Misa Criolla." University of Cincinnati / OhioLINK, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1243354657.
Повний текст джерелаDavid, Fabrice. "Étude anthropologique de la création chorégraphique d'un spectacle de danse bretonne : Abenn Dimeurh de l'ensemble musique et danse Kevrenn Alré (Bretagne, France)." Thesis, Université Clermont Auvergne (2017-2020), 2018. http://www.theses.fr/2018CLFAL011.
Повний текст джерелаThis thesis focuses on the process of choreographic creation of a folk dance performance in Brittany. It is based on fieldwork conducted in Kevrenn Alré, a Breton music and dance ensemble based in Auray in Morbihan, from November 2010 to November 2012. Like most Breton groups, Kevrenn Alré create their show to compete in the annual contest organized by the folk dance organization to which they belong. The research analyses the collective activities and modes of production implemented during the creation of the performance Abenn dimeurh on the theme of the preparations for a wedding in the Auray region around 1900.The ethnographic description of a dance contest and the analysis of Kevrenn Alré's internal dynamics first allow us to understand the group's relationship to its socio-cultural environment and to examine how the competitive framework shapes the creative process of a show. The making of Abenn Dimeurh is then observed by investigating the various steps organized by the choreographers: finding the theme, collecting data, presenting the project to the dancers, making and staging the choreographic score. This observation highlights the way Kevrenn Alré's leaders, in order to carry out their artistic project, must articulate a clearly organized creative process and a collective organization of activities. Throughout the process, various forms of cooperation are initiated, showing that the actors consider the notion of being and working together around a common vision of joint endeavour and shared responsibilities. The analysis shows that the definition of artistic work as a collective activity is operative in the context of Breton folk dance performance, taking into account the specificities of voluntary associations. In this environment, the members of Kevrenn Alré struggle to bring together the pleasure of shared activities and success in the contest. From all this, it emerges that the creative process leaves its imprint on the production by generating a performance that expresses their vision of Breton culture
Beisswenger, Donald. "Singing Schools in Southcentral Kentucky." TopSCHOLAR®, 1985. https://digitalcommons.wku.edu/theses/2128.
Повний текст джерелаSemadeni, Matthew Briggs. "Leaving the corporate fold examining spin-off actions and performance /." Texas A&M University, 2003. http://hdl.handle.net/1969/289.
Повний текст джерелаMellish, E. S. "Dancing through the city and beyond : lives, movements and performances in a Romanian urban folk ensemble." Thesis, University College London (University of London), 2014. http://discovery.ucl.ac.uk/1432797/.
Повний текст джерелаTestad, Gunnel. ""Solidariteten, det vackra i denna strid...". Spelet om Norbergsstrejken 1891-92 : En studie i arbetarkultur." Doctoral thesis, Stockholms universitet, Institutionen för litteraturvetenskap och idéhistoria, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-75218.
Повний текст джерелаCoutinho, Emanuel Ferreira. "FOLE: A Conceptual Framework for Elasticity Performance Analysis in Cloud Computing Environments." Universidade Federal do CearÃ, 2014. http://www.teses.ufc.br/tde_busca/arquivo.php?codArquivo=13197.
Повний текст джерелаAtualmente muitos clientes e provedores estÃo utilizando recursos de ambientes de ComputaÃÃo em Nuvem, tais como processamento e armazenamento, para suas aplicaÃÃes e serviÃos. Devido à facilidade de utilizaÃÃo, baseada no modelo de pagamento por uso, à natural que a quantidade de usuÃrios e suas respectivas cargas de trabalho tambÃm cresÃam. Como consequÃncia, os provedores devem ampliar seus recursos e manter o nÃvel de qualidade acordado com os clientes, sob pena de quebras do Service Level Agreement (SLA) e consequentes multas. Com o aumento na utilizaÃÃo de recursos computacionais, uma das caracterÃsticas principais da ComputaÃÃo em Nuvem tem se tornado bastante atrativa: a elasticidade. A elasticidade pode ser definida como o quanto uma nuvem computacional se adapta a variaÃÃes na sua carga de trabalho atravÃs do provisionamento e desprovisionamento de recursos. Devido à pouca disponibilidade de informaÃÃo em relaÃÃo à configuraÃÃo dos experimentos, em geral nÃo à trivial implementar conceitos de elasticidade, muito menos aplicÃ-los em ambientes de nuvens computacionais. AlÃm disso, a maneira de se medir a elasticidade nÃo à tÃo Ãbvia, e bastante variada, nÃo havendo ainda uma padronizaÃÃo para esta tarefa, e sua avaliaÃÃo pode ser executada de diferentes maneiras devido Ãs diversas tecnologias e estratÃgias para o provimento da elasticidade. Um aspecto comum na avaliaÃÃo de desempenho da elasticidade à a utilizaÃÃo de recursos do ambiente, como CPU e memÃria, e mesmo sem ter uma mÃtrica especÃfica para a elasticidade, à possÃvel se obter uma avaliaÃÃo indireta. Nesse contexto, este trabalho propÃe o FOLE, um framework conceitual para a realizaÃÃo de anÃlise de desempenho da elasticidade em nuvens computacionais de maneira sistemÃtica, flexÃvel e reproduzÃvel. Para apoiar o framework, mÃtricas especÃficas para a elasticidade e mÃtricas para sua mediÃÃo indireta foram propostas. Para a mediÃÃo da elasticidade em ComputaÃÃo em Nuvem, propomos mÃtricas baseadas em conceitos da FÃsica, como tensÃo e estresse, e da Microeconomia, como Elasticidade do PreÃo da Demanda. Adicionalmente, mÃtricas baseadas em tempos de operaÃÃes de alocaÃÃo e desalocaÃÃo de recursos, e na utilizaÃÃo desses recursos foram propostas para apoiar a mediÃÃo da elasticidade. Para verificaÃÃo e validaÃÃo da proposta, dois estudos de caso foram realizados, um em uma nuvem privada e outro em uma nuvem hÃbrida, com experimentos projetados utilizando microbenchmarks e uma aplicaÃÃo cientÃfica clÃssica, executados sobre uma infraestrutura baseada em conceitos de ComputaÃÃo AutonÃmica. Por meio desses experimentos, o FOLE foi validado em suas atividades, permitindo a sistematizaÃÃo de uma anÃlise de desempenho da elasticidade. Os resultados mostram que à possÃvel avaliar a elasticidade de um ambiente de ComputaÃÃo em Nuvem por meio de mÃtricas especÃficas baseadas em conceitos de outras Ãreas de conhecimento, e tambÃm complementada por mÃtricas relacionadas a tempos de operaÃÃes e recursos de maneira satisfatÃria.
White, Robert D. (Robert David) 1976. "Effects of impact and vibration on the performance of a micromachined tuning fork gyroscope." Thesis, Massachusetts Institute of Technology, 1999. http://hdl.handle.net/1721.1/16723.
Повний текст джерелаIncludes bibliographical references (p. 188).
This electronic version was submitted by the student author. The certified thesis is available in the Institute Archives and Special Collections.
by Robert D. White.
S.B.and S.M.
Azgin, Kivanc. "High Performance Mems Gyroscopes." Master's thesis, METU, 2007. http://etd.lib.metu.edu.tr/upload/12608194/index.pdf.
Повний текст джерелаm and structural layer thickness of 25 µ
m. Die sizes of the fabricated gyroscope chips are 4.1 mm x 4.1 mm for the single mass, 4.1 mm x 8.9 mm for the double mass, and 8.9 mm x 8.9 mm for the quadruple mass gyroscope. Fabricated gyroscopes are tested with dedicated differential readout electronics constructed with discrete components. Drive mode resonance frequencies of these gyroscopes are in a range of 3.4 kHz to 5.1 kHz. Depending on the drive mode mechanics, the drive mode quality (Q) factors of the fabricated gyroscopes are about 300 at atmospheric pressure and reaches to a value of 2500 at a vacuum ambient of 50 mTorr. Resolvable rates of the fabricated gyroscopes at atmospheric pressure are measured to be 0.109 deg/sec, 0.055 deg/sec, and 1.80 deg/sec for SMG, DMG, and QMG, respectively. At vacuum, the respective resolutions of these gyroscopes improve significantly, reaching to 106 deg/hr with the SMG and 780 deg/hr with the QMG, even though discrete readout electronics are used. Acceleration sensitivity measurements at atmosphere reveal that QMG has the lowest bias g-sensitivity and the scale factor g sensitivity of 1.02deg/sec/g and 1.59(mV/(deg/sec))/g, respectively. The performance levels of these multi-mass gyroscopes can be even further improved with high performance integrated capacitive readout electronics and precise sense mode phase matching.
Coutinho, Emanuel Ferreira. "FOLE: Um framework conceitual para avaliação de desempenho da elasticidade em ambientes de computação em nuvem." reponame:Repositório Institucional da UFC, 2014. http://www.repositorio.ufc.br/handle/riufc/18673.
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Currently, many customers and providers are using resources of Cloud Computing environments,such as processing and storage, for their applications and services. Through ease of use, based on the pay per use model, it is natural that the number of users and their workloads also grow. As a result, providers should expand their resources and maintain the agreed level of quality for customers, otherwise breaks the Service Level Agreement (SLA) and the resulting penalties. With the increase in computational resources usage, a key feature of Cloud Computing has become quite attractive: the elasticity. Elasticity can be defined as how a computational cloud adapts to variations in its workload through resources provisioning and deprovisioning. Due to limited availability of information regarding configuration of the experiments, in general is not trivial to implement elasticity concepts, much less apply them in cloud environments. Furthermore, the way of measuring cloud elasticity is not obvious, and there is not yet a standard for this task. Moreover, its evaluation could be performed in different ways due to many technologies and strategies for providing cloud elasticity. A common aspect of elasticity performance analysis is the use of environmental resources, such as CPU and memory, and even without a specific metric, to allow an indirectly assess of elasticity. In this context, this work proposes FOLE, a conceptual framework for conducting performance analysis of elasticity in Cloud Computing environments in a systematic, flexible and reproducible way. To support the framework, we proposed a set of specific metrics for elasticity and metrics for its indirect measurement. For the measurement of elasticity in Cloud Computing, we proposed metrics based on concepts of Physics, such as strain and stress, and Microeconomics, such as Price Elasticity of Demand. Additionally, we also proposed metrics based on resources allocation and deallocation operation times, and used resources, to support the measurement of elasticity. For verification and validation of the proposal, we performed two experiments, one in a private cloud and other in a hybrid cloud, using microbenchmarks and a classic scientific application, through a designed infrastructure based on concepts of Autonomic Computing. Through these experiments, FOLE had validated their activities, allowing the systematization of a elasticity performance analysis. The results show it is possible to assess the elasticity of a Cloud Computing environment using specific metrics based on other areas of knowledge, and also complemented by metrics related to time and resources operations satisfactorily.
Atualmente muitos clientes e provedores estão utilizando recursos de ambientes de Computação em Nuvem, tais como processamento e armazenamento, para suas aplicações e serviços. Devido à facilidade de utilização, baseada no modelo de pagamento por uso, é natural que a quantidade de usuários e suas respectivas cargas de trabalho também cresçam. Como consequência, os provedores devem ampliar seus recursos e manter o nível de qualidade acordado com os clientes, sob pena de quebras do Service Level Agreement (SLA) e consequentes multas. Com o aumento na utilização de recursos computacionais, uma das características principais da Computação em Nuvem tem se tornado bastante atrativa: a elasticidade. A elasticidade pode ser definida como o quanto uma nuvem computacional se adapta a variações na sua carga de trabalho através do provisionamento e desprovisionamento de recursos. Devido à pouca disponibilidade de informação em relação à configuração dos experimentos, em geral não é trivial implementar conceitos de elasticidade, muito menos aplicá-los em ambientes de nuvens computacionais. Além disso, a maneira de se medir a elasticidade não é tão óbvia, e bastante variada, não havendo ainda uma padronização para esta tarefa, e sua avaliação pode ser executada de diferentes maneiras devido às diversas tecnologias e estratégias para o provimento da elasticidade. Um aspecto comum na avaliação de desempenho da elasticidade é a utilização de recursos do ambiente, como CPU e memória, e mesmo sem ter uma métrica específica para a elasticidade, é possível se obter uma avaliação indireta. Nesse contexto, este trabalho propõe o FOLE, um framework conceitual para a realização de análise de desempenho da elasticidade em nuvens computacionais de maneira sistemática, flexível e reproduzível. Para apoiar o framework, métricas específicas para a elasticidade e métricas para sua medição indireta foram propostas. Para a medição da elasticidade em Computação em Nuvem, propomos métricas baseadas em conceitos da Física, como tensão e estresse, e da Microeconomia, como Elasticidade do Preço da Demanda. Adicionalmente, métricas baseadas em tempos de operações de alocação e desalocação de recursos, e na utilização desses recursos foram propostas para apoiar a medição da elasticidade. Para verificação e validação da proposta, dois estudos de caso foram realizados, um em uma nuvem privada e outro em uma nuvem híbrida, com experimentos projetados utilizando microbenchmarks e uma aplicação científica clássica, executados sobre uma infraestrutura baseada em conceitos de Computação Autonômica. Por meio desses experimentos, o FOLE foi validado em suas atividades, permitindo a sistematização de uma análise de desempenho da elasticidade. Os resultados mostram que é possível avaliar a elasticidade de um ambiente de Computação em Nuvem por meio de métricas específicas baseadas em conceitos de outras áreas de conhecimento, e também complementada por métricas relacionadas a tempos de operações e recursos de maneira satisfatória.
White, Braden Spencer. "Measurement of Wood Pallet Performance Subjected to Uniform Loading in Racked, Fork Tine, and Floor Stacked Support Conditions." Thesis, Virginia Tech, 2008. http://hdl.handle.net/10919/33730.
Повний текст джерелаWood pallets are heavily used throughout the United States and the World to transport, store, and protect goods. During a lifecycle, pallets typically experience various stresses from warehouse storage racks, materials handling equipment, and floor stacking situations. The components within the pallet interact to withstand load and impact forces. Every year product damage and human injury/death result from improperly designed pallets, non-reliable packaging systems, and careless materials handling methods.
In use wood pallets are exposed to a variety of loads and support conditions. This research investigates the effect of different pallet designs and support conditions on pallet stiffness. Uniform loads were applied to pallet designs containing thick or thin components and three, four, or five non-notched and notched stringers. The pallets were supported using racked across the length, racked across the width, fork truck tine, and floor stack support conditions. Structural analysis was used to determine the test loads for each pallet bending test. Pallet deflections were measured in specific locations for each bending test.
Pallet test results indicated that heavy duty pallets are 6.5 times stiffer than light duty pallets tested in the racked across width (RAW) support condition. Non-notched pallets tested are 51% stiffer than notched pallets in the racked across length (RAL) support condition. Test results also indicated that a wider fork tine support span decreases average pallet stiffness by 29% and 49% for 4 and 5 stringer pallets, compared to 3 stringer. The heavy duty pallets tested are, on average, 48.3% stiffer than light duty pallets in the fork tine support condition. For the notched fork tine support condition, the average pallet stiffness decreased by 29% and 3% for four and five stringer pallets, compared to three stringer.
Pallet joints were tested to measure joint stiffness. Joint rotation tests were conducted to determine rotation modulus and joint withdrawal tests were conducted to determine joint withdrawal stiffness. The joint stiffness measurements were used as spring constants in structural analysis based on semi-rigid joint performance. Heavy duty pallet joints were approximately half as stiff (6758 in-lbs/radian) in rotation as light duty pallet joints (12907 in-lbs/radian). Light duty pallet joints were less stiff (44008 lbs/in) in withdrawal than heavy duty pallet joints (57823 in/lbs).
The results from this research were used to compare with results from ANSYS (Version 11) structural model estimates. The average predicted error for all pallet bending tests was 13% (heavy duty) and 3% (light duty).
Master of Science
Polychronos, Theofanis. "Performance analysis of Binary FSK signals with L-Fold diversity selection combining techniques in a Nakagami-M fading channel." Thesis, Monterey, Calif. : Springfield, Va. : Naval Postgraduate School ; Available from National Technical Information Service, 1998. http://handle.dtic.mil/100.2/ADA353062.
Повний текст джерела"September 1998." Thesis advisor(s): Tri T. Ha, Ralph D. Hippenstiel. Includes bibliographical references (p. 61). Also available online.
Schoone-Jongen, Terence G. "Tulip time, U. S. A. staging memory, identity and ethnicity in Dutch-American community festivals /." Columbus, Ohio : Ohio State University, 2007. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1172255860.
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