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Статті в журналах з теми "Folk choreographic art"
DEM’YANKO, N. "COMPONENTS OF NATIONAL CULTURE IN PEDAGOGICAL HERITAGE AND ACTIVITY OF V. VERKHOVINETS." ТHE SOURCES OF PEDAGOGICAL SKILLS, no. 22 (November 7, 2018): 81–86. http://dx.doi.org/10.33989/2075-146x.2018.22.185019.
Повний текст джерелаKondratenko, Yurii A., and Elena N. Antipkina. "Actualization of traditional art practices in contemporary art of Mordovia (in the context of creating choreographic suites)." Finno-Ugric World 12, no. 3 (October 26, 2020): 314–24. http://dx.doi.org/10.15507/2076-2577.012.2020.03.314-324.
Повний текст джерелаTkachenko, Mariia. "THE ROLE OF THE CHOREOGRAPHIC COMPONENT IN THE SYSTEM OF ARTISTIC DISCIPLINES OF THE EDUCATIONAL PROCESS OF ART SCHOOLS." Academic Notes Series Pedagogical Science 1, no. 195 (2021): 205–8. http://dx.doi.org/10.36550/2415-7988-2021-1-195-205-208.
Повний текст джерелаNarskiy, I. V. "FICTION IN "AUTHENTICITY" SUBSTANTIATION: HOW THE SOVIET CHOREOGRAPHERS SUBSTANTIATED FOLK CHARACTER OF THEIR WORKS." UKRAINIAN CULTURAL STUDIES, no. 1 (4) (2019): 61–67. http://dx.doi.org/10.17721/ucs.2019.1(4).12.
Повний текст джерелаShinzhina, Aiana Ivanovna. "Altai National Dance Theater “Altam” as a laboratory of practical implementation of the results of research work on studying traditional culture of the Altai people." Культура и искусство, no. 2 (February 2021): 65–79. http://dx.doi.org/10.7256/2454-0625.2021.2.34621.
Повний текст джерелаЗозуля, К. В. "НАВЧАННЯ ХОРЕОГРАФІЇ ДІТЕЙ МОЛОДШОГО ШКІЛЬНОГО ВІКУ В СУЧАСНИХ ПОЗАШКІЛЬНИХ ЗАКЛАДАХ М. ХАРКОВА". Spiritual-intellectual upbringing and teaching of youth in the 21st century, № 3 (2021): 118–22. http://dx.doi.org/10.34142//2708-4809.siuty.2021.26.
Повний текст джерелаZuev, Ilya N., Igor L. Musukhranov, and Ekaterina G. Romanova. "ASPECTS OF THE THEORETICAL UNDERSTANDING OF THE FOLK AND FOLK STAGE DANCE OF ALTAI." Vestnik Tomskogo gosudarstvennogo universiteta. Kul'turologiya i iskusstvovedenie, no. 41 (2021): 225–33. http://dx.doi.org/10.17223/22220836/41/19.
Повний текст джерелаPidlypskyi, Andrii. "Creativity of teachers-choreographers of the Terebovlyan Cultural Education School of Anatolii and Oleksandra Polishchuk." Collection of scientific works “Notes on Art Criticism”, no. 39 (September 1, 2021): 75–81. http://dx.doi.org/10.32461/2226-2180.39.2021.238691.
Повний текст джерелаTurchak, Lesia. "Creativity of O. Gerdan-Zaklynska within the development of Ukrainian and world choreographic culture." Culturology Ideas, no. 21 (1'2022) (2021): 93–101. http://dx.doi.org/10.37627/2311-9489-21-2022-1.93-101.
Повний текст джерелаVernyhor, Dmytro. "Ukrainian Dance – Global Hallmark (Dedicated to the Anniversary of the National Honoured Dance Ensemble of Pavlo Virsky)." Diplomatic Ukraine, no. XIX (2018): 757–66. http://dx.doi.org/10.37837/2707-7683-2018-47.
Повний текст джерелаДисертації з теми "Folk choreographic art"
Хіміч, В. Л., та V. L. Khimich. "Підготовка майбутніх учителів фізичної культури до використання засобів народного хореографічного мистецтва у професійній діяльності". Дисертація, Хмельницький національний університет, 2021. http://elar.khnu.km.ua/jspui/handle/123456789/10230.
Повний текст джерелаThe research makes theoretical generalization and accomplishes the scientific task in training future Physical Training teachers for using means of folk choreographic art on professional activities. It is elucidated that applicability of the examined problem is justified by changes of demands of the society to the personality of a Physical Training teacher who is supposed to be active, creative, striving forself-improvement. The research substantiates the main principles, consistent patterns and methodological approaches of training future Physical Training teachers for using means of folk choreographic art in professional activities. Itclarifies the essence of the concept “training of future Physical Training teachers” as the process that provides professional orientation of a personality, their acquiring of accumulated theoretical knowledge, formation of practical skills, gaining experience resulting in readiness of future Physical Training teachers for professional activities. It is determined that readiness of future Physical Training teachers for using means of folk choreographic art in professional activities is an integral personal entity comprising knowledge of the essence of folk choreographic activity and is characterized with application of necessary professional and pedagogical skillsand means of their usage. The research substantiates the structure of readiness of future Physical Training teachers for using means of folk choreographic art in integrity of its components:motivational and axiological, cognitive and activity-oriented. Taking into consideration best practices of scientists and composition of the readiness of future Physical Training teachers for using means of folk choreographic art, there were determined criteria of its formedness including incentive, content-related and creative.There were differentiated the levels (high, medium, low) of readiness of future Physical Training teachers for using means of folk choreographic art in professional activities. There was made the diagnosis of the analyzed process,were identified and scientifically grounded pedagogical conditions and was designed the model of training future Physical Training teachers for using means of folk choreographic art (lexis of a folk dance, choreographic compositions, movements of folk dances, music). Taking into consideration the results of the analysis of scientific literature, work experience of higher educational institutions, results of the ascertaining stage of the experiment concerning training of future Physical Training teachers for using means of folk choreographic art, there were determined the following pedagogical conditions: formation of positive motivation of future Physical Training teachers for using means of folk choreographic art in their professional activities; updating of the contents of educational and instructional materials of the educational process of future Physical Training teachers and implementation of an interdisciplinary special course “Dancing khorting”; usage of innovative methods of training future Physical Training teachers for using means of choreographic art in their professional activities. There was theoretically grounded an authoring model of training futurePhysical Training teachers for using means of folk choreographic art in unity of its components: target, theoretical and methodological, organizational and content, diagnostically resultative. The target block of the model reflects social demand of the society for training competitive and highly qualified Physical Training teachers, aims and tasks of educational activities. Theoretical and methodological block comprises methodological approaches (cultural; competency-based; system; personality-oriented; activity-oriented; axiological; interdisciplinary; ethno-pedagogical) and principles of organizing the process of training future Physical Training teachers for using means of folk choreographic art in their professional activities. Organizational and content block specifies content, forms, methods and organization of training future Physical training teachers for using means of choreographic art in professional activities. Diagnostically-resultative block of the model represents the anticipated results of implementation of pedagogical conditions by identifying the levels (low, medium, high) of formednessof future Physical Training Teachers for using means of folk choreographic art in their professional activities as well as the result of this process which is positive dynamics of readiness of future Physical Training Teachers for using means of folk choreographic art in their professional activities. According to the results of the forming stage of the experiment, there was confirmed the efficacy of the suggested pedagogical conditions of training of future Physical Training teachers for using means of folk choreographic art in their professional activities. Its methodology encompasses combination of complex and system pedagogical measures of influence on future Physical Training teachers aiming at their gradual formedness of all the components of readiness for using means of folk choreographic art in their professional activities. Statistical importance of the discovered changes in the levels of formedness of readiness of future Physical Training teachers for using means of folk choreographic art in their professional activities of the experimental and reference groups was validated by corresponding mathematical processing of the received data via linear discriminant Fisher’s criterion φ*. It was proved that implementation of pedagogical conditions of training future Physical Training teachers for using means of choreographic art in their professional activities contributed to statistically significant changes. There were elaborated educational and instructional materials for training future Physical Training teachers for using means of folk choreographic art in their professional activities including the special course “Dancing khorting”; methodological recommendations “Eurhythmics and Choreography”: methodological recommendations for teaching the discipline and independent study of students of the specialty 014.11 “Secondary Education (Physical Training)” and 017 “Physical Training and Sport”. In order to improve the skills of physical education teachers and to diversify teaching practices in secondary education, a manual "Methods of studying the variable module" Dance Khorting" for institutions of secondary education was developed by the authoring team and approved by the Ministry of Education and Science of Ukraine (Minutes № 2 from 01. 07. 2019), there was worked out the variable module "Dance Khorting" for secondary schools of 10-11 grades (standard level); the curriculum for clubs of physical education and sports with health and applied orientation of general secondary education "Folk Dance" was approved for use by the Ministry of Education and Science of Ukraine; the handbook for general secondary education institutions for studying the variable module "Dance Khorting" was developed in co-authorship.
Книги з теми "Folk choreographic art"
Brahim, Bahloul. L' art chorégraphique en Algérie. Alger: Office des publications universitaires, 1986.
Знайти повний текст джерелаBogdani, Ramazan. Koreografí & art i kultivuar. Tiranë: Shtëpia Botuese "Mësonjëtorja,", 1998.
Знайти повний текст джерелаBogdani, Ramazan. Koreografí & art i kultivuar. Tiranë: Shtëpia Botuese "Mësonjëtorja,", 1998.
Знайти повний текст джерелаBogdani, Ramazan. Koreografí & art i kultivuar. Tiranë: Shtëpia Botuese "Mësonjëtorja,", 1998.
Знайти повний текст джерелаBogdani, Ramazan. Koreografí & art i kultivuar. Tiranë: Shtëpia Botuese "Mësonjëtorja,", 1998.
Знайти повний текст джерелаChoreographing the folk: The dance stagings of Zora Neale Hurston. Minneapolis: University of Minnesota Press, 2008.
Знайти повний текст джерелаIyer, Usha. Dancing Women. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190938734.001.0001.
Повний текст джерелаЧастини книг з теми "Folk choreographic art"
Kinder, Karyna. "THE ART OF DANCING OF VOLYN: THE DYNAMICS OF TRADITIONS AND INNOVATIONS." In Science, technology, and innovation: the experience of European countries and prospects for Ukraine. Publishing House “Baltija Publishing”, 2021. http://dx.doi.org/10.30525/978-9934-26-190-9-13.
Повний текст джерелаShay, Anthony. "Encountering Greek American Soundscapes." In Greek Music in America, 312–25. University Press of Mississippi, 2018. http://dx.doi.org/10.14325/mississippi/9781496819703.003.0016.
Повний текст джерелаТези доповідей конференцій з теми "Folk choreographic art"
Мир-Багирзаде, Ф. А. "Oriental symbolism of the ballet "Seven beauties" based on the poem by Nizami Ganjavi." In Современное социально-гуманитарное образование: векторы развития в год науки и технологий: материалы VI международной конференции (г. Москва, МПГУ, 22–23 апреля 2021 г.). Crossref, 2021. http://dx.doi.org/10.37492/etno.2021.91.54.086.
Повний текст джерелаYang, Qiong, and Lijuan Wu. "Opinions on the Choreography Creation of Yunnan Traditional Folk Dance." In The 6th International Conference on Arts, Design and Contemporary Education (ICADCE 2020). Paris, France: Atlantis Press, 2021. http://dx.doi.org/10.2991/assehr.k.210106.016.
Повний текст джерела