Увійти

Готові списки джерел за темами / Foam printing / Книги

Книги з теми "Foam printing"

Щоб переглянути інші типи публікацій з цієї теми, перейдіть за посиланням: Foam printing.

Автор: Grafiati

Опубліковано: 10 грудня 2022

Оновлено: 28 січня 2023

Оформте джерело за APA, MLA, Chicago, Harvard та іншими стилями

Оберіть тип джерела:

Ознайомтеся з топ-50 книг для дослідження на тему "Foam printing".

Біля кожної праці в переліку літератури доступна кнопка «Додати до бібліографії». Скористайтеся нею – і ми автоматично оформимо бібліографічне посилання на обрану працю в потрібному вам стилі цитування: APA, MLA, «Гарвард», «Чикаго», «Ванкувер» тощо.

Також ви можете завантажити повний текст наукової публікації у форматі «.pdf» та прочитати онлайн анотацію до роботи, якщо відповідні параметри наявні в метаданих.

Переглядайте книги для різних дисциплін та оформлюйте правильно вашу бібліографію.

1

United States Government Printing Office. Style manual: An official guide to the form and style of Federal Government printing 2008. Washington, DC: U.S. G.P.O., 2008.

Знайти повний текст джерела

Стилі APA, Harvard, Vancouver, ISO та ін.

2

Litunov, S. N. Metody rascheta oborudovanii︠a︡ dli︠a︡ izgotovlenii︠a︡ trafaretnykh form: Monografii︠a︡. Omsk: Izdatelʹstvo OmGTU, 2012.

Знайти повний текст джерела

Стилі APA, Harvard, Vancouver, ISO та ін.

3

Ben, Day, and Meggs Philip B, eds. Typographic design: Form and communication. New York: Van Nostrand Reinhold, 1985.

Знайти повний текст джерела

Стилі APA, Harvard, Vancouver, ISO та ін.

4

B, Meggs Philip, and Day Ben, eds. Typographic design: Form and communication. 4th ed. Hoboken, N.J: John Wiley & Sons, 2007.

Знайти повний текст джерела

Стилі APA, Harvard, Vancouver, ISO та ін.

5

Ben, Day, and Meggs Philip B, eds. Typographic design: Form and communication. 2nd ed. New York: Van Nostrand Reinhold, 1993.

Знайти повний текст джерела

Стилі APA, Harvard, Vancouver, ISO та ін.

6

Ben, Day, and Meggs Philip B, eds. Typographic design: Form and communication. 2nd ed. New York: John Wiley, 1993.

Знайти повний текст джерела

Стилі APA, Harvard, Vancouver, ISO та ін.

7

B, Meggs Philip, and Day Ben, eds. Typographic design: Form and communication. 3rd ed. New York: John Wiley & Sons, 2002.

Знайти повний текст джерела

Стилі APA, Harvard, Vancouver, ISO та ін.

8

United States Government Printing Office. Style manual: An official guide to the form and style of Federal Government printing 2008. Washington, DC: U.S. G.P.O., 2008.

Знайти повний текст джерела

Стилі APA, Harvard, Vancouver, ISO та ін.

9

United States Government Printing Office. Style manual: An official guide to the form and style of Federal Government printing 2008. Washington, DC: U.S. G.P.O., 2008.

Знайти повний текст джерела

Стилі APA, Harvard, Vancouver, ISO та ін.

10

Library, British, ed. Form and meaning in the history of the book: Selected essays. London: British Library, 2003.

Знайти повний текст джерела

Стилі APA, Harvard, Vancouver, ISO та ін.

11

B, Meggs Philip, and Day Ben, eds. Typographic design: Form and communication. 5th ed. Hoboken, N.J: John Wiley & Sons, 2011.

Знайти повний текст джерела

Стилі APA, Harvard, Vancouver, ISO та ін.

12

Form und Funktion des Druckbildes in englischen Texten des 16. Jahrhunderts. Frankfurt am Main: P. Lang, 1988.

Знайти повний текст джерела

Стилі APA, Harvard, Vancouver, ISO та ін.

13

Smith, Virginia Grace St. George. Forms in modernism: A visual set : the unity of typography, architecture & the design arts. New York: Watson-Guptill, 2005.

Знайти повний текст джерела

Стилі APA, Harvard, Vancouver, ISO та ін.

14

The economy of literary form: English literature and the industrialization of publishing, 1800-1850. Baltimore: Johns Hopkins University Press, 1996.

Знайти повний текст джерела

Стилі APA, Harvard, Vancouver, ISO та ін.

15

Johnson, Merle De Vore. A bibliography of the works of Mark Twain, Samuel Langhorne Clemens: A list of first editions in book form and of first printings in periodicals and occasional publications of his varied literary activities. Mansfield Center, CT: Martino Pub., 2008.

Знайти повний текст джерела

Стилі APA, Harvard, Vancouver, ISO та ін.

16

Kerouac, Jack. Atop an Underwood: Early stories and other writings. New York: Penguin Books, 2000.

Знайти повний текст джерела

Стилі APA, Harvard, Vancouver, ISO та ін.

17

Kerouac, Jack. Atop an Underwood: Early stories and other writings. New York: Viking, 1999.

Знайти повний текст джерела

Стилі APA, Harvard, Vancouver, ISO та ін.

18

Textual bodies: Modernism, postmodernism, and print. Lewisburg [Pa.]: Bucknell University Press, 1994.

Знайти повний текст джерела

Стилі APA, Harvard, Vancouver, ISO та ін.

19

Block Print: All You Need to Know to Make Fine-Art Prints with Lino Blocks, Foam Blocks, and Stamp Sets. Quarto Publishing Group USA, 2016.

Знайти повний текст джерела

Стилі APA, Harvard, Vancouver, ISO та ін.

20

Brundin, Abigail, Deborah Howard, and Mary Laven. Printing and Piety. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198816553.003.0008.

Повний текст джерела

Анотація:

This chapter focuses on the second half of the sixteenth century, which witnessed an outpouring of printed devotional texts aimed at new kinds of readers from lower down the social scale, and asks what impact this form of production might have had on domestic devotion. Three case studies for comparison are chosen: Vicenza, in the Veneto; Macerata, in the Marche; and Naples, the largest city in Europe in the period. An analysis of local, devotional printing helps to give a picture of the kinds of books ordinary people in three very different cities might have been able to buy cheaply in local bookshops to keep in their homes. The chapter argues that the proliferation of printed texts in the late sixteenth century provided opportunities to ordinary people to develop their individual faith in an unprecedented way.

Стилі APA, Harvard, Vancouver, ISO та ін.

21

Gillaerts, Paul, and Maurizio Gotti. Genre Variation in Business Letters: 2nd Printing. Lang AG International Academic Publishers, Peter, 2008.

Знайти повний текст джерела

Стилі APA, Harvard, Vancouver, ISO та ін.

22

U.S. Government Printing Office Style Manual: An official guide to the form and style of Federal Government printing. Military Bookshop, 2010.

Знайти повний текст джерела

Стилі APA, Harvard, Vancouver, ISO та ін.

23

Meggs, Philip B. Typographic Design: Form and Communication. Wiley & Sons, Limited, John, 2018.

Знайти повний текст джерела

Стилі APA, Harvard, Vancouver, ISO та ін.

24

Sanders, Mark, Ben Day, Philip B. Meggs, Rob Carter, and Sandra Maxa. Typographic Design: Form and Communication. Wiley & Sons, Incorporated, John, 2014.

Знайти повний текст джерела

Стилі APA, Harvard, Vancouver, ISO та ін.

25

Day, Ben, Philip B. Meggs, and Rob Carter. Typographic Design: Form and Communication. Wiley & Sons, Incorporated, John, 2012.

Знайти повний текст джерела

Стилі APA, Harvard, Vancouver, ISO та ін.

26

Day, Ben, Philip B. Meggs, and Rob Carter. Typographic Design: Form and Communication. Wiley & Sons, Incorporated, John, 2011.

Знайти повний текст джерела

Стилі APA, Harvard, Vancouver, ISO та ін.

27

Day, Ben, Philip B. Meggs, and Rob Carter. Typographic Design: Form and Communication. Wiley & Sons, Incorporated, John, 2012.

Знайти повний текст джерела

Стилі APA, Harvard, Vancouver, ISO та ін.

28

U. S. Government Printing Office Staff. U. S. Government Printing Office Style Manual: An Official Guide to the Form and Style of Federal Government Printing. Bernan Associates, 2009.

Знайти повний текст джерела

Стилі APA, Harvard, Vancouver, ISO та ін.

29

Census Of Manufactures, Final Reports, Industry Series: Manifold Business Form Printing 2002. Bernan Assoc, 2004.

Знайти повний текст джерела

Стилі APA, Harvard, Vancouver, ISO та ін.

30

DataGroup, Editorial. Manifold Business Form Printing World Summary: Product Values and Financials by Country. Independently Published, 2019.

Знайти повний текст джерела

Стилі APA, Harvard, Vancouver, ISO та ін.

31

United States Government Printing Office. U. S. Government Printing Office - Style Manual: An Official Guide to the Form and Style of Federal Government Printing 2008. Rowman & Littlefield Publishers, Incorporated, 2009.

Знайти повний текст джерела

Стилі APA, Harvard, Vancouver, ISO та ін.

32

Ray, Sumantra (Shumone), Sue Fitzpatrick, Rajna Golubic, Susan Fisher, and Sarah Gibbings, eds. Data capture tools: case report form (CRF). Oxford University Press, 2016. http://dx.doi.org/10.1093/med/9780199608478.003.0016.

Повний текст джерела

Анотація:

This chapter outlines the overall design process, highlights the aspects of design that are significant for the success of the case report form (CRF) and considers the effects of electronic data capture (EDC) in the production of electronic CRFs (eCRFs). It defines the purpose and regulatory requirements in designing a CRF. The chapter describes the data to be recorded in the CRF to answer the hypothesis being posed and collect safety data. The layout and design features are reviewed ensuring an aesthetically pleasing, easy to complete format is achieved. Hint and tips for CRF completion are described and the chapter shows how important question construction is in achieving the objectives of a CRF. The process of CRF printing is described and the different methods for binding and their importance in the production of a robust CRF. The pros and cons of Paper vs. eCRFs is described and the use of tablets and mobile phones being used for data capture is explored, Whatever the method of data capture the design features of the CFR will largely remain the same.

Стилі APA, Harvard, Vancouver, ISO та ін.

33

Kornicki, Peter Francis. Material Texts. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198797821.003.0005.

Повний текст джерела

Анотація:

This chapter deals with the forms in which Chinese texts reached neighbouring societies and were reproduced there. Thanks to the spread of paper-making technology, the materials with which to make manuscripts were plentiful, and in fact manuscripts continued to form an important part of book production even after the advent of print. The earliest kind of printing was xylography (woodblock printing), which was probably first put to use in China in the seventh century and rapidly spread to Korea, Japan, and elsewhere. In the eleventh century typography (movable type printing) was invented in China, but it was not put to much use there: rather, it was in the Tangut empire and Korea that typography, under the auspices of the state, came to be used extensively for book production. Typography also reached Japan and Vietnam, but had only a limited impact and in both societies xylography remained dominant.

Стилі APA, Harvard, Vancouver, ISO та ін.

34

Day, Ben, Philip B. Meggs, and Rob Carter. Typographic Design: Form and Communication. Wiley, 2006.

Знайти повний текст джерела

Стилі APA, Harvard, Vancouver, ISO та ін.

35

Day, Ben, Philip B. Meggs, and Rob Carter. Typographic Design: Form and Communication. Wiley & Sons, Incorporated, John, 2012.

Знайти повний текст джерела

Стилі APA, Harvard, Vancouver, ISO та ін.

36

Sanders, Mark, Ben Day, Philip B. Meggs, Rob Carter, and Sandra Maxa. Typographic Design: Form and Communication. Wiley & Sons, Incorporated, John, 2014.

Знайти повний текст джерела

Стилі APA, Harvard, Vancouver, ISO та ін.

37

Sanders, Mark, Ben Day, Philip B. Meggs, Rob Carter, and Sandra Maxa. Typographic Design: Form and Communication. Wiley & Sons, Incorporated, John, 2017.

Знайти повний текст джерела

Стилі APA, Harvard, Vancouver, ISO та ін.

38

Erik, Forsberg Karl, and Uppsala universitetsbibliotek, eds. Karl-Erik Forsberg: Grafisk form : utställning i Uppsala universitetsbibliotek, 1987. [Uppsala: Universitetsbiblioteket, 1987.

Знайти повний текст джерела

Стилі APA, Harvard, Vancouver, ISO та ін.

39

Bredekamp, Horst. Galileis Denkende Hand: Form und Forschung Um 1600. De Gruyter, Inc., 2014.

Знайти повний текст джерела

Стилі APA, Harvard, Vancouver, ISO та ін.

40

Galileis Denkende Hand: Form und Forschung Um 1600. de Gruyter GmbH, Walter, 2014.

Знайти повний текст джерела

Стилі APA, Harvard, Vancouver, ISO та ін.

41

Art and Design GNVQ Selection Pack: FOA: Packaging / FOA: Printing / Steel: Solutions in Technology / GNVQ Teachers Notes Covering Contexts. Hobsons PLC, 1994.

Знайти повний текст джерела

Стилі APA, Harvard, Vancouver, ISO та ін.

42

Barker, Nicolas. Form and Meaning in the History of the Book: British Library Studies in the History of the Book (British Library - British Library Studies in the History of the Book). British Library, 2002.

Знайти повний текст джерела

Стилі APA, Harvard, Vancouver, ISO та ін.

43

Moore, John W. Moore's Historical, Biographical, and Miscellaneous Gatherings, in the Form of Disconnected Notes Relative to Printers, Printing, Publishing, and Edi. Lenox Hill Pub, 1986.

Знайти повний текст джерела

Стилі APA, Harvard, Vancouver, ISO та ін.

44

Lippert, Amy K. DeFalco. “These Lofty Aspirants of Fame”: The Making of the Gold Rush Legend. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190268978.003.0002.

Повний текст джерела

Анотація:

San Francisco constituted the epicenter of the vibrant image production and printing industry that produced visualizations of the gold rush experience for miners and their far-flung audiences around the world. This chapter examines the artist-rendered representations of the gold rush, especially in the form of illustrated letter sheets—the precursors to the modern postcard. Letter sheets, and the notes that miners scrawled on them to the folks at home, stressed the irreplaceability of direct experience through the popular metaphor of “seeing the elephant.” Gold rush illustrations crafted an archetypal (white, male) miner identity and juxtaposed it with depictions of nonwhite groups like the Chinese and California Indians, who were cast as visual exotics.

Стилі APA, Harvard, Vancouver, ISO та ін.

45

Dzelzainis, Martin. Managing the Later Stuart Press, 1662–1696. Edited by Lorna Hutson. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199660889.013.47.

Повний текст джерела

Анотація:

The system of pre-publication censorship laid down in 1662 finally collapsed when the Printing Act expired in 1695. Yet even in the interim censorship rarely took the form of a direct confrontation between a writer and the state. In practice, the authorities simply lacked the means to police a regime of censorship of the kind now associated with the impersonal agency of the state. More representative of the way in which the Stuarts managed the press is the career of George Larkin (c.1642–1707), a printer, bookseller, and author overlooked in standard accounts of the London literary underground. This chapter provides a case study of Larkin against the background of these legislative developments.

Стилі APA, Harvard, Vancouver, ISO та ін.

46

Office, Government Publishing. Style Manual: An Official Guide to the Form and Style of Federal Government Publishing 2016. Bernan Press, 2017.

Знайти повний текст джерела

Стилі APA, Harvard, Vancouver, ISO та ін.

47

Office, Government Publishing. Style Manual: An Official Guide to the Form and Style of Federal Government Publishing 2016. Bernan Press, 2017.

Знайти повний текст джерела

Стилі APA, Harvard, Vancouver, ISO та ін.

48

Dussinger, John. Samuel Richardson and the Epistolary Novel. Edited by Alan Downie. Oxford University Press, 2013. http://dx.doi.org/10.1093/oxfordhb/9780199566747.013.011.

Повний текст джерела

Анотація:

Despite having turned 50 before publishing his first novel, Samuel Richardson’s literary career began already in his youth as a precocious letter-writer and developed during the 1720s after launching his London printing business. Richardson’s letter-writing style stresses continual flux as living experience, and this emphasis on temporality is continued in his three experimental ‘histories’ of characters struggling under the pressure of momentary perceptions. As a ‘dramatic’ novel, Clarissa exploits the resources of theatrical presentation as direct discourse and of narrative storytelling as indirect and free indirect discourse. Its epistolary form obviates an omniscient narrator and, except for an occasional ‘editor’, depends wholly on the individual voices that comprise piecemeal the story. This focus on temporality, however, has ultimately a religious and moral dimension: beyond the sound and the fury of present time is an intimation of eternal order.

Стилі APA, Harvard, Vancouver, ISO та ін.

49

Hinds, Peter. The Book Trade at the Turn of the Eighteenth Century. Edited by Alan Downie. Oxford University Press, 2013. http://dx.doi.org/10.1093/oxfordhb/9780199566747.013.032.

Повний текст джерела

Анотація:

This essay provides an overview of the publishing context at the turn of the eighteenth century out of which the novel would emerge, including the development and early dominance of the London book, before going on to describe the conditions for the spread of printing and bookselling nationally from 1695 onwards. As well as considering book production, the essay examines readers’ experiences in the period, looking at the testimony of individual, historical readers, and some specific genres of writing—such as diaries, autobiographies, and collections of letters—often considered important for the emergence of the novel form. The essay then turns to establish the ‘conceptual horizons’ of readers’ expectations with regard to fiction—horizons which authors could work within or seek to challenge and push further by innovating new forms of literary expression, the novel amongst them.

Стилі APA, Harvard, Vancouver, ISO та ін.

50

McGuiness, C. L., R. K. Smith, M. E. Anderson, P. S. Weiss, and D. L. Allara. Nanolithography using molecular films and processing. Edited by A. V. Narlikar and Y. Y. Fu. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199533060.013.23.

Повний текст джерела

Анотація:

This article focuses on the use of molecular films as building blocks for nanolithography. More specifically, it reviews efforts aimed at utilizing organic molecular assemblies in overcoming the limitations of lithography, including self-patterning and directed patterning. It considers the methods of patterning self-assembled organic monolayer films through soft-lithographic methods such as microcontact printing and nanoimprint lithography, through direct ‘write’ or ‘machine’ processes with a nanometer-sized tip and through exposure to electron or photon beams. It also discusses efforts to pattern the organic assemblies via the physicochemical self-assembling interactions, including patterning via phase separation of chemically different molecules and insertion of guest adsorbates into host matrices. Furthermore, it examines the efforts that have been made to couple patterned molecular assemblies with inorganic thin-film growth methods to form spatially constrained, three-dimensional thin films. Finally, it describes a hybrid self-assembly/conventional lithography (i.e. molecular rulers) approach to forming nanostructures.

Стилі APA, Harvard, Vancouver, ISO та ін.

Ми пропонуємо знижки на всі преміум-плани для авторів, чиї праці увійшли до тематичних добірок літератури. Зв'яжіться з нами, щоб отримати унікальний промокод!