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1
Levine, Norman. "Marx's First Appropriation Of Hegel." Critique 33, no. 1 (June 2005): 125–56. http://dx.doi.org/10.1080/03017600509469490.
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2
Messerschmidt, James W. "Engendering Gendered Knowledge." Men and Masculinities 15, no. 1 (January 12, 2012): 56–76. http://dx.doi.org/10.1177/1097184x11428384.
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The appropriation of concepts long established as salient contributions to gender theory and research recently has come under scholarly scrutiny. In this article, the author contributes to this dissection of crucial gender concepts by assessing the recent academic appropriation of the reformulated concept of “hegemonic masculinity” and how this appropriation engenders gendered knowledge. The author first briefly revisits the concept of hegemonic masculinity as reformulated by Connell and Messerschmidt. Following this, the author examines selected studies to illustrate how hegemonic masculinity has been appropriated differently, how this dissimilarity is significant for the production of gendered knowledge, and how several new directions in the appropriations extend gendered knowledge on hegemonic masculinity. Finally, the author discusses the relevance of all his conclusions to the wider debates over the concept of hegemonic masculinity and posits how these conclusions arguably impact future feminist/gender research and theory construction.
3
Edmundson, William A. "First Force." Journal of Ethics and Social Philosophy 1, no. 3 (June 1, 2017): 1–9. http://dx.doi.org/10.26556/jesp.v1i3.16.
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The state’s very existence seems morally problematic: there may be a justification, but there had better be. A vivid way of putting this is to say that gunmen, and the state as “gunman writ large,” threaten first force, while individuals who make conspicuous their readiness to defend what is theirs threaten not first but second force. But the “No First Force” maxim–originally Kant’s–must be relaxed if any institution of private property is to get off the ground. Property begins not in nature but in acts of appropriation, which in turn involve the use and threatened use of force against persons who might carry off the thing that has become property. Is it possible to relax the stricture against first force in a way that allows appropriation and transfer while maintaining a moral presumption against compulsory redistributive measures like those characteristic of modern welfare states? I argue that it is not.
4
Simic, Marina, and Milos Nicic. "From alienation to irony: Critical film studies and kynical subversion in Serbian film." Bulletin de l'Institut etnographique 70, no. 2 (2022): 177–98. http://dx.doi.org/10.2298/gei2202177s.
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In this paper, we will discuss two issues. First, the relation between political theory and film studies is discussed as the basis for the emergence of critical film studies and its contemporary transformation. Second, we consider the kynical subversion and ironic appropriation as a set of frameworks for understanding the social reality and politics in the Yugoslav Black Wave cinema as well as in the movies of the contemporary Serbian cinematography. New forms of popular appropriations of cinematographic heritage show the ways through which both the very movies and critical film studies have disassociated themselves from Althusserian social critique and embraced contemporary ideas of kynical appropriation and irony as forms of social critique.
5
Ellegaard, Chris, Christopher J. Medlin, and Jens Geersbro. "Value appropriation in business exchange – literature review and future research opportunities." Journal of Business & Industrial Marketing 29, no. 3 (March 4, 2014): 185–98. http://dx.doi.org/10.1108/jbim-03-2012-0039.
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Purpose – Value appropriation is a central, yet neglected aspect in business exchange research. The purpose of the paper is to generate an overview of research on active value appropriation in business exchange and provide the foundation for further research into value appropriation, as well as some initial guidance for managers. Design/methodology/approach – Literatures investigating value appropriation were identified by the means of a systematic review of the overall management literature. Findings – The authors provide an overview and comparison of the literatures and find that they apply diverse understandings of the value appropriation process and emphasize different mechanisms and outcomes of value appropriation. Research limitations/implications – Based on the literature comparison and discussion, in combination with inspiration from alternative business exchange literature, the authors propose four areas with high potential for future research into value appropriation: network position effects, appropriation acts and behaviors, buyer-seller relationship effects, and appropriation over time. Practical implications – Boundary spanning managers acting in industrial markets must master the difficult balance between value creation and appropriation. This review has provided an overview of the many managerial options for value appropriation and created knowledge on the effects of the various appropriation mechanisms enabling managers to secure company rents while not jeopardizing value creation. Originality/value – To the authors' knowledge, this paper represents the first attempt at reviewing the management literature on value appropriation in business exchange. The authors provide overview, details, comparisons, and frame a research agenda as a first step towards establishing value appropriation as a key phenomenon in business exchange research.
6
Puy, Nemesio García-Carril. "Ethical Issues on Musical Appropriation." Disputatio 13, no. 62 (December 1, 2021): 329–54. http://dx.doi.org/10.2478/disp-2021-0017.
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Abstract This paper aims to shed light on the question of whether musical appropriation is ethically unobjectionable. James Young (2021) has recently advanced a position on this topic, according to which, whereas the appropriation of a whole work is uncontroversially non-permissible, the appropriation of parts of a work is usually permissible. He grounds this view in ontological matters and in a criterion of fair use in terms of economic harm to the source work’s composer. I argue that, pace Young, we cannot make general ethical claims about musical appropriation because their truth is sensitive to the musical genres that the involved works belong to. First, I clarify the scope of musical appropriation by means of considerations on musical practices and ontology. This will reveal that versions and covers are not genuine cases of musical appropriation. In a second step, I consider a specific kind of musical appropriation: using the first measures of a source work as the first measures of a secondary work. I show that, even if we assume Young’s ontological framework and his criterion on fair use, the instances of this kind of musical appropriation count as fair or unfair depending on the musical genres of the involved works due to their normative implications for the composition and appreciation of those works.
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Moscaliuc, Mihaela. "Accessorizing (with) “Gypsyness” in the Twenty-first Century." Critical Romani Studies 2, no. 1 (November 15, 2019): 92–114. http://dx.doi.org/10.29098/crs.v2i1.35.
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Prefaced with a brief discussion of representation and cultural appropriation, this article examines how the fashion industry recycles and revamps hackneyed tropes that cast Roma into narratives of wanderlust, mystique, and transgression. Such tropes perpetuate epistemic injustice, compromise understandings ofRoma and their culture(s) within non-member groups, and curtail Roma designers’ rhetorical agency. I flesh out the discussion with the case of Mexican American designer Rio Uribe and his line Gypsy Sport and argue that, despite Uribe’s investment in social justice and much touted effort toward inclusiveness, he fails to acknowledge the unethical and harmful dimensions of his work. I turn to the fashion studio Romani Design (founded by Hungarian Roma designers Erika and Helena Varga) as an example of Roma initiatives that counter appropriative practices through reclaiming the heritage for self-representation and empowerment, then envision ways of intervening in the fashion industry’s co-option and misuse of Roma’s cultural heritage.
8
Lankina, Tomila V., Alexander Libman, and Anastassia Obydenkova. "Appropriation and Subversion." World Politics 68, no. 2 (February 23, 2016): 229–74. http://dx.doi.org/10.1017/s0043887115000428.
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Twenty-five years after the collapse of communism in Europe, few scholars disagree that the past continues to shape the democratic trajectories of postcommunist states. Precommunist education has featured prominently in this literature’s bundle of “good” legacies because it ostensibly helped foster resistance to communism. The authors propose a differentcausal mechanism—appropriation and subversion—that challenges the linearity of the above assumptions by analyzing the effects of precommunist literacy on patterns of Communist Party recruitment in Russia’s regions. Rather than regarding precommunist education as a source of latent resistance to communism, the authorshighlight the Leninist regime’s successful appropriation of the more literate strata of the precommunist orders, in the process subverting the past democratic edge of the hitherto comparatively more developed areas. The linear regression analysis of author—assembled statistics from the first Russian imperial census of 1897 supports prior research: precommunist literacy has a strong positive association with postcommunist democratic outcomes. Nevertheless, in pursuing causal mediation analysis, the authors find, in addition, that the above effect is mediated by Communist Party saturation in Russia’s regions. Party functionaries were likely to be drawn from areas that had been comparatively more literate in tsarist times, andparty saturation in turn had a dampening effect on the otherwise positive effects of precommunist education on postcommunist democracy.
9
Sarsfield, Donal. "LOVE AND APPROPRIATION." Tempo 71, no. 279 (December 20, 2016): 60–82. http://dx.doi.org/10.1017/s0040298216000711.
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It is now six weeks since I stepped between the train and the platform at Frankfurt am Hain, rushing to catch the slightly delayed 17:34 train to Darmstadt Hauptbahnhof. I'm not sure why I was rushing – the first concert was not until 20:00, so I had plenty of time. My right foot fell through, and the front of my leg hit the step of the train quite hard. I thought it would bleed, but it didn't. It just turned to a very hard bruise (haematoma I was later told). You couldn't really see the raised bump with the eye, it wasn't sore, but if you ran your hand over my leg you could feel it. I had booked my train from Liverpool specifically so I could see Anne Teresa De Keersmaeker's Vortex Temporum once more. I had seen it at Sadler's Wells and had been pleased, but was lucky enough to see Rosas performing Work/Travail/Arbeid as an installation at the Turbine Hall at Tate Modern. There, it was a revelation. Whether it was the space, the extra forces, or just the freedom to walk away, I was entranced. Best of all it was free. She was there herself, making comments, keeping an eye on things.
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Kogelmann, Brian. "Lockeans against labor mixing." Politics, Philosophy & Economics 20, no. 3 (June 22, 2021): 251–72. http://dx.doi.org/10.1177/1470594x211027256.
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The idea that labor mixing confers property in unowned resources is, for many, the very heart of the Lockean system of property. In this essay I shall argue that this common view is mistaken. Lockean theorists should reject labor mixing as the preferred method of first appropriation, and should adopt a different account of first appropriation instead. This is because labor mixing does not serve the central justification for the institution of property embraced by Lockeans. Thus, my argument is internal to the Lockean system; I rely only on premises that (many) Lockean theorists embrace. Though Lockeans should forsake labor mixing, that does not mean they should give up on property rights and the idea of first appropriation. In the paper’s final section, I sketch an account of first appropriation that Lockeans should embrace.
11
Avdic, Anders. "Second Order Interactive End User Development Appropriation in the Public Sector." Journal of Organizational and End User Computing 30, no. 1 (January 2018): 82–106. http://dx.doi.org/10.4018/joeuc.2018010105.
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This paper seeks to respond to the research question: How does appropriation take place in the public sector in the development of end user applications by civil servants? Appropriation is defined as taking advantage of opportunities related to the development and use of applications, when the developer has in-depth knowledge of the problem domain and is also the primary user of the application. The author's results showed that public servants who have deep problem domain knowledge can take advantage of end user tools (e.g. spreadsheet programs) in the problem- solving process to solve vaguely defined problems. Appropriation is manifested in the continuous development of various ICT applications. In this paper, the author differentiates between first- and second-order appropriation. First-order appropriation takes place when the potential of the development tool is appropriated by the end user. Second-order appropriation takes place when an application is continuously developed and refined in parallel with the end user's learning process and the development of organizational requirements.
12
Forés Rossell, Maria Consuelo. "Shakespeare for Revolution: From Canon to Activism in V for Vendetta and Sons of Anarchy." Revista Alicantina de Estudios Ingleses, no. 33 (December 23, 2020): 85. http://dx.doi.org/10.14198/raei.2020.33.07.
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Shakespeare’s works have long been a place of cultural and political struggles, and continues to be so. Twenty-first century non-canonical fiction is appropriating Shakespeare for activist purposes. The present article will analyze this phenomenon, applying the concept of cultural capital, the theories of cultural materialism, intertextuality, and appropriation in relation to popular culture, in order to study how Shakespeare’s plays are being appropriated from more radically progressive positions, and resituated in alternative contexts. Among the plethora of Shakespearean adaptations of the last decades, non-canonical appropriations in particular offer brand new interpretations of previously assumed ideas about Shakespeare’s works, popularizing the playwright in unprecedented ambits and culturally diverse social spaces, while giving voice to the marginalized. Thus, through entertainment, non-canonical fiction products such as V for Vendetta and Sons of Anarchy recycle the Shakespearean legacy from a critical point of view, while using it as a political weapon for cultural activism, helping to make people aware of social inequalities and to inspire them to adopt a critical stance towards them, as free and equal citizens.
13
Kang, Jun, Thomas Brashear-Alejandro, Anthony K. Asare, and Sixing Chen. "The effects of value appropriation strategies in channels on intangible firm value." Journal of Business & Industrial Marketing 33, no. 2 (March 5, 2018): 208–19. http://dx.doi.org/10.1108/jbim-10-2016-0234.
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Purpose This study aims to examine the role of channel strategies in value appropriation and their effects on firm value with the consideration of situational factors. Design/methodology/approach An empirical study with secondary data is conducted in the context of public franchised channels. The authors use Entrepreneur Franchise Top 500 (2012) as the sampling frame and merge the data from three sources to create the final data set. A set of models are built to test the hypotheses in a hierarchical manner. Findings Value appropriation provides a solid rationale to link marketing channel strategies to firm value. Channel integration is an effective strategy driving intangible firm value. The influence of channel compression on intangible firm value depends on its interaction with other marketing environmental variables. Research limitations/implications First, the sample size in this study is relatively small though these samples show high representativeness. Second, the empirical analysis in this study focuses on the franchised channels because of data availability. Practical implications Managers should consider the role of value appropriation when developing new channel strategies. A channel strategy deserves firm-level attention and resources because of its relevance to firm value. Managers should examine channel environment carefully and deploy internal resources to augment the potential of value appropriation strategies in channels. Originality/value This study is among the first to investigate the value relevance of marketing channel strategies from a value appropriation perspective. It identifies profit appropriation and resource appropriation as two mechanisms of value appropriation in marketing channels and uses these two processes to link channel integration and channel compression strategies with firm value.
14
Brancaccio, Francesco. "Appropriation, Common Property, the Inappropriable:." South Atlantic Quarterly 118, no. 4 (October 1, 2019): 857–76. http://dx.doi.org/10.1215/00382876-7825660.
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This essay will show what are some of the qualifying characteristics of the theoretical construction of the law of the common. It will be divided into two parts. In the first part, I will review some of the main structural modifications that affected modern law with the advent of cognitive capitalism and digital platforms, in particular following the creation of the Internet of Things and cloud computing. In the second part, I will consider the pars construens of the law of the common, reflecting on the possibility of giving new conceptual meaning to the logic of appropriation and common property in the sense of it being inappropriable. In the end, I will propose that the inappropriability is an alternative to the conceptual duo of sovereignty and property.
15
Boeker, Ruth. "The Role of Appropriation in Locke's Account of Persons and Personal Identity." Locke Studies 16 (December 31, 2016): 3–39. http://dx.doi.org/10.5206/ls.2016.648.
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According to Locke, appropriation is a precondition for moral responsibility and thus we can expect that it plays a distinctive role in his theory. Yet it is rare to find an interpretation of Locke’s account of appropriation that does not associate it with serious problems. To make room for a more satisfying understanding of Locke’s account of appropriation we have to analyse why it was so widely misunderstood. The aim of this paper is fourfold: First, I will show that Mackie’s and Winkler’s interpretations that have shaped the subsequent discussion contain serious flaws. Second, I will argue that the so-called appropriation interpretation —that is the view that appropriation is meant to provide alternative persistence conditions for persons—lacks support. Third, I will re-examine Locke’s texts and argue that we can come to a better understanding of his notion of appropriation in the Essay if we interpret it in analogy to his account of appropriation in Two Treatises. Fourth, I will offer a more fine-grained interpretation of the role of appropriation in relation to persistence conditions for persons. I conclude by showing that the advantage of this proposal is that it reconciles interpretations that have commonly been thought to be inconsistent.
16
Memili, Esra, Hanqing Chevy Fang, and Dianne H. B. Welsh. "Value creation and value appropriation in innovation process in publicly-traded family firms." Management Decision 53, no. 9 (October 19, 2015): 1921–52. http://dx.doi.org/10.1108/md-06-2014-0391.
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Purpose – The purpose of this paper is to examine the generational differences among publicly traded family firms in regards to value creation and value appropriation in the innovation process by drawing upon the knowledge-based view (KBV) and family business literature with a focus on socioemotional wealth perspective. Design/methodology/approach – The authors tests the hypotheses via longitudinal regression analyses based on 285 yearly cross-firm S & P 500 firm observations. Findings – First, the authors found that family ownership with second or later generation’s majority exhibits lower levels of value creation capabilities compared to non-family firms, whereas there is no difference between those of the firms with family ownership with a first generation’s majority and non-family firms. Second, the authors also found that family owned firms with a first generation’s majority have higher value appropriation abilities compared to nonfamily firms, while there is no significant difference in value appropriation between the later generation family firms and non-family firms. Research limitations/implications – The study help scholars, family business members, and investors better understand family involvement, and how it impacts firm performance through value creation and value appropriation. Originality/value – The paper contributes to the family business, innovation, and KBV literature in several ways. While previous family business studies drawing upon resource-based view and KBV often focus on the value creation in family governance, the authors investigate both value creation and value appropriation phases of innovation process.
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Kogelmann, Brian, and Benjamin G. Ogden. "Enough and as Good: A Formal Model of Lockean First Appropriation." American Journal of Political Science 62, no. 3 (June 6, 2018): 682–94. http://dx.doi.org/10.1111/ajps.12369.
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Casey, Bill. "“Sun Arise”: The Appropriation of Australia’s First Peoples’ Music, 1956–1974." Journal of Australian Studies 42, no. 3 (July 3, 2018): 357–73. http://dx.doi.org/10.1080/14443058.2018.1499671.
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Xhignesse, Michel-Antoine. "Retitling, Cultural Appropriation, and Aboriginal Title." British Journal of Aesthetics 61, no. 3 (July 1, 2021): 317–33. http://dx.doi.org/10.1093/aesthj/ayab014.
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Abstract In 2018, the Art Gallery of Ontario retitled a painting by Emily Carr which contained an offensive word. Controversy ensued, with some arguing that unsanctioned changes to a work’s title infringe upon artists’ moral and free speech rights. Others argued that such a change serves to whitewash legacies of racism and cultural genocide. In this paper, I show that these concerns are unfounded. The first concern is not supported by law or the history of our titling practices; and the second concern misses the mark by ignoring the gallery’s substantial efforts to avoid just such an outcome. Picking up on a suggestion from Loretta Todd, I argue that we can use Aboriginal Title as a model for thinking about the harms perpetuated by cultural appropriation, and the practices we should adopt to mitigate them.
20
Bartels, Larry M. "Constituency Opinion and Congressional Policy Making: The Reagan Defense Buildup." American Political Science Review 85, no. 2 (June 1991): 457–74. http://dx.doi.org/10.2307/1963169.
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Rrepresentatives' votes on a series of defense budget roll calls in the first year of the Reagan administration's Pentagon buildup are related to constituency opinions on defense spending during the 1980 election campaign. The strong aggregate constituency demand for increased defense spending in 1980 is estimated to have added almost $17 billion (about 10%) to the total fiscal year 1982 Pentagon appropriation. The impact of constituency opinion was largely independent of specific political circumstances: differential responsiveness in districts with partisan turnover, intense districtlevel competition, and strong presidential coattails together accounted for less than $1 billion in additional appropriations, with the remaining $16 billion attributable to across-the-board responsiveness by even the most safely incumbent representatives.
21
Hepburn, Ronald. "Values and cosmic imagination." Royal Institute of Philosophy Supplement 47 (September 2000): 35–51. http://dx.doi.org/10.1017/s1358246100006901.
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I shall mean by ‘cosmic imagination’, first, the mental appropriating of objects, events, processes or patterns perceived in nature-atlarge (or ‘widest nature’), so as to apply them in articulating our own scheme of values (as we seek to establish, or to revise, these), and in our quest for self-understanding. I shall apply the phrase also to the synthesising activity of the mind in our appraising of items in wider nature itself or as a whole – whether we believe nature to have no value save what we choose to confer or project on it, or take it to have a value that sets limits on our appropriation, benign or exploitative.
22
Lewis, Seth. "The Myth of Total Shakespeare: Filmic Adaptation and Posthuman Collaboration." Multicultural Shakespeare: Translation, Appropriation and Performance 24, no. 39 (March 15, 2022): 53–69. http://dx.doi.org/10.18778/2083-8530.24.04.
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The convergence of textuality and multimedia in the twenty-first century signals a profound shift in early modern scholarship as Shakespeare’s text is no longer separable from the diffuse presence of Shakespeare on film. Such transformative abstractions of Shakespearean linearity materialize throughout the perpetual remediations of Shakespeare on screen, and the theoretical frameworks of posthumanism, I argue, afford us the lens necessary to examine the interplay between film and text. Elaborating on André Bazin’s germinal essay “The Myth of Total Cinema,” which asserts that the original goal of film was to create “a total and complete representation of reality,” this article substantiates the posthuman potentiality of film to affect both humanity and textuality, and the tangible effects of such an encompassing cinema evince themselves across a myriad of Shakespearean appropriations in the twenty-first century (20). I propose that the textual discourses surrounding Shakespeare’s life and works are reconstructed through posthuman interventions in the cinematic representation of Shakespeare and his contemporaries. Couched in both film theory and cybernetics, the surfacing of posthuman interventions in Shakespearean appropriation urges the reconsideration of what it means to engage with Shakespeare on film and television. Challenging the notion of a static, new historicist reading of Shakespeare on screen, the introduction of posthumanist theory forces us to recognize the alternative ontologies shaping Shakespearean appropriation. Thus, the filmic representation of Shakespeare, in its mimetic and portentous embodiment, emerges as a tertiary actant alongside humanity and textuality as a form of posthuman collaboration.
23
Wagner, Keith B., and Michael A. Unger. "Photographic and cinematic appropriation of atrocity images from Cambodia: auto-genocide in Western museum culture and The Missing Picture." Visual Communication 18, no. 1 (January 3, 2018): 83–106. http://dx.doi.org/10.1177/1470357217742333.
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As a harrowing sub-discipline of English and Comparative Literature, Trauma Studies is in need of geographical expansion beyond its moorings in European genocides of the 20th century. In this article, the authors chart the institutional and cinematic appropriation of atrocity images in relation to the Khmer Rouge’s auto-genocide from 1975–1979 in Cambodia. They analyse the cultural and scholarly value of these images in conjunction with genocide studies to reveal principles often overlooked, taken for granted, or pushed to the periphery in photography studies and film studies. Through grim appropriations of archival or news footage to more experimental approaches in documentary, such as the use of dioramas, the authors examine the commercial and artistic articulations of trauma, reconciliation and testimony in two case studies: The Museum of Modern Art (MoMA) exhibition Photographs from S-21: 1975–1979 (1997) and Pithy Panh’s documentary The Missing Picture (2013). The authors first focus on the relatively obscure scholarship devoted to contextualizing images from international genocides outside the Euro-American canon for genocide study in order to build their critical formulations; they go on to explore whether these atrocity-themed still and moving images are capable of defying aspects of commodification and sensationalism to instead convey positive notions of commemoration and memory. Finally, their contribution to this debate regarding the merit of appropriating atrocity imagery is viewed from two perspectives: ‘commodified witnessing’ (a negative descriptor for the MoMA exhibition) and ‘commemorative witnessing’ (a positive term for the Cambodian film).
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Cherry, Jonathan. "Colonial appropriation of gaelic urban space: Creating the first ulster plantation town." Irish Geography 40, no. 2 (January 2007): 112–27. http://dx.doi.org/10.1080/00750770709555891.
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Uzelac, Gordana. "Legitimacy of Death: National Appropriation of the Fallen." Nationalities Papers 47, no. 4 (April 22, 2019): 647–59. http://dx.doi.org/10.1017/nps.2018.3.
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AbstractMany influential theorists of nationalism see war as a social conflict that to a great extent homogenizes and unifies the nation. Nowhere is that unity more clearly expressed than in war memorials and cemeteries. This article considers the examples of Britain and the USA during the aftermath of World War I in order to examine how the state legitimized its ownership of the bodies of its dead soldiers. It argues first that in an internal dispute, when all sides share a normative ideology, nationalism cannot offer an effective basis for legitimacy. Second, it shows that during the aftermath of World War I, the bodies of dead soldiers were not symbols. This article concludes that in order to transform a dead body into a symbol, the body first has to be “de-individualized.”
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Ng, Wei Sheng Timmy, and Elaine Wilson. "A perspective of teachers’ appropriation of educational innovations." International Journal for Lesson and Learning Studies 6, no. 3 (July 10, 2017): 202–15. http://dx.doi.org/10.1108/ijlls-12-2016-0052.
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Purpose The purpose of this paper is to propose a framework describing teachers’ affective and cognitive thought processes, as well as the sensemaking and decision making ongoing within them, during the various stages of the appropriation of an educational innovation. Design/methodology/approach The Rubicon model of action phases, borrowed from psychology, is first used as a lens to understand teachers’ will. The model is subsequently adapted to reconcile it with existing literature on teacher beliefs, teacher sensemaking, and teachers’ resistance. Findings The proposed framework shows that teachers’ appropriation of an educational innovation is multi-layered and multi-dimensional. This contradicts appropriation as simply a procedural implementation of research recommendations, culminating in only success or failure. Originality/value The paper sensitises policymakers, school leaders, and teacher educators to the complexity of the appropriation process. The proposed framework serves as a starting point for school and reform leaders, to re-examine their school’s implementation of an educational innovation from a more human relations perspective.
27
Wilczyńska, Elżbieta. "Polish Indian Hobbyists and Cultural Appropriation." Studia Anglica Posnaniensia 53, s1 (December 1, 2018): 347–74. http://dx.doi.org/10.2478/stap-2018-0017.
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Abstract This article attempts to describe the Polish-American Friends Movement (PAIFM) in the context of cultural appropriation. It first describes the history of the movement by linking it to the phenomenon of playing Indian, which started in the United States in the colonial period and then was transplanted to Europe in the late 19th century. Subsequently, it briefly presents the history of the Polish hobbyism movement in Poland, pointing out the historical, social, and psychological circumstances of its development. In the next part it defines the concept of cultural appropriation and its main types according to James Young (2010). The last part is devoted to a detailed analysis of different forms of activities of the PAIFM, especially the annual week gathering, as observed by the author during the 40th gathering of Polish Indian enthusiasts in 2016. Different types of cultural appropriation and an array of consequences resulting from such a positioning are discussed. In this paper it is argued that the negative undertones of the concept obscure the complexity of the movement as a cultural phenomenon and its multiple links with Native American cultures and their present political and cultural situation.
28
Woodford, Susan. "Herakles' attributes and their appropriation by Eros." Journal of Hellenic Studies 109 (November 1989): 200–204. http://dx.doi.org/10.2307/632053.
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This note discusses some of the images and ideas that led to the depiction of Eros with the attributes of Herakles (PLATE IVa), an iconographical type that was developed and elaborated in the Hellenistic and Roman periods.Eros was not, in fact, the first to appropriate for himself the attributes of Herakles. From an early period popular imagination realised that even the mighty Herakles would occasionally be placed in a situation that lesser creatures could take advantage of. Before the Hellenistic period Kerkopes, satyrs and goat-legged Pans made use of whatever opportunities there were to steal Herakles' attributes; thereafter these subhuman thieves appear to have been replaced by a group of Erotes or a single Eros.
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Bretsen, Stephen N. "Rainwater Harvesting in Colorado and the Quandary of a Taking." Texas A&M Journal of Property Law 4, no. 3 (February 2018): 165–92. http://dx.doi.org/10.37419/jpl.v4.i3.1.
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Although rainwater harvesting would appear to be a win-win solution to the problem of developing new sources of water, implementing rainwater harvesting in the American West has been fraught with tensions that have pitted rural farmers and other agricultural interests against urban and suburban homeowners. The water law of the western states is based on the prior appropriation doctrine, which creates a “first in time, first in right” system of water rights tied to when a user diverts surface water for beneficial use. Since water rights are property rights, state statutes and regulations that “go too far” in affecting them risk giving senior appropriators a takings claim. Based on the nature of rainwater harvesting and judicial interpretations of federal and state constitutional takings clauses, the most likely claims by downstream agricultural irrigators in the West are that state statutes authorizing rainwater harvesting are per se physical takings. Such takings require compensation, even though they do not result in the total loss of the right to use water or have a minimal economic impact on a senior appropriator. To avoid a taking, state legislatures need to draft these statutes in ways that take advantage of how existing state laws implement the prior appropriation doctrine. Colorado’s most recent rainwater harvesting statute leverages how the no-injury requirement placed on junior appropriators ultimately limits the scope of the senior appropriators’ water rights and avoids a taking.
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de Oliveira, Gustavo Magalhães, Silvia Morales de Queiroz Caleman, Christiano França da Cunha, and Morenise Puperi. "Value appropriation in Brazilian cattle industry." British Food Journal 119, no. 9 (September 4, 2017): 2089–101. http://dx.doi.org/10.1108/bfj-10-2016-0478.
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Purpose The purpose of this paper is to examine the influencing factors on cattle breeders’ payment system choices using cross-sectional data collected in the Brazilian states of Mato Grosso do Sul and Rio Grande do Sul. The investigation aims to analyze the problem of value appropriation comparing the payment based on carcass index with live weight mode under the perspective of “bovine for slaughtering” as a multidimensional product with various attributes. Design/methodology/approach This study employs a generalized order logistic regression model in a survey with 69 cattle breeders’ interview to conduct the empirical analysis. Findings The empirical results show that measurement difficulties and collective actions influence farmers’ choice to a less efficient payment system in quality terms and value appropriation problems, while the trust level in the slaughterhouse pushes to a more efficient system. Furthermore, trust was presented as more important than technological aspects and long-time relationship as well as collective action corroborates to increase bargaining power and to solve conflicts. In sum, trust, measurement and bargaining power brought traditional and alternative solutions to solve conflicts such as well-designed payment indicators, collective actions and transaction costs. Originality/value This study used first-hand survey and proxy variables on cattle farmers’ payment system choices. Another contribution is the focus on two regions with two different payment systems in the same institutional environment in a way to suggest mechanisms of private strategies and public policy to reduce opportunistic value appropriation as well as decreasing conflict.
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Pearlstein, Ellen. "Basketmaking Guides and the Appropriation of Indigenous Basketry." American Indian Culture and Research Journal 44, no. 1 (January 1, 2020): 53–72. http://dx.doi.org/10.17953/aicrj.44.1.pearlstein.
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The first quarter of the twentieth century saw Anglo entrepreneurs rapidly develop how-to books, instructional kits, and models for the manufacture of American Indian-style baskets. Purveyors appropriated styles, stitches, and tribal names, and zealously marketed such creations as more affordable than the purchase of an Indigenous basket. Books, imported materials such as raffia and rattan, and stitching methods were disseminated not only across the country and internationally, but to American Indian boarding schools, where instruction not only resulted in appropriation, but also in deculturing the Indigenous basket and Native peoples.
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DAHLANDER, LINUS. "APPROPRIATION AND APPROPRIABILITY IN OPEN SOURCE SOFTWARE." International Journal of Innovation Management 09, no. 03 (September 2005): 259–85. http://dx.doi.org/10.1142/s1363919605001265.
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Firms in open source software (OSS) are active in a field encompassing all the characteristics of a public good, given the non-excludability and non-rivalry nature of OSS. The fact that many important inputs to the innovative process are public should not be taken to mean that innovators are prevented from capturing private returns. The objective of this paper is to explore how firms appropriate returns from innovations that are created outside the boundaries of firms and in the public domain, using the case of OSS. To do so, the paper draws upon an explorative multiple case study of five small firms that attempt to appropriate returns from OSS, with rich empirical evidence from various data sources. The cases illustrate how firms try a variety of approaches to appropriate adequate returns, and suggest that selling services is the dominant trend. Firms also balance the relative inefficiency of traditional means of intellectual property rights such as patents by putting greater emphasis on first-mover advantages and creating network externalities.
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Friesem, Elizaveta. "Teaching about power and empathy in multicultural societies." Media Education 11, no. 1 (June 26, 2020): 77–80. http://dx.doi.org/10.36253/me-9097.
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This essay describes the sequence of three activities (from one U.S. university course) that aimed to (1) increase students’ awareness about social injustices, (2) help them develop their empathy to see the complexity of these injustices, and (3) consider ways to change the social system through civic dialogue. The first activity was designed to explore the dynamics of cultural appropriation using principles of media literacy education and the concept of power. The second activity complicated the picture by encouraging students to reflect on the importance of empathy. Students discussed how empathy can substitute blame in conversations about cultural appropriation. The third activity connected empathy to practices of nonviolent communication (developed by Marshall Rosenberg) and Kingian nonviolence. As a result, students were able to discuss how these principles can be applied to cultural appropriation, especially when media technologies are involved.
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Eberhardt, Maeve, and Kara Freeman. "‘First things first, I'm the realest’: Linguistic appropriation, white privilege, and the hip-hop persona of Iggy Azalea." Journal of Sociolinguistics 19, no. 3 (June 2015): 303–27. http://dx.doi.org/10.1111/josl.12128.
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HYTÖNEN, EEMELI, and PAUL R. STUART. "Early-stage design methodology for biorefinery capital appropriation." April 2012 11, no. 4 (May 1, 2012): 9–23. http://dx.doi.org/10.32964/tj11.4.9.
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This paper presents a methodology for enhancing the strategic investment decision-making process for retrofit forest biorefinery (FBR) implementation. This is achieved by improving the link between retrofit process design and capital appropriation activities through cost accounting. This methodology is based on step-wise screening of retrofit alternatives where (1) traditional techno-economic analysis and multivariate stochastic risk analysis are used in the first pre-screening step, and (2) an advanced analysis framework based on steady-state process modeling, product costing using principles of activity-based costing (ABC), and panel-based multicriteria decision-making (MCDM) is used in the second screening step. In the MCDM, financial- and risk-based decision-making criteria are used. A case study considering the retrofit implementation of a biorefinery into a kraft pulp and paper mill demonstrates the methodology.
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Petelski, Natalia, Darío Milesi, and Vladimiro Verre. "Strategies of innovation and appropriation. Sectoral analysis of Argentine manufacturing firms." Journal of Evolutionary Studies in Business 5, no. 1 (January 30, 2020): 116–57. http://dx.doi.org/10.1344/jesb2020.1.j070.
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Following the evolutionary and neoshumpeterian theoretical framework, this research studies how the appropriation strategy of firms is formed in different industrial sector and what factors explain the use of the mechanisms that firms use to protect their innovations. The analysis is based on evidence from Argentine manufacturing firms surveyed by the National Survey of Employment Dynamics and Innovation (ENDEI) for 2010-2012. The results of the statistical analysis allow to identify three clusters at the sectoral level with differentiated characteristics in terms of their innovation activities and business conformation. The cluster of high innovative activity shows a greater incidence of the use of secrecy and patents, while the cluster of low innovative activity presents a greater use of complementary assets and first mover. The econometric analysis (Probit models) shows different effects of the factors considered (type of effort and innovative results, capabilities, linkages, structural factors) on the mechanism used, showing that the appropriation strategy is an emerging of innovation process and differs according to the sectoral cluster considered. The type of innovative effort affects only the appropriation strategy of the high and low innovative activity clusters; while the structural factors of firms explain only the appropriation strategy of sectors of high and medium innovative activity.
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Abu Amrieh, Yousef. "Susan Abulhawa’s Appropriation of Shakespeare’s Romeo and Juliet." Critical Survey 34, no. 3 (September 1, 2022): 39–55. http://dx.doi.org/10.3167/cs.2022.340303.
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The purpose of this article is to examine how Palestinian American novelist Susan Abulhawa appropriates in her novel The Blue between Sky and Water (2015) some of the themes, tropes and motifs that Shakespeare employs in Romeo and Juliet (c. 1596) in order to depict how wars and conflicts turn Palestinian people’s love stories/marriages into tragedies. In particular, love at first sight, the (negative) impact of families on love stories, exile/banishment, use of herbs/traditional medicine, humour and parties that practically turn ominous and fateful are among the themes, tropes and motifs that both Shakespeare and Abulhawa employ to represent love stories/marriages that are embroiled in ongoing violent events. Overall, in its depiction of ‘love and violence’, Abulhawa’s novel appropriates Shakespeare’s greatest love tragedy and shows the conditions under which Palestinians live in Gaza.
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Wild, Benjamin Linley. "Critical reflections on cultural appropriation, race and the role of fancy dress costume." Critical Studies in Fashion & Beauty 11, no. 2 (December 1, 2020): 153–73. http://dx.doi.org/10.1386/csfb_00014_1.
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Cultural appropriation in fashionable dress has become an increasingly urgent subject within scholarly and generalist discussions. Few weeks now pass without a news story criticizing a fashion brand for producing and promoting culturally insensitive clothing. A form of clothing most frequently and controversially associated with cultural trespass, but generally marginalized within academic enquiries, is fancy dress costume. This article seeks, first, to promote a critical and continuous academic engagement with fancy dress costume and contribute to a growing body of scholarship that recognizes its cultural and social importance. Second, I complicate discussions about the causes of cultural appropriation within fancy dress costume by reflecting on the circumstances and motives in which people perform, dressed very differently to their conventional appearance. Addressing these points, the article makes a unique contribution to clothing studies and discussions about cultural appropriation by advocating a more nuanced understanding of people’s self-awareness when they participate in fancy dress costume, and suggests how this might be achieved.
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MacDonald, Carolyn. "Take-Away Art: Ekphrasis and Appropriation in Martial's Apophoreta 170–82." Classical Antiquity 36, no. 2 (October 1, 2017): 288–316. http://dx.doi.org/10.1525/ca.2017.36.2.288.
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This paper examines the cultural antagonisms of Martial's Apophoreta 170–82, a unique series of epigrammatic gift-tags for artworks to be given away during the Saturnalia. In these poems, I argue, Martial thematizes and enacts Rome's transformative appropriation of cultural capital from Greece and elsewhere. First, he adopts the Hellenistic trope of the ekphrastic gallery tour in order to evoke the “museum spaces” of the Flavian city, where artworks became testaments to the power and culture of Rome (Section 1). While evoking these masterpiece collections, however, the epigrams in fact describe miniatures changing hands at a banquet. Martial thus tropes a second Roman practice of appropriation, namely the widespread consumption of transmedial miniature copies (Section 2). Third and finally, the epigrams dramatize the vulnerability of plundered objects by reevaluating their significance within the Roman frameworks of Latin literature and the Saturnalia (Section 3). In this miniature ekphrastic series, then, Martial's apophoretic poetics converge with Roman forms of appropriation both imperial and domestic, concrete and conceptual.
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Hodgson, Louise. "APPROPRIATION AND ADAPTATION: REPUBLICAN IDIOM INRES GESTAE1.1." Classical Quarterly 64, no. 1 (April 16, 2014): 254–69. http://dx.doi.org/10.1017/s0009838813000694.
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Augustus opens theRes Gestaewith his age: ‘nineteen years old’ (annos undeviginti natus). This places the reader firmly in the autumn of 44, rather than the aftermath of Caesar's assassination on the Ides when Octavian had been eighteen, presumably because the credibility of Octavian's claim to have liberated theres publicarested on his military intervention against Antony and the senate's commendation of it. Velleius Paterculus' summation (which echoes Augustus' formulation in theRG) is clear enough: although the domination of Antony was universally resented, no one was willing to take action against him ‘until Gaius Caesar, shortly after his nineteenth birthday, with marvellous daring and supreme success, on his private initiative (privatum consilium) showed a courage on behalf of theres publicawhich exceeded that of the senate. He summoned his father's veterans first from Calatia then from Casilinum; other veterans followed their example, and in a short time they united to form a regular army’. By raising an army, Octavian made himself politically relevant, but his move was strikingly illegal in two respects: he was too young (the entrance of politicians into public life had been subject to regulation since the formalization of thecursus honorumin 180b.c.; Octavian, entering public life at the age of nineteen, was too young to have set foot on the lowest rung of the ladder, the quaestorship, for which the minimum age was thirty) and he was a private citizen with no authorization whatsoever to do anything of the sort. None the less, he advertises both aspects in the opening sentence: why?
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ROUSSEAU, MARY BETH, BLAKE D. MATHIAS, LAURA T. MADDEN, and T. RUSSELL CROOK. "INNOVATION, FIRM PERFORMANCE, AND APPROPRIATION: A META-ANALYSIS." International Journal of Innovation Management 20, no. 03 (March 9, 2016): 1650033. http://dx.doi.org/10.1142/s136391961650033x.
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Although innovation is considered the lifeblood of many organisations, firms are often challenged to derive the anticipated performance benefits of innovation. Research on the performance outcomes of innovation is similarly beset with mixed results and ambiguity. Through a meta-analysis of 62 studies over 20 years, this paper confirms a strong linkage between innovation and performance and reveals several contingencies. First, we find that inconsistency across performance outcomes is driven in part by stakeholder appropriation. Second, we find that hypercompetition is persistent over time and across industries. Finally, our aggregation of the evidence shows the integration of product and process innovation yields stronger performance gains than product innovation alone, and large firms reap greater performance benefits from innovation than small firms do. We build on these findings to bring focus to areas in which managers may improve performance gains from innovation, and highlight additional areas that can be informed by future research.
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Chesters, Graham. "The First Canto of Vigny's 'Eloa': Some Observations on Appropriation, Narrative Process and Metalanguage." Romance Studies 6, no. 2 (December 1988): 19–28. http://dx.doi.org/10.1179/026399089786621202.
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Chesters, Graham. "The First Canto of Vigny's 'Eloa': Some Observations on Appropriation, Narrative Process and Metalanguage." Romance Studies 7, no. 1 (June 1989): 19–28. http://dx.doi.org/10.1179/ros.1989.7.1.19.
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Doel, M. A. "Deconstruction on the Move: From Libidinal Economy to Liminal Materialism." Environment and Planning A: Economy and Space 26, no. 7 (July 1994): 1041–59. http://dx.doi.org/10.1068/a261041.
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In the wake of the Möbius spiralling of relativism and reflexivity, much of the theoretically inclined literature within human geography has turned to the motifs of difference and otherness as a possible basis for fostering a coming together and rapprochement of previously incommensurate theoretical-practices. Much of this effort has been undertaken in an explicit attempt to maintain political, moral, and ethical responsibility in the face of a dangerous slide into passive nihilism and indifference. In the first half of the paper I argue that the attempt to forge a universal currency which would enable difference to circulate freely within contemporary human geography is flawed for three interrelated reasons. First, by working through a libidinal economy of negation it forces difference to conform to the Same. Specifically, difference is captured as so-many standard deviations from the Norm. Second, this apparatus of capture is predestined to yield a state of confusion, imprecision, and indistinction which can only be contained within a quotation market. Third, by dwelling upon negation and appropriation, and through capturing difference within a normalized economy of the Same, the forging of a universal currency within a quotation market deprives itself of the ability to effectively affirm difference, otherness, alterity, and singularity in and of themselves. Such an affirmation would require an act of ex-appropriation, rather than one of appropriation. Consequently, by drawing upon the liminal materialism of a deconstructive experience, in the second half of the paper I explore four movements of ex-appropriation: radical passivity, destabilization on the move, telephony, and picnolepsy. The paper concludes with a discussion of the ethics of the event.
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Baumgarten, Elisheva. "Appropriation and Differentiation: Jewish Identity in Medieval Ashkenaz." AJS Review 42, no. 1 (April 2018): 39–63. http://dx.doi.org/10.1017/s0364009418000053.
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This article discusses the ways scholars have outlined the process of Jewish adaptation (or lack of it) from their Christian surroundings in northern Europe during the High Middle Ages. Using the example of penitential fasting, the first two sections of the article describe medieval Jewish practices and some of the approaches that have been used to explain the similarity between medieval Jewish and contemporary Christian customs. The last two sections of the article suggest that in addition to looking for texts that connect between Jewish and Christian thought and beliefs behind these customs, it is useful to examine what medieval Jews and Christians saw of each other's customs living in close urban quarters. Finally, the article suggests that when shaping medieval Jewish and Christian identity, the differences emphasized in shared everyday actions and visible practice were no less important than theological distinctions. As part of the discussion throughout the article, the terminology used by scholars to describe the process of Jewish appropriation from the local surroundings is described, focusing on terms such as “influence” and “inward acculturation,” as well as “appropriation.”
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Dias, Paola Lisboa Codo. "The appropriation of streets in Belo Horizonte by contemporary carnival blocks." Revista Brasileira de Estudos Urbanos e Regionais 17, no. 3 (December 20, 2015): 86. http://dx.doi.org/10.22296/2317-1529.2015v17n3p86.
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Carnival blocks (roving carnival street parties) in Belo Horizonte have emerged ever since the city was first founded in the late nineteenth century. However, during the 1930s, this kind of carnival manifestation went into decline and lost its importance. During the 1990s, Belo Horizonte became known for its quiet, peaceful streets during the carnival holiday period. However, the first decade of the twenty-first century marked a change in this process during the pre-carnival period, and 2009 marked the beginnings of a movement to re-establish street carnival blocks during the official carnival holiday period. Over the years, carnival in Belo Horizonte has undergone a complete transformation, moving from a decadent festival, marginalized and almost forgotten by most of the population to a very successful effervescent, exuberant celebration. Hence, this article aims to introduce discussions and some unusual perspectives regarding space in the contemporary metropolis with a reflective viewpoint regarding appropriation of the city by carnival celebrations.
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Machado, Pamela de Bortoli. "Impressions of the Remote Learning: Appropriation of the Technologies." International Journal on Cybernetics & Informatics 11, no. 4 (August 27, 2022): 79–88. http://dx.doi.org/10.5121/ijci.2022.110406.
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The remote environment and its implications concerning digital technologies have gained importance since 2020, when many teaching-learning contexts migrated from the face-to-face scenario. This article brings the first impressions and experiences of an Edtech in São Paulo, from the perspective of teachers and students after this abrupt movement, outlining the panorama that involves the remote environment and the digital technologies that permeate it. And, just as there are its reverberations as an ecosystem of teaching and learning, to verify which are the difficulties pointed out so that this environment can be enjoyed as one.
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Chatterjee, Deepsikha. "Cultural appropriation: Yours, mine, theirs or a new intercultural?" Studies in Costume & Performance 5, no. 1 (June 1, 2020): 53–71. http://dx.doi.org/10.1386/scp_00013_1.
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This article considers how by shifting culturally anchored design materials from one context to simplistic placement in decontextualized settings, cultural appropriation takes place in costume design. Building on that, it discusses how production teams need to be cognizant of such issues in the design process given that availability of such materials has historically been possible because acquisition has often aligned with political and commercial ambitions. Reviewing scholarship on appropriation that includes performance, costume, fashion and cultural studies, it questions how designing costumes through intercultural interaction might be navigated in a globalized context, where artists are excluded through travel bans, but cultural materials are permitted free movement. The article then discusses how to create productive intercultural projects with teams willing to invest in ethical engagement. By including case studies in which such processes were less successful as well as one that indeed created new intercultural exchanges, this article is one of the first texts to address this complex issue. It intends to engender future forward thinking conversations with practitioners and researchers on the thorny but urgent issue of cultural appropriation through costume.
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Folkers, Andreas. "Air-appropriation: The imperial origins and legacies of the Anthropocene." European Journal of Social Theory 23, no. 4 (February 4, 2020): 611–30. http://dx.doi.org/10.1177/1368431020903169.
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This article elucidates the spatial order that underpins the politics of the Anthropocene – the ecological nomos of the earth – and criticizes its imperial origins and legacies. It provides a critical reading of Carl Schmitt’s spatial thought to not only illuminate the spatio-political ontology but also the violence and usurpations that characterize the Anthropocene condition. The article first shows how with the emergence of the ecological nomos seemingly ‘natural’ spaces like the biosphere and the atmosphere became politically charged. This challenges the modernist separation between natural facts and political norms. It then underlines the imperial origins of this nomos by introducing the concept of air-appropriation understood as the colonization of atmospheric space by CO2 emissions. Instead of assuming that the ecological nomos represents a transition from a colonial to an ecological and cosmopolitan world order, focusing on air-appropriation highlights forms of ecological imperialism that go along with the new nomos. Accordingly, the article calls for a just redistribution of ecospace that takes into account the imperial legacies and ongoing effects of air-appropriation.
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Camati, Anna Stegh. "Cultural appropriation: brazilian stage productions of Samuel Beckett’s Waiting for Godot." Ilha do Desterro A Journal of English Language, Literatures in English and Cultural Studies 73, no. 2 (May 25, 2020): 35–48. http://dx.doi.org/10.5007/2175-8026.2020v73n2p35.
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The present article aims at discussing, first and briefly, the experimental features Samuel Beckett (1906-1989) imprinted in Waiting for Godot (1948-1949), among them the implosion of dramatic elements and the inscription of detailed performance instructions within the text itself, thus creating a performance model for which he used to demand respect. Thereupon, after addressing the 1955 first incursion of Godot in Brazil, a historical panorama of some outstanding stage productions of the play, mainly in terms of conceptualization and critical reception, will be provided, in the light of theoretical perspectives by Oswald de Andrade, José Roberto O’Shea, Patrice Pavis, Peter Burke, among others.