Дисертації з теми "Film world"
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Ryan, Mark David. "A dark new world : anatomy of Australian horror films." Thesis, Queensland University of Technology, 2008. https://eprints.qut.edu.au/18351/1/Thesis.pdf.
Повний текст джерелаRyan, Mark David. "A dark new world : anatomy of Australian horror films." Queensland University of Technology, 2008. http://eprints.qut.edu.au/18351/.
Повний текст джерелаHansen, Signe. "From chef to superstar : food media from World War 2 to the World Wide Web." Doctoral thesis, University of Cape Town, 2007. http://hdl.handle.net/11427/10632.
Повний текст джерелаThis thesis examines representations of food in twenty-first century media, and argues that the media obsession with food in evidence today follows directly from U.K. and U.S. post-war industrial and economic booms, and by the associated processes of globalisation that secure the spread of emergent trends from these countries to the rest of the so-called Western world. The theoretical frame for the work is guided in large part by Guy Debord's Society of the Spectacle (1967), which follows a Marxist tradition of examining the intersection between consumerism and social relationships. Debord's spectacle is not merely something to be looked at, but functions, like Marx's fetishised commodity, as a mechanism of alienation. The spectacle does this by substituting real, lived experience with representations of life. Based on analyses of media representations of food from the post-war period to the present day, the work argues against the discursive celebration of globalisation as a signifier of abundance and access, and maintains, instead, that consequent to the now commonplace availability of choice and information is a deeply ambiguous relationship to food because it is a relationship overwhelmingly determined by media rather than experience. It further argues that the success of food media results from a spectacular conflation of an economy of consumerism with the basic human need to consume to survive. Contemporary celebrity chefs emerge as the locus of this conflation by representing figures of authority on that basic need, and also, through branded products (including themselves), the superfluity of consumerism. The subject of the work, therefore, is food, but the main object of its critique is media. Food media from World War 2 to the World Wide Web is about the commodification of history and politics, through food, and the natural (super)star of this narrative is the modern celebrity chef.
Pybus, Lauren. "The Volkswagen Junior World Masters 2010 - film series." Master's thesis, University of Cape Town, 2010. http://hdl.handle.net/11427/9040.
Повний текст джерелаThis paper describes my involvement in the Volkswagen Junior World Masters film series for 2010. A three-DVD box set is being submitting for review. In the latter sections of this document, I outline the efforts that went into writing, directing and editing these films for broadcast on international television and over the Internet. In the opening chapters I assess the marketing strategy behind the Volkswagen Junior World Masters and discuss the value of the tournament from a brand seeding perspective. I describe how our media-saturated culture is making it extremely difficult for brands to achieve saliency, particularly amongst the youth. I pay special attention to Generation Y (also known as Generation Me) asthis highly individualised group prompted Volkswagen to create a soccer showcase specifically for pre-adolescents. I demonstrate that this major brand-building endeavour is designed to groom the preteens of today into becoming the Volkswagen drivers of tomorrow. I trace the efficacy of this campaign back to the collective childhood dream of achieving global soccer stardom. By becoming an important stepping-stone in the possible fulfillment of that dream, Volkswagen is tactically aligning itself with the increasingly self-interested proclivities of Generation Me.
Baracco, Alberto. "Phenomenological hermeneutics of film philosophical thinking : a hermeneutic method for film world interpretation." Thesis, Kingston University, 2016. http://eprints.kingston.ac.uk/37321/.
Повний текст джерелаChapman, James. "Official British film propaganda during the Second World War." Thesis, Lancaster University, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.308985.
Повний текст джерелаBurns-Watson, Roger. "Co-Starring God: Religion, Film, and World War II." University of Cincinnati / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1273520794.
Повний текст джерелаBender, Stuart. "Film style and the World War II combat genre." Thesis, Bender, Stuart (2012) Film style and the World War II combat genre. PhD thesis, Murdoch University, 2012. https://researchrepository.murdoch.edu.au/id/eprint/15646/.
Повний текст джерелаNoonan, Michael. "Baggage : unpacked - analysing the short film and its place in the world." Thesis, Queensland University of Technology, 2004. https://eprints.qut.edu.au/15969/1/Michael_Noonan_-_Baggage.pdf.
Повний текст джерелаNoonan, Michael. "Baggage : unpacked - analysing the short film and its place in the world." Queensland University of Technology, 2004. http://eprints.qut.edu.au/15969/.
Повний текст джерелаPetrikis, Titus. "Creating a sound world for Dracula (Browning, 1931)." Thesis, Bournemouth University, 2014. http://eprints.bournemouth.ac.uk/21390/.
Повний текст джерелаHall, Kenneth Estes, and Chritian Krug. "Noir Westerns after World War II." Digital Commons @ East Tennessee State University, 2014. https://dc.etsu.edu/etsu-works/590.
Повний текст джерелаChesher, Andrew. "Seeing connections : documentary as an intervention in the social world." Thesis, University of the Arts London, 2007. http://ualresearchonline.arts.ac.uk/2303/.
Повний текст джерелаDunlap, Robert. "Ordinary Heroes: Depictions of Masculinity in World War II Film." Miami University Honors Theses / OhioLINK, 2007. http://rave.ohiolink.edu/etdc/view?acc_num=muhonors1177682964.
Повний текст джерелаKuehnel, Andrea. "“Us Against The World”- The Production of a Short Film." ScholarWorks@UNO, 2015. http://scholarworks.uno.edu/td/2029.
Повний текст джерелаGoodall, Mark D. "Sweet and savage: the world through the shockumentary film lens." Headpress, 2005. http://hdl.handle.net/10454/3807.
Повний текст джерелаThe first ever English-language title devoted exclusively to the shocking, controversial and influential mondo documentary film cycle. "The Mondo Cane films were an important key to what was going on in the media landscape of the 1960s especially post the JFK assassination." J.G BALLARD Mondo Cane in 1962 was the blueprint for a shocking, controversial and influential documentary film cycle. Known collectively as 'mondo films' - or 'shockumentaries'" -this enduring series of films is a precursor of the Reality-TV show. A box-office draw for three decades and now a staple of the video rental market, these explosive 'exposés' would often pass fabricated scenes as fact in order to gave the public a sensationalist, highly emotive view of the world. SWEET & SAVAGE is the first ever English-language book devoted exclusively to the Mondo documentary film. A study of Mondo as a global film phenomenon, it includes a detailed examination of the key films and includes exclusive interviews with the 'godfathers' of this cult genre. Includes an exclusive interview with author J.G. Ballard.
Iannone, Pasquale. "Childhood and the Second World War in the European fiction film." Thesis, University of Edinburgh, 2011. http://hdl.handle.net/1842/5654.
Повний текст джерелаLin, Zhichun. "Out into the world: Chinese film music after the cultural revolution." The Ohio State University, 2007. http://rave.ohiolink.edu/etdc/view?acc_num=osu1399898543.
Повний текст джерелаGebacz, Chloe C. "Why So Short?: The Changing World of the Short Film Industry and Online Distribution." Ohio University Honors Tutorial College / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors1429898301.
Повний текст джерелаSallustio, Edward John. "Scoring Masculinity in Crisis: Thomas Newman’s Sonic World and the Disintegration of the Indiewood Male." Youngstown State University / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=ysu1544183693252701.
Повний текст джерелаPelster-Wiebe, Richard. "In the jaws of death: Leon Caverly’s camera-history of World War I." Diss., University of Iowa, 2018. https://ir.uiowa.edu/etd/6663.
Повний текст джерелаRoser, Traugott. "The Reality of Fear: Preaching in a Frightened World." Institut für Praktische Theologie, 2019. https://ul.qucosa.de/id/qucosa%3A36314.
Повний текст джерелаFuruko, Kaoru. "Surt's diaries : how the world was created according to Norse mythology." Thesis, Konstfack, Grafisk Design & Illustration, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-5126.
Повний текст джерелаHendricks, Jonathan. "Playing-With the World: Toy Story's Aesthetics and Metaphysics of Play." Scholar Commons, 2017. http://scholarcommons.usf.edu/etd/6709.
Повний текст джерелаKlotz, Sarah Beth. "Armed with cameras: The Canadian Army Film Unit during the Second World War." Thesis, University of Ottawa (Canada), 2004. http://hdl.handle.net/10393/26679.
Повний текст джерелаGRØN, Nis. "World cinema beyond the periphery : developing film cultures in Bhutan, Mongolia, and Myanmar." Digital Commons @ Lingnan University, 2016. https://commons.ln.edu.hk/vs_etd/8.
Повний текст джерелаGutierrez, III Jose. "Investigating Kracauerian cinematic realism through film practice and criticism: Life-world series (2017) and selected films of Lino Brocka." HKBU Institutional Repository, 2018. https://repository.hkbu.edu.hk/etd_oa/525.
Повний текст джерелаBauer, Jessica, Theresia Ertmer, and Josefin Kühn. "Medienpädagogische Analyse des Films „In This World“." Technische Universität Dresden, 2018. https://tud.qucosa.de/id/qucosa%3A31429.
Повний текст джерелаChinen, Biesen Sheri Lynn. "Film noir and World War II : wartime production, censorship, and the "red meat" crime cycle /." Digital version accessible at:, 1998. http://wwwlib.umi.com/cr/utexas/main.
Повний текст джерелаTalijan, Emilija. "An extreme ear to the world : noise in contemporary European cinema." Thesis, University of Cambridge, 2018. https://www.repository.cam.ac.uk/handle/1810/285103.
Повний текст джерелаJohnston, Jacob H. "The Sherwood Method creating an independent Christian feature film /." Lynchburg, Va. : Liberty University, 2009. http://digitalcommons.liberty.edu.
Повний текст джерелаBuffington, Chelsea. "Technohumanity| Films as a Lens for Examining How Humans and Technology Co-shape the World." Thesis, Salve Regina University, 2018. http://pqdtopen.proquest.com/#viewpdf?dispub=10808905.
Повний текст джерелаUtilizing a postphenomenological lens, in this study, I analyze Human Security Era (1990s–2010s), techno-futurist films as case studies to explore how humans and technology can and do co-shape a more harmonious world, resulting in TechnoHumanity. To build a techno-humane world, humans must find a way to spur technological innovation and advancement, embedding ethics in design to avoid a dystopian path to dehumanization. Films, and specifically the content or text of the films, provide case studies for a postphenomenological analysis to explore designed, in-design, and future technologies and their interrelationship with humanity.
Crespis, Eliza. "Between Two Memories: the Nation in New Palestinian Film." Thesis, The University of Sydney, 2018. http://hdl.handle.net/2123/19668.
Повний текст джерелаHall, Kenneth Estes. "Decision Time in Noir Westerns After World War II." Digital Commons @ East Tennessee State University, 2012. https://dc.etsu.edu/etsu-works/451.
Повний текст джерелаVaughn, Benjamin. "Competing Narratives in Contemporary Japanese War Cinema : Comparing representations of World War II and the military in four recent films." Thesis, Linnéuniversitetet, Institutionen för film och litteratur (IFL), 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-74968.
Повний текст джерелаKabiling, Maria. "World War II in popular American visual culture film and video games after 9/11 /." Connect to Electronic Thesis (CONTENTdm), 2010. http://worldcat.org/oclc/650832955/viewonline.
Повний текст джерелаMatzkin, Rosalie Greenfield. "The film encounter in the life-world of urban couples : a uses and gratification study /." Access Digital Full Text version, 1985. http://pocketknowledge.tc.columbia.edu/home.php/bybib/10538483.
Повний текст джерелаRandell, Karen Mary. "Hollywood and war : trauma in film after the First World War and the Vietnam War." Thesis, University of Southampton, 2003. https://eprints.soton.ac.uk/50596/.
Повний текст джерелаChen, Ronggang. "From “New Taiwan Cinema” to “World Cinema”: A Critical Case Study of Edward Yang’s Career." Thesis, The University of Sydney, 2016. http://hdl.handle.net/2123/15808.
Повний текст джерелаHall, Kenneth Estes. "Entries (5) for Directory of World Cinema: China 2." Digital Commons @ East Tennessee State University, 2015. https://dc.etsu.edu/etsu-works/453.
Повний текст джерелаJordan, James. "Bearing witness to the Holocaust in the courtroom of American fictive film." Thesis, University of Southampton, 2003. https://eprints.soton.ac.uk/50607/.
Повний текст джерелаDavies, Christopher Owen Graham. "Is this Sparta? : allegory, analogy, and warfare in the post-9/11 ancient world epic film." Thesis, University of Exeter, 2016. http://hdl.handle.net/10871/21575.
Повний текст джерелаHolmes, Susan. "The world of the cinema in your home : the film programme on British television 1952-62." Thesis, University of Southampton, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.392662.
Повний текст джерелаHolm, Emmet. "Show, don't tell i Scott Pilgrim vs. the World : En analys av visuellt berättande i Edgar Wrights actionkomedi ScottPilgrim vs. the World." Thesis, Högskolan Dalarna, Institutionen för kultur och samhälle, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:du-36771.
Повний текст джерелаGreene, Daniela. "Racial motivations for French collaboration during the Second World War uncovering the memory through film and memoirs /." Connect to this title online, 2008. http://etd.lib.clemson.edu/documents/1219848462/.
Повний текст джерелаMcGlade, Fredrick. "The creation and development of the British Army Film And Photographic Unit in the Second World War." Thesis, Lancaster University, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.498743.
Повний текст джерелаEwert, Felix, and Linnea Olby. "Designing Distribution Channel Strategies in the Digital World : An Exploratory Case Study on a Swedish Manufacturing Film." Thesis, KTH, Skolan för industriell teknik och management (ITM), 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-279644.
Повний текст джерелаDen digitala transformationen har lett till skiften i hur produkter konsumeras av kunder och vilken roll återförsäljare har i leveransen av dessa, vilket haft konsekvenser för distributionsstrategin för tillverkande bolag. Tidigare forskning har fokuserat på multi-kanalstrategier och hur dessa kan utformas av tillverkande bolag, medan färre studier gjorts på den direkta inverkan av den digitala transformationen på ett tillverkande bolags distributionskanalsstrategi. Således identifierades ett gap i tidigare forskning och därför ämnar denna studie utforska konsekvenserna för distributionskanalsstrategion för ett tillverkande av den digitala transformationen samt hur denna kan anpassas för att addressera dessa konsekvenser. Genom att bygga vidare på tidigare forskning inom dessa områden ställs den huvudsakliga forskningsfrågan: hur kan tillverkande bolag anpassa distributionskanalstrategin för att möta konsekvenser av digital transformation? Med den nuvarande forskningen som utgångspunkt genomfördes en undersökande fallstudie av ett svenskt tillverkande företag med semistrukturerade intervjuer som huvudsaklig datainsamling. Analysen av fallstudien visar att digital transformation påverkar de strategiska omständigheterna för ett tillverkande bolag kopplat till förändrande kundbeteenden och rollen av återförsäljare och betonar vikten av samarbete för att integrera distributionskanaler. Baserat på dessa resultat bidrar studien med praktiska överväganden för utformningen av en distributionsstrategi. Slutligen bidrar studien även till forskningen med empiriska data från en fallstudie av ett tillverkande bolag och visar på dess strategiska utmaningar till följd av digital transformation.
Straw, Mark Christopher. "The damaged male and the contemporary American war film : masochism, ethics, and spectatorship." Thesis, University of Birmingham, 2011. http://etheses.bham.ac.uk//id/eprint/1711/.
Повний текст джерелаMelberg, Alexandra, and Tilde Gustafson. ""And the World has Somehow Shifted." : En kvantitativ studie av genuskonstruktioner i Walt Disney Pictures animerade långfilmer." Thesis, Linnéuniversitetet, Institutionen för medier och journalistik (MJ), 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-36176.
Повний текст джерелаSantini, Federico. "Voice-over e documentario: proposta di adattamento in italiano del film Encounters at the end of the world." Master's thesis, Alma Mater Studiorum - Università di Bologna, 2018. http://amslaurea.unibo.it/15509/.
Повний текст джерела