Дисертації з теми "Fictional time"
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Armstrong, Sean Somerville. "Being in time : the fictional coloniser as Dasein." Thesis, University of Glasgow, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.274759.
Повний текст джерелаPrimorac, Ranka. "Displacement, identity and fictional formation in selected recent Zimbabwean novels." Thesis, Nottingham Trent University, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.271213.
Повний текст джерелаSambell, Kay. "The use of future fictional time in novels for young readers." Thesis, University of York, 1996. http://etheses.whiterose.ac.uk/4269/.
Повний текст джерелаSlagle, Judith Bailey. "Appropriating the Restoration: Fictional Place and Time in Rose Tremain’s Restoration: A Novel of Seventeenth-Century England." Digital Commons @ East Tennessee State University, 2015. https://dc.etsu.edu/etsu-works/721.
Повний текст джерелаYu, Chen-Wei. "Perception and its objects in time : narrative dynamics and the existence of Ursula K. Le Guin's fictional worlds." Thesis, University of Warwick, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.443627.
Повний текст джерелаSlagle, Judith Bailey. "Appropriating the Restoration: Fictional Place and Time in Works by Daniel Defoe, Sir Walter Scott and Rose Tremain." Digital Commons @ East Tennessee State University, 2015. https://dc.etsu.edu/etsu-works/3220.
Повний текст джерелаPicard, Manon. "La smartfiction : une fiction interactive à lire, un rôle à incarner ou une partie à jouer sur son smartphone ?" Electronic Thesis or Diss., Compiègne, 2022. http://www.theses.fr/2022COMP2681.
Повний текст джерелаA smartfiction is a story to be read and played on the smartphone. Taking the technical, aesthetic, social and cultural codes of the smartphone to reinvest them in the framework of a fiction, smartfiction relies on a reflexive dimension in relation to the smartphone. By using the conventions of ordinary smartphone practices, the user of a smartfiction must project themself as a smartphone user when reading, interpreting and acting out a fictional life story. Indeed, the very nature of the story is to tell a life that is no longer mine or that is not mine. Me listening, I coincide with a telling time which projects me in the told time. The writing of the story and the devices make the telling time a construction of the reading self. Within the framework of the smartfictions, this game on time relies in particular on the instant (fictional) chat and the notifications (which I name notifictions to indicate fictional notifications). That way, the user has a framework for blending into the time of the story by articulating it to a reading time. But they interpret this story as an actor interprets a role in the theater. By embodying the role assigned to him, the user lives the time of the story as a time played in the first person. To do this, they must approach their role as if they were playing a game and thus transform the time of the story into a time of play. They must “play the ga.Me”. Narrative, theater and game are then three temporal modalities of the lived time that are reset by the smartfiction : a story that one plays and that one incarnates. A smartfiction has thus a double status, phenomenological and semiotic. Indeed, the reader-actor-player interacts with the smartfiction and synchronizes their flow of consciousness with the different objects composing it in order to live the experience of reading in the first person. They synchronize their living time with the time of the fiction. This synchronization is punctuated by the interaction with the specific codes related to the use of a smartphone, which becomes the semiotic and pragmatic framework of the smartfiction. This framework allows both the contextualization of the smartfiction and functions as a defamiliarization of the smartphone. The study, based on a corpus of eleven smartfictions, thus articulates a double phenomenological and semiotic approach. A smartfiction is a story on a smartphone that happened to someone, a story that is a game in which the user plays as an actor. With the smartfiction, we witness the birth of a format, even of a genre. The emergence of a new genre invites us to question its articulation with existing genres, or even their reconfiguration: does smartfiction correspond to another way of telling, another form of staging, another practice of acting? These questions also refer to the role of the device which stands out in these creative modes. In particular, smartfiction invites us to objectify the role of a smartphone in a narrative. Smartfiction is thus a laboratory for the analysis of creative genres and for the understanding of the role of the medium and the devices
Mitin, Andrew. "Time Spent Away." PDXScholar, 2016. http://pdxscholar.library.pdx.edu/open_access_etds/3033.
Повний текст джерелаArmstrong, Paul Walter. "Fact or fiction : the problem of bias in Government Statistical Service estimates of patient waiting times." Thesis, London School of Hygiene and Tropical Medicine (University of London), 2000. http://researchonline.lshtm.ac.uk/682277/.
Повний текст джерелаMcSorley, Tom. "Modern times : time and the modern in the fiction films of William D. MacGillivray." Thesis, McGill University, 2000. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=33477.
Повний текст джерелаKardos, Michael P. "One last good time." Diss., Columbia, Mo. : University of Missouri-Columbia, 2007. http://hdl.handle.net/10355/5944.
Повний текст джерелаThe entire dissertation/thesis text is included in the research.pdf file; the official abstract appears in the short.pdf file (which also appears in the research.pdf); a non-technical general description, or public abstract, appears in the public.pdf file. Title from title screen of research.pdf file (viewed on March 24, 2009) Vita. Includes bibliographical references.
Cox, Ailsa. "Time and subjectivity in contemporary short fiction." Thesis, Loughborough University, 1999. https://dspace.lboro.ac.uk/2134/8428.
Повний текст джерелаBragg, Joetta L. "SHARING TIME." Miami University / OhioLINK, 2005. http://rave.ohiolink.edu/etdc/view?acc_num=miami1118206942.
Повний текст джерелаScoles, James. "Time and the Inclination." OpenSIUC, 2010. https://opensiuc.lib.siu.edu/theses/194.
Повний текст джерелаMcDermott, Sinead. "Time, space and subjectivity in contemporary women's fiction." Thesis, University of Strathclyde, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.312388.
Повний текст джерелаDavid, William M. "The Mythic Conquest of Time in Faulkner's Fiction." ScholarWorks@UNO, 2010. http://scholarworks.uno.edu/td/1420.
Повний текст джерелаKawamoto, Marcia Tiemy Morita. "The question of time in science fiction films." reponame:Repositório Institucional da UFSC, 2016. https://repositorio.ufsc.br/xmlui/handle/123456789/162843.
Повний текст джерелаMade available in DSpace on 2016-05-24T17:56:09Z (GMT). No. of bitstreams: 1 339055.pdf: 2588449 bytes, checksum: d4d00ba9f41706ab7c9defe3cfc2f172 (MD5) Previous issue date: 2016
Abstract : Time is a hard-to-define concept in its most fundamental aspects. Different from space, to which it is commonly associated, time cannot be physically grasped, although we do try to measure it. What does not stop it from being simply ubiquitous, since we cannot escape or ignore it. The representation of time in fiction reflects its own social period. Having this in mind, this research understands that time has assumed different meanings in distinct contexts, since it reveals itself as a product of its historical times. Within this, the objective of this dissertation is to investigate time in times of change, understanding how the transitions and intersections of the Modern, Post-Modern and yet without a proper name Post-Postmodern periods affect the concept of time in film production, specifically in science fiction films. This dissertation analyzes science fiction films, since they seem to present a more conflicting and marked tendency in relation to time. Metropolis marks the modernist period with its notion of linear and futuristic time, strongly attached to an idea of industrial capitalism, in which the rhythm of the production conditions the workers. Blade Runner and Twelve Monkeys present a post-modern nostalgic vision of the future with a fragmented time, constructed through the character?s search of a past and identity. Lastly, Source Code and Interstellar seem to join a notion of digital cinema and time, proposing a more flexible temporality. In this last idea, space and time also influence one?s existence, that changes his/her ontology and starts existing in other realities and dimensions.
Tempo é um conceito difÃcil em seus aspectos mais fundamentais. Diferente do conceito de espaço, ao qual ele é comumente associado, o tempo não pode ser fisicamente apanhado, apesar de tentarmos medi-lo. O que não impede que ele seja simplesmente ubÃquo, pois não podemos escapar dele ou ignorá-lo. A representação do tempo em ficção reflete seu tempo social. Com isso em mente, essa pesquisa entende que o tempo tem assumido significados diferentes em contextos distintos, uma vez que se revela como um produto de seu tempo histórico. Em vista disso, o objetivo principal dessa tese é investigar o tempo em tempos de mudança, ao entender como as transições e intersecções dos perÃodos Moderno, Pós-moderno e o ainda sem nome definitivo Pós-Pósmoderno afetam o conceito de tempo na produção fÃlmica, especificamente em filmes de ficção cientÃfica. Essa dissertação analisa filmes de ficção cientÃfica, uma vez que eles parecem apresentar uma tendência mais conflituosa e marcante em relação ao tempo. Metropolis marca o perÃodo modernista com sua noção de tempo linear e futurista, fortemente atrelado a uma ideia de capitalismo industrial, em que o ritmo da produção condiciona os trabalhadores. Blade Runner e Twelve Monkeys apresentam uma visão pós-moderna nostálgica do futuro com um tempo fragmentado construÃdo pela busca de passado e identidade dos personagens. Por último, Source Code e Interstellar parecem unir a noção de cinema digital e de tempo, ao propor uma temporalidade mais flexÃvel. Nesta última ideia, espaço e tempo também influenciam na existência do ser, que muda sua ontologia e passa a existir em outras realidades e dimensões.
Kovac, LB. "Time Enough." ScholarWorks@UNO, 2016. http://scholarworks.uno.edu/td/2259.
Повний текст джерелаPerrin, Steve. "The plughole of time." Thesis, View thesis, 2003. http://handle.uws.edu.au:8081/1959.7/30107.
Повний текст джерелаCrombie, David. "Ordinary time, celebrating encounter and growth in short fiction." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp02/NQ30188.pdf.
Повний текст джерелаCarle, Naomi Jane. "Time, space and dialogism in Robert Louis Stevenson's fiction." Thesis, Durham University, 2015. http://etheses.dur.ac.uk/10938/.
Повний текст джерелаGuo, Elaine. "Mulan: Journey in a Time of Change." Scholarship @ Claremont, 2019. https://scholarship.claremont.edu/cmc_theses/2196.
Повний текст джерелаBurrows, Steven M. "Time, form, and fiction : reading the landscapes of Booth Tarkington." Virtual Press, 2004. http://liblink.bsu.edu/uhtbin/catkey/1286421.
Повний текст джерелаDepartment of Landscape Architecture
Boccardi, Mariadele. "The representation of past and present time in contemporary fiction." Thesis, University of Cambridge, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.431541.
Повний текст джерелаStedman, Jane Elizabeth. "A time of interregnum : navigating nation in devolutionary Scottish fiction." Thesis, University of Manchester, 2017. https://www.research.manchester.ac.uk/portal/en/theses/a-time-of-interregnum-navigating-nation-in-devolutionary-scottish-fiction(0581a50b-a213-43f3-9cac-96a8cfc8a8f5).html.
Повний текст джерелаWensink, Patrick Ronald. "Nine Times Out of Ten, You Don't Die." PDXScholar, 2019. https://pdxscholar.library.pdx.edu/open_access_etds/5039.
Повний текст джерелаEdwards, Caroline. "Fictions of the not yet : time and the contemporary British novel." Thesis, University of Nottingham, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.546269.
Повний текст джерелаPerrin, Steve. "The plughole of time." View thesis, 2003. http://library.uws.edu.au/adt-NUWS/public/adt-NUWS20040416.105558/index.html.
Повний текст джерела"A thesis presented to the University of Western Sydney in partial fulfilment of the requirements for the degree of Master of Arts (Honours) Creative Arts" Includes bibliography.
bourcier, Simon de. "Relativity and narrative time in the late fiction of Thomas Pynchon." Thesis, University of East Anglia, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.533702.
Повний текст джерелаRandall, James P. "Posthumous temporality and encrypted historical time in fiction and life writing." Thesis, Goldsmiths College (University of London), 2018. http://research.gold.ac.uk/23276/.
Повний текст джерелаMcFarthing, James. "Jules Verne and the utopias of space, time and science fiction." Thesis, University of Bristol, 2014. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.665460.
Повний текст джерелаNerozzi, Giada <1988>. "Time Control in Diana Wynne Jones's Fiction: The Chronicles of Chrestomanci." Master's Degree Thesis, Università Ca' Foscari Venezia, 2015. http://hdl.handle.net/10579/6055.
Повний текст джерелаMcNamee, Brendan. "Rosy cruci-fictions : time and eternity in the novels of John Banville." Thesis, University of Ulster, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.421775.
Повний текст джерелаDuarte, Hector Jr. "Desperate Times Call." FIU Digital Commons, 2017. http://digitalcommons.fiu.edu/etd/3272.
Повний текст джерелаRenner, Jasmine R. "You Cannot Chase Two Antelopes at The Same Time." Digital Commons @ East Tennessee State University, 2013. http://amzn.com/1490461604.
Повний текст джерелаhttps://dc.etsu.edu/etsu_books/1080/thumbnail.jpg
Okumura, Sayaka. "The poetics of Virginia Woolf's fiction : time, space and the material world." Thesis, University of York, 2007. http://etheses.whiterose.ac.uk/9911/.
Повний текст джерелаBaker, Ingrid Liv. "Love in Conflict:D.E. Stevenson, War-Time Romance Fiction, and The English Air." Thesis, Virginia Tech, 2014. http://hdl.handle.net/10919/51753.
Повний текст джерелаMaster of Arts
Henderson, Barbara Anne. "'New takes on time' : a critical dissertation on time-distort fiction, and, The serpent house : a novel for children." Thesis, University of Newcastle upon Tyne, 2012. http://hdl.handle.net/10443/1545.
Повний текст джерелаWake, Vivian F. "A novel, Curse of the time witch : and, An essay, The time-slip novel." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2011. https://ro.ecu.edu.au/theses/463.
Повний текст джерелаChern, Joanne. "Restoring, Rewriting, Reimagining: Asian American Science Fiction Writers and the Time Travel Narrative." Scholarship @ Claremont, 2014. http://scholarship.claremont.edu/scripps_theses/449.
Повний текст джерелаShepley, Elinor. "Ageing in Welsh fiction in English, 1906-2012 : bodies, culture, time, and memory." Thesis, Cardiff University, 2018. http://orca.cf.ac.uk/114562/.
Повний текст джерелаBoardman, Kirsty Louise. "Notions of time and epoch in contemporary French fiction : Montalbetti, Lenoir & Pireyre." Thesis, University of St Andrews, 2018. http://hdl.handle.net/10023/16398.
Повний текст джерелаDrake, George A. "Historical space in the eighteenth-century novel /." Thesis, Connect to this title online; UW restricted, 1997. http://hdl.handle.net/1773/9425.
Повний текст джерелаLANGE, NINA. "Fictions of Time : Zeitvorstellungen, - erfahrungen und -reflexionen in englischen und amerikanischen Romanen der Gegenwart." Doctoral thesis, Università degli studi di Bergamo, 2015. http://hdl.handle.net/10446/32658.
Повний текст джерелаBurns, Ladonna Michelle, and Ladonna Michelle Burns. "A Hero in Our Time: Stories of the Fictionally Subversive Soviet Woman of the 1980s." Thesis, The University of Arizona, 2016. http://hdl.handle.net/10150/620724.
Повний текст джерелаBerger, Aurore. "The transparitions of time in space in four fiction films by Knut Erik Jensen." Thesis, Stockholm University, Department of Cinema Studies, 2005. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-1122.
Повний текст джерелаKnut Erik Jensen’s oeuvre is often described from a typical Norwegian point of view. The corpus of films studied is restricted to his documentary production and to the breakthrough of Stella Polaris in 1993. But as I discovered Knut Erik Jensen through his posterior fiction films, I had to focus on this under esteemed production, even if I remain convinced that the dichotomy between the documentary and fiction films is not very pertinent. As Passing Darkness had blurred my reading of Gilles Deleuze’s books dedicated to cinema, I started to focus on both this film and Deleuze’s philosophical approach. I linked then Knut Erik Jensen’s films to other filmmakers who in my sense had the same concerns.
As history is first a matter of geography, I based the reflection on the works by Alain Resnais, Jean-Daniel Pollet and the texts by Jean Epstein. But as the study went on, I realized that a classical study could not validate Jensen’s aesthetic as the alchemical concerns of both Jean Epstein, Edgar Morin or Gilles Deleuze were dealing with either a source or a result. Living at the era of the networks and influenced by some seminars in France regarding the figure and the networks inside the image, I focused on the philosopher stone in order to find an alternative to the crystal image and other postulates. Using some previous knowledge regarding the alchemy, I used the cycle of the azoth in the sea, one of the main characters in Jensen’s aesthetic as being a way to consider the loss of the source and of the result. Instead of opposing time, space and then a questioning of the space/time continuum, I refuted the organic regime (which has been dead for about forty years in film) to focus on the mineral one (through the crystal image and other reflections) and the gaseous one (the development of the transparitions).
Moore, Suzanne. "The Place Between: Time as Palimpsest in the reading and writing of women's fiction." Thesis, Moore, Suzanne (2017) The Place Between: Time as Palimpsest in the reading and writing of women's fiction. PhD thesis, Murdoch University, 2017. https://researchrepository.murdoch.edu.au/id/eprint/41074/.
Повний текст джерелаPodeschi, Mario. "What comes next /." View online, 2008. http://repository.eiu.edu/theses/docs/32211131428176.pdf.
Повний текст джерелаReuterbrink, Christopher. "Att Uppleva Tid : En Undersökande Läsning av The Time Machine och "A Sound of Thunder"." Thesis, Karlstads universitet, Institutionen för språk, litteratur och interkultur, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-36874.
Повний текст джерелаSyftet med följande uppsats är att undersöka olika litterära verk innehållande tidsresor, samt det underliggande gemensamma motivet. Uppsatsens huvudfokus är kortromanen The Time Machine av H. G. Wells och novellen ”A Sound of Thunder” av Ray Bradbury, men ett antal andra texter från olika tidsperioder tas också i beaktande, främst för att tillhandahålla en bakgrund för analysen av de utvalda texterna. Uppsatsen är baserad på antagandet att det i tidsreselitteraturen finns två distinkta underkategorier. Det finns en väsentlig skillnad i de verk som publicerades före respektive efter The Time Machine, vilket främst beror på att denna text skrevs i en tid då föreställningen om vad 'tid' är var på väg att förändras i det publika medvetandet, med anledning av de vetenskapliga och kulturella landvinningarna inom fysik, filosofi och psykologi. Studiens slutsats visar att all tidsreselitteratur (eller åtminstone de exempel som tas upp i uppsatsen) har ett gemensamt tema, nämligen relationen till det främmande och det kusliga. Vidare tycks de analyserade texterna vara tydligt förankrade i sina respektive tidsperioder. Äldre tidsreselitteratur i synnerhet använder sig av en alienerande effekt på resenären, som förflyttas (frivilligt eller ej) till en främmande tid och blir hopplöst förlorad i en ofrånkomlig situation. Alienationstemat lever vidare även i mer moderna tidsreseexempel, men sedan The Time Machine publicerades har de tidsresande protagonisterna möjligheten att slå tillbaka mot alienationen genom att försöka (och ibland till och med lyckas) att ta kontroll över den obekanta situationen.
Muscolino, Stephen J. "Writing in real-time, fictions of digitization : the novels of Don DeLillo and Dave Eggers." Thesis, University of Glasgow, 2017. http://theses.gla.ac.uk/8276/.
Повний текст джерела