Книги: "Feature Adaptation"

1

Loiselle, André. Stage-bound: Feature film adaptations of Canadian and Québécois drama. Montreal, QC: McGill-Queen's University Press, 2004.

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2

Stage-bound: Feature film adaptations of Canadian and Québécois drama. Montreal: McGill-Queen's University Press, 2003.

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3

Valut︠s︡kiĭ, Vladimir, and Leonid Kvinikhidze. Mėri Poppins, do svidanii︠a︡. Moskva: "Krupnyĭ Plan", 2011.

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4

Paradzhanov, Sergeĭ. The legend of Suram fortress: Ashik Kerib. New York: Kino Video, 2001.

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5

Kundera, Milan. Žert: The joke. Chicago: Facets Video, 2001.

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6

Stoppard, Tom, and Rainer Werner Fassbinder. Despair. United States]: Olive Films, 2011.

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7

Nicholson, Jack. The shining. Burbank, CA: Warner Home Video, 1999.

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8

The hawk's gray feather: A book of the Keltiad. New York: ROC, 1990.

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9

Wajda, Andrzej. Pan Tadeusz. New York, NY: Filmart, 2000.

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10

Danelii︠a︡, Georgiĭ Nikolaevich, and Viktorii︠a︡ Tokareva. Sovsem propashchiĭ. Moskva: Krupnyĭ plan, 2004.

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11

Son, Chŏng-hŭi. Sosŏl, TV tŭrama rŭl mannada: Sosŏl ŭl kaksaek han TV tŭrama ŭi waegok kwa chaehaesŏk. Sŏul-si: P'urŭn Sasang, 2008.

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12

Bodrov, Sergeĭ, Alekseĭ Balabanov, and Sergeĭ Selʹi︠a︡nov. Morfiĭ. Rossii︠a︡: Video XXI veka, 2008.

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13

Aroca, R. Plant responses to drought stress: From morphological to molecular features. Heidelberg: Springer, 2012.

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14

Paxton, Tom. Birds of a feather and other Aesop's fables. New York: Morrow Junior Books, 1993.

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15

Jordan, Neil, Redmond Morris, Stephen Woolley, Pat McCabe, and Pat McCabe. The butcher boy. Burbank, CA: Warner Home Video, 2007.

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16

Shakespeare, Nicholas, and John Malkovich. The dancer upstairs. Culver City, Calif: Twentieth Century Fox Home Entertainment, 2003.

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17

Pierce, Chuck D. God's now time for your life. Ventura, Calif: Gospel Light, 2005.

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18

Abulaże, Tʻengiz. Drevo zhelani︠ia︡: Kartiny iz zhizni dorevoli︠u︡t︠︡sionnoĭ gruzinskoĭ derevni. [Russia]: RUSCICO, 2000.

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19

F, Abeles Harold, and Custodero Lori A, eds. Critical issues in music education: Contemporary theory and practice. New York: Oxford University Press, 2009.

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20

The dancer upstairs. Oxford: ISIS, 2004.

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21

Mouser, Mary Matilyn. Me, Eloise. Troy, MI: Anchor Bay Entertainment, 2006.

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22

Reliquary. Huntsville, Tex: Texas Review Press, 2003.

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23

Bushkov, Aleksandr, та Andreĭ Kavun. Okhota na Piranʹ︠i︡u. Russia: CP Digital, 2006.

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24

Marchina, Charlotte. Nomadic Pastoralism among the Mongol Herders. NL Amsterdam: Amsterdam University Press, 2021. http://dx.doi.org/10.5117/9789463721424.

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Nomadic Pastoralism among the Mongol Herders: Multispecies and Spatial Ethnography in Mongolia and Transbaikalia is based on anthropological research carried out by the author between 2008 and 2016 and addresses the spatial features of nomadic pastoralism among the Mongol herders of Mongolia and Southern Siberia from a cross-comparative perspective. In addition to classical methods of survey, Charlotte Marchina innovatively used GPS recordings to analyze the ways in which pastoralists envision and concretely occupy the landscape, which they share with their animals and invisible entities. The data, represented in abundant and original cartography, provides a better understanding of the mutual adaptations of both herders and animals in the common use of unfenced pastures, not only between different herders but between different species. The author also highlights the herders' adaptive strategies at a time of rapid sociopolitical and environmental changes in this area of the world.

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25

Kramarov, Sergey, Alla Akishina, Marina Anik'eva, Irina Antipina, Olesya Aparina, Evgeniya Arbatskaya, Svetlana Ashenkampf, et al. National interests and regional development issues in the system of priorities of international activities of Russian universities. ru: Publishing Center RIOR, 2021. http://dx.doi.org/10.29039/02084-5.

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The monograph was prepared following the results of the XIX All-Russian Conference and the XXIX All-Russian school-seminar "Integration of Russian universities into the world educational and scientific space, taking into account regional peculiarities" and a regional scientific and practical conference "National interests and issues of regional development in the system of priorities of international activities of Russian universities". The conferences were organized to discuss the system of priorities in the development of international activities of Russian educational and scientific organizations; best practices and new solutions for attracting foreign students to study at universities of the Russian Federation, ensuring their education and stay, as well as employment of the best graduates; regulatory and legal support for the processes of internationalization and development of mobility of intellectual resources of Russia; analysis of the features of the development of intellectual migration processes in modern conditions, the place and role of the Russian language and culture in them; issues of adaptation and integration of educational and labor migration. The proposed materials can be useful to specialists of the Department of the education system of Russia and its regions, employees of federal and regional authorities and management, as well as regional associations of academic mobility.

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26

Chistyakova, Guzel, Lyudmila Ustyantseva, Irina Remizova, Vladislav Ryumin, and Svetlana Bychkova. CHILDREN WITH EXTREMELY LOW BODY WEIGHT: CLINICAL CHARACTERISTICS, FUNCTIONAL STATE OF THE IMMUNE SYSTEM, PATHOGENETIC MECHANISMS OF THE FORMATION OF NEONATAL PATHOLOGY. au: AUS PUBLISHERS, 2022. http://dx.doi.org/10.26526/monography_62061e70cc4ed1.46611016.

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The purpose of the monograph, which contains a modern view of the problem of adaptation of children with extremely low body weight, is to provide a wide range of doctors with basic information about the clinical picture, functional activity of innate and adaptive immunity, prognostic criteria of postnatal pathology, based on their own research. The specific features of the immunological reactivity of premature infants of various gestational ages who have developed bronchopulmonary dysplasia (BPD) and retinopathy of newborns (RN) from the moment of birth and after reaching postconceptional age (37-40 weeks) are described separately. The mechanisms of their implementation with the participation of factors of innate and adaptive immunity are considered in detail. Methods for early prediction of BPD and RN with the determination of an integral indicator and an algorithm for the management of premature infants with a high risk of postnatal complications at the stage of early rehabilitation are proposed. The information provided makes it possible to personify the treatment, preventive and rehabilitation measures in premature babies. The monograph is intended for obstetricians-gynecologists, neonatologists, pediatricians, allergists-immunologists, doctors of other specialties, residents, students of the system of continuing medical education. This work was done with financial support from the Ministry of Education and Science, grant of the President of the Russian Federation No. MK-1140.2020.7.

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27

Koobus, Bruno, Alain Dervieux, Adrien Loseille, and Frederic Alauzet. Mesh Adaptation for Computational Fluid Dynamics, Volume 1: Continuous Riemannian Metrics and Feature-Based Adaptation. Wiley & Sons, Incorporated, John, 2022.

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28

Koobus, Bruno, Alain Dervieux, Adrien Loseille, and Frederic Alauzet. Mesh Adaptation for Computational Fluid Dynamics, Volume 1: Continuous Riemannian Metrics and Feature-Based Adaptation. Wiley & Sons, Incorporated, John, 2022.

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29

Koobus, Bruno, Alain Dervieux, Adrien Loseille, and Frederic Alauzet. Mesh Adaptation for Computational Fluid Dynamics, Volume 1: Continuous Riemannian Metrics and Feature-Based Adaptation. Wiley & Sons, Incorporated, John, 2022.

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30

Koobus, Bruno, Alain Dervieux, Adrien Loseille, and Frederic Alauzet. Mesh Adaptation for Computational Fluid Dynamics, Volume 1: Continuous Riemannian Metrics and Feature-Based Adaptation. Wiley & Sons, Incorporated, John, 2022.

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31

Moench, Dag. Escape from the Planet of the Apes: Feature Film Adaptation. Malibu Comics Entertainment, 1991.

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32

Channel-Mismatch Compensation in Speaker Identification Feature Selection and Adaptation with Artificial Neural Networks. Storming Media, 1998.

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33

Wilkins, Kim, and Wyatt Moss-Wellington, eds. ReFocus: The Films of Spike Jonze. Edinburgh University Press, 2019. http://dx.doi.org/10.3366/edinburgh/9781474447621.001.0001.

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ReFocus: The Films of Spike Jonze is the first collection of essays on this important and original contemporary filmmaker. It looks at his ground-breaking work in both features and short forms, exploring the impact of his filmmaking across a range of philosophical and cultural discussions. Each of Jonze’s feature films, from Being John Malkovich (1999) to Her (2013), is discussed at length, focusing on issues of authorship, narration, genre and adaptation. As well as the textual aspects of Jonze’s feature films, the contributors consider his work in music videos and shorts – investigating his position as a filmmaker on the blurred boundaries between studio and independent modes of production.

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34

Schulkin, Jay. Radical Change. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780198793694.003.0004.

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Chapter 4 talks about how CRF is involved in two quite striking processes: metamorphosis and parturition. Both of these processes revolve around the wondrously vital feature of radical change. In both instances, we are discussing the changing of form and the maturation of an organism. While one change is ancient and one more modern, both continue to be important features of life on this planet, and they represent the importance of development and its responsiveness to changing environments. Our story of metamorphosis, however, is about change and adaptation or preadaptation and the expansion of use and capability. CRF is fundamentally tied to the world in which animals are adapting to changes including the seasons, times of day, droughts, and breeding cycles. Cycles of stability and change set the conditions for adaptive viability; underlying such events is predictive coherence, where diverse information molecules drive physiological and behavioral adaptations.

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35

Newell, Kate. Adaptation and Illustration. Edited by Thomas Leitch. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199331000.013.27.

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Illustrations in illustrated editions are rarely theorized as adaptations in the field of adaptation studies. Chapter 27 attempts to redress that oversight by examining the disciplinary practices and medial assumptions that have shaped approaches to illustration and adaptation in their respective fields. Focusing on the manner in which illustration and adaptation have been defined, their engagement of source material, and assumptions related to static and dynamic modes of representation, the essay draws parallels between the fields of illustration and adaptation and proposes a cross-disciplinary approach to adaptation that illuminates common characteristics of adaptation across media and modes and common features across a given work’s adaptation history.

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36

Lehmann, Courtney. Can the Subaltern Sing? Edited by James C. Bulman. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199687169.013.21.

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Completed in 1966, Liz White’s Othello is the first and only Shakespeare film directed by a black woman, as well as the first cinematic adaptation of a Shakespeare play to feature an all-black cast and crew. When production began in 1962, White was intent on using her landmark adaptation to assert a place for women within the male-dominated black nationalist movements of the 1960s. By focusing on the (mis)treatment of women in Othello, White links their struggle—or lack thereof—to the double displacement of black women within the burgeoning civil rights movement. Particularly in this context, it seems counter-intuitive that White would draw upon conventions from one of the most conservative cinematic genres—the American film musical—to generate an alternative set of signifying practices for articulating civil rights claims and for chronicling the historical process whereby women become the vanishing mediators of social ‘progress’…

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37

Loiselle, Andre. Stage-Bound: Feature Film Adaptations of Canadian and Quebecois Drama. McGill-Queen's University Press, 2003.

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38

Loiselle, André. Stage-Bound: Feature Film Adaptations of Canadian and Québécois Drama. McGill-Queen's University Press, 2003.

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39

Sillitoe, Paul, ed. The Anthroposcene of Weather and Climate: Ethnographic Contributions to the Climate Change Debate. Berghahn Books, 2021. http://dx.doi.org/10.3167/9781800732315.

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While it is widely acknowledged that climate change is among the greatest global challenges of our times, it has local implications too. This volume forefronts these local issues, giving anthropology a voice in this great debate, which is otherwise dominated by natural scientists and policy makers. It shows what an ethnographic focus can offer in furthering our understanding of the lived realities of climate debates. Contributors from communities around the world discuss local knowledge of, and responses to, environmental changes that need to feature in scientifically framed policies regarding mitigation and adaptation measures if they are to be effective.

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40

Sedgwick, Edward. Buster Keaton at MGM: Triple feature. 2012.

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41

Corbett, Jack, and Wouter Veenendaal. Democratization and Political Parties. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198796718.003.0005.

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The adaptation theme is a strong feature of Chapter 5, which examines the old idea that democracy is unworkable without political parties, and that an institutionalized party system is a prerequisite for a stable democracy. Some small states have institutionalized party systems and others do not. We find that, with few exceptions, the qualitative experience of countries without robust party systems is not decisively different in those small states that do have strong parties as, in all cases, personalized rather than programmatic representation is the norm. The conclusion is therefore that political parties and party systems are not decisive to the democratization prospects of small states.

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42

Tucker, Joshua. Peruvian Cumbia at the Theoretical Limits of Techno-Utopian Hybridity. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190842741.003.0005.

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This essay analyzes the transformation of Peruvian chicha, an adaptation of Colombian cumbia, from an unassuming working-class music into a central feature in new nationalist discourses that seek to overcome older elitist and racist models of national identification from transnational perspectives. As part of this discussion, the chapter considers the work of intellectual cosmopolitans who appeal to notions of electronic experimentation, psychedelic playfulness, and musical agency, thus resignifying chicha as an aesthetic solution for the intellectual shortcomings of an earlier era. Chicha musicians become retrospective theorists of international hybridity and nationalist mestizaje whose experimentalism challenges the limits of previous identity discourses, providing aesthetic utopian alternatives.

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43

Yarrow, Simon. 8. Globalizing sanctity. Oxford University Press, 2018. http://dx.doi.org/10.1093/actrade/9780199676514.003.0008.

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The cult of saints crossed global horizons as part of the spread of Roman Catholicism that began in the late 15th century with the maritime expeditions of Catholic Portugal and Spain. ‘Globalizing sanctity’ explains that the most successful seedbed of sainthood was the Americas, where the Church received most patronage when it operated as a colonial government ideological arm, working to pacify and economically exploit the Amerindian natives. Why did the indigenous people adopt their Christian oppressors’ religion and what part did saints play? A fundamental feature of Catholic world mission was syncretism, mixing elements of two sets of religious belief and meaning through the adaptation of symbols and practices culturally accommodating to both.

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44

Starks, Lisa S. Ovid and Adaptation in Early Modern English Theatre. Edinburgh University Press, 2019. http://dx.doi.org/10.3366/edinburgh/9781474430067.001.0001.

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Ovid was a multifaceted icon of lovesickness, endless change, libertinism, emotional torment and violence in early modern England. This collection uses adaptation studies in connection with other contemporary theoretical approaches to analyze early modern transformations of Ovid, providing innovative perspectives on the “Ovids” that haunted the early modern stage, while exploring intersections between adaptation theory and gender/queer/trans studies, ecofeminism, hauntology, transmediality, rhizomatics and more. The chapters explore Ovidian adaptations in the works of Shakespeare, Marlowe, Jonson, Mary Sidney Herbert, Lyly, Hewood, among others. The volume is divided into four sections: I. Gender/Queer/Trans Studies and Ovidian Rhizomes; II. Ovidian Specters and Remnants; III. Affect, Rhetoric, and Ovidian Appropriation; and IV. Ovid Remixed: Transmedial, Rhizomatic, and Hyperreal Adaptations.” Focusing on these larger topics, this book examines the multidimensional, ubiquitous role that Ovid and Ovidian adaptations played in English Renaissance drama and theatrical performance. The book contains chapters by Simone Chess, Shannon Kelley, Daniel G. Lauby, Deborah Uman, Lisa S. Starks, John S. Garrison, Catherine Winiarski, Jennifer Feather, John D. Staines, Goran Stanivukovic, Louise Geddes, Liz Oakley-Brown, Ed Gieskes, and Jim Casey.

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45

Fox, Alistair. The Formation of a Budding Man Alone: The God Boy (Murray Reece, 1976). Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474429443.003.0003.

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This chapter analyses the earliest of the New Zealand coming-of-age feature films, an adaptation of Ian Cross’s novel The God Boy, to demonstrate how it addresses the destructive impact on a child of the puritanical value-system that had dominated Pākehā (white) society through much of the twentieth century, being particularly strong during the interwar years, and the decade immediately following World War II. The discussion explores how dysfunction within the family and repressive religious beliefs eventuate in pressures that cause Jimmy, the protagonist, to act out transgressively, and then to turn inwards to seek refuge in the form of self-containment that makes him a prototype of the Man Alone figure that is ubiquitous in New Zealand fiction.

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46

The Hawk's Gray Feather (Keltiad). Roc, 1991.

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47

Fletcher, Judith. Myths of the Underworld in Contemporary Culture. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198767091.001.0001.

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Stories of a visit to the realm of the dead and a return to the upper world are among the oldest narratives in European literature, beginning with Homer’s Odyssey and extending to contemporary culture. This volume examines a series of fictional works by twentieth- and twenty-first century authors, such Toni Morrison and Elena Ferrante, which deal in various ways with the descent to Hades. Myths of the Underworld in Contemporary Culture surveys a wide range of genres, including novels, short stories, comics, a cinematic adaptation, poetry, and juvenile fiction. It examines not only those texts that feature a literal catabasis, such as Neil Gaiman’s Sandman series, but also those where the descent to the underworld is evoked in more metaphorical ways as a kind of border crossing, for instance Salman Rushdie’s use of the Orpheus myth to signify the trauma of migration. The analyses examine how these retellings relate to earlier versions of the mythical theme, including their ancient precedents by Homer and Vergil, but also to post-classical receptions of underworld narratives by authors such as Dante, Ezra Pound, and Joseph Conrad. Arguing that the underworld has come to connote a cultural archive of narrative tradition, the book offers a series of case studies that examine the adaptation of underworld myths in contemporary culture in relation to the discourses of postmodernism, feminism, and postcolonialism.

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48

Kennealy-Morrison, Patricia. The Hawk's Grey Feather (Keltiad). Roc, 1990.

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49

Lamel, Lori, and Jean-Luc Gauvain. Speech Recognition. Edited by Ruslan Mitkov. Oxford University Press, 2012. http://dx.doi.org/10.1093/oxfordhb/9780199276349.013.0016.

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Speech recognition is concerned with converting the speech waveform, an acoustic signal, into a sequence of words. Today's approaches are based on a statistical modellization of the speech signal. This article provides an overview of the main topics addressed in speech recognition, which are, acoustic-phonetic modelling, lexical representation, language modelling, decoding, and model adaptation. Language models are used in speech recognition to estimate the probability of word sequences. The main components of a generic speech recognition system are, main knowledge sources, feature analysis, and acoustic and language models, which are estimated in a training phase, and the decoder. The focus of this article is on methods used in state-of-the-art speaker-independent, large-vocabulary continuous speech recognition (LVCSR). Primary application areas for such technology are dictation, spoken language dialogue, and transcription for information archival and retrieval systems. Finally, this article discusses issues and directions of future research.

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50

Joye, Stijn, Daniël Biltereyst, and Fien Adriaens. Telenovelas and/as Adaptations. Edited by Thomas Leitch. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199331000.013.20.

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Within an emerging tradition of adaptation research that looks beyond fidelity-driven inquiries into exclusively literary adaptations, the case of telenovelas is exemplary for a contemporary media industry that is characterized by a cross-media and cross-border exchange of narratives. Focusing on the recent revival and international success of the telenovela genre and format, Chapter 20 reflects on a series of extra-textual features and contexts that are related to the practice of adapting global telenovela formats into different cultural environments. It approaches telenovelas as localizable yet universally appealing cultural products and narratives that undergo a tailoring process to match local expectations or to conform to local sensibilities and cultural, narrative, and production codes.

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