Дисертації з теми "Expressions culturelles"
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Terzi, Christina. "La traduction des expressions culturelles : Une étude des expressions culturelles liées au vin et à l´oenotourisme." Thesis, Linnéuniversitetet, Institutionen för språk och litteratur, SOL, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-20686.
Повний текст джерелаMartinet, Lily. "Les expressions culturelles traditionnelles en droit international." Thesis, Paris 1, 2017. http://www.theses.fr/2017PA01D018.
Повний текст джерелаAt the beginning of the 21st century, the use of the term "traditional cultural expression" spread among several international forums. Although they have never been legally defined, traditional cultural expressions are mentioned by two instruments originating within the United Nations system: the UNESCO Convention on the Protection and Promotion of the Diversity of Cultural Expressions (2005) and the United Nations Declaration on the Rights of Indigenous Peoples (2007). This thesis presents how this notion emerged and evolved in international law. It also identifies the characteristics of this new legal concept to understand its meaning. This step allows to differentiate traditional cultural expressions from neighboring notions, such as "traditional knowledge" and "intangible cultural heritage." This leads to the study of legal issues relating to traditional cultural expressions and their safeguarding. Among these issues, the most paramount question is to ascertain the legal form that should be given to the link that binds a traditional cultural expression to the community that created and preserved it. In this view, two approaches appear. The first one considers traditional cultural expressions as a factor of economic development, whereas the second one contemplates them as a tool for the preservation of cultural identities. Confrontation of these two approaches demonstrate the limited role of traditional cultural expressions in the field of economic development
Kwahou, Charly. "L'effectivité de la Convention UNESCO 2005 sur la diversité des expressions culturelles." Thesis, Paris Est, 2013. http://www.theses.fr/2013PEST0053/document.
Повний текст джерелаThe UNESCO Convention on the Protection and Promotion of the Diversity of Cultural Expressionsadopted in Paris on 20 October 2005 and entered into force on 17 March 2007. The interest of thisConvention is essentially cultural. Protection of goods and services, or cultural activities, summarizesthe key challenges. Its objective is to contain the effects of the principle of trade liberalization oncultural diversity. The value of cultural diversity is undeniable because it relates to human identity.Cultural diversity is the subject of constant recognition in the international legal landscape. Many textsdevoted national and international rights directly or indirectly culture as an inherent value to humans.It is therefore seen as a right or a fundamental aspect of human rights. Thus, goods or services andcultural activities, are a dual commercial and cultural should, given the specificity to be specialprotection. The mission of protection is now provided by the UNESCO Convention 2005.Determining its effectiveness is the central concern of this thesis. Its main focus, the contribution tocapacity building of the present Convention to meet its challenges. Incidentally, it contributes to thepopularization of a new international law to protect and promote the diversity of cultural expressions.UNESCO 2005 Convention is in all his early phase of implementation. It is therefore premature, giventhe youth of this new Convention, entitled to determine its effectiveness on the basis of a laudatoryreview of practical application. However, the increasing frequency of the application process seemsreassuring. It presages the trend towards an international legal instrument effective and efficientprotection and promotion of the diversity of cultural expressions
Vinsonneau, Geneviève. "Appartenances culturelles et sub-culturelles, inégalités sociales et variations des expressions identitaires : études expérimentales parmi quelques populations défavorisées en systèmes hétérogènes." Paris 5, 1993. http://www.theses.fr/1993PA05H049.
Повний текст джерелаIt is with the effects of situation and interaction in mind that the research for this thesis was undertaken. The approach is at the crossroads between psychology and sociology. This, in order to analyze the different forms of expression of identity of "social actors" in various situations of comparisons to groups better placed in society at large. The data is organized into two main direction , one subcultural and the other hetero-cultural. The former concerns the meeting of the sexes in french culture and its' consequences ont the expression of identity in women. The latter examines the way north africans present their group when facing the french. Three aims were simulteneously followed. To point the effects of the conditions of expression on the variations in the elaborations of social identity. To test the hypothesis of the coherence of identity of a person by confronting the different levels of answers obtainde. And to develop arguments in favour of a cultural psychology, having shown the shortcomings of a model of identity built on social inequality
Richieri, Hanania Lilian. "La diversité culturelle et le commerce des produits et services culturels." Paris 1, 2007. http://www.theses.fr/2007PA010291.
Повний текст джерелаGagnier, Sabine. "Portée et limites de la convention sur la protection et la promotion de la diversité des expressions culturelles de l'UNESCO de 2005." Paris 7, 2010. http://www.theses.fr/2010PA070027.
Повний текст джерелаSome states have tried to elaborate a legal framework for their cultural policies in the international legal field with the adoption of the Convention on the Protection and Promotion of the Diversity of Cultural Expressions at UNESCO in 2005. This norm maintains interests of the States that have already some cultural policies. Its mechanisms are weak, because WTO's rules are stronger. Can the cultural diversity be protected and promoted if it is supervised by sovereignty? We should use the tools of international law, such as the imperativ general law to ensure a protection of culture. States are also,, a way to organize this protection. The first part examines the steps of negotiation of the Convention and analyzes the nuances between drafts and final text. The second part examines the key challenges that the Convention has raised
Giannelos, Kalli. "Le concept de diversité culturelle : batailles musicales et philosophiques dans un monde globalisé." Paris, EHESS, 2015. http://www.theses.fr/2015EHES0097.
Повний текст джерелаAt the crossroads of social sciences, philosophy and music, this work seeks to converge the various approaches and meanings underlying the concept of cultural diversity in Western contemporary societies. In order to elucidate the entanglement of various meanings and dimensions, this research builds a global approach of the concept and a methodical analysis of its dimensions and groundings. At the core of this research, music - viewed as musical diversity - stands as a pillar that tests the underlying major assumptions of this research and the analysis grid, which is progressively drafted. Starting from the perspectives of the institutionalisation of cultural diversity by UNESCO and that of the common sensé, this global and synthetic approach cornes to examine the construction of a concept as a major issue in a globalized world. The uses of the concept, either as a descriptive or operational tool, reveal an interweaving of observation scales and levels of significance that shed light differently upon cultural diversity. As such, various meanings, stakes and dimensions are distinguished and placed in relation to each other with différent viewing angles and contexts of use. Furthermore, the analysis of its groundings lead to a philosophical analysis which is based on a theoretical and artificial confrontation between the ethical meaning of the concept in UNESCO's approach and a philosophical counter-model. The overall perspective throughout this research engages in a
Laurent, Pierre-Yves. "La diversité culturelle et le droit international." Reims, 2008. http://www.theses.fr/2008REIMD009.
Повний текст джерелаThe action of States in support of culture and cultural diversity appears in various forms of assistance (subsidies, quotas, tax. . . ). But this action is limited by international economic law. The issue is to determine the content of the right of States to freely establish their cultural policies. But the State sees its action framed by the bilateral, regional (NAFTA, EU) and multilateral (WTO) economic treaties. The goal was therefore to establish specific regulations within the international economic law. Several legal concepts have been put forward as the cultural exemption and cultural exception, to remove cultural measures out of the principles of liberalization. But in the absence of consensus, including with the United States, the Uruguay Round did not achieve such a goal. Also, following the failure of the proposed Multilateral Agreement on Investment of 1998, the concept of cultural diversity, more positive and less subject to the review of protectionism has emerged to justify the rights of the State. Stormy negotiations were initiated at UNESCO rather than the WTO and in 2005 led to the elaboration of the Convention on the Protection and Promotion of the Diversity of Cultural Expressions. Developed within a cultural point of view, it nevertheless offers the States an ambiguous right to adopt cultural measures which may be in contradiction with international economic law. The state is not always free of the constraints of international economic law on the subject
Saad, Mounira. "Théâtre et mutations sociales en Tunisie : de la dépendance à la résistance des expressions culturelles par rapport aux politiques de changement." Paris 8, 2000. http://www.theses.fr/2000PA081675.
Повний текст джерелаDeschênes, Ariane. "La règlementation des plateformes de diffusion numériques par le droit canadien : vers une meilleure protection de la diversité des expressions culturelles." Master's thesis, Université Laval, 2018. http://hdl.handle.net/20.500.11794/34900.
Повний текст джерелаThis study suggests it would be possible for Canadian law to regulate a video-ondemand platform. In fact, distribution and broadcasting technologies have disrupted the cinematographic industry and the Canadian public broadcasting system with profound changes in the broadcast chain and the distribution channel. The video-on-demand platform has taken up a predominant position on the market, without being submitted to the financial contribution to a Canadian creation fund and to the obligation of broadcasting a percentage of Canadian content, while the role of traditional stakeholder, such as cable distributors, is being challenged. Furthermore, the diversity of cultural expression and promotion of Canadian content is not guaranteed on video-on-demand platforms. This study aims to demonstrate that it is possible to regulate the activities of such platforms by Canadian laws. Considering that the Canadian broadcasting policy is still relevant nowadays to maintain the presence of Canadian culture online, this research suggests reviewing the Canadian public broadcasting system in order to adapt it to the digital environment. Finally, this study suggests creating a new regulation system by introducing regulation for the specific intention of Canadian and foreign video-on-demand platforms. This would submit them to the obligation of financial contribution to a Canadian creation fund and to the promotion and discoverability of the Canadian audiovisual contents in the digital space.
Matta, Rául. "Enjeux sociaux d'une consommation « haut de gamme » . Etude sur les logiques marchandes et sociales au coeur de deux expressions culturelles dans la ville de Lima : L'experience gastronomique et les fet." Thesis, Paris 3, 2009. http://www.theses.fr/2009PA030112.
Повний текст джерелаPopular cultural expressions among young adults (25-35 years old) from privileged social groups, Peruvian-based high gastronomy and electronic music parties have quickly obtained a central place in the offer of cultural leisure activities of the city of Lima. The analysis of the social construction of reputation around these globalized activities reveals that, although the value granted to these practices may be short-lived as far as it is about cultural fields crossed by fashion effects, it is nevertheless founded on mechanisms of social distinction appealing to meanings firmly implanted in the Peruvian society. An immersion in these « exclusive » and « trendy » circles demonstrates that these mechanisms, very subtle and strongly articulated with trade logics, convey values and attitudes contributing to the construction (or reconstruction) of « Lima’s bourgeois culture »
Vlassis, Antonios. "Stratégie(s) d'acteur(s) et construction des cadres normatifs internationaux : de l'exception culturelle à la diversité culturelle." Phd thesis, Université Montesquieu - Bordeaux IV, 2010. http://tel.archives-ouvertes.fr/tel-00529353.
Повний текст джерелаClement, Sophie. "La protection internationale de la diversité culturelle." Aix-Marseille 3, 2010. http://www.theses.fr/2010AIX32080.
Повний текст джерелаCultural diversity is expressed by a perpetual creative process. Scattered international rules are passed by some states in ordre to protect creativity and its authors. Yet, the increase of economic globalization - as well as the new technologie's one - appears as a potential threat of cultural uniformity. For instance, this increase questions the cultural policies led by those states. In this new context, the already existing International Law seems to be quiet inefficient. Consequently, it appears essential to think about cultural globalization with a political point of view. Thus, a new project stands out: that of the International Protection of Cultural Diversity. Quichly enough, this project undergoes some leagal developments. For instance, on the 20th of October 2005, the U. N. E. S. C. O. Voted a new Convention on the Protection and Promotion of the Diversity of Cultural Expressions. The official line that is defended is that the new Convention only brings a partial answer to the complexity question of the protection of cultural diversity. A question that is raised in the context of an economic globalization and technological progress. The aim of this new tool is to give culture a peculiar status within the International Law order. Yet, considering its limited object, the 2005 Convention does not solve the question about the international protection of the cultural diversity. Yet, what has to be kept in min dis the fact that this convention has to be seen as a major step in the erection of world government
Lamoureux, Marie. "L'importance de la congruence dans l'adoption de normes internationales : Le cas de la diversité culturelle." Thesis, Université Laval, 2010. http://www.theses.ulaval.ca/2010/27612/27612.pdf.
Повний текст джерелаHarelimana, Jean-Baptiste. "La diversité culturelle, entre l'organisation mondiale du commerce et l'UNESCO : de la fragmentation à la cohérence." Lyon 3, 2010. https://scd-resnum.univ-lyon3.fr/in/theses/2010_in_harelimana_jb.pdf.
Повний текст джерелаThe concept “cultural diversity” has served as a buzz-word in various discourses over the last couple of decades, the meaning of this concept has not yet been fully explored and specified in international law. Increasingly, the issue is to defend societal values, or even choices about the type of society. After being considered as part of the wider concept of human rights, cultural diversity now refers to some previous efforts in the field of culture and trade. As a result of the difficulties some countries are having in legitimizing their cultural policies because of the international commercial agreement stature, the international community has organized its efforts in a rather effective manner to offset the lack of satisfying solutions within the framework of the WTO. The legally binding UNESCO Convention on the protection and promotion of the diversity of cultural expressions is a clear sign of the scope of the international endeavour, on the one hand, and of the desire to contest the existing WTO norms in the field of trade and culture, on the other. Therefore, this Convention can respond to this double challenge when international law is itself hard hit by globalization? Rather than lend some magical properties to the UNESCO Convention, despite the strong need for other pillars of globalization, this thesis explores WTO and UNESCO devices allowing to assess law that paved the cultural diversity in its present interpretation. It makes a few proposals to help find more coherent solutions of the trade and culture quandary
Coutu, Emmanuelle. "La gouvernance de la culture : le rôle des fonctionnaires fédéraux et québécois dans l'élaboration et l'adoption de la Convention sur la protection et la promotion de la diversité des expressions culturelles de l'UNESCO." Thèse, Université du Québec à Trois-Rivières, 2012. http://depot-e.uqtr.ca/6158/1/030408604.pdf.
Повний текст джерелаRoccasalva, Candice. "Traduire la culture sociopolitique : Étude de la traduction française de noms propres liés à l’organisation politique et sociale en Suède." Thesis, Linnéuniversitetet, Institutionen för språk (SPR), 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-48590.
Повний текст джерелаFontana, Audrey. "Élaboration d’une théorie des représentations culturelles des identités politiques : l’exemple de la politique culturelle du Front national de 1986 à 1998." Thesis, Lyon 2, 2009. http://www.theses.fr/2009LYO20003/document.
Повний текст джерелаThis thesis joins in the field of a reflection, which suggests thinking of the cultural mediation as a shape of representation and expression of the political identities. The thesis studies more particularly the cultural policy of the National Front between 1986 and 1998 The first part studies, generally speaking the inseparable relation between culture and politics, by proposing a definition of cultural policies and cultural mediation.A second part presents the characteristics of the political identity of the F.N.: it is about a political speech based on the exclusion from the other one, on the particular shape of expression of the identity and, on the modalities of sublimation of the actors.The third part concerns cultural policies implemented in the cities of Vitrolles, Marignane, Orange and Toulon, during the actual exercise of the power between 1995 and 1998, by analyzing the most characteristic actions of the F.N.’ identity : the cancellariat of municipal subsidies, the "censorship" exercised within municipal libraries, etc. …These actions express in particular the contesting of the state power and propose a specific approach of the national identity.The fourth part proposes a reflection on the political ideal and on the place of the imagination in the political identity of the F.N. The ideology of the National Front rests on a fantasized political ideal, the guideline of which is to arouse the gathering by a strategy that dresses a shape of paranoiac speech.The fifth part is dedicated to the aesthetic and cultural references of the National Front in the field of the cultural mediation (plastic arts, architecture, live performance, edition, music, cinema and broadcasting).The cultural policies of the F.N. express, so, fantasies of persecution -the plot and the fear-, which join a fantastical dimension of the political identity of the National Front
Giummarra, Paola. "La langue au théâtre : expression d'une identité culturelle ?" Thesis, Avignon, 2018. http://www.theses.fr/2018AVIG1185/document.
Повний текст джерелаThe title of our dissertation points to the key elements of this study. To probe contemporary theatre, especially in France and in Italy, we rely on a specific tool: the rhythm. We propose a comparative study of four plays, each one by a different author, two Italians and two French : Juste la fin du monde (1990) by Jean-Luc Lagarce, Clôture de l’amour (2011) by Pascal Rambert, Italia-Brasile 3 a 2 (2002) by Davide Enia and Dissonorata (2006) by Saverio La Ruina. The definition of rhythm, as given by Henri Meschonnic, allows us to study these plays without a precise linguistic, theatrical, and sociological point of view. This is because the poetics of the author manifests itself via and thanks to the rhythm. A rhythm that is certainly rooted in the linguistic structure of the play, but which is also the accomplishment of the historical and cultural expression of the voices of the authors
Payette, Alex. "La Gouvernance Confucéenne : moralité, orthopraxie et expressions identitaires." Thesis, Université d'Ottawa / University of Ottawa, 2015. http://hdl.handle.net/10393/32296.
Повний текст джерелаFrebert, Nicolas. "L’orientation culturelle comme facteur de déshumanisation : comparaison entre expression de valeurs individualistes et collectivistes." Thesis, Rennes 2, 2021. http://www.theses.fr/2021REN20053.
Повний текст джерелаThe aim of this thesis is to test whether perceived humanness of an individual depends on the cultural values he expresses. Several studies in cross-cultural psychology identified individualistic values as the dominant values in France. Based on these data, we conducted a set of research studies to compare humanness attributions to a target person that expresses either individualistic or collectivist values. According to the ethnocentric hypothesis, the expression of collectivistic values should elicit fewer attributions of humanness than the expression of individualistic values. To test this hypothesis, several measures of humanness attributions were used. Three pre-tests were conducted to validate a francophone measure of Human Uniqueness and Human Nature via personality traits. Then, four experimental studies were set up to address the ethnocentric hypothesis. The data collected did not confirm the ethnocentric hypothesis and showed that the expression of individualistic and collectivistic values are each associated with specific aspects of human being. The results lead to a reflexion about the convergent validity of measures of humanness attributions and their ability to avoid being biased by positivity effects. The normative status of individualistic values is also discussed
Fall, Mandiaye. "Pratiques rituelles et sauvegarde du patrimoine culturel immatériel dans le Kajoor (Sénégal) : évolution historique, défis et perspectives." Electronic Thesis or Diss., La Rochelle, 2022. http://www.theses.fr/2022LAROF004.
Повний текст джерелаAccording to some traditional cosmological beliefs in Senegambia, the spirits of the dead evolve in an alternative world and are given the responsibility of ruling that of the living. The main function of the religious phenomenon is to give life a meaning by overcoming uncertainties and reducing existential anxiety in the face of a tricky and often hostile nature. The direct or indirect hold of the sacred over activities sets essentialist concepts and practices perpetuated through a ritualization necessary for the survival of the intangible cultural heritage of oral societies.The ritual practice has established itself as the main process for the conservation of the intangible cultural heritage of the Ajoor. Expressions and representations are often wrapped in a supernatural and / or symbolic substrate on which theoretical, moral, technical and religious achievements are based. The civilizational influences received on both sides have generated a form of cultural hybridization with spatial slight differences in the way of practicing ancestral animist beliefs. It goes without saying that the main purpose of studying the past of communities should be a better understanding of the present with a view to preparing for a possible prosperous future, in a position that takes sustainability into account. By drawing inspiration from the local cultural core, it will be possible to produce a model of citizen able to efficiently deal with the challenges that are contemporary with him. This thesis aims at modeling this argument through the example of the intangible cultural heritage of Kajoor mainly inhabited by Ajoor people
Ender, Brisson Barbara. "Paysages interculturels en Autriche et expression d'écrivains issus de la migration à travers le prix littéraire de Hohenems." Thesis, Strasbourg, 2017. http://www.theses.fr/2017STRAC006/document.
Повний текст джерелаThe city of Hohenems, an Austrian town of about 16.000 inhabitants located in Vorarlberg, has been marked by successive waves of immigration. As a former host city for a large Jewish community and even today for many immigrant workers and refugees, a large majority of whom are Muslims, Hohenems truly embraces a long intercultural tradition. A microhistorical approach makes it possible to question the reasons and the motivations that in 2009 enabled the establishment of a literary prize for migrant authors who write in German though they are non-native German speakers. Through the concrete example of this prize, we examine the management of cultural heterogeneity at the local level and the impact of the literature of migrant authors in the German-speaking world that leads to the birth of intercultural and cross-cultural writing
Nhaombe, Henrique Ernesto. "Vers une approche sémantique et culturelle des idiomes : décodage du sens des expressions idiomatiques du tsonga motivées par les croyances et les moeurs." Poitiers, 2002. http://www.theses.fr/2002POIT5011.
Повний текст джерелаProvencher, Ysabel. "Les expressions de la distance culturelle entre les personnes âgées de milieux populaires et les intervenantes du CLSC-CHSLD-CH de la MRC Denis-Riverin." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2001. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp05/NQ61238.pdf.
Повний текст джерелаChakroun, Ghazi. "Approche étho-cognitive du dessin libre de jeunes enfants de cultures différentes (prédiction de la réussite aux apprentissages scolaires)." Toulouse 3, 2003. http://www.theses.fr/2003TOU30165.
Повний текст джерелаIn order to study cognitive development through the ontogeny of graphic and alphabetical forms, we adopt an etho-cognitive approach associating methods from psychology and ethology. Our method uses both graphical and ethological analyses. The graphical method consists in studying final result of 20000 free drawings from 2 to 6 year-old French and Tunisian children. The ethological method allowed us to analyse the dynamics of the graphical construction as well as the verbal and gestural behaviours of 52 French children during free drawing sessions. Ethograms issued from video-recordings of children taken from French (124 cases) and Tunisian (108 cases) cultures, and differential and sequential analysis of behaviour units belonging to motor, verbal and graphical repertoires using ALCESTE and AMADO software, allowed us to validate the use of a 12 levels scale, as a result of the graphical method, and to identify, as a result of the etho-graphical method, 16 cognitive levels concerning the 2 to 6 year age period. Moreover, we showed that the transcultural cognitive levels stemmed from the analysis of free drawings from pre-scholar children match some of the historical steps in the evolution of human communication, from pictograms to phonological and alphabetical writing. .
Monin, Chloe. "Entre mondialisation et expression d’une culture nationale : l’articulation des identités nationales européennes et de la culture anglo-saxonne au sein de la musique rock." Thesis, Lyon 2, 2015. http://www.theses.fr/2015LYO20157/document.
Повний текст джерелаSince the 1950’s, rock importantly diversified itself. It became a complex and heterogeneous cultural object. It is now hard to typify the genre as a strictly American or English production. Local and national scenes are effectively developping. Some of them even know international success and bring me to point two facts : 1) English language and culture are no longer the exclusive cultural references of rock production. New national identities now integrate it. 2) Nonetheless, rock aesthetic is still highly recognizable.The aim of this study is to analyse the articulation between rock aesthetic and national culture in the iconography of Finnish and German bands. I adopt a socio-semiotic methodology for analysis. This articulation is remarkable in imagery but also in music. It find its origins in a global social and cultural context, and also in the mutations of the musical industry.After this work, we can produce the following conclusions : 1) Firstly we can conclude that the evolutions of cultural industries and globalised culture toward multiculturalism favoured the developpment and the visibility of national rock scenes. Structuration of the musical economy played also an importantpart. Moroever, the phenomenon is not new. Effectively, the British rock scene is an early example of it since the 1960’s. 2) Then, the evolution and the diversification of rock aesthetic as a result of acculturation create good conditions for the emergence of new identities in rock music. We notice the use of different strategies to express the national in music, such as specialisation into a genre, musical innovation or inscription of music in the local cultural environment
Sayah, Rita. "Les identités politiques et religieuses libanaises : Expression et censure des représentations." Thesis, Lyon 2, 2011. http://www.theses.fr/2011LYO20080.
Повний текст джерелаThe Lebanese political identities have often been linked to the existing religious identities. Lebanon has known in fact a number of civilizations and cultures, and has continuously been a place of political and religious tensions.From a methodological point of view, this thesis is based on readings and analysis of the press and the media, in addition to the literature of different artistic expressions. In the first section, the thesis focuses on the problematic. We present the multiple Lebanese political parties, their ideologies, their relationship with power and their history, especially after the Taef agreement (1989). We also study the political institutions and the political practices in Lebanon, as well as the multiple forms of political engagement. The thesis also tackles the important role of the traditional Lebanese families and the charisma of politicians. In the second section, we study the link between the political identities and the religious identities in the Lebanese public space. It focuses on the different kinds of relations that bound those two identities, in addition to the religious implications of wars. Also, this section analyses the geographical distribution of the political and religious identities in the country.In section number three, the thesis highlights the expressions of the political identities. It suggests an approach to the representation of these political identities in the media, in the fiction (literature, cinema, etc), in the songs and in fine arts. Finally, the last section focuses on the censorship, important concept in Lebanon, in the presence of a number of political and religious powers that influence the process of communication. We will define censorship, and focus on different kinds of censorship (political censorship, religious censorship, invisible censorship). We will also highlight the procedures and laws that lead to censorship, and the different ways followed by journalists and artists to face it
Subbotina, Galina. "L'invention de soi dans la littérature romantique russe." Thesis, Sorbonne Paris Cité, 2017. http://www.theses.fr/2017USPCF030/document.
Повний текст джерелаIn order to study how an individual expresses and invents himself in the Russian literature of the Romantic era, it is necessary to solve the problems connected with the peculiarities of the Russian cultural field. On the one hand, the various processes that were important for individualization in Western Europe (the Renaissance, the Reformation, the Enlightenment) had in Russian history special, weakened forms. On the other hand, the secret confession, which, according to M. Foucault, is fundamental to the development of introspection in Europe, did not have much importance in the Russian Orthodox Church. In addition, autobiographical and autoreflexive practices are blocked in Russia by a variety of taboos, which are imposed by intellectual, cultural, and power circles. This raises the question of how Russian writers avoided all these limitations, when the author's self-expression had become extremely important in the European romantic literature. To answer to this question, we investigated various areas of literature, including peripheral: recognized and secondary genres, personal stories, translations, women's prose, texts written in French, etc. From this point of view, the romantic period is not just an epoch of transition, as it is often represented in the history of Russian literature, but the most important moment for affirming subjectivity in Russian culture
Simnara, Komi. "L’expression des émotions en Lama (Gur, Togo)." Thesis, Paris 3, 2019. http://www.theses.fr/2019PA030023.
Повний текст джерелаThis thesis proposes a study of various linguistic processes used by the speakers of Lama (a Gur language spoken in Togo) to express their emotions. The data analyzed here come from a first-hand corpus collected during fieldwork in Kantè (Togo). It consists of thirty hours of recorded spontaneous and natural discourse, collected in public places such as markets, places of leisure activities, or cultural events, sometimes through unplanned recordings, sometimes through note-taking. It is found that emotion can be expressed in three modes of expression : denotation, connotation and inference. These modes of expression highlight a diversity of resources and strategies : vocabulary related to emotions, lexical and syntactic markers charged with emotional connotations, metaphors accounting for the conceptualization of emotions, construction of emotion by discursive schematization of a situation or by the establishment of ethos and pathos in discourse, etc. Examination of these processes shows that there is no marking specific to the language of emotion in Lama. It also appears from this study that the manifestation of emotion is not codified by social norms. The comparison of Lama with other languages through numerous examples reveals similarities and differences in the way emotions are expressed, both linguistically and culturally. Emotional expression in Lama is thus at once universal and culture-specific
Chesnel, André. "La note bleue : l'expression tsigane dans le jazz à travers la presse anglophone nord-américaine des années 1880 aux années 1940." Thesis, La Rochelle, 2018. http://www.theses.fr/2018LAROF001/document.
Повний текст джерелаThis academic research work is part of a series of recent studies whose aim is to show to what extent Europeans contributed to the birth of jazz and how they marked the development of this new kind of music. American music bears the stamp of the cultural idiosyncrasies that 19th and 20th century European migrants brought along. It is worthwhile focusing on the role played by Gypsies and the way they were perceived across the Atlantic. The reading of the American press from the 1880s to the 1940s, together with a wide variety of other sources, has provided a solid basis for a historical analysis with a multidisciplinary approach including art history, music and geography. A double-entry framework allows one to first study how Gypsies were perceived and represented in American entertainments, romantic music and jazz. What is noticeable is the omnipresence of the Gypsy theme, the emergence of a myth and its Americanization. Secondly, one can see the way Gypsy musics help define jazz music and give clues as to its origins. The third part is devoted to the Gypsies’ nomadic way of life throughout the United States and their settling in large cities where Gypsy musicians played jazz
Guyot, Sylvaine. "Jean Racine et le corps tragique." Paris 3, 2008. http://www.theses.fr/2008PA030135.
Повний текст джерелаThe tragic body in Racinian tragedy appears to be an object of study that is both paradoxical and obvious. Obvious since theatre is par excellence an art of the body and yet paradoxical because Racinian tragedies are typically known for their de-emphasis of the body’s presence both as a point of focus and as a means of expression. This study seeks to address this neglected topic by challenging the conventional notion that classicism was fundamentally detached, harmonious and universal. To study the tragic body is to undertake a cultural history since the body is a social fact whose practices, values and representations are determined by the society of which it is a part. At the crossroads of a number of areas – politics, moral and scientific anthropology, elite civility, oratory arts and aesthetic trends – the Racinian body puts into play the fundamental values of seventeenth-century society. Far from being a simple reflection of reality, Racinian tragedy is a space of conflict that probes the very foundations of social imagery, in that it dramatizes the fissures inherent in institutions. Tragedy during the reign of Louis XIV serves as a fruitful avenue of inquiry. It is contemporaneous with absolutism and thereby amply imbued with power. Of Aristotlean inspiration, it also draws upon the polemical relationship between dignity and weakness in order to call forth intense emotions. And with the emergence of the field of literature, tragedy is above all concerned with pleasing. Dramatist in this gallant century, Racine explores the forms of the body to the extent of touching his audiences. His analysis allows one equally to observe the transformations in the theatrical aesthetic. Cultural, critical and aesthetic bodies : the physical body in Racine’s tragedies offers a point of entry to examine the history of the theater, of manners, of taste and of emotions
Motais-Louvel, Guylène. "Introduire la danse à l'école primaire : enjeux d'un processus de "pédagogisation" d'une discipline artistique." Rennes 2, 2007. http://www.theses.fr/2007REN20011.
Повний текст джерелаWhat are the stakes for "danse à l'école". There are two keys elements: 1. Transmitting the message and 2. Artistic development at school. To define what is more commonly named "dance at school" taking into account, unlike other teaching professions, it does not have the same advantage of an important place in the school programme. We are looking for the reasons, investigating the concepts behind it. One of the founders, looks at the corporal differences from one person to another and the dance movement. The second, is to have a strong argument to bring to the school so as they can agree to the art, taking into consideration at the same time the cultural relations to work and the process of artistic expression. Those who push us to move away from this expression "danse à l'école" and to develop the education al concept of choreography, a specific outline which builds an identical process to "the worlds of art" analysed by Becker in an encouraging context "the dynamics of inter-individual relations and his equipment dimensions and cognitive( knowledge construction) as weil as is "social identity of those who take part in production and artistic consummation whatever is specified by nature of their involvement in the co-operation network and their contribution to the collective activity which makes it a work of art". This interpretation of choreography in a school environment in a particular context of social therapeutic interaction and inter-individuals gives each player ( student, teacher, artist, cultural mediator, trainer and institutes) the possibility to seize the opportunity of difference and the identity proposed by Hacking, linked to the plural worlds inside the school system, according to the analysis of Derouet and Boltanski. This concept will emerge from a departmental outline from Ille et Vilaine, such as Elias, who allows you to relativise our grounds for research and also to display the development of the players identities in an interactive framework
Maltais-Provencher, Bruno. "Le rôle du Québec dans le dossier de la diversité culturelle : l'affirmation internationale d'une entité fédérée." Mémoire, 2011. http://www.archipel.uqam.ca/4427/1/M12318.pdf.
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