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Статті в журналах з теми "Ethnographic Surrealism"
Adamowicz, Elza. "Ethnology, Ethnographic Film and Surrealism." Anthropology Today 9, no. 1 (February 1993): 21. http://dx.doi.org/10.2307/2783342.
Повний текст джерелаDeBouzek, Jeanette. "The “ethnographic surrealism” of Jean Rouch." Visual Anthropology 2, no. 3-4 (January 1989): 301–15. http://dx.doi.org/10.1080/08949468.1989.9966515.
Повний текст джерелаJordan, Matthew F. "Amphibiologie: ethnographic surrealism in French discourse on jazz." Journal of European Studies 31, no. 122 (June 2001): 157–86. http://dx.doi.org/10.1177/004724410103112202.
Повний текст джерелаBritton, Celia. "How to be Primitive: Tropiques, Surrealism and Ethnography." Paragraph 32, no. 2 (July 2009): 168–81. http://dx.doi.org/10.3366/e0264833409000510.
Повний текст джерелаRoberts, Martin. "The self in the other: Ethnographic film, surrealism, politics." Visual Anthropology 8, no. 1 (March 1996): 79–94. http://dx.doi.org/10.1080/08949468.1996.9966667.
Повний текст джерелаBender, Courtney. "Mrs. Rockefeller’s Exquisite Corpse." Comparative Studies in Society and History 63, no. 4 (October 2021): 768–97. http://dx.doi.org/10.1017/s0010417521000244.
Повний текст джерелаMesch, Claudia. "Shadows of the Colonial: David Hare, empathetic perception, and ethnographic Surrealism in the 1940s." South Central Review 32, no. 1 (2015): 76–95. http://dx.doi.org/10.1353/scr.2015.0000.
Повний текст джерелаRony, Fatimah Tobing. "The Quick and the Dead: Surrealism and the Found Ethnographic Footage Films of Bontoc Eulogy and Mother Dao: The Turtlelike." Camera Obscura: Feminism, Culture, and Media Studies 18, no. 1 (2003): 129–55. http://dx.doi.org/10.1215/02705346-18-1_52-129.
Повний текст джерелаWalsh, John Patrick. "The marvellous life of a Haitian refugee: James Noël’s Belle merveille." Crossings: Journal of Migration & Culture 12, no. 1 (April 1, 2021): 361–77. http://dx.doi.org/10.1386/cjmc_00037_1.
Повний текст джерелаRUOHONEN, ILKKA. "Surrealist Sensibility in Ethnographic Documentaries." Visual Anthropology Review 23, no. 1 (March 2007): 64–68. http://dx.doi.org/10.1525/var.2007.23.1.64.
Повний текст джерелаДисертації з теми "Ethnographic Surrealism"
Perrot, Mathieu. "Poésie et ethnographie : des marges du surréalisme à la Beat Generation (autour de Michaux, Césaire et Ginsberg)." Thesis, Paris 10, 2017. http://www.theses.fr/2017PA100060.
Повний текст джерелаThat thesis examines the influence of anthropology on the poetics of Henri Michaux, Aimé Césaire and Allen Ginsberg. In studying their writing methods, I question their poetic insights and the limits of their observations to “translate a world” so far and different from “ours.” Surrealist and Beat poets shared common ethical and political views with many ethnographers, placing value on cultures (and cultural margins) often denigrated by industrialized western countries. Like ethnographers, poets work with metaphors and documents to interpret their experience and understanding of the world. Their interest in (and parodies of) ethnography not only propose a healthy way to criticize ethnographers’ ambitions, but also can help us understand each other’s cultures: poetic license and relative brevity of form sometimes reveal accurately or more vividly a cultural pattern that researchers struggle to explain. In the midst of an interconnected world where cultural misunderstandings escalate frequently and sometimes violently, poetry can help us gain or cultivate an awareness of social and cultural prejudice, and at the same time reveal the beauty in things once thought to be irrelevant, ignoble, or even despicable
Passos, Fernando Antônio de Paula. "What a drag! Etnografia, performance e transformismo." Escola de Teatro, 2014. http://repositorio.ufba.br/ri/handle/ri/27291.
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O presente trabalho trata da presença de homens vestidos de mulher na cena pública soteropolitana: o transvestismo como oportunidade para desconstruir polaridades de Gênero. Trata-se de uma abordagem etnográfica, misturando reflexões sobre etnografia e transformismo, para pulverizar e re-significar as apresentações cênicas ditas marginais no âmbito das revisões de perspectivas e de assuntos nas artes cênicas no Brasil. Sendo uma autoetnografia transformista, onde a escritura encontra a performance, este estudo comporta trejeitos da escrita performativa, para tentar atender o “ser” da performance, assim como a sua ontologia, ou seja, a representação sem reprodução. Considera ainda as encenações do desaparecer e, ao escrever sobre o indocumentável evento da performance, tem consciência de que altera o próprio evento. Assim, também compreende: os Rastros do Desaparecimento, a Presença do Corpo em Performance, o Cross-dressing ou Transvestismo ou Transformismo, a Política/Poética Camp, Alteridade, ou as representações transnacionais do feminino coreográfico, uma grafia acerca dos Global Queerscapes, a drag queen na atualidade soteropolitana, em uma Epistemologia Drag, assim como, Nacionalidade, Transformismo e Homocultura nos cortejos e movimentos políticos públicos, em Salvador, e sua aproximação com a figura icônica da Carmem Miranda, que tem sido apropriada por homossexuais transvestidos, em todas as latitudes, como o epítome camp do excesso e da frescura internacionais.
What a Drag!: Ethnography, Performance and Female Impersonation by Fernando Antonio de Paula Passos examines the performative presence of cross-dressed men in Salvador’s public scenes: cross-dressing as the opportunity for the deconstruction of gender polarities. It consists of an approach that blends self-reflexive ethnography with issues of female impersonation and cross-dressing in order to study the multiplicity of their performances, their re-signification, their relatively recent arrival in the context of revisionist perspectives and subject matters in the academic field of the performing arts in Brazil. Incorporating concepts of auto-ethnography and theoretical transvestism, it brings together writing and performance in what is now known as performative writing, as it struggles to uncover what the “being” of performance is all about. In dealing with the ontology of performance as representation without reproduction, it is particularly focused on issues of disappearance. It is also aware that writing about the undocumentable event of the performance alters that same event. It also deals with: traces of disappearance, the presence of the body in performance, cross-dressing, camp, alterity, feminine choreography, Global Queerscapes, drag epistemology, nation, surrealism, pastoral, allegory, political resistance and Carmen Miranda, as the epitome of inter/national camp.
Binder, Leila. "Cloud village: a novel." Thesis, 2014. http://hdl.handle.net/2440/98269.
Повний текст джерелаThis thesis examines the moments in which the differences between cultures create new systems of meaning, the moments in which people reinvent themselves and their values, and in which a new language or expression is created. James Clifford calls these moments “Ethnographic Surrealism”, particularly when ethnography provides a critical distance from one’s own culture in order to subvert its assumptions. The creative part of this thesis may be seen as a work of ethnographic surrealism, because it places its main characters, a North American family, on a commune in an isolated mountain in Colombia where their cultural assumptions are denaturalised. Their endeavour is what Mary Louise Pratt called an “anti-conquest”. Instead of wishing to convert others, they wish to be converted by the local tribe. The family is unaware that they survey others with “imperial eyes”. This exegesis focuses specifically on the New World Baroque, an exuberant and inclusive style appropriate to a mestizo culture. It first discusses the Latin American neo-baroque, later expanding the category to certain North American works. Then it looks at the genre of magical realism as a subcategory of the neo-baroque. It uses Clifford’s conception of Ethnographic Surrealism’s juncture between cultures and the notion of a magical realist clash of paradigms to examine fiction about the Other, in particular The Lost Steps by Alejo Carpentier (the story of an anti-conquest) and One Hundred Years of Solitude by Garcia Marquez. It examines moments of ethnographically surrealist collage in which images of the culturally familiar and the strange are juxtaposed. Then it discusses North American works which contain an inclusive baroque spirit: the work of Henry Miller and the invented worlds of Ursula K. Le Guin. Ethnographic surrealism shares with the neo-baroque a sense of inclusiveness, proliferation, expansiveness and syncretism.
Thesis (Ph.D.) -- University of Adelaide, School of Humanities, 2014.
Mowris, Peter Michael. "Nerve languages : the critical response to the physiological psychology of Wilhelm Wundt by Dada and Surrealism." Thesis, 2010. http://hdl.handle.net/2152/ETD-UT-2010-05-1341.
Повний текст джерелаtext
Книги з теми "Ethnographic Surrealism"
Moline, Katherine. Changing the Rules of the Game: Making Menopause Cool Through Data, Codesign, Cultural Probes, and Ethnographic Surrealism Research Workshops. 1 Oliver’s Yard, 55 City Road, London EC1Y 1SP United Kingdom: SAGE Publications, Ltd., 2022. http://dx.doi.org/10.4135/9781529604160.
Повний текст джерелаWatson, Tim. Cultures in Contact. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190852672.003.0006.
Повний текст джерелаRascaroli, Laura. Genre. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190238247.003.0004.
Повний текст джерелаQuinn, Rachel Afi. Being La Dominicana. University of Illinois Press, 2021. http://dx.doi.org/10.5622/illinois/9780252043819.001.0001.
Повний текст джерелаЧастини книг з теми "Ethnographic Surrealism"
Lowenstein, Adam. "Horror's Otherness and Ethnographic Surrealism." In A Companion to the Horror Film, 519–35. Hoboken, NJ, USA: John Wiley & Sons, Inc, 2014. http://dx.doi.org/10.1002/9781118883648.ch29.
Повний текст джерелаKelly, Julia. "The Ethnographic Turn." In A Companion to Dada and Surrealism, 319–33. Hoboken, NJ: John Wiley & Sons, Inc, 2016. http://dx.doi.org/10.1002/9781118476215.ch19.
Повний текст джерела"On Ethnographic Surrealism." In The Predicament of Culture, 117–51. Harvard University Press, 1988. http://dx.doi.org/10.2307/j.ctvjf9x0h.7.
Повний текст джерелаSpinner, Samuel J. "The Aesthetics of Jewish Primitivism II." In Jewish Primitivism, 144–69. Stanford University Press, 2021. http://dx.doi.org/10.11126/stanford/9781503628274.003.0007.
Повний текст джерела"Surrealist Ethnography." In Experimental Ethnography, 26–47. Duke University Press, 1999. http://dx.doi.org/10.1215/9780822396680-003.
Повний текст джерела"Surrealist Ethnography." In Experimental Ethnography, 26–48. Duke University Press, 1999. http://dx.doi.org/10.2307/j.ctv11cw7bq.6.
Повний текст джерелаJames, Alison. "“Pris sur le vif”." In The Documentary Imagination in Twentieth-Century French Literature, 77–122. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198859680.003.0003.
Повний текст джерела"2. Surrealist Ethnography." In Experimental Ethnography, 26–48. Duke University Press, 2020. http://dx.doi.org/10.1515/9780822396680-004.
Повний текст джерелаBritton, Celia. "Freud, Surrealism and Ethnography." In Race and the Unconscious, 6–27. Routledge, 2017. http://dx.doi.org/10.4324/9781351197793-2.
Повний текст джерела"Recasting the self: from surrealism to ethnography." In Michel Leiris, 45–60. Cambridge University Press, 2002. http://dx.doi.org/10.1017/cbo9780511485794.003.
Повний текст джерелаТези доповідей конференцій з теми "Ethnographic Surrealism"
Rojo de Castro, Luis. "METÁFORAS OBSESIVAS: marcas del surrealismo en la construcción del discurso de Le Corbusier." In LC2015 - Le Corbusier, 50 years later. Valencia: Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.591.
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