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1
He, Miao, Changtian Wu, and Jinsong Leng. "Erasure Recovery Matrices for Data Erasures and Rearrangements." Mathematics 12, no. 7 (March 26, 2024): 989. http://dx.doi.org/10.3390/math12070989.
Повний текст джерелаАнотація:
When studying signal reconstruction, the frames are often selected in advance as encoding tools. However, in practical applications, this encoding frame may be subject to attacks by intermediaries and generate errors. To solve this problem, in this paper, the erasure recovery matrices for data erasures and rearrangements are analyzed. Unlike the previous research, first of all, we introduce a kind of frame and its erasure recovery matrix M so that MI,Λ=Im×m, where Im×m is a unit matrix. In this case, we do not need to invert the matrix of the frame operator and the erasure recovery matrix, and this greatly simplifies reconstruction problems and calculations. Then three different construction algorithms of the above erasure recovery matrix M and the frame are proposed, and each of them has advantages. Furthermore, some restrictions on M so that the constructed frame and erasure recovery matrix M can recover coefficients from rearrangements are imposed. We prove that in some cases, the above M and frame can recover coefficients stably from m rearrangements.
2
Birk, Lara B. "Erasure of the Credible Subject." Cultural Studies ↔ Critical Methodologies 13, no. 5 (July 25, 2013): 390–99. http://dx.doi.org/10.1177/1532708613495799.
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3
Bauer, Yves, Nathalie Tissot, Bertil Cottier, and Hugues Mercier. "Is a Relative Definition of the Notion of Erasure the Much Sought-After Solution to the Dilemma Between Robust Integrity and Total Eradication?" Global Privacy Law Review 2, Issue 1 (February 1, 2021): 31–37. http://dx.doi.org/10.54648/gplr2021004.
Повний текст джерелаАнотація:
This article highlights the tension that lies between the General Data Protection Regulations (GDPR’s) security and minimization principles. The implementation of state-of-the-art technologies, such as entanglement or blockchains, offers promising opportunities for data controllers to guarantee the security of the data they process, particularly in relation to availability and accuracy. On the other hand, such technologies may enter into conflict with other obligations, especially regarding the erasure of data (at the end of data life or requested by the data subject). We argue that the interpretation of the notion of erasure shall not be limited to the physical destruction of the data, but shall also extend, when technical measures implemented for the purpose of guaranteeing security do not allow for the physical destruction of the data, to ‘relative erasures’, or processing activities that have for effect to put the data beyond use in a way that makes it impossible, for the controller or third parties, to process it again without disproportionate efforts. Such interpretation would allow data controllers who implement strong security measures to comply with the GDPR. Combined with a careful design of privacy, it may further guarantee the data subject’s rights without requiring detrimental security concessions. GDPR, erasure, minimization principle, right to erasure, data life cycle, anti-tampering technologies, blockchain technologies, data availability, data integrity, data deletion, data erasure
4
Awan, Nishat. "Digital witnessing and the erasure of the racialized subject." Journal of Visual Culture 20, no. 3 (December 2021): 506–21. http://dx.doi.org/10.1177/14704129211061182.
Повний текст джерелаАнотація:
Humanitarian agencies are relying more frequently on remote sensing, satellite imagery and social media to produce accounts of violence. Their analysis aims at creating more compelling narratives for the court of law or of public opinion and has contributed towards a forensic turn, thus complicating the already fraught relationship between the practice of witnessing and political subjects. This article explores how digital witnessing allows us to ‘see’ further and deeper into places that are at a distance from us, whilst at the same time creating the conditions that make certain subjects recede from view. I will discuss these issues in relation to a country I am familiar with and one that has been central to the forensic imagination – Pakistan – although the particular geographies within Pakistan that this imagination works with are not mine. Thinking with non-linear temporalities of violence, I explore how the forensic turn may have actually contributed to the erasure of the racialized political subject.
5
Kelly, Miriam, Eoghan Furey, and Kevin Curran. "How to Achieve Compliance with GDPR Article 17 in a Hybrid Cloud Environment." Sci 2, no. 2 (April 2, 2020): 22. http://dx.doi.org/10.3390/sci2020022.
Повний текст джерелаАнотація:
On 25 May 2018, the General Data Protection Regulation (GDPR)Article 17, the Right to Erasure (‘Right to be Forgotten’) came into force making it vital for organisations to identify, locate and delete all Personally Identifiable Information (PII) where a valid request is received from a data subject to erase their PII and the contractual period has expired. This must be done without undue delay and the organisation must be able to demonstrate reasonable measures were taken. Failure to comply may incur significant fines, not to mention impact to reputation. Many organisations do not understand their data, and the complexity of a hybrid cloud infrastructure means they do not have the resources to undertake this task. The variety of available tools are quite often unsuitable as they involve restructuring so there is one centralised data repository. This research aims to demonstrate compliance with GDPR’s Article 17 Right to Erasure (‘Right to be Forgotten’) is achievable in a Hybrid cloud environment by following a list of recommendations. However, 100% retrieval, 100% of time will not be possible, but we show that small organisations running an ad-hoc Hybrid cloud environment can demonstrate that reasonable measures were taken to be Right to Erasure (‘Right to be Forgotten’) compliant.
6
Kelly, Miriam, Eoghan Furey, and Kevin Curran. "How to Achieve Compliance with GDPR Article 17 in a Hybrid Cloud Environment." Sci 3, no. 1 (January 4, 2021): 3. http://dx.doi.org/10.3390/sci3010003.
Повний текст джерелаАнотація:
On 25 May 2018, the General Data Protection Regulation (GDPR) Article 17, the Right to Erasure (“Right to be Forgotten”) came into force, making it vital for organisations to identify, locate and delete all Personally Identifiable Information (PII) where a valid request is received from a data subject to erase their PII and the contractual period has expired. This must be done without undue delay and the organisation must be able to demonstrate that reasonable measures were taken. Failure to comply may incur significant fines, not to mention impact to reputation. Many organisations do not understand their data, and the complexity of a hybrid cloud infrastructure means they do not have the resources to undertake this task. The variety of available tools are quite often unsuitable as they involve restructuring so there is one centralised data repository. This research aims to demonstrate that compliance with GDPR’s Article 17 Right to Erasure (“Right to be Forgotten”) is achievable in a hybrid cloud environment by following a list of recommendations. However, full retrieval, all of the time will not be possible, but we show that small organisations running an ad-hoc hybrid cloud environment can demonstrate that reasonable measures were taken to be Right to Erasure (“Right to be Forgotten”) compliant.
7
Thomas, Karima. "Ghosted subjectivities in Margo Lanagan’s ‘The Point of Roses’." Short Fiction in Theory & Practice 10, no. 1 (April 1, 2020): 57–72. http://dx.doi.org/10.1386/fict_00014_1.
Повний текст джерелаАнотація:
This article examines the tropes of ghosting in Margo Lanagan’s ‘The Point of Roses’ in relation to Judith Butler’s theory of the performative construction of identity through reiteration and foreclosure. The story illustrates the ghosting effect of normative subjectivities and the spectral, disruptive return of the contingent, socially erased subjectivities. Ghosting is considered in the light of the dual nature of the spectral as ‘a dispossessing erasure or disappearance’, and also a ‘powerful ability to rematerialize as a disturbing force’ (Maria del Pilar Blanco and Ester Peeren). In this sense, the ghost is that which is ontologically invisible because of absence/erasure; but which is also visible because it is haunting those who try to erase it. The article examines the role of the uncanny in disrupting the ontological conditions of time, space, character, substance and language. Then, it focuses on the traces of invisibility as signs of erasure and foreclosure that are meant to institute and suture an identity, while relegating other layers of subjectivity to oblivion. Finally, the article studies the disruptive return of the excluded and its dual consequences on the haunted subject, on the one hand by establishing a liminal condition of unknowing and, on the other hand, by opening up to a condition of ‘transformative recognition’ (Avery Gordon).
8
Sheppard, Samantha N. "Changing the Subject." Feminist Media Histories 8, no. 2 (2022): 14–42. http://dx.doi.org/10.1525/fmh.2022.8.2.14.
Повний текст джерелаАнотація:
This article examines Lynn Nottage's 2011 satirical play By the Way, Meet Vera Stark, which stages the life and legacy of the fictional Vera Stark, a Black maid and struggling actress during Hollywood's golden age. Nottage's play is inspired, in part, by the career of African American actress, singer, and dancer Theresa Harris. A tale of Black women's cinematic representation and social erasure, Nottage's fabrication of film history extends beyond the staged plot to also include a digital archive documenting Vera's celebrity and career. This article explores how Nottage's play and paratexts fabulate a speculative fiction and archive about Black women's media histories, staging what I call a phantom cinema, an amalgam of real and imagined film histories that haunt, trouble, and work with and against cinema histories to creatively illuminate archival gaps in visual culture and the public imagination.
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Fisher, Daniel. "A Subject Deferred: Exposure and Erasure in an Ethnographic Archive." Oceania 88, no. 3 (November 2018): 292–304. http://dx.doi.org/10.1002/ocea.5205.
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Perreault, Marie-Anne, and Myriam Coté. "Entre effacement et étalement ce que peut Merleau-Ponty pour le partage hétéronormé de l’espace." Chiasmi International 24 (2022): 241–55. http://dx.doi.org/10.5840/chiasmi20222421.
Повний текст джерелаАнотація:
Building on Merleau-Ponty’s recognition of the mutually expressive relation between the body and the space it occupies, I borrow from queer and feminist phenomenologies to reflect on the spatiality of subjects constrained to heterosexuality – a constraint that functions as a common ground, always already present, of the kind that Merleau-Ponty argued was constitutive of subject/world relations. If it is the case, as many feminist theorists after Adrienne Rich argued, that the patriarchal norm orients us early on toward the opposite gender, then there is much to be learned from studying the notion of feminine space and the erasure of the subject in this space -an erasure that has been largely discussed within recent feminist phenomenological work, notably in relation to the contrasting extension of men in space –, particularly as both are established in relation to male desire. Our aim is to argue that because it is temporal, and because it involves sedimentation and habit, the study of this orientational constraint through the lens of Merleau-Ponty could allow us to open up the future of gendered norms, and, through this, of gendered practices of sharing space.
11
Inkel, Stéphane. "Figure de mère et image de pierre: Le temps des cimetières dans et." Samuel Beckett Today / Aujourd'hui 20, no. 1 (December 1, 2008): 119–30. http://dx.doi.org/10.1163/18757405-020001010.
Повний текст джерелаАнотація:
The old woman from and the woman "on unseen knees" from are both described as stone figures. The role of the stone metaphor and the disappearance of its inscriptions invite us to re-examine memory in Beckett's later texts. Acting as a veritable screen, the stone, a metaphor of the old woman, is implicated in her erasure. This erasure of the figure of the old woman can be paired with the projection of all new desires onto the emptiness of the screen, that is to say onto the memory of the subject.
12
Garnham, Bridget, and Lia Bryant. "Epistemological erasure: The subject of abuse in the problematization of ‘elder abuse’." Journal of Aging Studies 41 (April 2017): 52–59. http://dx.doi.org/10.1016/j.jaging.2017.04.001.
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Abdikadirov, Meyirbek, Amirkhon Rakhmatkariev, Sarvarbek Olimjonov, and Dilshodbek Orifjonov. "Rights of Data Subjects in the United Kingdom and the European Union." International Journal of Blockchain Technologies and Applications 1, no. 1 (2023): 15–22. http://dx.doi.org/10.18178/ijbta.2023.1.1.15-22.
Повний текст джерелаАнотація:
In the digital age, the collection and processing of vast amounts of personal data have made it necessary to establish legal frameworks that protect the rights of individuals. This legal essay provides an overview of the existing data subject rights in the UK and EU, with a focus on the right to erasure on blockchain and the right not to be subject to automated decision-making in respect of artificial intelligence. The paper examines the legal framework surrounding these rights as well as any potential challenges or limitations they may face in practice. The right to erasure on the blockchain is explained, including its benefits and drawbacks, and its interaction with data protection laws in the UK and EU. The right not to be subject to automated decision-making is also discussed, including the legal framework surrounding this right, as well as its relationship with artificial intelligence and data protection laws. The implementation of these rights is essential in safeguarding individuals' privacy and promoting trust in the use of technology. Although there may be barriers preventing individuals from fully exercising these rights, legal remedies such as increased awareness and transparency, as well as changes to the law and harsher consequences for noncompliance, can help to mitigate these obstacles.
14
Lewis, Molly. "Sinful, Sexual, Sacred: Locating a Thirteenth-Century Visuality through the Selective Erasures in Rylands MS French 5." Bulletin of the John Rylands Library 99, no. 2 (December 21, 2023): 1–24. http://dx.doi.org/10.7227/bjrl.99.2.1.
Повний текст джерелаАнотація:
Rylands MS French 5 is a thirteenth-century Bible picture book consisting of a single pictorial cycle depicting scenes from the Old Testament. The manuscript is remarkable for the predominance of its imagery and the erasures that selectively mar its otherwise unspoiled folios. The sites of these erasures can be categorised as evil, obscene, and divine subjects. Examining each in turn, I hope to demonstrate the importance of both the Bible picture book tradition and manuscript erasure for considerations of later medieval visuality. Where the Bible picture book encapsulates thirteenth-century confidence in the visual sense, the erasures signal the boundaries of this confidence, revealing a paradoxical mode of sight in which ocular passions merge and clash. In turn, these findings problematise attempts to theorise a homogenous thirteenth-century visuality, as different understandings of vision surfaced in the decades after the production of MS French 5 and played out in impassioned and contradictory ways on the manuscript page.
15
Caputa, Sonia. "Resistance and Protest in Percival Everett's Erasure." Review of International American Studies 13, no. 1 (August 16, 2020): 145–57. http://dx.doi.org/10.31261/rias.7567.
Повний текст джерелаАнотація:
As argued by the literary critic Margaret Russett, Percival Everett “unhinges ‘black’ subject matter from a lingering stereotype of ‘black’ style [and] challenges the assumption that a single or consensual African-American experience exists to be represented.” The author presents such a radical individualism in his most admired literary work published in 2001. In Erasure, Thelonious ‘Monk’ Ellison, the main character and narrator of the book, pens a stereotypically oriented African American novel that becomes an expression of “him being sick of it;” “an awful little book, demeaning and soul-destroying drivel” that caters for the tastes and expectations of the American readership but, at the same time, oscillates around pre-conceived beliefs, prejudices, and racial clichés supposedly emphasizing the ‘authentic’ black experience in the United States. Not only is Erasure about race, misconceptions of blackness and racial identification but also about academia, external constraints, and one’s fight against them. The present article, therefore, endeavors to analyze different forms of resistance and protest in Percival Everett’s well-acclaimed novel, demonstrating the intricate connections between the publishing industry, the impact of media, the literary canon formation and the treatment of black culture.
16
Komarova, Emilia, Svetlana Bakleneva, Sergey Lazarev, and Alexandr Fetisov. "Subject-centered approach to integrated language-professional training: backgrounds and perspectives." SHS Web of Conferences 101 (2021): 03053. http://dx.doi.org/10.1051/shsconf/202110103053.
Повний текст джерелаАнотація:
In the context of dynamically updated professionally oriented information, the "erasure" of interdisciplinary boundaries, the demand for metasubject competencies the modern higher education system faces the need not only to choose innovative forms, methods and means of organizing the educational process, but to update the content of education taking into account the requirements for a modern graduate whose personal subject position in the process of his professional activity should be clearly "formalized" upon receiving his diploma. The theoretical study confirmed the demand for updating the content both on the behalf of the pedagogical community, and the employers who note the lack of readiness of most university graduates to make independent decisions in real professional situations and be responsible for them. This fact actualizes the need to study the problem of updating educational content through strengthening interdisciplinary links in the process of integrated language-professional training from the position of a subject-centered approach.
17
Saltz, Laura. "Clover Adams's Dark Room: Photography and Writing, Exposure and Erasure." Prospects 24 (October 1999): 449–90. http://dx.doi.org/10.1017/s0361233300000454.
Повний текст джерелаАнотація:
Marian Hooper Adams, called Clover, was one of the few American women who were serious amateur photographers before the mass marketing of the Kodak in 1889. Clover first learned her craft in 1872–73 while on her honeymoon with her husband, historian Henry Adams. Henry brought along a camera to document their journey up the Nile, and Clover took up his hobby. Henry, in the tradition of expeditionary photographers, took pictures of Egyptian monuments and landscapes, whereas Clover's only extant photograph from the honeymoon portrays interior realms: it shows Henry in the stateroom of the Isis, the dahabieh that carried the couple up the Nile (Figure 1). In the image, Henry sits within a displaced parlor, casting his gaze down and directing us inward to some subjective space. But though Henry appears before the camera, he is not the subject of the image. Clover's own interior terrain, made invisible and inaccessible, is pictured here.
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Rupp, Nathan Black. "When is she a woman?: Gendered subject forming language in TRAP laws." International Journal of Legal Discourse 4, no. 1 (April 26, 2019): 87–108. http://dx.doi.org/10.1515/ijld-2019-2014.
Повний текст джерелаАнотація:
AbstractThis article examines the ways in which states can exercise dispersed disciplinary power as exemplified in a selective erasure of gender from Indiana’s Targeted Regulations of Abortion Providers (TRAP) laws. To do this, this article investigates a critical discourse analysis using Indiana’s TRAP laws that have been brought to the floor of the state legislature from 2013–2018. The major narrative present throughout these texts is an intentional re-framing of gendered subjectivity or who gets to be called “woman”. Such state-driven discourse has the power to regulate social norms. Such norms and language assumptions often find their way into policy, including those defining how women can act or not act in regard to the termination of a pregnancy. Thus, by examining how TRAP laws deploy certain discourse, one better understands how the state, via legislation, takes an active role in controlling the public sphere by becoming an institutionalized pattern of interpretation.
19
López, Alfred J. "Contesting the Material Turn; or, The Persistence of Agency." Cambridge Journal of Postcolonial Literary Inquiry 5, no. 3 (August 30, 2018): 371–86. http://dx.doi.org/10.1017/pli.2018.14.
Повний текст джерелаАнотація:
This essay begins by asking whether the new materialism, as currently constituted, can say anything useful about race, given that the most widely read texts recognized as belonging to this emerging field pointedly do not. Put another way, this essay examines possibilities for the reading of the raced enfleshed human subject in and beyond the parameters of the new materialism. The essay’s first section locates the raced enfleshed subject as latent (if not actively suppressed) entity in existing new materialist work. The latter half turns to questions of possibility, especially the question of whether a much older, precluded, or occluded voice is already “speaking through” the so-called materialist turn, challenging it as a way of contesting its own (attempted, failed) erasure from the metaphysical founding scene of the liberal humanist subject that informs the material turn.
20
MacFarlane, Samantha, Rachel Mattson, and Bethany Nowviskie. "Introduction: Compiling ‘Endangered Knowledge’." KULA: Knowledge Creation, Dissemination, and Preservation Studies 2 (November 29, 2018): 2. http://dx.doi.org/10.5334/kula.60.
Повний текст джерелаАнотація:
This essay introduces a special issue of KULA on the subject of ‘endangered knowledge,’ comprising 22 essays by 34 authors working across a wide array of disciplines and fields. Guest editors Samantha MacFarlane, Rachel Mattson, and Bethany Nowviskie have assembled a collection of scholarly articles, pedagogical reflections, and project reports that take up theoretical and practical considerations of archival salvage and erasure, the persistence of the public record, indigenous knowledge, and the politics of loss. The special issue explores endangerment as a critical category of analysis for records, data, collections, languages, ecosystems, and networks.
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Young, Damon Ross. "Withdrawal." differences 34, no. 1 (May 1, 2023): 283–93. http://dx.doi.org/10.1215/10407391-10435927.
Повний текст джерелаАнотація:
Leo Bersani’s writings on aesthetics, often coauthored with Ulysse Dutoit, repeatedly deploy the trope of withdrawal, finding in the aesthetic works they discuss, such as Jean-Luc Godard’s film Contempt, a paradoxical double movement of bringing into view while projecting the erasure of form and distinction. In their reading of Contempt, Bersani and Dutoit adumbrate a uniformity that would depend on the elimination of measurement, reference, and subject-object relations. In doing so, they transfigure the idea of antirelationality often attributed to Bersani, associating the death it surely names with the illumination of Being.
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Romanillos, José Luis. "“Outside, it is Snowing”: Experience and Finitude in the Nonrepresentational Landscapes of Alain Robbe-Grillet." Environment and Planning D: Society and Space 26, no. 5 (January 1, 2008): 795–822. http://dx.doi.org/10.1068/d6207.
Повний текст джерелаАнотація:
This paper presents and explicates the anonymous and impersonal spatialities tentatively mapped in the novels of Alain Robbe-Grillet. Emerging from the kinds of landscapes and visualities articulated, these spatialities are at odds with the kind of anthropocentrism characteristic of phenomenological narratives of spatial experience that would start from an apparently stable human-subject position. It is argued that his body of literature dismantles the anthropocentric narratives and biographies that would produce in both the space of the world and the ‘phenomenological subject’ an unwarranted depth and naturalism. Importantly, and reflecting the theoretical turn towards the being of language, Robbe-Grillet questions the legitimacy of linguistic subjects to capture the spaces of the visible. As such, it is argued that his literature reflects an experience of the critiques of phenomenology. Importantly, this ‘critique’ goes hand in hand with the kinds of spatialities and landscapes that are rendered in the novels—the indefinite perspectives they open up, the paradoxical visualities they sustain or deny, and the disorientation they inject into the heart of spatial experience. These literary effects produce a nonanthropocentric and nonpersonal spatiality which, although contributing to an erasure of the ‘subject’, at the same time expose and open up a sociospatiality based on singularities, intensities, and finitude.
23
Bierman, Dick, and Oscar Winter. "Learning during Sleep: An Indirect Test of the Erasure-Theory of Dreaming." Perceptual and Motor Skills 69, no. 1 (August 1989): 139–44. http://dx.doi.org/10.2466/pms.1989.69.1.139.
Повний текст джерелаАнотація:
In this study the hypothesis, put forward elsewhere, that dreams are functional through the erasure of ‘incidental’ and weakly represented information was indirectly explored. 12 subjects were presented paired-associate word lists during each Stage-2 period of their sleep. According to the erasure-hypothesis these associations are destroyed during the subsequent dream if their representation is weak. Two effects might be expected. Firstly, associations which are formed during the last Stage-2 period (which is not followed by a dream-stage) will not be destroyed. Secondly, a stimulus frequency threshold-effect could be expected. Associations which are repeatedly presented (more often than a certain critical number) might become strong enough to withstand the ‘erasure.’ In the present study no indication was found for the latter expectation but a significant effect was found for those associations presented during the last Stage-2 period. Furthermore, there was suggestive evidence that sleep-rehearsal (of previously learned associations) yielded long-term effects.
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Chen, Hsiao-Wen. "Black Cosmofeminism: Commodity, Sexuality, and the Transnational Mixed-Race Subject in Nella Larsen's Quicksand." Journal of Modern Literature 46, no. 4 (June 2023): 146–66. http://dx.doi.org/10.2979/jml.2023.a908979.
Повний текст джерелаАнотація:
Abstract: Nella Larsen's Quicksand (1928) demonstrates a situated form of Black cosmofeminism to capture the difficult process through which a deviant mixed-race heroine negotiates her place in the Black community. At core, Black cosmofeminism interrogates oppressive racial and sexual politics enacted in domestic, local, and national spheres to envision a more inclusive cosmopolitan US Black community open to sexually, racially, and nationally "impure" subjects. However, far from advocating the erasure of local identities, such a reimagining of the domestic Black community as cosmofeminist instead foregrounds group identification and communal bonding developed in response to transnational displacement and discrimination. Working in tandem with consumer cosmopolitanism, Black cosmofeminism places the African American woman consumer center stage and traces how her desire, body, and identity are not only constructed alongside globally circulated commodities but also made localized and resistant to the global commodification and sexualization of Black and mixed-raced women.
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Chen, Hsiao-Wen. "Black Cosmofeminism: Commodity, Sexuality, and the Transnational Mixed-Race Subject in Nella Larsen's Quicksand." Journal of Modern Literature 46, no. 4 (June 2023): 146–66. http://dx.doi.org/10.2979/jmodelite.46.4.09.
Повний текст джерелаАнотація:
Abstract: Nella Larsen's Quicksand (1928) demonstrates a situated form of Black cosmofeminism to capture the difficult process through which a deviant mixed-race heroine negotiates her place in the Black community. At core, Black cosmofeminism interrogates oppressive racial and sexual politics enacted in domestic, local, and national spheres to envision a more inclusive cosmopolitan US Black community open to sexually, racially, and nationally "impure" subjects. However, far from advocating the erasure of local identities, such a reimagining of the domestic Black community as cosmofeminist instead foregrounds group identification and communal bonding developed in response to transnational displacement and discrimination. Working in tandem with consumer cosmopolitanism, Black cosmofeminism places the African American woman consumer center stage and traces how her desire, body, and identity are not only constructed alongside globally circulated commodities but also made localized and resistant to the global commodification and sexualization of Black and mixed-raced women.
26
Crocker, Christopher. "“The First White Mother in America” Guðríðr Þorbjarnardóttir, Popular History, Firsting, and White Feminism." Scandinavian-Canadian Studies 30 (October 5, 2023): 1–28. http://dx.doi.org/10.29173/scancan250.
Повний текст джерелаАнотація:
This article takes Ásmundur Sveinsson’s statue "The First White Mother in America" as a starting point. With reference to this work, its several later casts, and three illustrative examples from recent popular history writing, the article demonstrates how popular representations of the statue's subject, Guðríðr Þorbjarnardóttir, frequently reinforce traditions rooted in racially exclusive historical standards and Indigenous erasure. While Guðríðr’s story offers a valuable counterpoint to male-dominated and often hyper-violent images of “Viking” history, writers and other popular history purveyors depicting her story also run the risk of simultaneously reinforcing settler-colonial and white supremacist ideals regardless of their individual motives.
27
Dawson, Lorne L. "Challenging the Curious Erasure of Religion from the Study of Religious Terrorism." Numen 65, no. 2-3 (March 15, 2018): 141–64. http://dx.doi.org/10.1163/15685276-12341492.
Повний текст джерелаАнотація:
Abstract The role that religion plays in the motivation of “religious terrorism” is the subject of much ongoing dispute, even in the case of jihadist groups. Some scholars, for differing reasons, deny that it has any role; others acknowledge the religious character of jihadism in particular, but subtly discount the role of religion, while favoring other explanations for this form of terrorism. Extending an argument begun elsewhere (Dawson 2014, 2017), this article delineates and criticizes the influence of a normative religious bias, on the one hand, and a normative secular bias, on the other hand, on scholarship addressing the relationship between religiosity and terrorism. I examine two illustrative studies to demonstrate the complexity of the conceptual issues at stake: Karen Armstrong’s best-selling book Fields of Blood: Religion and the History of Violence (2014) and a recent article by Bart Schuurman and John G. Horgan on the rationales for terrorist violence in homegrown jihadist groups (2016).
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Parikka, Tuija. "Female Bodies Adrift: Violation of the Female Bodies in Becoming a Subject in the Western Media." Media and Communication 6, no. 2 (June 29, 2018): 158–67. http://dx.doi.org/10.17645/mac.v6i2.1278.
Повний текст джерелаАнотація:
This article focuses on how the violation of female bodies in the case of mass harassment of women is rendered intelligible by the Western media and the refugees. Violation of female bodies is approached as a site for politicizing possibilities of becoming a subject in the Western media. Informed by Deleuzian notion of “becoming” and the subjectivation of the refugees, I argue that the understanding of “violation” is a central component in contributing to possibilities of becoming affirmed as a subject in the Western media. Empirical material subjected to critical text analysis includes a key text form the Finnish daily newspaper <em>Helsingin Sanomat </em>and refugee interviews. The analysis suggests that the repression of irreducible conceptions of “violation,” and the subsequent erasure of the uncertainty of a “self” in the process of becoming, yields to offering possibilities of becoming primarily in Western terms and the affirmation of Western ideological certainty in understanding mass harassment of European women by the refugees.
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Hassemer, Jonas. "(Meta-)communicative work in a counselling centre for refugees: reiteration, erasure and agency." International Journal of the Sociology of Language 2021, no. 272 (November 1, 2021): 75–99. http://dx.doi.org/10.1515/ijsl-2020-0092.
Повний текст джерелаАнотація:
Abstract We have no apartments is a phrase repeated over and over again at the counselling centre for refugees on housing matters based in Vienna, Austria, where I conducted ethnographic fieldwork. Based on an analysis of processes of entextualisation, de- and recontextualisation in the reiterative, discursive chain, this paper traces the emergence of an institutional regime of communication and the ways institutional actors – counsellors and volunteers – produce, navigate and reproduce this regime by engaging in (meta-)communicative work. The analysis shows how individual agency is both contingent and co-productive of institutional order and social order more generally. With this contribution, I propose Judith Butler’s concept of the postsovereign subject as a way to understand the relations between “local” practices and wider processes of trans-situational meaning-making.
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Fink, Lisa. "Alienated Species and Unsettled Ecologies: Locating “Redneck” Conservation in the Racial Discourse of “Asian” Carp Invasion." American Quarterly 75, no. 4 (December 2023): 821–45. http://dx.doi.org/10.1353/aq.2023.a913523.
Повний текст джерелаАнотація:
Abstract: Science studies scholars identify parallels between anti-immigrant and anti-invasive species rhetoric but have yet to consider how this linked racial discourse of invasion functions as part of a settler colonial project or what alternative forms of conservation arise through this confluence. Looking at this confluence through the lens of settler colonialism and Indigenous studies scholarship demonstrates how a form of environmental practice that I term “redneck” conservation reveals the racial and colonial logics of dominant invasive species discourses and practices. I propose the term alienated species to highlight these interconnections. Further, through a case study of “Asian” carp that explores social media, news media, and popular culture alongside Indigenous approaches, I argue that self-identified “redneck” settlers operationalize this discourse—alongside militaristic, masculinist embodiment—to position the “alien” as a foil against which they define whiteness and nativity while perpetuating Indigenous erasure. In this way, erasures of indigeneity and attacks against Asianness jointly produce the white male settled subject. In contrast, Indigenous communities engage a range of alternative responses to the carp and other alienated species within both formal land management strategies and everyday practices, such as harvesting. These responses reveal an Indigenous ethic of belonging that animates different ways of living on and providing care for the land, including the humans forced to live together.
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Buikema, Rosemarie. "What is Left Unseen." Historica | tijdschrift voor gendergeschiedenis 46, no. 2 (July 12, 2023): 39–43. http://dx.doi.org/10.21827/historica.46.2.39-43.
Повний текст джерелаАнотація:
In this article Rosemarie Buikema demonstrates how feminist scholarship has contributed from a variety of perspectives to the study of the dynamics between the subject and the object of knowledge. She in particular shows how she as a Genderstudies scholar has produced new knowledge and insights by means of paying attention to the processes of in- and exclusion, and the accompanying workings of erasure and neglect. She gives the example of an exhibition in which the Museum of Equality and Difference (MOED) re-curated the cultural heritage of abolitionism, giving centre stage to the black, previously enslaved woman Sojourner Truth rather than the white Dutchman Nicolaas Beets.
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Phelan, Anne M., and Dion Rüsselbaek Hansen. "RECLAIMING AGENCY AND APPRECIATING LIMITS IN TEACHER EDUCATION: EXISTENTIAL, ETHICAL, AND PSYCHOANALYTICAL READINGS." Articles 53, no. 1 (February 19, 2019): 128–45. http://dx.doi.org/10.7202/1056286ar.
Повний текст джерелаАнотація:
A basic premise of teacher education is the value of teacher agency, that is, the teacher’s capacity to take responsibility for one’s knowledge, beliefs, judgements, and relationships. How can teacher educators sustain a commitment to agency in light of critiques of western modernity, specifically in relation to the existence of a rational autonomous subject, the erasure of history, and the opacity of language? Drawing on existentialism, ethics, and psychoanalysis, we discuss three practicum vignettes to illustrate what we are calling “the chiastic complexity” of agency within the field of teacher education. We argue that admission of the limits of teacher agency may be the source of ethical insight, educational opportunity, and political resistance for student teachers and teacher educators.
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Martínez-Raguso, Michael. "Fantasies of Erasure: A New Reading of Luisa Valenzuela’s "Cambio de armas"." Letras Femeninas 41, no. 2 (November 1, 2015): 67–81. http://dx.doi.org/10.2307/44735031.
Повний текст джерелаАнотація:
Abstract "Cambio de armas," Luisa Valenzuela much anthologized story, has been read as an allegory of the Argentine’s last military dictatorship and its grip on the nation’s psyche as well as bodies. In this essay, Martínez-Raguso proposes that the story is narrated from the perspective of a desaparecida whose memory has been erased, or is under erasure, by the military officer she had attempted to assassinate. Now in full control of the situation, the officer who was once her target wants to prove that he can fully reform (and re-form) the young and attractive former subversive before the dictatorship collapses. But his mission as a hardline reformer will only be complete when he succeeds in turning his once armed attacker into a disarmed would-be wife and a lover who desires him sexually. Viewed from this perspective, says Martínez-Raguso, the colonel’s private efforts metonymically and microscopically reflect the military dictatorships efforts to "reorganize" the nation by torturing, disappearing or re-indoctrinating its enemies. The author further argues that the story’s fragmented structure and the narrator’s playful yet ominous sense of a language that does not quite correspond to ordinary reality signal the woman’s subconscious resistance to the colonel’s sadistic plan. Referencing both Lacan’s theories of the role of language in subject formation and Derrida’s notions of différance (deferral/ difference) and sous rature (under erasure), this article offers new interpretative possibilities for a story that resonates in today’s political climate almost as much as it did in the early 1980s when it was first written.
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Abel, Andreas, Nils Anders Danielsson, and Oskar Eriksson. "A Graded Modal Dependent Type Theory with a Universe and Erasure, Formalized." Proceedings of the ACM on Programming Languages 7, ICFP (August 30, 2023): 920–54. http://dx.doi.org/10.1145/3607862.
Повний текст джерелаАнотація:
We present a graded modal type theory, a dependent type theory with grades that can be used to enforce various properties of the code. The theory has Π-types, weak and strong Σ-types, natural numbers, an empty type, and a universe, and we also extend the theory with a unit type and graded Σ-types. The theory is parameterized by a modality, a kind of partially ordered semiring, whose elements (grades) are used to track the usage of variables in terms and types. Different modalities are possible. We focus mainly on quantitative properties, in particular erasure: with the erasure modality one can mark function arguments as erasable. The theory is fully formalized in Agda. The formalization, which uses a syntactic Kripke logical relation at its core and is based on earlier work, establishes major meta-theoretic properties such as subject reduction, consistency, normalization, and decidability of definitional equality. We also prove a substitution theorem for grade assignment, and preservation of grades under reduction. Furthermore we study an extraction function that translates terms to an untyped λ-calculus and removes erasable content, in particular function arguments with the “erasable” grade. For a certain class of modalities we prove that extraction is sound, in the sense that programs of natural number type have the same value before and after extraction. Soundness of extraction holds also for open programs, as long as all variables in the context are erasable, the context is consistent, and erased matches are not allowed for weak Σ-types.
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Mandolfo, Carleen. "Women, Violence, and the Bible: The Story of Jael and Sisera as a Case Study." Biblical Interpretation 27, no. 3 (August 20, 2019): 340–53. http://dx.doi.org/10.1163/15685152-00273p02.
Повний текст джерелаАнотація:
Abstract Biblical scholars need to pay more attention to violent women as feminist subjects, and violence as a means of enabling women, rather than the disabling that has occurred through a politically and conceptually strategic commitment to their victimization. This paper explores the feminist erasure of Jael’s violence in Judges 4, and asks whether this violence might be appreciated as a vehicle of feminist empowerment. This erasure does biblical women a disservice by not taking their violence seriously as a signifier of their identity as women. How might violent biblical women model a kind of radical agency that feminists have typically shied away from? Dismissing these female characters as patriarchal patsies robs them of what might be their last recourse to self-expression. Rather than requiring justification, their violence might better be heralded as a fundamental qualifier of their femininity.
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Spalding, Christopher, and Joshua N. Winn. "Tidal Erasure of Stellar Obliquities Constrains the Timing of Hot Jupiter Formation." Astrophysical Journal 927, no. 1 (March 1, 2022): 22. http://dx.doi.org/10.3847/1538-4357/ac4993.
Повний текст джерелаАнотація:
Abstract Stars with hot Jupiters sometimes have high obliquities, which are possible relics of hot Jupiter formation. Based on the characteristics of systems with and without high obliquities, it is suspected that obliquities are tidally damped when the star has a thick convective envelope, as is the case for main-sequence stars cooler than ∼6100 K, and the orbit is within ∼8 stellar radii. A promising theory for tidal obliquity damping is the dissipation of inertial waves within the star’s convective envelope. Here, we consider the implications of this theory for the timing of hot Jupiter formation. Specifically, hot stars that currently lack a convective envelope possess one during their pre-main sequence. We find that hot Jupiters orbiting within a critical distance of ∼0.02 au from a misaligned main-sequence star lacking a thick convective envelope must have acquired their tight orbits after a few tens of millions of years in order to have retained their obliquities throughout the pre-main sequence. There are four known systems for which this argument applies–XO-3b, Corot-3b, WASP-14b, and WASP-121b–subject to uncertainties surrounding inertial wave dissipation. Moreover, we conclude that a recently identified overabundance of near-polar hot Jupiters is unlikely sculpted by tides, instead reflecting their primordial configuration. Finally, hot Jupiters arriving around cool stars after a few hundreds of millions of years likely find the host star rotating too slowly for efficient obliquity damping. We predict that the critical effective temperature separating aligned and misaligned stars should vary with metallicity, from 6300 to 6000 K as [Fe/H] varies from −0.3 to +0.3.
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Reinertsen, Anne Beate. "DDD + Assemblage." International Review of Qualitative Research 2, no. 2 (August 2009): 247–67. http://dx.doi.org/10.1525/irqr.2009.2.2.247.
Повний текст джерелаАнотація:
This is a writing story about becoming. It is therefore about change and about identifying myself—deconstructing myself—as learner always: “Getting smart” “getting lost” and “getting real” eventually as doing what we consider to be the ideal; moral perfectibility and learning as both function and fiction. It is a Deleuzian stumbling nomadic and rhizomatic inquiry into creating community through not and supplements and the displacement of terms: Subject/subjectivity/reconstruction/deconstruction/intersubjectivity/ co-construction/co-deconstruction…—being under erasure. Sentence (de) construction might therefore be sometimes a bit stumbling too. Thinking Deleuze and Derrida and a little bit of Dewey together: DDD + assemblage. A deconstructive auto ethnography, autobiography, youto(o)biography: Writing community, school and ultimately research together hopefully picking up speed in the middle.
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Sjölin, Mette Hildeman. "‘|Y]oung Hamlet’." Critical Survey 35, no. 4 (December 1, 2023): 94–112. http://dx.doi.org/10.3167/cs.2023.350407.
Повний текст джерелаАнотація:
Abstract Shakespeare's Hamlet has been retold in children's versions several times in Sweden in recent years. It was the subject of the first episode of the children's television programme På teatern [At the Theatre], written and directed by Christina Nilsson for SVT in 2001–2002, where Shakespearean actors meet their child or grandchild backstage after a performance to tell and partly enact the story of the play. In 2005–2006, Lotta Grut wrote the plays Lille Hamlett och spöket [Little Hamlett and the Ghost] and Offelia kom igen! [Offelia Come Again!] for the theatre company Unga Roma. In these fairy-tale versions, the children Hamlet and Ophelia are confronted with death, grief, anger, oppression and erasure. This article argues that the På teatern episode is an adaptation of Hamlet while Grut's two plays are appropriations.
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Desef, Benjamin, and Martin B. Plenio. "Optimizing quantum codes with an application to the loss channel with partial erasure information." Quantum 6 (March 11, 2022): 667. http://dx.doi.org/10.22331/q-2022-03-11-667.
Повний текст джерелаАнотація:
Quantum error correcting codes (QECCs) are the means of choice whenever quantum systems suffer errors, e.g., due to imperfect devices, environments, or faulty channels. By now, a plethora of families of codes is known, but there is no universal approach to finding new or optimal codes for a certain task and subject to specific experimental constraints. In particular, once found, a QECC is typically used in very diverse contexts, while its resilience against errors is captured in a single figure of merit, the distance of the code. This does not necessarily give rise to the most efficient protection possible given a certain known error or a particular application for which the code is employed.In this paper, we investigate the loss channel, which plays a key role in quantum communication, and in particular in quantum key distribution over long distances. We develop a numerical set of tools that allows to optimize an encoding specifically for recovering lost particles both deterministically and probabilistically, where some knowledge about what was lost is available, and demonstrate its capabilities. This allows us to arrive at new codes ideal for the distribution of entangled states in this particular setting, and also to investigate if encoding in qudits or allowing for non-deterministic correction proves advantageous compared to known QECCs. While we here focus on the case of losses, our methodology is applicable whenever the errors in a system can be characterized by a known linear map.
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Li, Zhaoyi, Isaac Kim, and Patrick Hayden. "Concatenation Schemes for Topological Fault-tolerant Quantum Error Correction." Quantum 7 (August 22, 2023): 1089. http://dx.doi.org/10.22331/q-2023-08-22-1089.
Повний текст джерелаАнотація:
We investigate a family of fault-tolerant quantum error correction schemes based on the concatenation of small error detection or error correction codes with the three-dimensional cluster state. We propose fault-tolerant state preparation and decoding schemes that effectively convert every circuit-level error into an erasure error, leveraging the cluster state's high threshold against such errors. We find a set of codes for which such a conversion is possible, and study their performance against the standard circuit-level depolarizing model. Our best performing scheme, which is based on a concatenation with a classical code, improves the threshold by 16.5% and decreases the spacetime overhead by 32% compared to the scheme without concatenation, with each scheme subject to a physical error rate of 10−3 and achieving a logical error rate of 10−6.
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Garrod, Tomara. ""How Did We Get Here?" Etiology and Erasure in Trans History." Excursions Journal 13, no. 1 (April 20, 2023): 1–16. http://dx.doi.org/10.20919/exs.13.2023.375.
Повний текст джерелаАнотація:
This article provides an overview of trans historiography, whose dominant form is etiological, searching for origin of contemporary categories of trans gender. Performing my own etiology of this historiographic tendency, I show the ways that it mirrors historic treatments of trans subjects, in privileging categories of body and identity over the lived realities of people and their communities. This academic fixation only repeats the historic and contemporary erasure that characterises transgender people’s everyday, and reduces the conceptual possibilities for trans thought and life.
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Murris, Karin, and Joanne Peers. "GoPro(blem)s and possibilities: Keeping the child human of colour in play in an interview." Contemporary Issues in Early Childhood 23, no. 3 (September 2022): 332–55. http://dx.doi.org/10.1177/14639491221117219.
Повний текст джерелаАнотація:
In response to the call for papers for this special issue and the questions it poses, the authors show how the ontological posthumanist shift of agential realism does not erase but keeps the child human of colour in play, despite the inclusion of the other-than-(Adult)human in its methodologies. Through a montaging technique, the authors explore the philosophical complexity of ‘decentering without erasure’ by re-turning to data from a large international research project – Children, Technology and Play (2019–2020). Through an agential realist reading of interview data ‘of’ ‘seven-year-old’ Henry when visiting him at home in an informal settlement in Cape Town, they show what else is going on, and the politically radical and subtle philosophical difference this makes for reconfiguring child subjectivity. To do more justice to the complexity of reality, the analysis bounces around like Henry's sack ball and zooms in on the role apparatuses such as GoPros play in research. The authors ‘follow the child’ literally but differently, without excluding or erasing the more-than-(Adult)human. In meeting Henry, they also meet Eshal, who introduces the GoPro(blem). By diffractively reading Karen Barad's scholarship through visual and aural texts, the authors respond to the question of how posthumanist research makes a difference to childhood studies. They show how the agential realist move(ment) from Object and Subject to Phenomenon explodes ageist, ableist, racist, extractive and settler-colonial logics in education research.
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Adair, Joshua. "Oh [Queer] Pioneers! Narrating Queer Lives in Virtual Museums." Museum and Society 15, no. 2 (July 12, 2017): 114–25. http://dx.doi.org/10.29311/mas.v15i2.827.
Повний текст джерелаАнотація:
This study examines the current approach of virtual museums in presenting the lives of queer subjects, especially when a subject’s queerness is either almost completely obscured or seriously misrepresented in favor of a less controversial, more readily marketable version. Examining the Willa Cather Foundation virtual museum, this study critiques the selective erasure of various facets of historic figures’ lives and explores alternative approaches to reconcile similar situations.Key Words: queer theory, virtual house museums, Willa Cather
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Charteris, Jennifer. "Learner Agency, Dispositionality and the New Zealand Curriculum Key Competencies." Teachers' Work 11, no. 2 (August 11, 2015): 175–86. http://dx.doi.org/10.24135/teacherswork.v11i2.50.
Повний текст джерелаАнотація:
As more than just knowledge and skills, The New Zealand Curriculum key competencies encompass dispositions for lifelong learning (OECD, 2005). A range of studies associate learner agency within the dispositions that are embedded in these key competencies (Carr, 2004; Hipkins, 2010; Hipkins & Boyd, 2011). Drawn from self-determination theory (OECD, 2009; Ryan & Deci, 2000), the competencies are strongly anchored in an essentialist frame-work. Interpreted this way, competencies can be likened to a virtual backpack that students carry about and draw from at will. A discursively constituted view of identity would suggest that this is not the case. Employing Davies’ (2010) conception of a subject-of-thought, where the subject is under erasure, the paper explores what agency as dispositionality can look like when it is performatively constituted in a competence-oriented curriculum (Ministry of Education, 2007). Rather being attributed static, essentialised identities, students are co-constituted in classroom discourses. The research has implications for how educators recognise moments when students agentically mobilise personal, social and discursive resources (Davies, 1990) in the classroom. The paper presents an argument for a dynamic theory of agency that incorporates a rhizomatic view of learner participation and interrupts essentialist interpretations of dispositionality. It opens up possibilities for new conceptions of key competencies as performative discursive practices.
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HOLLERBACH, PETER. "(Re)voicing tradition: improvising aesthetics and identity on local jazz scenes." Popular Music 23, no. 2 (May 2004): 155–71. http://dx.doi.org/10.1017/s0261143004000121.
Повний текст джерелаАнотація:
Historically, the field of ethnomusicology has tended to neglect the lives and work of individual musicians in favour of a view of music as culture, a disciplinary perspective that has assumed the homogeneity of the world's cultures. Contesting this erasure of the musical subject, biographical micro-histories situate the individual at the centre of music studies. Accordingly, the subject of this article is a self-identified ‘local’ jazz musician, whose narrative elucidates the exigencies of his musical and social life. One of the music's ‘lesser lives’, ‘LC’ is typical of those players who negotiate the contested terrain of jazz scenes peripheral to the jazz world's centre, New York City. The explication of his musical aesthetic and its influence upon his self-image as a jazz musician is directed toward a more representative view of jazz than that of institutionalised histories, which promulgate a ‘Great Man’ narrative. Incorporating contemporary discourse and critical race theories as alternatives to traditional modes of aesthetic inquiry, this study unpacks issues related to musical and social dialogism and signification, ‘voice’ and identity, and race and masculinity as a means of illuminating those criteria deemed crucial by a particular musician in his search for existential meaning and a jazz truth.
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Roche, Anthony. "Memory, Trauma and Forgetting in Northern Irish Drama." Review of Irish Studies in Europe 1, no. 2 (March 10, 2017): 77–91. http://dx.doi.org/10.32803/rise.v1i2.1441.
Повний текст джерелаАнотація:
The ethical exhortation ‘not to forget’ runs the risk of ‘a memory that would never forget anything’. At the other extreme is the no less dangerous risk of total amnesia, an erasure of the past that immediately suggests Freud and the return of the repressed. The complex balance to be found between memory and forgetting is particularly fraught in Northern Ireland and the politics of how the past is to be negotiated in the current post peace process climate. I propose to look at this subject in relation to the trauma engendered by decades of violence in two Northern Irish plays: Quietly (2012) by Owen McCafferty, set in the post peace process climate of 2009 but harking back to a violent incident in the same location thirty-five years earlier; and Frank McGuinness’s Carthaginians (1988), a canonical play about one of the central events in ‘the Troubles’, Bloody Sunday of 30 January 1972, but set more than a decade later.
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Cheng, Anne Anlin. "Shine: On Race, Glamour, and the Modern." PMLA/Publications of the Modern Language Association of America 126, no. 4 (October 2011): 1022–41. http://dx.doi.org/10.1632/pmla.2011.126.4.1022.
Повний текст джерелаАнотація:
Is the fetish the only way to understand glamour, especially when it comes to the glamour of racialized women? How do we talk about agency and embodiment for a mediated figure? How does celebrity affect a subject whose body has been overembodied yet depersonalized? This essay suggests that the unlikely conjunction among celebrity, glamour, and racial difference may be the place where we are compelled to confront the intimacy, rather than opposition, between person-hood and objectification. Turning to Anna May Wong, an iconic “race beauty” in the early twentieth century, this essay argues that Wong's glamour is achieved neither through her apparently racialized performances nor through her uncomplicated assumption of female agency but rather through a paradoxical staging and erasure of her own body and skin. By asking how a celebrated body might operate subjunctively rather than materially, we can begin to question the imperatives of personhood that drive both celebrity and race studies.
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Kuznietsov, Serhii. "Status obligations of a “flag state”: counteraction to unauthorized broadcasting from the high seas." Cuestiones Políticas 40, no. 72 (March 7, 2022): 423–34. http://dx.doi.org/10.46398/cuestpol.4072.24.
Повний текст джерелаАнотація:
The investigation analyzes the status obligations of a "flag state" that are related to the suppression of the illegal use of "flag ships". The purpose is to investigate the modern international legal regime of the suppression of an unauthorized transmission from the high seas and, at the same time, to prepare the doctrinal foundations for defining the complete complex of "flag State" obligations. In this regard, the subject is the international conventions that constitute the regime for the suppression of unauthorized broadcasting, which is carried out by ships on the high seas, adopted at one time by international organizations the League of Nations and the United Nations. The methodology consists of systematic and formal-legal methods, as well as methods of analysis and synthesis. The conclusions stress that States should take all appropriate measures with a view to achieving the results of the erasure. It should therefore be noted that these provisions are dedicated, inter alia, to "flag vessels" and "flag States".
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JERÔNIMO (IFMA), Anairan, and Augusto SARMENTO-PANTOJA (UFPA). "IMAGENS DA SECA NO CINEMA E A ELABORAÇÃO DE UMA MEMÓRIA DE VIOLÊNCIA." Margens 16, no. 27 (December 23, 2022): 43. http://dx.doi.org/10.18542/rmi.v16i27.11214.
Повний текст джерелаАнотація:
The drought in the northeastern sertão is a historic calamity. Deaths due to drought in the region in the 19th and 20th centuries alone exceed 4 million people. The inefficiency of the State in dealing with these disasters, the abandonment of the victims and the silencing around the memory of this violence favors the erasure of the historical trauma. For Seligmann-Silva (2008), artistic narratives are a fruitful field to re-elaborate the memory of violence, and it is in the expression of the imaginary that the untranslatable of trauma achieves a certain translatability. This work aims to analyze the imagery-discursive construction of the subject punished by the drought and the sertão as a scenario of a historical and political calamity in the cinema. For that, we will make a comparative analysis of the construction of the image of Fabiano and Severino; protagonists of Vidas Secas, by Nelson Pereira dos Santos (1963) and Morte e Vida Severina, by Zelito Viana (1977).
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Cox, Jessie, and Isaac Jean-François. "Aesthetics of (Black) Breathing." liquid blackness 6, no. 1 (April 1, 2022): 98–117. http://dx.doi.org/10.1215/26923874-9546582.
Повний текст джерелаАнотація:
Abstract A meditation on (Black) breathing, this essay reflects on blackness and breathing as motile (un)representable practices. Black subjects are able to resist by breathing in spite of modernity's impulse to cut off black motion at the throat. Though deeply interested in the sounds and inner motions cohered at the head and neck, this essay understands breathing to affect matter and explores how breathing disarticulates wholeness as a practice of radically dissolving sovereign sound and form. The parentheses around (Black) attend to that which is founded on the erasure of Black liveness alongside such erasure, while also listening to those composers and aesthetes that are erased when we do not listen for their breathing. (Black) breathing is channeled into/through instruments, making it musical, and through these sonic transmutations of states of matter, possible futures are opened. The essay deploys an iterative play with punctuation and grammar to intensify the act and experience of writing alongside a chorus of voices both silenced and sounded. The entanglement of breathing, from past into future spaces, is what shifts a musical opening to a place of altered destiny. With black life cornered into visible places of antiblack state violence, in this piece we attempt to listen for, and breathe, another articulation of the world.