Книги з теми "Entangled networks"
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1
Grasskamp, Anna Katharina. Art and Ocean Objects of Early Modern Eurasia. NL Amsterdam: Amsterdam University Press, 2021. http://dx.doi.org/10.5117/9789463721158.
Повний текст джерелаАнотація:
During the early modern period, objects of maritime material culture were removed from their places of origin and traded, collected and displayed worldwide. Focusing on shells and pearls exchanged within local and global networks, this monograph compares and connects Asian, in particular Chinese, and European practices of oceanic exploitation in the framework of a transcultural history of art with an understanding of maritime material culture as gendered. Perceiving the ocean as mother of all things, as womb and birthplace, Chinese and European artists and collectors exoticized and eroticized shells’ shapes and surfaces. Defining China and Europe as spaces entangled with South and Southeast Asian sites of knowledge production, source and supply between 1500 and 1700, the book understands oceanic goods and maritime networks as transcending and subverting territorial and topographical boundaries. It also links the study of globally connected port cities to local ecologies of oceanic exploitation and creative practices.
2
Wu, Christoph F.-D. Central Banks in Organizational Networks: Entangled Market Actors. Taylor & Francis Group, 2022.
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3
Wu, Christoph F.-D. Central Banks in Organizational Networks: Entangled Market Actors. Taylor & Francis Group, 2022.
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4
Wu, Christoph F.-D. Central Banks in Organizational Networks: Entangled Market Actors. Routledge, 2022.
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5
Central Banks in Organizational Networks: Entangled Market Actors. Routledge, 2022.
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6
Wu, Christoph F.-D. Central Banks in Organizational Networks: Entangled Market Actors. Taylor & Francis Group, 2022.
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7
Herman, David. Entangled Selves, Transhuman Families. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190850401.003.0004.
Повний текст джерелаАнотація:
Chapter 3 continues to explore self-narratives in the broader context of creatural life by examining stories that ground affiliations between humans and animals in cross-species kinship networks. With a view to reframing the very idea of family as a transhuman concept, the chapter discusses two parents’ memoirs about their autistic children’s interactions with animals—Rupert Isaacson’s The Horse Boy (2009) and Nuala Gardner’s A Friend Like Henry (2007)—in a way that builds on and also contributes to work being done in the (critical) medical humanities. The chapter also analyzes accounts of pet keeping as well as narratives about human-animal relationships that were told in contexts of family therapy.
8
Birch, Jennifer, and Victor D. Thompson, eds. The Archaeology of Villages in Eastern North America. University Press of Florida, 2018. http://dx.doi.org/10.5744/florida/9781683400462.001.0001.
Повний текст джерелаАнотація:
The emergence of village-communities profoundly transformed social organization in every part of the world where such societies developed. Contributors to The Archaeology of Villages in Eastern North America employ archaeological and historical evidence to explore the development of villages among eastern North American indigenous societies of the deep and recent past. Rich data sets from archaeology and contemporary social theory are employed to document the physical attributes of villages, the structural organization and aggregation of such entities, what it means to be a villager, cosmological and ritual systems, and how villages were entangled with one another in regional networks. The result is a volume which highlights the similarities and differences in the historical trajectories of village formation and development in eastern North America, as well as the larger processes by which villages have the power to affect large-scale social transformations.
9
Stark, David, ed. The Performance Complex. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198861669.001.0001.
Повний текст джерелаАнотація:
What’s valuable? Market competition provides one kind of answer. Competitions offer another. On one side, competition is an ongoing and seemingly endless process of pricings; on the other, competitions are discrete and bounded in time and location, with entry rules, judges, scores, and prizes. This book examines what happens when ever more activities in domains of everyday life are evaluated and experienced in terms of performance metrics. Unlike organized competitions, such systems are ceaseless and without formal entry. Instead of producing resolutions, their scorings create addictions. To understand these developments, this book explores discrete contests (architectural competitions, international music competitions, and world press photo competitions); shows how the continuous updating of rankings is both a device for navigating the social world and an engine of anxiety; and examines the production of such anxiety in settings ranging from the pedagogy of performance in business schools to struggling musicians coping with new performance metrics in online platforms. In the performance society, networks of observation—in which all are performing and keeping score—are entangled with a system of emotionally charged preoccupations with one’s positioning within the rankings. From the bedroom to the boardroom, pharmaceutical companies and management consultants promise enhanced performance. This assemblage of metrics, networks, and their attendant emotional pathologies is herein regarded as the performance complex.
10
Jansson, André, and Paul C. Adams, eds. Disentangling. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780197571873.001.0001.
Повний текст джерелаАнотація:
After the rapid rise of digital networking in the 2000s and 2010s, we are now seeing a rise of interest in how people can disentangle their lives from the increasingly pervasive networks of digital communications. This edited volume contributes to the turn toward digital disconnection research by bringing together an interdisciplinary group of authors with expertise in various forms and philosophies of disentangling. By “disentangling” we mean disconnection not just from media but from a digitalized world, a world in which places and landscapes are increasingly structured around digital connectivity. People increasingly look for strategies that will let them reject, avoid, and rework the pervasive media demanding they remain connected at all times. How might we facilitate autonomy from tendrils of digital surveillance, revalue places over dematerialized flows, and unravel digital dependency? Who gets to disconnect and who does not? How do natural cycles such as sleep and death relate to disentangling? Can we clarify the means and objectives of “digital detox”? Can we map the failures, glitches, contradictions, and paradoxes that plague digital connectivity? What does our willing and unwilling entanglement in digital networks say with regard to social resilience and cultural resistance? The book’s three sections start with questions about ethics and justice associated with the power geometries of digital (dis)connection, then move on to consider digitally entangled lives and afterlives, and conclude with a look at the ambiguities of (dis)connection in time-spaces of the COVID-19 pandemic.
11
Cohen, Margaret, ed. A Cultural History of the Sea in the Age of Empire. Bloomsbury Publishing Plc, 2021. http://dx.doi.org/10.5040/9781474207218.
Повний текст джерелаАнотація:
Across the 19th century, maritime globalization expanded at a hitherto unimaginable pace, transforming transport and communications over the seas into oceanic networks at a planetary scale. These networks shaped culture in its most expansive sense, affecting seafaring, warfare, empire, commerce, communications, passenger travel, leisure and science. Authors recover the sea experience of people and groups entangled with and yet neglected in an earlier generation of maritime history focused on conquest, empire, and knowledge. Thus, across a century when Britannia nominally ruled the waves, military control emerges as both opportunistic, harboring slavers, as well as partial, giving agency to mutineers and enslaved crew members, including on the Royal Navy’s own fleet; the wreck of Arctic exploring voyages such as the Erebus and the Terror takes readers to PanInuit exploration over sea ice around the Arctic circle; colonial and mercantile transport in the Indian Ocean reveals the role of lascars, the seafarers of color who for centuries had practiced these waters; on the coasts of industrial nations, the professional establishment of marine sciences depends on the pathbreaking contributions of female amateur naturalists. As part of its revisionary aim, this volume gives voice to the physical environment. Thus, we discover contrasting perspectives about this environment under threat today of European mariners for whom it was deadly and treacherous, and for maritime Aborigines who lived in its shelter. Considering literature and art as well as history, authors further trace how the paradoxes of sea practice shape some of the most memorable ocean fantasies of the Western tradition, fostering both a celebration of work and technology, and a preservation of secular magic in a disenchanted world.
12
Watson, Jay, and James G. ,. Jr Thomas, eds. Faulkner and Money. University Press of Mississippi, 2019. http://dx.doi.org/10.14325/mississippi/9781496822529.001.0001.
Повний текст джерелаАнотація:
The matter of money touches the writer's life at every point:in the need to make ends meet, in daily dealings with agents, editors, and publishers, and in the choice of subject matter and the lineaments of the imagined world.William Faulkner was no exception.The people and communities he wrote about were deeply entangled in personal, local, regional, national, and even global networks of industry, commerce, and finance, as was the author himself, whose economic biography often followed, but occasionally bucked, the tumultuous economic trends of the twentieth century.This collection brings together a distinguished group of scholars to explore the economic contexts of Faulkner's life and work, to follow the proverbial money toward new insights into the Nobel laureate and new questions about his art.Essays address economies of debt and gift-giving in Intruder in the Dust; the legacies of commodity fetishism in Sanctuary and of twentieth-century capitalism's financial turn in The Town; the pegging of self-esteem to financial acumen in the career of The Sound and the Fury's Jason Compson; the representational challenges posed by poverty and failure in Faulkner's Frenchman's Bend tales; the economics of regional readership and the Depression-era literary market; the aesthetic, monetary, and psychological rewards of writing for Hollywood; and the author's role as benefactor to an aspiring African American college student in the 1950s.The Faulkner we meet in these pages is among modern literature's most incisive and encyclopedic critics of what one contemporary theorist calls the madness of economic reason.
13
Schenker, Christoph, ed. Inventory and Hinge. Entangled Fields of Research in the Arts. Institute for Contemporary Art Research 2001–2022. DIAPHANES, 2022. http://dx.doi.org/10.4472/9783035805697.
Повний текст джерелаАнотація:
Inventory and Hinge provides an overview of the research projects performed over the last two decades at the Institute for Contemporary Art Research (IFCAR) of Zurich University of the Arts (ZHdK). It is an inventory because it presents all the projects realized during this period with many figures and illustrations. It is a hinge because links and QR codes grant access to nearly all publications and websites that were created by the individual projects. Artistic work interconnects multiple competencies and areas of knowledge, ways of life and working, and the IFCAR research projects are thus organized in correspondence with this transgressive gesture, which becomes manifest here as interdisciplinary, networked knowledge production. The cultivation of these complexities has been a mission of the IFCAR since its inception. Throughout these pioneering years the IFCAR has always seen its task in the promotion of research competency in the fine arts, and in providing support for the conception and execution of concrete projects. Although art as research has a long tradition outside of institutions, this task meant nothing less than introducing a new research discipline into the context of knowledge and establishing a new genre in the context of art. Each of the projects presented in this book involves research through the process of creation—but they often also conduct a metadiscourse on artistic research itself.
14
Epstein, Joshua M. Extensions. Princeton University Press, 2017. http://dx.doi.org/10.23943/princeton/9780691158884.003.0004.
Повний текст джерелаАнотація:
This part discusses the fourteen extensions of Agent_Zero: endogenous destructive radii; age and impulse control; fight vs. flight; replication of the Latané–Darley experiment; introduction of memory; couplings (entanglement of passion and reason); endogenous dynamics of connection strength; growing the 2011 Arab Spring; jury processes; endogenous dynamics of network structure; multiple social levels; the 18th Brumaire of Agent_Zero; prices and seasonal economic cycles; and mutual escalation spirals. Each of these extensions is explained in detail. In particular, the affective, deliberative, and social components of Agent_Zero are modeled as independent; they all affect disposition and they are entangled. This part also presents examples involving the activation of the yellow spatial sites as well as violent occupation by Blue Agent_Zero actors.
15
Colli, Andrea, and Michelangelo Vasta. Italy. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198717973.003.0011.
Повний текст джерелаАнотація:
This chapter, by merging a qualitative and quantitative approach, focuses on the evolution of business groups in Italy during the twentieth century. By adopting network analysis, and by using a large and comprehensive dataset, the authors offer various proxy measures of the relevance of the largest business groups in the Italian economy. By also providing a taxonomy, the analysis clearly shows the persistence of large and entangled business groups in the Italian economy. Moreover, it shows that business groups are present not only among large firms, but in almost all the dimensional and juridical forms of Italian firms. The chapter, by challenging the conventional wisdom, confirms that business groups are neither limited to the less developed countries, nor are simply a second-best functional substitute of the M‐form characterizing big business around the world.