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1
Mishina, L. A. "THE FAMILY PHENOMENON IN SEVENTEENTH-CENTURY AMERICAN LITERAURE." Bulletin of Udmurt University. Series History and Philology 32, no. 2 (April 29, 2022): 355–62. http://dx.doi.org/10.35634/2412-9534-2022-32-2-355-362.
Анотація:
The purpose of this article is to analyze the phenomenon of the New English family of the 17th century, the first century of the existence of American national literature, presented in the works of early American authors - period insufficiently studied in literary criticism. Untranslated or incompletely translated into Russian works of such religious and public figures, writers as Richard Mather (Diary), Inkris Mather (The Life and Death of the Reverend Richard Mather), Edward Johnson (The Miraculous Providence of the Savior of Zion in New England) , Samuel Sewall (Diary), John Cotton (God’s Promise to His Plantation), Cotton Mather (Life of Mr. Johnatan Burr), are introduced into literary criticism. Being one of the key in the early history and literature of the United States, the theme of the family has the following aspects considered within the framework of the article: the move of families to a new continent, settling in a new place, the status of a father, mother, and child. The process of formation and existence in extreme conditions of a Protestant family is analyzed, the role of the family community in the fulfillment of the sacred mission - the creation of the kingdom of Christ on new lands - is determined. The conclusion is made about the uniqueness of the New English family of the 17th century, which combined the features of both the family structure that developed in European society and those born in the process of American experiments. The idea is emphasized that the disclosure of the family theme by early American authors clearly represents the features of American literature of the 17th century in general. The article uses biographical, structural, cultural and historical methods of literary analysis.
2
Nisancioglu, Kerem. "Racial sovereignty." European Journal of International Relations 26, no. 1_suppl (November 5, 2019): 39–63. http://dx.doi.org/10.1177/1354066119882991.
Анотація:
This article explores how International Relations (IR) might better conceptualise and analyse an underexplored but constitutive relationship between race and sovereignty. I begin with a critical analysis of the ‘orthodox account’ of sovereignty which, I argue, produces an analytical and historical separation of race and sovereignty by: (1) abstracting from histories of colonial dispossession; (2) treating racism as a resolved issue in IR. Against the orthodox account, I develop the idea of ‘racial sovereignty’ as a mode of analysis which can: (1) overcome the historical abstractions in the orthodox account; (2) disclose the ongoing significance of racism in international politics. I make this argument in three moves. Firstly, I present a history of the 17th century struggle between ‘settlers’ and ‘natives’ over the colonisation of Virginia. This history, I argue, discloses the centrality of dispossession and racialisation in the attendant attempts of English settlers to establish sovereignty in the Americas. Secondly, by engaging with criticisms of ‘recognition’ found in the anticolonial tradition, I argue that the Virginian experience is not simply of historical interest or localised importance but helps us better understand racism as ongoing and structural. I then demonstrate how contemporary assertions of sovereignty in the context of Brexit disclose a set of otherwise concealed colonial and racialised relations. I conclude with the claim that interrogations of racial sovereignty are not solely of historical interest but are of political significance for our understanding of the world today.
3
Pumfrey, S., P. Rayson, and J. Mariani. "Experiments in 17th century English: manual versus automatic conceptual history." Literary and Linguistic Computing 27, no. 4 (June 1, 2012): 395–408. http://dx.doi.org/10.1093/llc/fqs017.
4
Subbiondo, Joseph L. "Neo-aristotelian grammar in 17th-century England." Historiographia Linguistica 17, no. 1-2 (January 1, 1990): 87–98. http://dx.doi.org/10.1075/hl.17.1-2.08sub.
Анотація:
Summary In his Herm’œlogium; or an Essay at the Rationality of Speaking of 1659 Basset Jones intended to supplement William Lily’s (c. 1468–1522) popular 16th-century grammar, which had received the endorsement of Edward VI. Written in English and Latin, Lily’s grammar through its many editions not only set the standard for Latin grammars, but it also established the style for the first and subsequent grammars of English. Jones realized that Lily’s grammatical model, with its emphasis solely on the classification and arrangement of material according to the classic paradigms for conjugation and declension, ignored the philosophy of grammar which was necessary for an understanding of the relationship of language and thought.
5
Сорокина, Т. Б. "Freethinking of the 17th Century: Edward Herbert’s Philosophy." Диалог со временем, no. 79(79) (August 20, 2022): 47–56. http://dx.doi.org/10.21267/aquilo.2022.79.79.002.
Анотація:
В работе характеризуются взгляды Эдварда Герберта – английского философа, политика и общественного деятеля первой половины XVII в. Автор анализирует основные положения философской системы Э. Герберта, отмечая логическую связь между теорией познания и философией религии. Показано, что гносеологический объективизм Герберта явился основанием для его деистических идей, главной из которых стала идея «естественной религии». Автор считает заслугой Герберта попытку обосновать объективные основы и критерии познания, соединить его когнитивные и ценностные начала, подчеркнуть системное взаимодействие всех элементов. In the work are characterized by philosophical views of Edward Herbert – English philosopher, politician and public figure of the first half of the 17th century. The author of the article analyzes the basic provisions of the philosophical system of E. Herbert, noting the logical connection between the theory of cognition and the philosophy of religion. It is shown that Herbert's epistemological objectivism was the basis for his deistic ideas, the main of which was the idea of "natural religion". The author considers Herbert's merit to try to substantiate objective basics and criteria of cognition, to combine his cognitive and value principles, to emphasize the systemic interaction of all elements.
6
Dukhanina, Alexandra V. "The Life of St. Stephen of Perm in the Printed Prologue: Textual Criticism and Codicological Value." Труды Отдела древнерусской литературы 68 (2020): 135–74. http://dx.doi.org/10.31860/0130-464x-2020-67-135-174.
Анотація:
The Life of St. Stephen of Perm in a specific redaction was included in the second edition of the Prologue of 1642—1643 and reprinted in all subsequent editions of the Prologue in the 17th—18th centuries. Eight handwritten copies of the text belonging to this redaction have been found in 17th- and 18th-century manuscripts. In most editions of the Prologue the text reveals minor linguistic and stylistic changes that provide material for the history of editing of the Prologue, as well as for the history of the Russian literary language. They also allow determining which particular edition served as a model for this or that manuscript copy of the Life. Knowing the publication year of the editions has helped to clarify the dating of some manuscripts of this redaction of the Life and even to correct some data from an album of seventeenth-century watermarks
7
Salmon, Vivian. "Missionary linguistics in seventeenth century Ireland and a North American Analogy." Historiographia Linguistica 12, no. 3 (January 1, 1985): 321–49. http://dx.doi.org/10.1075/hl.12.3.02sal.
Анотація:
Summary Accounts of Christian missionary linguists in the 16th and 17th centuries are usually devoted to their achievements in the Americas and the Far East, and it is seldom remarked that, at the time when English Protestant missionaries were attempting to meet the challenge of unknown languages on the Eastern seaboard of North America, their fellow missionary-linguists were confronted with similar problems much nearer home – in Ireland, where the native language was quite as difficult as the Amerindian speech with which John Eliot and Roger Williams were engaged. Outside Ireland, few historians of linguistics have noted the extraordinarily interesting socio-linguistic situation in this period, when English Protestants and native-born Jesuits and Franciscans, revisiting their homeland covertly from abroad, did battle for the hearts and minds of the Irish-speaking population – nominally Catholic, but often so remote from contacts with their Mother Church that they seemed, to contemporary missionaries, to be hardly more Christian than the Amerindians. The linguistic problems of 16th-and 17th-century Ireland have often been discussed by historians dealing with attempts by Henry VIII and his successors to incorporate Ireland into a Protestant English state in respect of language, religion and forms of government, and during the 16th century various official initiatives were taken to convert the Irish to the beliefs of an English-speaking church. But it was in the 17th century that consistent and determined efforts were made by individual Englishmen, holding high ecclesiastical office in Ireland, to convert their nominal parishioners, not by forcing them to seek salvation via the English language, but to bring it to them by means of Irish-speaking ministers preaching the Gospel and reciting the Liturgy in their own vernacular. This paper describes the many parallels between the problems confronting Protestant missionaries in North America and these 17th-century Englishmen in Ireland, and – since the work of the American missions is relatively well-known – discusses in greater detail the achievements of missionary linguists in Ireland.
8
Kirchanov, Maksim V. "“Revolutionary Nation”: “High Culture” of Emerging English Political Identity of the 17th Century." History 19, no. 1 (2020): 32–42. http://dx.doi.org/10.25205/1818-7919-2020-19-1-32-42.
Анотація:
The author analyzes how the emerging political identity of the early modern English nation expressed itself in literary texts of the 17th century. The revitalization of English nationalism in Britain actualizes the analysis of the early stages in the history of the formation and development of English identity. The author of the article believes that intellectual history, as a form of knowledge of the past, is, on the one hand, among those methodological approaches we can use for analysis of English identity. The author uses constructivist methods of Nationalism Studies, believing that the nation is the result of political and social modernizations, inspired by intellectuals as representatives of “high culture”. Analyzing the problems of the imagination and invention of a political nation in 17th century English identity, the author believes that several factors determined the main vectors and trajectories of developments and transformations of the self-consciousness of English intellectuals. It is assumed, that religion was one of those factors that influenced political identity significantly. Intellectuals were the main inspirers of the emerging English political identity. The intellectuals who represented the “high culture” initiated the processes of nationalization of politics, that expressed in the radical project of the Republic, which in fact became the historical predecessor of the modern nation-state. The author believes that the political imagination in 17th century England justified and legitimized political changes, stimulated the development of national identity and inspired the processes of transformation of Englishmen from traditional groups with unstable estate identities into an early modern nation with an emerging political identity.
9
Abercrombie, David. "William Holder and other 17th-century phoneticians." Historiographia Linguistica 20, no. 2-3 (January 1, 1993): 309–30. http://dx.doi.org/10.1075/hl.20.2-3.04abe.
Анотація:
Summary In spite of inevitable deficiencies in their knowledge, 17th-century writers on phonetics can be said to have succeeded in laying the foundations of a true general phonetics. They include some famous names, such as John Wallis and Isaac Newton, but many of them have remained virtually unknown until comparatively recent times, in spite of having contributed significant insights. A brief mention is given here of the work of thirteen of these early writers on phonetics, followed by a fuller account of William Holder (1616–1698), probably the best phonetician of his time. He was not an orthoepist, nor was he concerned to describe the sounds of English. His book had a practical purpose – to provide a theoretical basis for techniques of teaching the deaf. Possible ambiguity in the 17th-century use of ‘letter’ is explained before examining Holder’s description of the sounds of speech. This includes his interesting use of the hylomorphic distinction between ‘matter’ and ‘form’. The description of vowels is almost inevitably less satisfactory than that of the consonants, but his phonetic terminology and general framework would not be out of place in a modern introduction to phonetics. He deserves more attention than he has received, both for his theoretical contribution and for his pioneering work in techniques of teaching the deaf.
10
Bianchi, Daniela. "Some sources for a history of English Socinianism a bibliography of 17th century English Socinian writings." Topoi 4, no. 1 (March 1985): 91–120. http://dx.doi.org/10.1007/bf00138653.
11
Grošelj, Nada. "Two 17th century Jesuit plays in Ljubljana inspired by English literature." Acta Neophilologica 37, no. 1-2 (December 1, 2004): 61–71. http://dx.doi.org/10.4312/an.37.1-2.61-71.
Анотація:
Jesuit teachers, whose members came to Ljubljana in the late 16th century, placed great emphasis on the production and staging of the school drama. Despite the domination of religious themes, the range of its subject matter was wide and varied. The article discusses two plays which derived their subject matter from English literature, namely from Bede's Ecclesiastical History of the English People and Holinshed's Historie of Britain.The texts themselves are lost, but in the case of the Holinshed-inspired work (a version of the King Lear story), a detailed synopsis has been preserved. The article examines the synopsis and the extant manuscript reports about the plays, the original English sources, and the treatment of the two works in contemporary scholarly treatises.
12
Togoeva, Olga. "Jean Bodin and English Demonology of the 16th — 17th Centuries." ISTORIYA 13, no. 1 (111) (2022): 0. http://dx.doi.org/10.18254/s207987840019048-1.
Анотація:
The article deals with the influence exerted by the famous French lawyer Jean Bodin on the English demonologists of the 16—17th centuries. Based on the material of demonological treatises and pamphlets published in the English Kingdom since the end of the 16th century, the author of the article traces the degree of familiarity of the English with the basic ideas of the “Demon-mania of Sorcerers” of Jean Bodin (1580). She notes four different principles of quoting “Demon-mania”: direct quoting with the mention of the author’s name and the title of the treatise; hidden borrowings; indirect quoting; and finally, “empty” references, when the appeal to the authority of Jean Bodin was not based on his own text. The undeniable familiarity of English demonologists with “Demon-mania” makes the author of the article also consider the question of the religion of Jean Bodin in order to understand why the British, who were already Protestants for the most part by the beginning of the 16th century, paid so much more attention to the work written by a Catholic.
13
Grane, Leif. "Grundtvigs forhold til Luther og den lutherske tradition." Grundtvig-Studier 49, no. 1 (January 1, 1998): 21–41. http://dx.doi.org/10.7146/grs.v49i1.16265.
Анотація:
Grundtvig's Relations with Luther and the Lutheran TraditionBy Leif GraneGrundtvig’s relations with Luther and the Lutheran tradition are essential in nearly the whole of Grundtvig’s lifetime. The key position that he attributed to Luther in connection with his religious crisis 1810-11, remained with the Reformer until the very last, though there were changes on the way in his evaluation of the Reformation.The source material is overwhelming. It comprises all Grundtvig’s historical and church historical works, but also a large number of his theological writings, besides a number of his poems and hymns. Prior to Grundtvig’s lifelong occupation with Luther there had been a rejection of tradition as he had met with it in the Conservative supranaturalism. After the Romantic awakening at Egeløkke and the subsequent »Asarus« (the- ecstatic immersion in Nordic mythology), over the religious crisis 1810-1811, when Grundtvig thought he was »returning« to Luther, it was a different Luther from the one he had left a few years before. Though Grundtvig emphasizes the infallibility of the Bible, it is wrong to describe him as »Lutheran-Orthodox« in the traditional sense. In Grundtvig’s interpretation, Luther is above all the guarantee of the view of history he had acquired in his Romantic period, but given his own personal stamp, as it appeared in slightly different ways in the World Chronicles of 1812 and 1817. There already he turns against the theologization of the message of the Reformation that set in with the confessional writings. Ever since he maintained the view of the Reformation that he expounds in the two World Chronicles, though the evaluation of it changed somewhat, especially after 1825.The church view that Grundtvig presented for the first time in »Kirkens Gienmæle« (The Rejoinder of the Church), and which he explained in detail in »Om den sande Christendom« (About True Christianity) and »Om Christendommens Sandhed« (About the Truth of Christianity), was bound to lead to a conflict (as it did) with the Protestant »Scripturalism«, and thus to clarity about the disagreement with Luther. This conflict attained a greater degree of precision with the distinctions between church and state, and church and school, as they were presented in »Skal den lutherske Reformation virkelig fortsættes?« (Should the Lutheran Reformation Really Be Continued? 1830), but it was not really until the publication of the third part of »Haandbog I Verdens-Historien« (Handbook in World History) that the view of church history and of Luther’s place in it, inspired by the congregational letters in the Apocalypse, was presented, in order to be more closely developed, partly in poetical form in »Christenhedens Syvstjeme« (The Seven Star of Christendom), partly in lectures in »Kirke-Spejl« (Church Mirror).Grundtvig had to reject orthodoxy since the genuineness of Baptism and Eucharist depended on their originating from Christ Himself. Nothing of universal validity could therefore have come into existence in the 16th century.Thus the evaluation of Luther and Lutheranism must depend on how far Lutheranism corresponded to what all Christians have in common. Luther is praised for the discovery that only the Word and the Spirit must reign in the church. It is understandable therefore that Luther had to break down the false idea of the church that had prevailed since Cyprian, and Grundtvig remained unswervingly loyal to him. But he cannot avoid the question why Luther’s work crumbled after his death. The answer is that it crumbled because of »Scripturalism« which Grundtvig considers a spurious inheritance from Alexandrian theology. We must maintain Luther’s faith which centres on all that is fundamentally Christian, but not his theological method.Grundtvig believes that with his criticism of Luther he is really closer to him than those who are cringing admirers of him. Grundtvig confesses himself to having committed the mistake of confusing the Bible with Christianity, and he cannot exempt Luther from a great responsibility for this aberration. All the same, in Luther’s case the wrong Yet Luther was induced to want to make his own experiences universally valid since he did not understand that his own use of the Scriptures could not possibly be right for every man. Here Grundtvig is on the track of the individualism which to him is an inevitable consequence of Scripturalism: everybody reads as he knows best. It was not in school, but in church that he saw Luther’s great and imperishable achievement.So while Grundtvig cannot exempt Luther from some responsibility for an unfortunate development in the relation between church and school, he is very anxious to exempt him from any responsibility for the assumption of power in the church by the princes, which is due, in his opinion, to a conspiracy between the princes and the theologians with a view to tying the peoples to the symbolical books.In the development of Grundtvig’s view of church history it turns out that the interest in the national, cultural and civic significance of the Reformation has not decreased after he has given up fighting for a Christian culture. The Reformation must, as must church history on the whole, be seen in the context of the histories of the peoples. Therefore, if it is not to be pure witchcraft, it must have its foundation deep in the Middle Ages.Grundtvig points to what he calls »the new Christendom«: from the English and the Germans to the North. Viewed in that light, the Reformation is a struggle for a Christian life, a folkelig life of the people, and enlightenment.Though the 17th century wrenched all life out of what was bom in the 16th, and the 18th century abandoned both Christianity and folkelig life altogether, it was of great significance for culture and enlightenment that the people was made familiar with Luther’s catechism, Bible and hymn book. What was fundamentally Christian survived, while folkelig life lay dormant.The Reformation was unfinished, and its completion must wait until the end of time. But compulsion is approaching the end, and the force of the Reformation in relation to mother tongue and folkelig life manifests itself more strongly than ever before, Gmndtvig believes. What is fundamentally Christian in Luther must be maintained and carried onwards, while the Christian enlightenment, i.e. theology, depends on the time in question.Life is the same, but the light is historically determined. With this concept of freedom, which distinguishes between the faith in Christ as permanent and the freedom of the Holy Ghost that liberates us from being tied to the theology of the old, Gmndtvig may convincingly claim that it is he who – with his criticism - is loyal to Luther, i.e. to »the most excellent Father in Christ since the days of the Apostles«.
14
Kaplun, M. V. "Plays on Plot of Tamerlane and Bayazet on Russian Stage of Late 17th — Early 18th Centuries: Northern European Sources." Nauchnyi dialog, no. 6 (June 24, 2021): 207–24. http://dx.doi.org/10.24224/2227-1295-2021-6-207-224.
Анотація:
The article is devoted to the little-studied Northern European sources of Russian plays on the plot about Tamerlane and Bayazet of the late 17th — early 18th centuries. The material was the play “Temir-Aksakovo Action” in 1675, a not preserved version of the play of the early 18th century “The Clear History of Tamerlane, the Tatar Khan how he defeated Saltan of Tursk Bayazet”, plays from the repertoire of “English comedians” of the 17th century, plays by the German playwright Andreas Gryphius and the English playwright Nicholas Roe. It is shown that the interludes of the play “Temir-Aksakovo Action” could be taken from the little-known play “The Comedy of Tamerlane”, staged in Nuremberg in 1667. Analysis of the play by German playwright Andreas Gryphius “The Armenian Leo” in 1656 makes it possible to talk about general formulas in constructing the theme of the overthrow of tyranny, the baroque theme of the mutability of life in the German and Russian drama of the 17th century. The play “The Clear History of Tamerlane ...”, staged at the court of Peter I in the 1700s, has been brought into consideration. Particular attention is paid to the analysis of the typological commonality of the Russian play with the play by the English playwright Nicholas Rowe “Tamerlane” in 1701, containing real historical allusions to the present.
15
Gilman, Todd S. "Augustan Criticism and Changing Conceptions of English Opera." Theatre Survey 36, no. 2 (November 1995): 1–35. http://dx.doi.org/10.1017/s0040557400001186.
Анотація:
The love-hate nature of the relations between England and Italy in the seventeenth and eighteenth centuries is well known. Ever since Henry VIII broke with Rome after Pope Clement VII refused to allow his divorce, things Italian were a popular object of satire and general disdain. An ever-increasing British nationalism founded on political, religious, and aesthetic principles during the seventeenth century fanned the flames of anti-Italian sentiment. This nationalism, newly consolidated in the seventeenth century by the ambitions of the Stuart monarchs to destroy Parliament, was intimately connected with English Protestantism. As Samuel Kliger has argued, the triumph of the Goths—Protestant Englishmen's Germanic ancestors—over Roman tyranny in antiquity became for seventeenth-century England a symbol of democratic success. Moreover, observes Kliger, an influential theory rooted in the Reformation, the “translatio imperii ad Teutonicos,” emphasized traditional German racial qualities—youth, vigor, manliness, and moral purity—over those of Latin culture—torpor, decadence, effeminacy, and immorality—and contributed to the modern constitution of the supreme role of the Goths in history. The German translatio implied an analogy between the conquest of the Roman Empire by the Goths (under Charlemagne) and the rallying of the humanist-reformers of northern Europe (e.g., Luther) for religious freedom, understood as liberation from Roman priestcraft; that is, “the translatio crystallized the idea that humanity was twice ransomed from Roman tyranny and depravity—in antiquity by the Goths, in modern times by their descendants, the German reformers…the epithet ‘Gothic’ became not only a polar term in political discussion, a trope for the ‘free,’ but also in religious discussion a trope for all those spiritual, moral, and cultural values contained for the eighteenth century in the single word ‘enlightenment.’”
16
Rodríguez-Álvarez, Alicia. "Cataloguing the First Histories of the English Language Written from the Late 16th to the End of the 18th Century." Historiographia Linguistica 45, no. 1-2 (June 20, 2018): 99–132. http://dx.doi.org/10.1075/hl.00017.rod.
Анотація:
Summary Most studies on the first histories of the English language go as far back as the 19th century, and dismiss earlier historical accounts of the language. However, 17th- and 18th-century short histories of the English language provide valuable insight into information layout, periodisation criteria, ideological tenets and other material which have left an imprint on the formation of the discipline called History of the English Language. This paper attempts to remedy this lack of attention by providing a catalogue of the first historical accounts of the English language (16th–18th century) with useful bibliographic details which will help future researchers of early accounts of the English language to locate them. The catalogue is accompanied by a description of these accounts which reveals a common pattern regarding contents and organisation.
17
Imhoff, Brian. "(MIS)Translating U.S. Southwest History." Romanian Journal of English Studies 10, no. 1 (March 1, 2013): 165–73. http://dx.doi.org/10.2478/rjes-2013-0014.
Анотація:
Abstract Historians of the U.S. Southwest invariably rely on English-language translations of original Spanish documents for their interpretive work. However, a philological approach to the Spanish documents reveals all manner of translator shortcomings, some of which negatively impact the historical record. I document one such instance pertaining to the early history of Texas and argue that the failure to adhere to sound philological practice has produced an inaccurate historical canon. Data are taken from a Spanish expedition diary from the late 17th-century and from unpublished archival sources pertaining to it.
18
van den BERG, JAN. "English Deism and Germany: The Thomas Morgan controversy." Journal of Ecclesiastical History 59, no. 1 (January 2008): 48–61. http://dx.doi.org/10.1017/s0022046907002278.
Анотація:
The work of the English Deist Thomas Morgan (d. 1743), a Marcion in his time, received much negative criticism in England and abroad, especially in Germany. His views aroused comments in books, dissertations and journals. Only in the first half of the twentieth century was he to be praised by theologians such as Adolf von Harnack and Emanuel Hirsch, who likewise disparaged the Old Testament.
19
Jamieson, Alan G. "Book Review: Encountering Islam: Joseph Pitts – An English Slave in 17th-Century Algiers and Mecca." International Journal of Maritime History 24, no. 1 (June 2012): 421–23. http://dx.doi.org/10.1177/084387141202400130.
20
Valman, Nadia. "SEMITISM AND CRITICISM: VICTORIAN ANGLO-JEWISH LITERARY HISTORY." Victorian Literature and Culture 27, no. 1 (March 1999): 235–48. http://dx.doi.org/10.1017/s1060150399271136.
Анотація:
IN THE JEW IN THE TEXT:Modernity and the Construction of Identity (1995) Linda Nochlin and Tamar Garb noted that although questions of race, colonialism, and Eurocentrism were now prominent in cultural studies, the ways in which the “Jew” had been represented in modern culture remained relatively unexplored (6). Over the last few years, however, exploration of this kind has burgeoned, bringing with it important challenges both for Jewish studies and for English literary history. The nineteenth century has proved a particularly rich resource for such research, and the importance of this period for considering the relationship between modernity and the “Jew” is underlined by Nochlin:
21
Feenstra, R. "Bibliotheca frisica juridica, Bio-bibliografische notities over enkele weinig bekende Friese juristen." Tijdschrift voor Rechtsgeschiedenis / Revue d'Histoire du Droit / The Legal History Review 75, no. 2 (2007): 125–37. http://dx.doi.org/10.1163/157181907781352627.
Анотація:
AbstractThis is the first part of a series on little known Frisian jurists from the end of the 15th until the beginning of the 17th century who have left printed editions of their works. The present contribution deals with three of them: Haring Sinnema (ca. 1465 – 1513), professor in Cologne and member of the Reichskammergericht, author of a primer on civil and canon law (1491); Boëtius Epo (1529 – 1599), professor at the counter-reformist University of Douai since its erection in 1562, whose works mainly concern canon law; Johannes Basius (ca. 1540 – 1596), agent and adviser of Prince William of Orange, author of Paradoxarum disputationum iuris civilis libri IIII (1575), known for excessive criticism on some wellknown humanist contemporaries.
22
Sellers, Jason R. "Mindful of their Bellies and gullets: Anatomical imagery in English Colonization." Journal of Early American History 9, no. 1 (April 3, 2019): 3–33. http://dx.doi.org/10.1163/18770703-00901005.
Анотація:
This essay examines the anatomical language that appears in 16th- and 17th-century English travel narratives, which authors used to portray efforts to colonize North America as a series of encounters between an American continental body and the English nation. Imagery related to the digestive tract marked struggling or failed efforts, while reproductive and marital imagery described successful ventures or encouraged new ones. The imprecision of early modern anatomical terms left them versatile enough to appear in relation to both digestive and reproductive images, allowing English observers contrasting colonial projects to provide lessons about proper modes of colonization. Anatomical language thus provided English authors with a mechanism for representing the changing nature of England’s encounter with the American continental body, redirecting anxieties about the dangers America posed into confidence about the continent’s productive potential, and England’s future on its lands.
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Panov, Alexei A., and Ivan V. Rosanoff. "Performing Ornaments in English Harpsichord Music. Part II." Vestnik of Saint Petersburg University. Arts 12, no. 1 (2022): 4–32. http://dx.doi.org/10.21638/spbu15.2022.101.
Анотація:
This article continues a series of publications on problems pertaining to performing ornaments on keyboard musical instruments in England of the 17th–18th centuries according to historical documents of that time. The authors consider the history of the publication of the ornamentation table with thirteen embellishments compiled by Charles Coleman and published in the treatises The Division-Violist by Christopher Simpson (1659) and A Brief Introduction to the Skill of Musick by John Playford (1660). Among other matters, various aspects in the Rules of Graces worded by Henry Purcell (A Choice Collection of Lessons for the Harpsichord or Spinnet, 1696) are discussed. In particular, in the table published by Simpson, special attention is paid to a comprehensive review of the realization of such ornaments as “[The] Backfall shaked” and “[The] Shaked Beat”. In “Rules of Graces” contained in Purcell’s A Choice Collection, the authors turned to the ornaments called “[The] beat” and “a plain note & shake”, as well as to the following well-known instruction formulated by the famous musician: “observe that you allway’s shake from the note above and beat from ye note or half note below, according to the key you play in <…>”. In the course of the research, numerous errors and inaccuracies were discovered and noted in the scientific and reference-encyclopedic literature of the 20th century concerning the interpretation of ornaments in England in the second half of the 17th century and in the content of English musical treatises of that time.
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Agratina, Elena E. "THE EMERGENCE OF ART CRITICISM IN FRANCE IN THE SECOND HALF OF THE 17TH AND THE FIRST HALF OF THE 18TH CENTURY." RSUH/RGGU Bulletin. Series Philosophy. Social Studies. Art Studies, no. 3 (2022): 146–64. http://dx.doi.org/10.28995/2073-6401-2022-3-146-164.
Анотація:
The topic of the emergence of art criticism in France in the second half of the 17th and the first half of the 18th century, being rather widely covered in foreign academic literature, is still underdeveloped in Russian art history. Nevertheless, that issue is extremely important for understanding the processes that took place in the French and more widely in the European artistic milieu. The article aims to highlight the process of the criticism formation not only as a literary genre but primarily as a phenomenon of cultural life. Based on original written sources and foreign academic literature, the author traces how the appearance of fine art in the light of publicity was prepared in the Parisian artistic milieu. The author addresses the important questions that arose during the formative and legitimizing phase of criticism, such as its distinction from pre-existing art theory, as well as the distinction between the critic and the theorist or fine art historian. The artwork must now satisfy not only the master and the customer and a small circle of connoisseurs, society also becomes an active participant in artistic life, and the viewer enshrines the right to judge the art. The author shows how criticism is gradually becoming more diverse and polyphonic. Works written on behalf of a wide variety of characters are appearing, writers are adapting various literary genres that already exist: epistolary, diary, plays, poems, dialogues. For many years, criticism becomes an active channel of communication linking all participants in artistic life.
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Dmitrieva, Zoia, Marina Rumynskaia, and Tatiana Sazonova. "Belozersk Monasteries in Crisis Years (1570s – 1610s)." Vestnik Volgogradskogo gosudarstvennogo universiteta. Serija 4. Istorija. Regionovedenie. Mezhdunarodnye otnoshenija, no. 5 (November 2021): 72–83. http://dx.doi.org/10.15688/jvolsu4.2021.5.6.
Анотація:
Introduction. The article examines the situation of the monasteries of the Belozersk region in the last quarter of the 16th century – the first decade of the 17th century: regional manifestation of crisis phenomena, the reasons for their occurrence, the degree of influence of individual factors (epidemic, famine, foreign invasion). Methods and materials. The topic is disclosed using the methods of historical research (analysis, synthesis, external and internal criticism of documents). The source base was made up of acts and monastic business books, including inventory of property. Analysis. In the last quarter of the 16th century – the first decade of the 17th century the Russian state was going through a deep crisis, which was observed in all aspects of the life of Russian society: political, dynastic, economic and social; it was intensified by the great famine of 1601–1603. During these years monasteries remained centers of economic stability, providing the brethren, servants, ministers and beggars with the necessary products and household items. In the years of famine, grain from the monastic granaries was “loaned” to the peasants for consumption and sowing. The devastation of the monastic economy and the physical destruction of the population began in the Time of Troubles. As a result, the authors came to the following conclusions: the crisis of the last quarter of the 16th century and the Great Famine of the early 17th century did not lead to degradation and disruption of the traditional way of life in the region; the destruction of Belozersk monasteries begins in 1612 and continues until 1618; only the Kirillov Monastery, headed by Abbot Matthew, was able to organize the defense and protect the fortress, preserving the Cyril’s heritage from the Polish-Cossack plunder.
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Graffi, Giorgio. "The treatment of syntax by some early 19th-century linguists." Historiographia Linguistica 25, no. 3 (January 1, 1998): 257–84. http://dx.doi.org/10.1075/hl.25.3.04gra.
Анотація:
Summary This article examines the views about syntax held by Humboldt, on the one hand, and by the founders of historical-comparative grammar (Bopp, Rask, Grimm, Pott, Schleicher), on the other. In general, it is noted that the grammaire générale tradition of 17th and 18th centuries still survives in the work of such scholars, despite of all criticism they seemingly raised against it. For Humboldt, the common core of all languages has its source in the identity of human thought; also his treatment of the verb and especially his reference to a ‘natural’ word order (i.e., SVO) are clearly reminiscent of this tradition. Traces thereof are also found in Bopp’s analysis of Indo-European conjugation, and in some of Rask’s writings. For instance, Rask, just as Humboldt, assumes a ‘natural’ word order and proposes a list of possible syntactic forms which closely remind us of Girard’s membres de phrase. Grimm’s position appears as more innovative, heavily influenced by a Romantic view of language, but some older conceptions sometimes show up in his work, e.g., when he deals with the notion of ‘subject’. Pott does not completely reject general grammar and a logically-based view of language; he only stresses the need of a more empirical approach than that adopted by the 17th and 18th century linguists. This picture radically changed with Steinthai and Schleicher: the former scholar pronounced a ‘divorce’ between grammar and logic, while the latter one argued that syntax does not belong to linguistics proper and rejected any possibility of postulating syntactic distinctions which do not have any direct morphological correlate.
27
Osminskaya, Natalia A. "Language of Reality and Reality of Language in Francis Bacon’s Philosophy." Epistemology & Philosophy of Science 58, no. 3 (2021): 119–31. http://dx.doi.org/10.5840/eps202158348.
Анотація:
The most important of Francis Bacon’s argument against Aristotelian syllogistic logic as a main method of investigation was his doctrine of Idols, closely connected to the contemporary Anglican theological views on imperfect human nature. In his criticism of the first notion of human mind, based on mistaken abstraction, Bacon separated “ars inveniendi”, “ars judicandi” and “ars tradendi” and argued for a new nonverbal form of communication, based on “real characters”. Bacon's conventional concept of the universal language, strongly influenced by Aristotle, was not realized by the philosopher himself, but it was of great popularity in both European rationalism and British empiricism in the middle – second half of the 17th century.
28
Pollio, Gerald. "‘Now Nothing are so Numerous’." Journal of Early American History 10, no. 1 (September 11, 2020): 70–107. http://dx.doi.org/10.1163/18770703-01001006.
Анотація:
Abstract Piled carpets, whether of Eastern or European production, appeared in colonial homes soon after the colonisation of North America in the early 17th century. Initially displayed on tables and cupboards, they were subsequently used as floor coverings in the homes of political and social elites. Over the 18th century Eastern carpets appear to have lost their original semiotic function: ‘English’ having become synonymous with elegance, led colonial consumers increasingly to substitute carpets made in Great Britain for those imported from Persia or Turkey; this shift was motivated in large part by both the wider range of English styles and their lower cost. Probate inventories provide much of the information on the position of carpets in colonial homes. Such data are subject to various shortcomings, which are noted and discussed, especially in relation to their use as valuation measures.
29
Chiang (江柏煒), Bo-wei. "The Relationship between Translocal Chinese and their Hometowns (1920s–40s): The View from “Shining” Monthly of Jushan, Quemoy (跨境華僑及其僑鄉社會∶以顯影僑刊為中心的考察(1920s–40s))". Translocal Chinese: East Asian Perspectives 10, № 2 (20 жовтня 2016): 259–92. http://dx.doi.org/10.1163/24522015-01002005.
Анотація:
Quemoy is a famous overseas Chinese hometown in modern China. Since the 17th Century, Western colonial power expanded to South Asia, Southeast Asia, China and Japan, and drew these areas into the network of the global economy. The Quemoy Islands, situated outside Xinmen (Amoy)-port, were influenced by external and internal factors that shaped the region’s history of overseas migration. Emigrants from Quemoy brought radical changes back to their hometown, including social, economic, cultural and architectural impacts. These historical phenomena, usually described as expressions of “transnationalism,” are important foci of current research. This research tries to study the modernization of one overseas Chinese native hometown by investigating “Shining,” a monthly publication of Jushan village in Quemoy. “Shining” is one of the most comprehensive overseas Chinese publications and news reports in the world, however, it has received little academic attention. “Shining” published its first issue in September 1928, but publication was interrupted by the Second Sino-Japan War, between 1937–45. In April 1946, the publication resumed until the kmt retreated to Taiwan in 1949. The monthly publication had 21 volumes in total and recorded many historical materials, such as social life, overseas Chinese remittances, events, cultural changes and architectural activities during the 1920s–30s. It also reported political conditions and made criticisms of political issues between 1945–49. “Shining” conveyed progressive ideas and values to the people of Quemoy at that time. This paper will use “Shining” to study social change in the native hometown, including the economic connection between Quemoy and overseas areas, the formation and characteristics of overseas Chinese families, the interaction between folk society and colonial culture, the modification of everyday life and values, the changes in landscape and architecture. I attempt to examine the use of overseas Chinese newsletters to develop a new field of social history in the study of modern overseas Chinese native hometowns. 閩粵為近代中國著名的僑鄉，海外移民及歸僑眾多。華僑的出洋主要是經濟上的因素，他們匯款返鄉支持了家鄉家眷生計、教育、剬益、實業等層面的發展，促成了僑鄉社會的近代化。在昔日交通不便捷的情況下，海外僑居地與僑鄉之間的聯繫，經常必須仰賴僑刊或鄉訊的報導。這些刊物一般由各僑鄉宗族所辦，刊行於海外，讓華僑得以了解家鄉動態與相關事聞。不過由於國共戰爭、文化大革命之故，多數僑刊沒有保存下來。 本文擬以保存完整的僑刊福建金門珠山《顯影》（Shining）為例，一方面深入分析1928至1949年間（1937–45年間因戰爭停刊）《顯影》史料，一方面也從刊物內容中理解1920s–40s年代金門社會生活、治安狀況、海外鄉僑事蹟、僑匯經濟、實業發展、政治時局、文化變遷等主題。最後，進一步探究《顯影》的史料價值及其侷限，說明其對於僑鄉研究的重要性。 (This article is in English.)
30
Voronkova, Galina. "The Evolution of Home Life of the English East India Company in the 17th Century." ISTORIYA 12, no. 1 (99) (2021): 0. http://dx.doi.org/10.18254/s207987840013513-3.
31
Mityureva, Daria. "Jean Boden in the War of Pamphlets in England in the Middle of the 17th Century." ISTORIYA 13, no. 1 (111) (2022): 0. http://dx.doi.org/10.18254/s207987840019049-2.
Анотація:
Scholars of English political thought notice Jean Bodin’s theory of sovereignty inspired English pre-revolutionary and revolutionary philosophers. One could find massive references to all principal Bodin’s works. I focus on the direct citations of Les Six livres de la République. Public valued The Six Books of the Republic during the 17th century in different ways: obvious peaks of citations one could between 1640 and 1650. Both warring parties referred to Bodin. Works of Bodin became source of vivid examples in the revolutionary situations when political thinkers had to write and publish pamphlets urgently. Most likely, the third part of authors mentioned Bodin did not read his texts and know him indirectly. Thus, Bodin’s thought had been distorted.
32
Martín, Javier Calle. "“When That Wounds Are Evil Healed”: Revisiting Pleonastic That in Early English Medical Writing." Studia Anglica Posnaniensia 52, no. 1 (March 28, 2017): 5–20. http://dx.doi.org/10.1515/stap-2017-0001.
Анотація:
Abstract The origin of pleonastic that can be traced back to Old English, where it could appear in syntactic constructions consisting of a preposition + a demonstrative pronoun (i.e., for py pat, for pæm pe) or a subordinator (i.e., op pat). The diffusion of this pleonastic form is an Early Middle English development as a result of the standardization of that as the general subordinator in the period, which motivated its use as a pleonastic word in combination with many kinds of conjunctions (i.e., now that, if that, when that, etc.) and prepositions (i.e., before that, save that, in that) (Fischer 1992: 295). The phenomenon increased considerably in Late Middle English, declining rapidly in the 17th century to such an extent that it became virtually obliterated towards the end of that same century (Rissanen 1999: 303-304). The list of subordinating elements includes relativizers (i.e., this that), adverbial relatives (i.e., there that), and a number of subordinators (i.e., after, as, because, before, beside, for, if, since, sith, though, until, when, while, etc.). The present paper examines the status of pleonastic that in the history of English pursuing the following objectives: (a) to analyse its use and distribution in a corpus of early English medical writing (in the period 1375-1700); (b) to classify the construction in terms of genre, i.e., treatises and recipes; and (c) to assess its decline with the different conjunctive words. The data used as source of evidence come from The Corpus of Early English Medical Writing, i.e., Middle English Medical Texts (MEMT for the period 1375-1500) and Early Modern English Medical Texts (EMEMT for the period 1500-1700). The use of pleonastic that in medical writing allows us to reconsider the history of the construction in English, becoming in itself a Late Middle English phenomenon with its progressive decline throughout the 16th and 17th centuries.
33
Yerby, George. "The Representative of the State: Why the English Parliament Was Distinctive in the Early 17th Century." Parliamentary History 39, no. 3 (October 2020): 377–404. http://dx.doi.org/10.1111/1750-0206.12520.
34
ROXAS-VILLANUEVA, RANZIVELLE MARIANNE, MAELORI KRISTA NAMBATAC, and GIOVANNI TAPANG. "CHARACTERIZING ENGLISH POETIC STYLE USING COMPLEX NETWORKS." International Journal of Modern Physics C 23, no. 02 (February 2012): 1250009. http://dx.doi.org/10.1142/s012918311250009x.
Анотація:
Complex networks have been proven useful in characterizing written texts. Here, we use networks to probe if there exist a similarity within, and difference across, era as reflected within the poem's structure. In literary history, boundary lines are set to distinguish the change in writing styles through time. We obtain the network parameters and motif frequencies of 845 poems published from 1522 to 1931 and relate this to the writing of the Elizabethan, 17th Century, Augustan, Romantic and Victorian eras. Analysis of the different network parameters shows a significant difference of the Augustan era (1667–1780) with the rest. The network parameters and the convex hull and centroids of the motif frequencies reflect the adjectival sequence pattern of the poems of the Augustan era.
35
Stasiuk, Ivan, and Andrii Pavlyshyn. "From the History of the Monument of Ukrainian Wooden Architecture – the Epiphany of the Lord Church in Stanymyr (1689)." Scientific Papers of Vinnytsia Mykhailo Kotsyiubynskyi State Pedagogical University. Series: History, no. 42 (December 2022): 9–16. http://dx.doi.org/10.31652/2411-2143-2022-42-9-16.
Анотація:
The purpose of the article is to study the history of a valuable monument of Ukrainian wooden architecture of the 17th century – the Epiphany of the Lord Church in Stanymyr village in Lviv region, as well as the introduction of a new source into scientific circulation, which allows you to trace the historical development of the church in detail. The research methodology is based on the principles of objectivity, historicism, systematicity, analytical and synthetic criticism of sources. The method of historical reconstruction contributed to the creation of a coherent picture of the history of the Epiphany of the Lord Church in Stanymyr village from disparate facts. The scientific novelty consists in an attempt to systematize the materials related to the history of the church and introduce a new historical source of the 18th century into scientific circulation, which enriches the research base of the monument, as well as the history of the settlement in which it is located. The document proposed for publication can be used for research on church history, architecture, local history, demographic studies, as well as other topics devoted to the history of society in the early modern period. Conclusions. The Epiphany of the Lord Church in Stanymyr is one of the few preserved wooden churches of Opillia, built in the 17th century. The first Christian church in the village probably existed already in the 15th century, but the first documented mention of the church in Stanymyr dates back to the beginning of the 16th century. The modern monument was built in 1689, but it has not come down to us in its original form, which is particularly confirmed by the visitation of the church in 1763. The published document contains a detailed description of the interior of the church (including icons, liturgical utensils, vestments and books) and its surroundings (fence, bell tower, cemetery), as well as immovable property (parson's house and land). The visitation also includes valuable information about the local parish priest, statistics about the parish's population, its toponymy and anthroponymy.
36
Kundrotas, Gintautas. "Lithuanian language intonation: history of research, in the context of language intonology." Językoznawstwo 14, no. 1(14)/2020 (March 22, 2021): 195–204. http://dx.doi.org/10.25312/2391-5137.14/2020_12gk.
Анотація:
The linguists Jablonskis (1911) and Durys (1927) were the first to study Lithuanian language intonation. Research on intonation in other European languages (English, Russian) began earlier, in the 16th and 17th centuries (English: Hart (1551) and Butler (1634); Russian: Lomonosov (1743, 1765)). The beginning and the second half of the 20th century were the most productive research periods on Lithuanian language intonation. Intonation was studied by Lithuanian linguists – syntax specialists and phoneticians. A considerable amount of research using methods of experimental phonetics was carried out. The main authors were the syntactician Balkevičius (1963, 1998) and the phoneticians Pukelis (1972) and Bikulčienė (1976), Pakerys (2003), Girdenis (1980; 2003). Variants of the Lithuanian language intonation system inventory are presented in the numerous works of the author. Keywords: intonation, experimental phonetics, intonation units, intonation system of the Lithuanian language, intonation typology.
37
Hindle, Steve. "The Problem of Pauper Marriage in Seventeenth-Century England (The Alexander Prize)." Transactions of the Royal Historical Society 8 (December 1998): 71–89. http://dx.doi.org/10.2307/3679289.
Анотація:
Over the last thirty years the work of historical demographers, spearheaded by Sir Tony Wrigley, Roger Schofield and others at the Cambridge Group for the History of Population and Social Structure, has demonstrated the centrality of marriage to explanations of early modern English demographic change: ‘a history of English population in this period in which nuptiality did not figure prominently would resemble the proverbial production of Hamlet without the prince of Denmark.’ Although their ‘neo-Malthusian’ or ‘neo-classical’ model of population levels kept in ‘dilatory homeostasis’ by negative feedback relationships between living standards, age at first marriage and the proportion of the population never marrying has not been immune from criticism, it is now generally accepted that changes in fertility rather than in mortality account for population stagnation in mid-seventeenth-century England, and for its renewed and rapid growth from the 1730s. Moreover, having flirted with, and subsequently discarded, changes in marital fertility as a proximate cause of fluctuations in the birth rate, Wrigley and Schofield are now convinced that nuptiality was decisive. For Wrigley, ‘the crucial importance of the tension between production and reproduction which affected all pre-industrial societies’ explains why marriage had a ‘significance…far wider than the purely demographic.’ ‘Marriage,’ he argues, ‘was the hinge on which the [early modern English] demographic system turned.’
38
Velarde Lombraña, Julián. "El Español en los proyectos de lengua universal." Historiographia Linguistica 27, no. 1 (May 29, 2000): 59–77. http://dx.doi.org/10.1075/hl.27.1.05vel.
Анотація:
Summary ‘One language for the world’ is the most perennial ideal in the history of humanity. Projects for a universal language have been multifarious. Its design typically depends on the dominant linguistic theories of the period in which such languages are conceived. The project by Bonifacio Sotos Ochando (1785–1869) of 1852 can be considered as the highest point reached by the tradition which harks back to the 17th century and tries to develop what is known as a ‘philosophical’ language or characteristica universalis. From 1860 onwards the projects for a universal language are, in general, a posteriori linguistic systems which look at historical grammars and languages in search for general principles and universal rules. Languages used for the design of such a posteriori projects are, for political and cultural reasons, European languages, mainly Romance languages. In this paper the focus is on Spanish. First, a classification of international language projects of is offered that, in some way, use Spanish. Second, the growing of Spanish language in the USA and its relationships with English is analysed. Third, the influence on Spanish by new technologies of communication is discussed. Finally, an analogy is drawn between the role of Latin in the 17th century and English in the 20th with regard to the search for an auxiliary international language.
39
Siess-Krzyszkowski, Stanisław. "Rozmowa Polaka z Włochem Łukasza Górnickiego. Przyczynek do historii edycji." Z Badań nad Książką i Księgozbiorami Historycznymi 15, no. 4 (December 30, 2021): 451–60. http://dx.doi.org/10.33077/uw.25448730.zbkh.2021.685.
Анотація:
Rozmowa Polaka z Włochem (A Discussion between a Pole and an Italian) is one of the most important political works by Łukasz Górnicki. Written at the end of the 16th century, it was repeatedly reprinted from the 17th century until today. It is also a widely known example of Polish literary plagiatrism: in 1616 Rozmowa was published by Jędrzej Suski as his own work. For a long time Suski edition was considered to be identical with the anonymous version of Rozmowa published sine anno and sine loco, but in 2008 Anna Sitkowa described the actual plagiatrized version with the dedication letter signed by Suski himself. Moreover, typographical analyses of the anonymous version of Rozmowa indicate that it was in fact printed in 1630s, and thus it is not a first, but a third edition of the work. Determining the correct order of editions has significant consequences regarding textual history and criticism.
40
Percec, Dana. "It’s A Private Matter. Space And Gender Issues In Shakespeare’s Cymbeline." Romanian Journal of English Studies 12, no. 1 (November 1, 2015): 88–94. http://dx.doi.org/10.1515/rjes-2015-0011.
Анотація:
Abstract The paper investigates the preoccupations of the 16th and 17th-century English society for the emerging phenomenon and concept of privacy, reflected, among others, in the new ways in which space is employed in defining hierarchies and gender roles. The paper deals with elements of cultural history related to the use and meaning of privacy, private life and private space in a Shakespearean play which is significant for the visual illustration of the concept – Cymbeline, more specifically, the bed-trick scene.
41
Waters, Lindsay. "To Become What One Is." boundary 2 48, no. 1 (February 1, 2021): 251–63. http://dx.doi.org/10.1215/01903659-8821510.
Анотація:
In the twentieth century, criticism flourished in the academy in the English language from the 1930s to the 1960s, but gradually a hyperprofessionalized discourse purporting to be criticism took its place. The problem was exacerbated because people misunderstand literary theory thinking it superior to criticism. Big mistake. Theory proper begins its life as criticism, criticism that has staying power. Central to criticism as Kant argued is judgment. Judgment is based on feeling provoked by the artwork in our encounters with artworks. This essay talks about the author’s encounter with Mary Gaitskill’s novel Veronica. The critical judgment puts the artwork into a milieu. This essay argues the case for the holism of critical judgments versus what the author calls Bitsiness as Usual, the fragmentation of our understanding of our encounters with artworks. The author subjects both Paul de Man and the New Historicists to severe attacks.
42
Wiersma, Lisa. "‘Colouring’ — Material Depiction in Flemish and Dutch Baroque Art Theory." Art and Perception 8, no. 3-4 (October 28, 2020): 243–65. http://dx.doi.org/10.1163/22134913-bja10005.
Анотація:
Seventeenth-century painters were masters at painting objects and beings that seem tangible. Most elaborate was painting translucent materials like skins and pulp: human flesh and grapes, for instance, require various surface effects and suggest the presence of mass below the upper layers. Thus, the viewer is more or less convinced that a volume or object is present in an illusionary space. In Dutch, the word ‘stofuitdrukking’ is used: expression or indication of material, perhaps better understood as rendering of material. In English, ‘material depiction’ probably captures this painterly means best: it includes rendering of surface effects, while revealing the underlying substance, and it implies that weight and mass are suggested. Simple strokes of paint add up to materials and things that are convincingly percieved. At first glance, material depiction hardly seems a topic in early-modern art theory, yet 17th-century painters are virtually unequalled as regards this elaborate skill. Therefore, 17th-century written sources were studied to define how these might discuss material depiction, if not distinctly. This study concerns one of many questions regarding the incredible convincingness of 17th-century material depiction: besides wondering why the illusions work (Di Cicco et al., this issue) and how these were achieved (Wiersma, in press), the question should be asked why this convincingness was sought after. Was it mere display of ability and skill? And how was material depiction perceived, valued and enjoyed? First, contemporary terminology is determined: the seemingly generic term ‘colouring’ signified the application of convincing material depiction especially — which is not as self-evident as it sounds. Second, and extensively, the reader will find that convincing or appealing material depiction was considered a reference to religion and natural philosophy.
43
Jenkins, E. R. "English South African children’s literature and the environment." Literator 25, no. 3 (July 31, 2004): 107–24. http://dx.doi.org/10.4102/lit.v25i3.266.
Анотація:
Historical studies of nature conservation and literary criticism of fiction concerned with the natural environment provide some pointers for the study of South African children’s literature in English. This kind of literature, in turn, has a contribution to make to studies of South African social history and literature. There are English-language stories, poems and picture books for children which reflect human interaction with nature in South Africa since early in the nineteenth century: from hunting, through domestication of the wilds, the development of scientific agriculture, and the changing roles of nature reserves, to modern ecological concern for the entire environment. Until late in the twentieth century the literature usually endorsed the assumption held by whites that they had exclusive ownership of the land and wildlife. In recent years English-language children’s writers and translators of indigenous folktales for children have begun to explore traditional beliefs about and practices in conservation.
44
Caldwell, Patricia. "Why Our First Poet Was a Woman: Bradstreet and the Birth of an American Poetic Voice." Prospects 13 (October 1988): 1–35. http://dx.doi.org/10.1017/s0361233300005226.
Анотація:
Anne Bradstreet has come a long way since John Harvard Ellis hailed her over a century ago as “the earliest poet of her sex in America.” Today, more justly, we view Bradstreet simply as “the first authentic poetic artist in America's history” and even as “the founder of American literature.” At the same time, a more sensitive criticism is looking anew at Bradstreet's personal drama as a woman in the first years of the New England settlement: her life as a wife, as mother of eight children, as a frontier bluestocking (though still, in many critics' eyes, “restless in Puritan bonds”), and even as a feminist in the wilderness. Feminist critics in particular have revitalized our understanding of Bradstreet and her work by probing her subtle “subversion” of patriarchal traditions, both theological and poetical, and by placing her among contemporary 17th-Century women writers, making her no longer a phenomenon on the order of Doctor Johnson's dancing dog, but finally a participating voice in her age.
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Caldwell, Patricia. "Why Our First Poet Was a Woman: Bradstreet and the Birth of an American Poetic Voice." Prospects 13 (October 1988): 1–35. http://dx.doi.org/10.1017/s0361233300006670.
Анотація:
Anne Bradstreet has come a long way since John Harvard Ellis hailed her over a century ago as “the earliest poet of her sex in America.” Today, more justly, we view Bradstreet simply as “the first authentic poetic artist in America's history” and even as “the founder of American literature.” At the same time, a more sensitive criticism is looking anew at Bradstreet's personal drama as a woman in the first years of the New England settlement: her life as a wife, as mother of eight children, as a frontier bluestocking (though still, in many critics' eyes, “restless in Puritan bonds”), and even as a feminist in the wilderness. Feminist critics in particular have revitalized our understanding of Bradstreet and her work by probing her subtle “subversion” of patriarchal traditions, both theological and poetical, and by placing her among contemporary 17th-Century women writers, making her no longer a phenomenon on the order of Doctor Johnson's dancing dog, but finally a participating voice in her age.
46
Grobler, Chazanne. "A Historical Overview of the Mental Health Expert in England Until the Nineteenth Century." Fundamina 2021, no. 1 (2021): 1–32. http://dx.doi.org/10.47348/fund/v27/i1a1.
Анотація:
Throughout history, the use of mental health professionals as expert witnesses has elicited criticism. The criticism stemmed from the alleged lack of scientific rigour in mental health sciences and the accompanying bias of expert witnesses. As the use of mental health professionals in court increased, so did the associated problems, with bias remaining at the forefront. The same challenges plague the South African courts today and despite various evidentiary and procedural rules2 aimed at addressing the problems, these have not achieved much success. The contribution traces the origins of the expert witness, in particular the mental health expert, in the English legal system until the nineteenth century. By examining the shift in the position of the expert witness from a neutral informant in the eighteenth century to a partisan witness in the nineteenth century, a parallel is drawn between the historical position in England and the current position in South Africa. Drawing on the past failures and successes of the English legal system in this regard, and briefly considering the current position in England, recommendations are made to address the problem of partisan mental health experts within the South African context.
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Matyjaszczyk, Joanna. "Struggles with Dramatic Form in 16th-Century English Biblical Plays." Anglica. An International Journal of English Studies, no. 31/1 (October 2022): 5–27. http://dx.doi.org/10.7311/0860-5734.31.1.01.
Анотація:
The aim of the article is to pinpoint how 16th-century biblical drama tried to appropriate its genre and medium to carry the reformist message and in what sense the project turned out to be a self-defeating one. The analysis of selected plays from reformed biblical cycles (The Chester Mystery Cycle, play iv; and “The Norwich Grocers’ Play”) and newly composed drama (John Bale’s plays, Lewis Wager’s Life and Repentaunce of Marie Magdalene, the anonymous “History of Jacob and Esau”), supported with an over- view of the criticism on the matter, reveals some common tensions in the dramatic texts which may have had their roots in the reformist need to eliminate any room for doubt that a theatrical performance could leave. The conclusion is that, in its attempts at striking the right balance between dramatizing and overt sermonizing, engaging and distancing, as well as providing an immersive experience and discouraging it, post-Reformation Scrip- ture-based drama oscillated between being more effective as a performance or as a carrier of the doctrinal message, with the resulting tendency to subvert either the former or the latter.
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Catană-Spenchiu, Ana, and Constantin Răchită. "The Challenge of Biblical Textual Criticism: The Case of the Dutch Edition of the Septuagint (1709)." Religions 13, no. 8 (August 1, 2022): 708. http://dx.doi.org/10.3390/rel13080708.
Анотація:
An overview of the main European biblical tradition of the Septuagint shows that much work has been carried out in this field of research. Prominent scholars investigated the Old Testament from a thematic diversity point of view, from the history of the text and its contextualization to a variety of translation topics. We investigate, in this article, a lesser-known edition of the Septuagint from the early 18th Century, edited by Lambert Bos and printed in Franeker. Lambert Bos’ biblical philology fits into the patterns of Dutch textual philology, consolidated in the 17th century and built on the solid foundations provided by the grammatical and lexical analysis of ancient texts. A deeper understanding of the issues raised by the texts’ transmission opens a new field of research which admits that a true appreciation of the texts’ content must be preceded by their recovery in as ‘authentic’ a form as possible. The present article aims to restore the image of a Dutch Hellenist of pre-modern philology, and to present important data on his key works, highlighting the defining characteristics of the Franeker edition (1709) of the Septuagint with an analysis from a modern perspective of the principles and methods he followed in the actual practice of biblical textual criticism.
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O'Brien, E. "Christa Knellwolf and Christopher Norris eds., The Cambridge History of Literary Criticism, Volume IX. Twentieth-Century Historical, Philosophical and Psychological Perspectives." English 51, no. 199 (March 1, 2002): 86–90. http://dx.doi.org/10.1093/english/51.199.86.
50
Fernée, Tadd Graham. "Tolerance or a War on Shadows: John Milton’s Paradise Lost, the English Civil War, and the kaleidoscopic early modern frontier." English Studies at NBU 3, no. 2 (December 30, 2017): 53–73. http://dx.doi.org/10.33919/esnbu.17.2.1.
Анотація:
This article comprises two sections. The first analyses John Milton’s Paradise Lost in terms of the frontier dividing Providence and Chaos. Chaos is represented in violent images of the colonial world, the English Civil War, and Scientific Revolution cosmology. Providence intends to justify the ways of God in history. Milton’s retelling of the traditional Biblical Fall allegorises the 17th century Scientific Revolution, English society overwhelmed by market forces, and early modern nation-building wars. The second section analyses the English Civil War, focusing on Providence and Natural Rights. The Natural Rights defence of pluralism was the work of political refugees, attempting to curtail atrocities done in the name of Providence. Providence, meanwhile, was a political weapon, amidst new forces of capitalism, dynastic rivalry, and nationalism. This article examines Milton’s poetic visions, and the institutions and actions that characterized his political life in the English Revolution, and their interconnection.