Дисертації з теми "Egyptian in literature"
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O'Dell, Emily Jane. "Excavating the emotional landscape of ancient Egyptian literature." View abstract/electronic edition; access limited to Brown University users, 2008. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3318347.
Повний текст джерелаElSebaie, Sherine M. "The destiny of the world a study on the end of the universe in the light of ancient Egyptian texts." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/MQ54154.pdf.
Повний текст джерелаBortolani, L. M. "Greek magical hymns : Egyptian voices in Greek dress? : the nature of divinity in Graeco-Egyptian magical literature." Thesis, University College London (University of London), 2012. http://discovery.ucl.ac.uk/1352575/.
Повний текст джерелаGoebs, Katja. "Symbolic functions of royal crowns in early Egyptian funerary literature." Thesis, University of Oxford, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.297439.
Повний текст джерелаTracy, Lewis Mashburn. "Decoding Pus?kin : resurrecting some readers' responses to Egyptian Nights /." The Ohio State University, 1994. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487854314873542.
Повний текст джерелаTodd, Helen Elizabeth. "Rewriting the Egyptian river : the Nile in Hellenistic and imperial Greek literature." Thesis, University of Oxford, 2015. http://ora.ox.ac.uk/objects/uuid:ed3c2d53-f7d6-4208-8a4c-cb84b5c27854.
Повний текст джерелаToro, Rueda María Isabel. "Das Herz in der ägyptischen Literatur des zweiten Jahrtausends v. Chr. Untersuchungen zur Idiomatik und Metaphorik von Ausdrücken mit jb und h3tj /." Full text available at, 2003. http://webdoc.sub.gwdg.de/diss/2004/toro%5Frueda/index.html.
Повний текст джерелаTitle translated: The heart in Egyptian literature from the IIth century B.C. : A research into the idiomatic and metaphoric of the expressions with jb and h3tj. Description based on web page; title from title screen (viewed 23 January 2005). Includes bibliographical references.
Bennett, Sophie. "Gender and identity in the modern Egyptian short story (1954-1992)." Thesis, SOAS, University of London, 1993. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.281942.
Повний текст джерелаTayie, Samy Abdel Raouf Mohamed. "The role of the Egyptian mass media in the formation of young Egyptians' images of foreign people and foreign countries : a content analysis and audience study." Thesis, University of Leicester, 1989. http://hdl.handle.net/2381/27630.
Повний текст джерелаHabib, Maha Fawzi Said. "Egyptian cultural critique, thought and literature : Muslim identities and the predicament of modernity." Thesis, University of Exeter, 2012. http://hdl.handle.net/10036/4473.
Повний текст джерелаDavis, Lois Kent. "The wisdom of amen-em-ope and its relationship to Proverbs 22:17-24:22." Theological Research Exchange Network (TREN), 1987. http://www.tren.com.
Повний текст джерелаAl-Said, G. F. T. "American and Egyptian media coverage of the Camp David Peace Accords." Thesis, University of Warwick, 1994. http://wrap.warwick.ac.uk/34637/.
Повний текст джерелаEl-Hady, E. "The influences of the theatre of Bertolt Brecht on the Egyptian theatre during the 1960s." Thesis, Royal Holloway, University of London, 1993. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.361053.
Повний текст джерелаBroze, Michèle. "Les aventures d'Horus et Seth dans le papyrus Chester Beatty I: approche stylistique d'un roman mythologique de l'époque ramesside." Doctoral thesis, Universite Libre de Bruxelles, 1992. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/212953.
Повний текст джерелаRashwan, Hany Mohamed Ali. "Literariness and aesthetics in ancient Egyptian literature : towards an Arabic-based critical approach : Jinās as a case study." Thesis, SOAS, University of London, 2016. http://eprints.soas.ac.uk/23654/.
Повний текст джерелаKim, Keunjoo. "Theology and identity of the Egyptian Jewish diaspora in Septuagint of Isaiah." Thesis, University of Oxford, 2009. http://ora.ox.ac.uk/objects/uuid:3a0507b0-32ad-419d-8a94-84cd2b76e856.
Повний текст джерелаAbass, Eltayeb Sayed. "The lake of knives and the lake of fire- Studies of topography of passage in ancient egyptian religious literature." Thesis, University of Liverpool, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.511087.
Повний текст джерелаViteri, Marquez Elisa Andrea. "Literary masculinities in contemporary Egyptian dystopian fiction : Local, regional and global masculinities as social criticism in Utopia and The Queue." Thesis, Stockholms universitet, Institutionen för Asien-, Mellanöstern- och Turkietstudier, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-184262.
Повний текст джерелаJäger, Stephan. "Altägyptische Berufstypologien." Göttingen : Seminar für Ägyptologie und Koptologie, 2004. http://catalog.hathitrust.org/api/volumes/oclc/56334279.html.
Повний текст джерелаDelatte, Isabella Imber. "Roses and Foxes." Kent State University Honors College / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ksuhonors155472117699106.
Повний текст джерелаDOZIO, CRISTINA. "EGYPTIAN SENSE OF HUMOUR: CHARACTERS, STRATEGIES, AND CONTEXT IN THE NOVELS OF MUSTAJĀB, SHALABĪ, AND ABŪ JULAYYIL (1982-2008)." Doctoral thesis, Università degli Studi di Milano, 2017. http://hdl.handle.net/2434/485601.
Повний текст джерелаOur study looks at characters, themes, and strategies in some Egyptian humorous novels published since the 1980s. Known for their proverbial sense of humour, Egyptians resort to comedy as a safety valve in everyday life and as a creative tool in many cultural productions. So far, the study of literary humour has focused on pre-modern literature, literary and folkloric anecdotes, popular drama, and satirical press. Modern satirical writing (adab sākhir) is placed at the margins of the canon, whereas humour is analysed as one of the stylistic features of some novelists. Having considered the re-evaluation of the pioneers of early-modern satire and the recent publication of humorous writings, our study examines the interplay of humour, satire, and literature in contemporary Egyptian novels with a comparative approach. In particular, it identifies a sub-genre which combines sense of humour and aesthetic qualities, which are intertwined with the contemporary literary trends. The novelists of our corpus, thus, join other masters of humour and irony already recognized by criticism: the pioneers of the late 1800s-early 1900s on the one hand, and some writers of the Generation of the Sixties on the other. To identify this sub-genre, we illustrate the humour-generating strategies in four novels by Muḥammad Mustajāb (1938-2005), Khayrī Shalabī (1938-2011), and Ḥamdī Abū Julayyil (1968). These writers have recently increased their critical recognition, but are still understudied. The novels of our corpus employ humour on a thematic, stylistic, and meta-narrative level. They depict eccentric characters in marginal communities and portray contemporary society with satirical criticism. Having adopted humour studies and narratology as a theoretical background, our textual analysis looks at the narrative strategies, the construction of characters, intertextuality, and literary language. In addition, it outlines the thematic and stylistic similarities, as well as the functions of humour in this literary trend. Our analysis focuses on the appropriation of the Arab cultural heritage (turāth) and of popular humour in these comic writings. The first chapter overviews the main humour theories applied to literary criticism and recent scholarship on humour in Arabic literature. The second chapter illustrates the selection criteria for our corpus, within the context of modern Egyptian fiction and satire, and our analytical framework. Each of the chapters 3-6 is devoted to a case study: Min al-tārīkh al-sirrī li-Nuʿmān ʿAbd al-Ḥāfiẓ (1982) by Mustajāb, Riḥlāt al-ṭurshajī al-ḥalwajī (1981/83) and Ṣāliḥ Hēṣa (2000) by Shalabī, and al-Fāʿil (2008) by Abū Julayyil. Finally, chapter 7 compares the humour-generating strategies and the thematic and stylistic peculiarities of these novels. We have identified some common strategies, such as the anecdotic structure, the use of stock characters in a contemporary context, and the juxtaposition of different registers, including Egyptian Colloquial Arabic and jargon. Recurrent stylistic features are the image of the double, repetitions, and grotesque physical descriptions. On a thematic level, these novels focus on the rural-urban relation, social injustice, and a re-reading of official historiography. With its variety of forms and characters, this humorous sub-genre fits into the innovation of contemporary Egyptian fiction, by portraying the relation between the self and the community in a playful or tragicomic way.
Frood, Elizabeth. "Self-presentation in Ramessid Egypt." Thesis, University of Oxford, 2004. http://ora.ox.ac.uk/objects/uuid:2a5f2c4c-ac92-45f9-b7d7-e17df6eb6dfa.
Повний текст джерелаWettengel, Wolfgang. "Die Erzählung von den beiden Brüdern der Papyrus d'Orbiney und die Königsideologie der Ramessiden /." Freiburg, Schweiz : Göttingen : Universitätsverlag ; Vandenhoeck & Ruprecht, 2003. http://catalog.hathitrust.org/api/volumes/oclc/52944401.html.
Повний текст джерелаRodrigues, Júlia Cardoso. "Variação linguística e aspectos culturais na tradução de Táxi de Khalid el-Khamissi." Universidade de São Paulo, 2017. http://www.teses.usp.br/teses/disponiveis/8/8159/tde-26032018-173016/.
Повний текст джерелаThis masters dissertation proposes a strategy to translate the book Taxi to Portuguese based specially on the cultural approach to translation. The strategy aims at the reproduction of the contrast of standard Arabic and Egyptian dialect verified in the original. The book Taxi by the Egyptian author Khalid al-Khamissi, is composed by short stories (addtas) that depict conversations between the author (as a character) and taxi drivers working on the streets of Cairo. Considering that different social and cultural aspects are explored in these dialogues, the author chose a linguistic procedure that is still source of polemic in the Arabic prose studies: all the dialogues, which constitute the most part of the work, were written in Egyptian dialect, while the typical standard Arabic was used for the narrative. This contrast, which is a reflex of the presence of diglossia in the Arabic speaking communities, creates an effect of oral text, as well as is relevant for the internal logic of the narrative. Thus, the translation proposed has considered the nature of the composition, the historical moment and the way diglossia works in Egypt with the aim of reproducing the relevant effects created by the linguistic alternation of the original without compromising the depiction of the Egyptian culture. In order to stablish the possible resources present in the Portuguese language, the linguistic works from NURC/SP (studies on Educated Urban Norm of São Paulo) were specially consulted.
Brekaa, Naglaa Ali Ali Saleh. "Liberté de parole, parole de liberté : étude de quelques oeuvres dramatiques d'Albert Camus et de Tawfik Al-Hakim." Thesis, Grenoble, 2011. http://www.theses.fr/2011GRENL011.
Повний текст джерелаThis study shows how Albert Camus and Tawfik Al-Hakim, two playwrights belonging to two different cultures, used speech, each to his manner, to defend freedom in their theatres. The thesis includes four parties. Starting with a biographical panorama that will allow situating the two playwrights in their social and literary time, we shall pass, in the second party, to an analysis of the theme of the freedom in the corpus. Through a textual analysis of studied plays, we shall discover, in the third party, how speech was instituted in totalitarian systems. By a denouncing such strategy of totalitarian regimes, the two playwrights defended the freedom of speech crushed by the tyrants of all the times. We shall reflect finally on the double set of speech in the two theatres. By examining the case of the figures-prisoners, we shall show how speech can be both a means of freedom that one way of confinement. Use the resources of the theater to be the voice of the voiceless, to plead in favor of all the oppressed on the earth to do them justice and freedom that they have lost, is the common concern of Camus and Al-Hakim
Galal, Mohamed Ahmed. "Ecrire la révolution égyptienne de 2011 : entre témoignage et fiction." Thesis, Sorbonne Paris Cité, 2017. http://www.theses.fr/2017USPCF029.
Повний текст джерелаThis research focuses on narratological and stylistic issues in the writings that appeared at the end of the popular uprising in Egypt in 2011. It combines two axes, one notional and the other analytical. On the one hand, it deals with questions of literary genre, space, temporality and language of writing. On the other hand, it offers to compare five texts which will be examined at the literary as well as at the thematic level : Ayyām al-Taḥrīr (2011), Cairo: my city, our revolution (2012), al-Ṯawra 2.0 (2012), Aǧniḥat al-farāša and Sabʿat ayyām fī al-Taḥrīr (2011). These works are considered within the framework of what critics have called adab al-ṯawra or adabiyyāt al-ṯawra--"literature(s) of the revolution". I try to highlight the characteristics and peculiarities of this very young production. The challenge here is to study how contemporary Egyptian writers have produced narratives which reveal a process of wonderment, reconfiguration and transformation of the representation of the citizen, especially that of young people
Slutas, Hristos [Verfasser], Hans-Otto Akademischer Betreuer] Horch, Rudolf [Akademischer Betreuer] Beyer, and Jürgen [Akademischer Betreuer] [Egyptien. "Bertolt Brecht in Griechenland : eine exemplarische Geschichte der Theaterrezeption von 1955 bis 2015 / Hristos Slutas ; Hans-Otto Horch, Rudolf Beyer, Jürgen Egyptien." Aachen : Universitätsbibliothek der RWTH Aachen, 2016. http://d-nb.info/1130730077/34.
Повний текст джерелаOlsson, Kolkman Monica. "Miramar av Naguib Mahfouz : En narratologisk analys." Thesis, Linnéuniversitetet, Institutionen för film och litteratur (IFL), 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-53040.
Повний текст джерелаAfkir, Fatima. "L'image de l’Égypte dans l’oeuvre de Tawfīq al-Ḥakīm". Thesis, Bordeaux 3, 2014. http://www.theses.fr/2014BOR30059/document.
Повний текст джерелаIf we contemplate the playwright's rich production, we realise to what extent Egypt plays a prominent part in his work and life. It is the crowning achievement of his literary work which highlights all the aspects of this country, social, historical, cultural and political However, in this study, we will try to limit our subject of The image of Egypt in T.al-Hakim's work to two particular eras, the revolutions of 1919 and 1952. His writings clearly relate those major events. The way he thinks, writes, criticizes and analyses before and after the 1919 revolution is no longer the same after the 1952 revolution. He started being a dreamy idealistic writer, and turned into another one, more realistic and committed in his literary work. Our global problematics will hinge on the following issues: what representation of Egypt does Tawfiq al-Hakim's work give? Can we regard his return to ancient myths as a continuity between modern Egypt and ancient Egypt? In a first part, we deal with the two revolutions which have had repercussions on his writings and political vision. The second part will tackle the society of his novel, in which he describes a country seen through a native Egyptian, and the strong ties which link the Egyptian people to their nation. The third part will focus on women and on the fallah, which greatly inspired the writer. The fourth part will be dedicated to the Pharaonic Egypt. We will see how far he has been influenced by ancient Egypt to descibe the modern one. We have relied on a few works of different writers so as to find an authentic link between what he writes and thinks reality and imagination in his works. We will analyse the way he sees, observes and criticizes his own country
Khalifah, Omar Khalid. "Nasser in the Egyptian Imaginary." Thesis, 2013. https://doi.org/10.7916/D84T6HHR.
Повний текст джерелаBurkes, Shannon L. "A comparative analysis of the problem of death in Qoheleth and late period Egyptian biographies /." 1997. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&res_dat=xri:pqdiss&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&rft_dat=xri:pqdiss:9733910.
Повний текст джерелаZiajka, Anna Rose. "Intimate encounters : the materiality of translation in Egyptian novels of the late Nahḍa". Thesis, 2013. http://hdl.handle.net/2152/24346.
Повний текст джерелаtext
Salama, Sulaiman Abdullah. "Cultural context adaptions of children's literature : A case study of The joining." Thesis, 2008. http://hdl.handle.net/10539/5871.
Повний текст джерелаKoerber, Benjamin William. "The aesthetics and politics of rumor : the making of Egyptian public culture." 2012. http://hdl.handle.net/2152/19545.
Повний текст джерелаtext
Chlpíková, Eva. "Ženská obřízka v současném Egyptě a Súdánu: literární reflexe." Master's thesis, 2013. http://www.nusl.cz/ntk/nusl-322935.
Повний текст джерелаSalim, Rana. "Cultural Identity and Self-presentation in Ancient Egyptian Fictional Narratives. An Intertextual Study of Narrative Motifs from the Middle Kingdom to the Roman Period." Phd thesis, 2013. http://tel.archives-ouvertes.fr/tel-00859222.
Повний текст джерелаBuchlová, Martina. "Metody imaginace v egyptském filmu." Master's thesis, 2011. http://www.nusl.cz/ntk/nusl-298874.
Повний текст джерелаVan, Blerk Nicolaas Johannes. "The concept of law and justice in ancient Egypt, with specific reference to "The tale of the eloquent peasant"." Diss., 2006. http://hdl.handle.net/10500/2447.
Повний текст джерелаClassics and Modern European Languages
M.A. (Ancient Languages and Cultures)
Rugwiji, Temba. "Reading the exodus tradition from a Zimbabwean perspective." Diss., 2008. http://hdl.handle.net/10500/3325.
Повний текст джерелаBiblical and Ancient studies
M.A. (Biblical Studies)
Silva, André Campos. "The roles of God in the ancient Egyptian instruction texts of the Middle and New Kingdoms." Doctoral thesis, 2018. http://hdl.handle.net/10451/37915.
Повний текст джерелаThe ancient Egyptian wisdom instructions often present themselves as didactic texts composed by a father to his son in order to teach him the adequate conduct and ethics to adopt in his professional life and in other social situations, such as interactions with friends or less favoured people. These texts are thus pragmatic works concerned with individual action within society. Although they are not speculative theological treatises either, god (nTr) is nonetheless an important figure in them. The aim of this study is to explore the two main roles of god in these texts: as an agent in charge of retributions for transgressions, and as protector.