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Статті в журналах з теми "Éditions de l'éclat"
Vallée, Richard. "Penser en contexte. Le phénomène de l'indexicalité. La controverse John Perry et Gareth EvansEros Corazza et Jérôme Dokic Collection «Tiré à part» Combas, Éditions de L'Éclat, 1993, 144 p." Dialogue 33, no. 3 (1994): 556–59. http://dx.doi.org/10.1017/s0012217300039172.
Повний текст джерелаAlschuler, Claude. "Dejy-Blakeley, Sylvie et Rosiensky-Pellerin, Sylvie (1994). Voyage au bout de l'écrit: de l'exploitation à la production de textes. Toronto: Éditions du GrefDejy-Blakeley, Sylvie et Rosiensky-Pellerin, Sylvie (1994). Voyage au bout de l'écrit: de l'exploitation à la production de textes. Toronto: Éditions du Gref. Pp xxi, 229." Canadian Modern Language Review 53, no. 4 (June 1997): 748–50. http://dx.doi.org/10.3138/cmlr.53.4.748.
Повний текст джерелаLaugrand, Frédéric. "Yvon CSONKA, Les Ahiarmiut. À l'écart des Inuit Caribous. Neuchâtel, Éditions Victor Attinger, 1995, xii + 501p., carte, fig., graph., photogr., tabl., ann., bibliogr., index." Anthropologie et Sociétés 21, no. 1 (1997): 141. http://dx.doi.org/10.7202/015477ar.
Повний текст джерелаAlmogi, Orna. "Edition, éditions: l'écrit au Tibet, évolution et devenir [The process of editing and the editions/edited texts: the problematic of the written in Tibet, evolution/history and transformation/change]. Edited by Anne Chayet, Cristina Scherrer-Schaub, Françoise Robin, and Jean-Luc Achard. Collectanea Himalayica 3. Munich: Indus Verlag, 2010. 482 pp. €59.00 (cloth)." Journal of Asian Studies 72, no. 4 (November 2013): 992–93. http://dx.doi.org/10.1017/s0021911813001344.
Повний текст джерелаДисертації з теми "Éditions de l'éclat"
Fujimoto, Tamiko. "Recherche sur l'écrit documentaire au Moyen Age : Édition et commentaire du cartulaire de Saint-Étienne de Caen (XIIe siècle)." Caen, 2012. http://www.theses.fr/2012CAEN1685.
Повний текст джерелаThis thesis is composed of two volumes. The first volume is based on the second, namely an edition of the twelfth-century cartulary of the abbey of Saint-Étienne de Caen (282 acts), and offers a codicological, paleographical and diplomatic examination of the use of the written word in the abbey, founded by William, duke of Normandy, in 1063. The progressive drafting of the cartulary in the abbey scriptorium by several scribes, of which there were three main, reveals the implementation of subtle strategies used to exploit the written word in relation to the outside world. The use of the chirograph reflects the relationship between the original and the copy as conceived by the monks of Saint-Étienne in the second half of the twelfth century, a phenomenon symbolic of a society beginning to emerge on both sides of the Channel. The chartrier of Saint-Étienne also contains a number of pieces that suggest documents were conserved in dossiers. The text of pancartes and of confirmation charters, which are themselves recapitulative of older acts, are sometimes included in the cartulary, sometimes excluded according to decisions made by the cartulary scribes. Documents serve to provide either information or proof. Their production, use and conservation reflect the circumstances in which they existed. This thesis offers an archeological approach to the study of documents, which is useful in analyzing the various strata of texts written in a cartulary, as well as their context, as part of the examination of the substance of the manuscript
Na, Yunhao. "Les voies de l'écrit à la fin du Moyen Âge ˸ la Vie de saint Fiacre dans ses différentes versions françaises et latines, manuscrites et imprimées." Thesis, Paris 3, 2019. http://www.theses.fr/2019PA030015.
Повний текст джерелаVenerated since the Early Middle Ages, Saint Fiacre was one of the most well-known saints in France during the Middle Ages and even afterwards. Many medieval texts about his life, from the 9th century to the end of Middle Ages, in Latin as well as in French, have survived to this day. The numerous manuscripts and printed works prove the widespread circulation of this saint’s Lives during the 14th, 15th and 16th centuries, in such different forms as narrative prose, poem and drama. Most of the Lives in French and some texts in Latin are still unedited. This dissertation aims to participate in the editing work of these texts. It offers six editions of French Lives which have different lengths and one edition of the Vita rhythmica (188 verses). This homogenous set of texts could make it possible for literature scholars and historians to reconsider the reception and the transformation of a sacred figure of the 7th century in the late medieval French literature. The general introduction of this thesis deals with this concrete question but is also put in a much larger history of the Saint Fiacre cult throughout the centuries, in order to describe the possible continuity and bifurcations of a hagiographic tradition. In the linguistic and literary studies of the Vita rhythmica and of the theatre play La Vie de monsieur sainct Fiacre filz du roy d’Escosse par personnaiges, this work focuses on the medieval Latin rhythmic versification — a less-explored area — and the relationship between the complicated syntax, the formal restriction and the discursive simplicity of a medieval theatre language. The different texts with various generic, formal and genealogical characteristics edited in this dissertation present a plurality of different philological exercises
De, Heering Xénia. "Des mots qui sonnent juste. Publication, circulations et réceptions de Joies et peines de l’enfant Naktsang, un témoignage inédit sur les années 1950 dans l’est du Tibet (2007-2019)." Thesis, Paris, EHESS, 2020. http://www.theses.fr/2020EHES0157.
Повний текст джерелаThis thesis stems from my curiosity about a Tibetan book that was creating a sensation among its readers, who considered it quite exceptional. I discovered Joys and Sorrows of the Naktsang Boy (Nags tshang zhi lu’i skyid sdug) in 2008, approximately six months after its initial publication in Xining, a city located in Qinghai province, at the extreme northeast of the Tibetan Plateau (People’s Republic of China, PRC). As its title suggests, the work relates a child’s experience. Yet under this seeming banality, the autobiographical account it offers of the conflicts and violent upheavals that marked the incorporation of Eastern Tibet (namely the regions known to Tibetans as Amdo and Kham) into the PRC’s administration in the 1950s is an unprecedented historical testimony. Memories of those times haunt people’s minds, but their expression remains banished from the public sphere.Despite its political sensitivity, Joys and Sorrows swiftly became a best-seller on the regional Tibetan literary market. The inquiry thus focuses on observing the sensation created by the book, but also on understanding its publication process and forms of circulation. How could a heavily state-controlled publishing system have produced such a book, which was legally published in 2007 with a “permission to print”? Despite having an “internal document” status, how did it become so broadly available to the general public? The present thesis looks into editorial and bookselling practices in late 2000s Amdo, therefore exploring some of the real, albeit limited, possibilities of acting through the written word.Building on the case of Joys and Sorrows, this thesis also attempts to empirically describe certain forms of presence of a traumatic past, in its concrete modalities, sometimes tenuous or indirect. How did a book heavily marked by colloquialisms and spelling mistakes, written by a retired civil servant with no previous literary experience, meet with such broad public appreciation? What reading practices, in very diverse social milieus, took hold of this object? How does the narrative device guide reading experiences, helping to account for the strong resonance of this testimony with its audience? Why does the book fascinate so many people, even though most of the readers I met in Amdo, whatever their age, told me “the same thing” had happened in their own home areas? Finally, how can we analyse this testimony’s mediation in building links between its various publics, in the imagination of a common past, and in the transformation of shared horizons of expectation for the future?The materials presented are based on an ethnographic inquiry carried out in Amdo between 2008 and 2012, as well as on a corpus of texts devoted to Joys and Sorrows, and published in different media between 2007 and 2019. The results of the inquiry are set out in two parts, each made up of eight chapters. The first part of the dissertation is devoted to Joys and Sorrows as an editorial object, the second to Joys and Sorrows as an object of reading and as a narrative. Reception is understood as an active process that is constitutive of witnessing as a social phenomenon. Drawing on works from various disciplines—sociology, history, anthropology, as well as literary and areal studies—this thesis seeks to account for the phenomenon that Joys and Sorrows constituted locally. Based on this case, it also aims to shed light on some of the implications of the persistent, albeit not very visible, presence of this recent historical past in Tibetan areas of the PRC
Книги з теми "Éditions de l'éclat"
l'éclat, Éditions de. Israël à l'éclat. Paris: Éditions de l'éclat, 2008.
Знайти повний текст джерелаAutié, Dominique. De la page à l'écran: Réflexions et stratégies devant l'évolution de l'écrit sur les nouveaux supports de l'information. Montréal: Elaeis, 2000.
Знайти повний текст джерелаMaurice, Leblanc. Arsène Lupin 3 Tomes En 1 : Nouvelle édition Arsène Lupin Original: L'Éclat d'obus / le Triangle d'or / l'Île Aux Trente Cercueils. Independently Published, 2021.
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