Дисертації з теми "Écrivains – Dans la littérature – Irlande"
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Wiart, Stéphanie. "L'écrivain-personnage dans la littérature grand public de l'entre-deux-guerres (Royaume-Uni, Irlande)." Electronic Thesis or Diss., Université de Lille (2022-....), 2024. http://www.theses.fr/2024ULILH013.
The PhD thesis examines the way the fictitious writer is represented in interwar popular (middlebrow) literature (United Kingdom, Ireland). The analysis first tackles the characterisation of the fictitious writer, particularly the way the public image of highbrow and middlebrow writers is depicted in the middlebrow novel ; additionally to this, it studies the way the fictitious writer himself characterises the other characters he encounters, turning them into types. It traces how the indiscreet behaviour of fictitious writers within the plot turns out to be a professional quirk, in the sense that they still behave like writers while they are part of a domestic-related plot focusing on abidance by the rules of propriety. It is one of the aspects taken by the recurring phenomenon, within the primary corpus, according to which the domestic-related plot actually relies upon a metafictional subtext. Finally, the thesis aims at highlighting the recurring dramatisation, within the middlebrow novel, of the authorship of non-writing secondary characters ; it consists in showing that some of the secondary characters met by the fictitious writers are implicitly equated to professional writers, because what seems to be their trivial activities, belonging to the domestic realm, turn out to be metaphors of writing. The uncovering of this phenomenon relies on a detailed analysis of the texts, in an attempt to move beyond the subject of the plot in order to focus on the metafictional metaphorical meshing of the middlebrow novel
Feat, Anne-Marine. "De la mère à la mère-patrie : quête identitaire dans la littérature irlando-américaine féminine." Bordeaux 3, 2009. http://www.theses.fr/2009BOR30070.
Robin, Thierry. "Ironie et chaos ou les manifestations de l'absence : analyse d'un rapport problématique au réel dans l'œuvre romanesque de Flann O'Brien : at Swim-Two-Birds, The Poor Mouth, The Hard Life, The Dalkey Archive, The Third Policeman." Rennes 2, 2004. http://www.theses.fr/2004REN20032.
This Ph. D is based on the 5 novels written by Flann O'Brien aka Myles na gCopaleen for his caustic column in The Irish Times. It aims at going beyond the usual fields of postmodern or gender studies by resorting to the ambivalent implications of the concepts of reflexiveness and reality idiosyncrasy lying at the very heart of our corpus. Leaving hyperbolic farce aside, focusing on a crisis of representation and identity, we notice these dynamic epistemological contradictions are epitomized by two characters extracted from O'Brien's mock cosmogony: de Selby and the anonymous narrator in The Third Policeman. Language is therefore the means and the limit of our exploration of O'Brien's prose. The analysis of the conflicts displayed by O'Brien's fiction provides us with an insight into the aporias of ideology, be it P. C. , deliberately transgressive or simply postmodern. We acknowledge our conceptual debts to contemporary thinkers or writers such as C. Rosset, J. -F. Lyotard or J. Banville
Mouchel-Vallon, Alain. "La ré-écriture de l'histoire dans les romans de Dermot Bolger, Roddy Doyle et Patrick McCabe." Reims, 2005. http://www.theses.fr/2005REIML005.
The pastoral pervades irish literature, and so does most literature “about” Ireland. Taking this observation as a starting point our study, we have tried to assess how much this important theme could still influence the new irish writers and in particular three of them : Roddy Doyle, Dermot Bolger AND Patrick McCabe. The opposition between tradition and modernity is at the core of the pastoral ’s reasoning and forms the tension that feeds this reasoning. But in the writing of our three irish writers, tradition and modernity keep reminiding readers that their ambiguous relathinship also gives its ideological motivation to the writing of the island's history. Owing to this permanent dialogue between writing and pastoral, the new generation of irish writers tends to illustrate a typically irish debate in which nationalism and revisionism, the writing and re-writing of history, form key themes. So much so that literature and politics keep interwining in their novels while myth and reality get mixed up in the minds of their characters, thus affecting their own sense of identity. Conditionned by this literary and ideological framework which they themselves contribute to perpetuate, Doyle, Bolger and McCabe tend, however, to differ frome each other in such a way that their writings reflect the complexity of an irish cultural geography where revisionist nationalism and nationalist revisionsim unsurprisingly stand side by side. Considering that the writing of history or that of a simple story first supposes a principle of re-writing, these novelists bring text and context in tight connection in their own writing and depict an ireland that goes far beyond preconceived definitions
McQuade, Joan-Margaret. "Mexique-Irlande : relations littéraires." Paris 3, 2001. http://www.theses.fr/2001PA030003.
Borie, Cécile. "L'exotisme dans la littérature latine de Plaute aux écrivains augustéens." Limoges, 2011. https://aurore.unilim.fr/theses/nxfile/default/21fd5abd-2093-4307-8d97-24e75c8e998a/blobholder:0/2011LIMO2001.pdf.
Peyronnet, Marianne. "Les personnages féminins dans l'oeuvre dramatique de Sean O'Casey." Paris 8, 1997. http://www.theses.fr/1997PA081255.
In ireland, from the beginning of the century to the sixties, men dominate their female fellow-citizens in every field. The elementary rights of the irish women are flouted : they are deprived of citizenship, are relegated to the home in spite of their resistance. Sean o'casey, in his dramatic works, during the whole period, depicts female characters fighting for their emancipation. He shows brave heroines confronted by coward companions and lovers. They are determined to free themselves from male yoke. O'casey paints images of women which cause displeasure to his contemporaries because of their realism, because they are too far from the models of submitted mothers and wives desired by the religious and nationalist groups. He creates a language to make them appear superior ; he gives them a political function. He maintains that women only will be able to construct a better, a more egalitarian world. Through his works, the evolution of his thought can be read ; a change in his way of looking at woman's place in society is revealed. If he can be considered at the beginning as a "feministe differencialiste", he becomes at the end a feministe
El, Houlali Abdellah. "La conception de la ville dans l'oeuvre des écrivains marocains d'expression française et arabe." Bordeaux 3, 2007. http://www.theses.fr/2007BOR30026.
Through the reading of Moroccan literary work, our attention is captivated by manner in which novelists have orchestrated the representation of the city, in our case, the city of Fes. En fact, this city is represented according to a double disposition. On the one hand, there is the disposition of the new city, on the other hand, that of the ancient city. Our conviction is this divide has not arbitrary. It discloses, indeed, a certain symbolism. A symbolism we have attempted to extricate, by the means of a back-and-forth between the Moroccan literature of French and of Arabic expression. The present work intends to reveal the complexities of the Moroccan society, its aspirations and disillusionments. It aims, as well, at bringing to light the conflicts and intrigues which plot in this space split in two
Lê, Huu Khoa. "Sociologie de la littérature des exilés." Paris École des hautes études en sciences sociales, 1992. http://www.theses.fr/1992EHES0330.
This work is composed of three distinct parts, each volume corresponding to a separate study field but dealing with a common topic : literature of exilees. Each volume has its proper structural and functional logic, a specific way of raising questions and using methods, thenceforth an introduction, a field of argumentation and a conclusion of its own. The first volume deals with an enquiry about exiled writers, belonging to several nations scattered on four continents, africa, asia, latin america, eastern europe. . . The second volume may be summarized as a case study, about literature, of vietnamise exilees to western countries. The third, using the prevous presentation of empirical data, deals with categories and models of literature of exilees. As a common denominator of these three volumes, one may emphasize the path followed from particular to general, from empirical enquiry to more encompassing conceptions : how may the creative process, either interupted or maintained, modify, transform a literary fate?
Soussan, Myriam. "Kaddish, deuil et écriture : les oeuvres des écrivains enfants de déportés." Paris 3, 2003. http://www.theses.fr/2003PA030014.
We attempt to draw a common thematic from writings of a fractured childhood, haunted by the missing deportees, through a corpus of writers whose parents were sent to Auschwitz : Jean-Claude Grumberg, Sarah Kofman, Georges Perec and Art Spiegelman. How do these orphans or children of survivors of the Shoah, and their autobiographical texts, render those dead unburied, whom the specificity of the genocide prevented their heirs from mourning ? The writing of the children of deportees endeavors first to restore for their parents an living identity while searching for what remains of their existence. A corpus of proofs, -photographs, official documents, etc. -, memory and places, are collected, searched, deciphered, in order to inscribe attestation of their past life in some form of textuality. Secondly, their writing testifies to their death, through the literature of the survivors and its incorporation into the text of corpses, and ashes Finally it comes up against the unquenchable, a tearing between commemoration of the dead in a book- mausoleum or the impossibility of a separation from them, conserved crypted, in a non-appeasing struggle, rooted in the disaster of their disapearance
O'Connell, Anne-Marie. "Les figures du surnaturel dans la mythologie et le folklore irlandais." Toulouse 2, 1995. https://hal.archives-ouvertes.fr/tel-01323678.
Our research is a semiotic analysis of myth and folklore, with a view to uphold Dumezil's theory of functional tripartition. We note first that all manifestations from the other world are made through a series of metamorphoses that deliver a secret knowledge to man. We will then proceed to examine the various components of that narrative program, that is, the contents (male or female) as well as the spatial and temporal frame of its occurrence in such a way that these elements are always studied in opposition to each other. We will gradually show that the opposition between what the other-world is and what it appears to be can be solved. Indeed, this two fold universe is one and the same. The "realm of the dead" is only a transition toward the eternal life, full of banquets and youth, enjoyed by gods and mortals alike
COUTURIER, STOREY FRANCOISE. ""l'allegorie dans l'oeuvre de margaret atwood et d'angela carter"." Nice, 1997. http://www.theses.fr/1997NICE2019.
This piece of research aims at analysing the notion of allegory in the work of two anglo-saxon writers, margaret atwood, a canadian, and angela carter, an englishwoman (who died in 1990). I define the term of allegory as follows: it consists in the balance of two forces, the didactic (the most dogmatic part of a work, the teaching that the author wishes to transmit to the reader through his work of fiction), and fantasy (a notion that brings together all imaginary discourses, such as the fantastic, the marvellous, science-fiction, utopia/dystopia, the gothic, etc. ). The first part of the dissertation analyses allegory as an ambivalent discourse, often rejected by critics but truly present in most works of literature. In this part the link between allegory and feminism is also put under scrutiny. Indeed, we may wonder why a great majority of texts written by women often has an allegorical dimension, dissimulating behind fantasy a polemical discourse of a political, sexual or social nature. The second part analyses the work of margaret atwood in relation to allegory, in particular through two novels, surfacing and the handmaid's tale. Her poems are also taken in consideration. The third and last part studies the work of angela carter, in particular through her short stories and five novels that illustrate the evolution of her thought around allegory: the infernal desire machines of doctor hoffman, the passion of new eve, nights at the circus, heroes and villains, and her last novel wise children
Takieddine, Amyuni Mona. "La ville chez quelques écrivains arabes contemporains arabophones et francophones." Paris 4, 1990. http://www.theses.fr/1990PA040070.
Mateoc, Floarea. "Configuration du depaysement dans l'espace litteraire francophone." Artois, 2006. http://www.theses.fr/2006ARTO0002.
To arrive at a configuration of emigration in the literary, francophone space, we chose authors from different areas, focusing on some representative novels of the French J. M. G. Le Clezio and Michel Torunier, a Belgian writer, Pierre Mertens, one from Luxembourg, Jean Portante, and two Romanians, now French residents, B. Nedelcovici and D. Tepeneag, all illustrative for a thorough study of this phenomenon. Writers were included who had an external perspective on it, and also others who had themselves undergone the experience of emigration. Moreover, these works feature characters from different cultural backgrounds, leading to diverging and converging patterns making up the aforementioned configuration. The question we have considered regards the definition of expatriation and the way(s) it is experienced. The analysis highlights the transformations the heroes undergo, a series of fractures on different levels; even if mostly negative, they are eventually overcome, hence my thesis statement that the phenomenon of emigration implies, concomitantly, gains and losses. Our approach examines, sequentially, the crisis leading to exile, the entailing psychological trauma, the identitarian issue, the cultural experiences and the identification of the positive stages that allow for the surpassing of obstacles. These aspects highlight a common feature: the negative aspect is dominant, especially on a psychological and identitarian level. The positive facet is present only in some works, at the end of the heroes' quest, which allows for a synthesis of these experiences of gains and losses into a configuration so peculiar to an old and yet persistent phenomenon
Garriga-Martini, Lucienne. "Identité pieds-noirs et expression littéraire : écritures et écrivains après 1962." Aix-Marseille 1, 1995. http://www.theses.fr/1995AIX10034.
It was the events in algeria that really gave meaning and substance to the concept of the "pieds-noirs" identity which had until then been vague in the mentality of the french people of algeria. What pieds-noirs have written since 1962 can be interpreted as the search for a memory and the postulation of an identity by a social group deprived of the conditions normally required for it to blossom. Along a route tranforming a paintfull revolt into nostalgia and then apeasement. Childhood autobiographies. Narratives more about "us" than "me", also recreate the country, its, values, its manner of being and its central figures. Writings of the return provide a means of transcending pain, by drawing ressources from the native land. Ancestral novels re-anchor the memory in a reconposed past, with an air of an epic. These writers, who are not professional men of letters, are firstly spokesmen fot the group, then memory bearers. The itinerary of the writing of m. Elbe illustrates the development and contents of this literature. A work of f. Dessaigne plays the part of a counterproof and le premier homme by a. Camus that of verification
Lévy, Clara. "Les écrivains juifs contemporains de langue française : déclinaisons identitaires et modes d'expression littéraire." Paris, EHESS, 1998. http://www.theses.fr/1998EHESA010.
Saint-Aubin, Elfakir Véronique. "La littérature de voyage : approche psychanalytique." Rennes 2, 2005. http://www.theses.fr/2005REN20005.
I try to approach in this paper the journey literary style from a psychoanalytical point of view. This should allow me to treat the more general issue of the relationship of the subject with his desire and his unconscious. For this fascination brought about a continent or a country, wich the journey literary style brings to the open air, mainly from the 19th century onwards, also draws the contours of a mental geography proper to each writer, who thus questions his innermost " internal strangeness " or his lack of being. I shall concentrated in this century. A journey, so it seems, aims to invigorate phantasies or the imaginary and hence desire, through the " exotic object " idealization. But journeys may also correspond to acting-out or symptoms, in as much as it becomes erring or wandering. My research is articulated through two axes : to begin with, journeys are treated as kinds of erring identities ; then, I treat them as factors of sublimation and creativity, mainly through a nomad desire wich seeks to find faraway his nurture and sources. I will study these topics basing myself of the main signifiers on the wrintings of M. Vieuchange, A. M. Schawarzenbach, Rimbaud, G. De Nerval, I. Eberhardt, H. Michaux and P. Bowles
Ponzetto, Valentina. "Alfred de Musset et les écrivains libertins du XVIIIe siècle." Paris 4, 2006. http://www.theses.fr/2006PA040042.
Musset's writing owes more than usually recognized to eighteenth-century libertine writers. This becomes clear when we remove old critical stereotypes and take a fresh look at his works. The very locations in which the stories take place hearken to the libertine tradition, drawing the picture of a sophisticated, worldly universe, confined to a few urban centres (Paris, Venice) and to some privileged, interior settings imbued with sensuality (boudoirs, petites-maisons). The key is evocation rather than description, literary reminiscences rather than the observation of reality. Musset's characters, too, display traits that set them in the tradition of the heroes of the libertine novel, in a relationship equally comprising admiration and desired imitation, as well as polemical opposition and reinterpretation. They are, notably, good talkers and seducers. Whether employed in dangerous and corrupting designs, or in more playful and lighthearted tones, their speech is marked by a language, a phrasing, a style, a seductive intent typical of libertine writing. This is precisely where we can recognize the most fruitful and most deeply rooted libertine heritage in Musset's works: an elegant and allusive language, which suggests eroticism and desire without vulgarity; a style composed of decent yet evocative metaphors, insinuating reticence, artful ellipses. It is finally a way of writing that elicits the reader's complicitous cooperation and irresistibly seduces him. Between reviving and transcending the libertine model, reusing and ironically distorting the clichés derived from this tradition, Musset's work develops its originality and its charm
Marivin, Isabelle. "L' Autriche des écrivains : l'image de l'Autriche dans la littérature autrichienne de la Seconde République." Paris 3, 2001. http://www.theses.fr/2001PA030166.
During the First Austrian and in the years 1934 to the Anschluss, the Austrian literature presents signs of the relationship between Austrian and Germany. Politics and cultural politics after the Second Word War oder the radical emancipation of the German paradigm. At the same time, they recognize authors like K. H. Waggerl, who has been already established in the Ständestaat. The mytical representation of Austria in his roman Brot is the model for the image of Austria which will be deconstructed by Ingeborg Bachmann, Gerhard Fritsch, Peter Handke and above all by Thomas Bernhard who builds a negative stereotype of Austria. Robert Menasse will try to oppose a new one : the stereotype of a normal Austria. .
Devergnas, Annie. "Le monde animal, végétal et minéral dans l'imaginaire des écrivains marocains de langue française." Rennes 2, 2002. http://www.theses.fr/2002REN20040.
@In this study, my aim was to find out wether the Moroccan literature in French, in its whole, refers to a specific imaginary animal, vegetal and mineral world. My first part points out a prolific use of quotations, reflecting a polycultural heritage : Muslim tradition as well as the influence of French school, the anteislamic poetry and the ancient mythology. The quotations are also noticeable in a great number of clichés. The importance of orality is revealed through quotations of tales, folksongs, and a great number of proverbs and traditional insults throughout the corpus. In a second part I studied the descriptive methods of the writers, concerning landscapes, animals or plants. They sometimes develop in comparisons and in lists whose purpose is to catalogue the natural world. I then analysed the interpersonal relationship linking the writers to nature. Its attractive power is to be seen in friendship, sexuality, dreams, ecological awareness, as well as in stylistic choices. On the other hand, a repulsive power is to be found in the descriptions of a threatening natural world, while the characters become aggressive towards nature ; nightmares, visions of horror and death also belong to this negative aspect of relationships. Finally I studied the immanence of supernatural forces and the sacred in this literature, which appears through superstitions, sacrificial scenes, sacred trees, the myths of Mother Earth, as well as in exemples of identification between man and nature and anthropomorphism. It seems to me that the very Moroccan culture reveals itself through the imaginary animal, vegetal and mineral world of its writers. It is worth noticing that those who best illustrate this study are mainly the best known of them
Vieira, Marie Isabelle. "Regards croisés francophones et portugais : images des Portugais dans la littérature romanesque contemporaine (1950-2000)." Thesis, Paris 10, 2010. http://www.theses.fr/2010PA100058.
This study in the field of literary imagology investigates the representations of the Portuguese both in French and Portuguese narratives, from 1950 to 2000. By the end of the 70s, Portuguese have become the most important foreign community in France. We analyze the speeches and the images conveyed by human and social sciences, but also by the Portuguese propaganda agencies and various guides intended for foreigners. Thus, we try to define the main aspects of the Portuguese imaginary identity and to shed light on the myths that are related to it. It appears that some images issued by Salazar and his ideologues have survived until today. They have been conveyed by writers who were admirers of the dictator and who developed certain topics, often related to the history of Portugal. But, after the “Revolution of the carnations”, the literary figures of the Portuguese become less conventional. Fiction concentrates on families and young people stemming from the immigration, who are often presented as dominated or eccentric figures. A few writers have preferred to write about their wanderings in Lisbon, daydreaming without ever meeting “real” Portuguese. In Portugal, the censorship silenced the authors who resisted the dictatorship. In order to be published, works had to harp on the ideology of the Portuguese adventurer or to evoke the failure of emigration (such an image was supposed to prevent Portuguese from leaving their country). With the advent of democracy, political exile and emigration, two topics that were previously held in contempt, became important Portuguese literary themes. The authors have tended to question their identity as well as the meaning of the return to their native country. Ultimately, it appears that the two literatures intersected very rarely, as the low number of translations would show
Husti-Laboye, Carmen. "L'individu dans la littérature africaine contemporaine : l'ontologie faible de la postmodernité." Limoges, 2007. http://aurore.unilim.fr/theses/nxfile/default/2f038f2d-2481-4422-acc2-52c319cfcb28/blobholder:0/2007LIMO2012.pdf.
Ballesteros, Rosas Luisa. "Itinéraire de la femme écrivain dans la société latino-américaine." Paris 4, 1992. http://www.theses.fr/1992PA040211.
Despite the obvious importance of latin american literature in the 20th century, the role of female writers has not been recognized by the critics. In order to bring them out of oblivion, it seemed necessary to follow the itinerary of literary creation of women throughout the whole american continent where the spanish and portuguese languages are spoken, to repair this unfair treatment and to offer ressearchers a general survey. This study relates the original itinerary from the first work of sor juan ines de la cruz ot the present day works. The main stages are represented form the indianistic novel of clorinda matto de turner through the lyricisme of gabriela mistral, delmira agustini of alfonsina storni, and finally by the social novel of flor romero or cristina peri rossi. This work aims at giving a first review on the subject and at offering a reference essay on the history of female literature in latin america, a question which has not been systematically studied so far
Deenapanray-Chappard, Anuradha. "Etude littéraire comparée de quatre écrivains Mauriciens en situation plurilingue." Paris 13, 2007. http://www.theses.fr/2007PA131041.
Emerging literatures using French or Creole as in the case of Mauritian literature undergo continuous change. We have chosen to study the interactions between languages/identities and literatures as they seem to constitute the common denominator of contemporary literary production in relation with work of four Mauritian writers : Ananda Devi Anenden (French), Lindsey Collen (English/ Mauritian Creole), Abhimanyu Unnuth (Hindi/Bhojpuri) and Dev Virahsawmy (Mauritian Creole/English). The aim of the study is not to undertake an inventory of literatures using French as a medium of creation in the Indian Ocean. Our objective is to show that the multilingual and multicultural Mauritian literatures emerge as counter forces using words, discourses and letters as their major creative energy. How does a writer chose a literary language? Of what identities and literatures are we talking about? Is it possible to build a Mauritian identity or entity by transcending the literary sphere which seems to be the unique space where one can manage differences and build an imaginary homeland?
Boukaftane, Nora. "L'inspiration feminine dans la nouvelle marocaine." Paris 4, 1986. http://www.theses.fr/1986PA040264.
Eychenne, Anne-Marie. "L'affirmation féminine dans les littératures française et anglo-saxonne du 15ème au 20ème siècle." Bordeaux 3, 1991. http://www.theses.fr/1991BOR30020.
Through women writers' literary texts from the fifteenth to the twentieth century, we study the different stages of french and anglo-saxon women's intellectual emancipation and we think over the possible particular nature of women's writing. In the first part, through the general theme of unsatisfaction and the themes of education, social life and love, we analyse what we call a literature of protest, pointing out its necessity and also its limits. In the second part, we see how women writers managed to get free, how they became self-confident as they began to speak, how they used their new freedom. They found a poetic phrase which enabled them to express the " stream of their consciouness " and the beauty of their inner life; women could at last give utterance to their " ego ". Getting rid of men opinions and values, they were able to fond in themselves their own identuty. Beyond any sexual category, they wanted to participate to the universal adventure of thought and their texts proved as exemplary as any text written by a man
Rodríguez-Villamil, Ana María. "Les elements fantastiques dans l'oeuvre narrative d'armonia somers." Paris 3, 1988. http://www.theses.fr/1989PA030037.
Aiming on the discovery of fantastic features in armonia somers's narrative world, this work starts with an introductory study of the concept of the fantastic in literature from two different perspectives: the european and the latin-american point of view. After this introduction, a first part is concerned with the writer's "ecriture" as it appears in her first novel, la mujer desnuda. In this novel, we find an original conception of the relations between reality and imagination. We could speak here of neo-platonism. This way of perceiving the world from an internal point of view is confirmed in the writer's following works, her short stories as well as her novels. The study of la mujer desnuda is divided in two chapters. The first one has to do with the fantastic subjects, humour and testimony. The second one deals with the structural elements and the narrative proceedings. The second part of the thesis studies the short stories. This literature is originated in an ethico-metaphysical question about the scope and limits of human knowledge
Rubera, Albert. "La poétique feministe postcoloniale dans la littérature africaine francophone : autour de l'écriture romanesque de Ken Bugul." Paris 13, 2006. http://www.theses.fr/2006PA131006.
Confluence of sociological theories, political movements and moral philosophies regarding the situation of women in general, and within their social, political and economic context in particular, feminism has always embraced worldwide ambitions. In this resolute struggle for women liberation, feminism changed the face several times, and was often divided into trends and streams sometimes opposed to one another with regard to the meaning of the struggle to lead. How is the postcolonial African woman going to react to feminism which can be considered as one of the forms of Western imperialism having for a long time acted in the guise of a universalistic discourse of women liberation? This is the question that Ken Bugul has already asked herself. This study intends to situate Ken Bugul's feminist thought and position at the cross-section of feminist and postcolonial theories
Svilarova, Emanuela. "Le récit personnel dans l’œuvre des écrivains du Nouveau roman et dans celle d’auteurs bulgares contemporains : étude comparée." Thesis, Sorbonne Paris Cité, 2016. http://www.theses.fr/2016USPCA082/document.
The present study is set to make a typological and historical comparison of a very widespread phenomenon in French and Bulgarian literary fields in the last decades of XXth century and the first decades of the XXIst century: the fictionnalised or biased personal story. This phenomenon’s emergence has been our main subject of concern, and for that reason we chose key novels published in different periods: for the French domain it was the « Nouveau roman »’s orientation towards autobiographical writing in the 1980’s; for the Bulgarian domain, the emergence of a « new writing » in the wake of the change in 1989. The introduction in literature of new philosophical conceptions touching other spheres of art such as deconstruction and postmodernism affects greatly the story a subject would make of his own life, moreover if he is already a writer. The questions raised as well by the Bulgarian as by French works: first about reference to reality, historical verisimilitude, then about composition, narrative voices and finally, about taking in charge the story itself as the story of one’s life, are extensively dealt with along the study. The resulting account is that hesitation governs thoroughly the story, and that the sole fact of giving testimony of one’s life is its caution of veracity. The personal story moves away from purely informative genres, ranging to fictional literature’s side
Mejía, José. "Polyphonie du discours fictionnel : les mirages de la voix et du temps étudiés chez quelques écrivains ibéro-américains." Paris, EHESS, 1993. http://www.theses.fr/1993EHES0330.
Rather than narrating a fantastic experience in the world of the characters, the examples of our corpus provide us with an experience which is fantastic only in the reading itself. These exceptional cases amount to a true fantastic enunciatioin. They are examined within the context of the polyphonic theory of enunciation of o. Ducrot. Our own investigations have induced us to revise the status of the narrator. We do not conceive of him as an omnipresent and single origin, different from the author in view of the fictitious nature of what is related. We do not conceive of him either as non-existent --a non-existence explained as an utterance without a speaker. Within our theoretical context, getting an imaginary "i" to speak or getting "nobody" to speak invariably leads to setting up enunciators. Therefore, our narrator is multiple. This "narrating crowd" can only be dealt with by a linguistic approach. It allows for subtle observation which brings out all the specificity and richness of the textual objects
Prat, Michel. "Le roman de la vocation littéraire." Paris 3, 1994. http://www.theses.fr/1994PA030148.
The purpose of this dissertation is first of all to prove that, inside the kunstlerroman, there is a sub-section focusing on the literary vocation. It studies a corpus of nine french, englis and american novels written betwenn 1832 and 1960. The first part deals with the genesis of the literary vocation theme; and, distinguishing personal experience from the network of influences, it aims at shedding light, by a systematical comparison of the texts, on three invariants : the dynamics of the vocation; the "epiphanies" ; the acquirement of aesthetics. The second part, in a more diaachronic perspective, shows that the theme is transformed into a myth which calls in question the idea of literature inherited from the end of the xviiie century. It also studies the effect of this myth on the novel, now attracted by the autobiography, now by the fiction. In the xxe century, in proust's a la recherche du temps perdu and durrell's alexandria quartet, the exigencies of the myth lead parallel to "deconstruct" the very notion of reality and the traditional novelistic patterns
Ndombi-Sow, Gaël. "L'entrance des écrivains africains et caribéens dans le système littéraire francophone : les oeuvres d'Alain Mabanckou et de Dany Laferrière dans les champs français et québécois." Thesis, Université de Lorraine, 2012. http://www.theses.fr/2012LORR0365/document.
If it is admitted that the field theory, systematized by Pierre Bourdieu, allowed to renew the approach of the literary phenomenon, its application in the field of the Frenchspeaking studies remains limited. This study examines the conditions of access to the French and Quebec French literary fields by the writers of African and Caribbean origin. The thesis proceeds to a sociological approach - the analysis leaning on the examination of the individual trajectories, the poetics of the works and the communications strategies of the authors - of the conditions of access to the writing, the publication, the literary socialization and the consecration in each of the fields of reception, that is the policy of reception of the legitimizing authorities and the place reserved for these migrant writings. An essential option consisted in approaching writers whose status and audience are already asserted on the French-speaking literary scene. For this purpose, the corpus is made up of two writers indisputably recognized : the former, Alain Mabanckou, especially present in the French field; the latter, Dany Laferrière, especially recognized in the Quebec French field. The comparison between the French and Quebec French fields ended in a new conception of the phenomena of entrance, by highlighting the positions, the postures and the writing strategies deployed
Labrunye, Hélène. "La lecture fictive dans la littérature fantastique." Rouen, 1998. http://www.theses.fr/1998ROUEL312.
Devevey, Eléonore. "Terrains d'entente : anthropologues et écrivains dans la seconde moitié du XXe siècle." Thesis, Lyon, 2017. http://www.theses.fr/2017LYSE2155.
This work based on the analysis of a mixed corpus of texts aims to shed light on the evolution of relationships between anthropologists and writers in the second half of the 20th century. The initial observation is that the dialogue initiated between these two fields during the avant-gardes and “ethnographic surrealism” did not end with the professionalisation of anthropology. On the contrary, this professionalisation helped relaunch a dialogue on better defined grounds. Our study focuses on several books from the “Terre humaine” collection (G. Balandier, G. Condominas, P. Clastres), as well as works by J. Favret-Saada and Y. Verdier. It takes into consideration their writing techniques and the intellectual backgrounds in which these works took shape. It also focuses on the works of writers for which anthropology has been an important source of inspiration, such as R. Barthes and G. Perec, or appears to be a reservoir of readings and practices to reinvent or play with, (J.-L. Trassard, P. Bergounioux, P. Quignard, G. Macé). In this intellectual landscape, anthropology, which is now well implanted, provides material for meditative or memory work. Lastly, our focus shifted to the study of the ways in which the anthropologist constitutes a new fictional character: in many ways, this reveals a particular imagination of scholarly lives as well as the distribution of prerogatives between writers and scholars. This dissertation aims to prove that the non-scholarly writings of anthropologists, alongside the works of writers curious about anthropology, represent a form of resistance against aesthetic autonomisation and the attribution of knowledge solely to scientific expertise
Amsallem, Daniela. "Le Génocide et la figure du survivant dans les oeuvres des écrivains juifs italiens contemporains." Grenoble 3, 1988. http://www.theses.fr/1988GRE39016.
This thesis is devoted to the genocide and the image of the death-camps survivor in the works of contemporary jewish-italian writers, like primo levi, giorgio bassani, giorgio voghera, natalia ginzburg, carlo levi and umberto saba. The survivor, an autobiographical or fictional character, who is associated to certain symbols and archetypes, is described, with his difficulties to reintegrate society, his irrational guilt complex towards the dead, and his choice to live on which he finally makes. The confrontation with the torturer, the relations between fascism and the italian jews, the behaviour of both oppressors and victims are also studied. Finally the repercussions of the genocide in the religious field, the jewish identity and the degree of assimilation of these writers and their relations with the state of israel as well are analyzed. The conclusion takes into account the necessity felt by the death-camps survivors to bequeath their testimony to future generations, in order to oppose the action of those who deny history, so that the memory of auschwitz be preserved
Essono, Tsimi Eric. "Les processus psychosociaux à l'œuvre dans le développement de l'identité des écrivains migrants africains." Thesis, Université Grenoble Alpes (ComUE), 2017. http://www.theses.fr/2017GREAL014.
Does African literature exist? The answer to this complex issue has been addressed in different ways. Along this research, focused on how African migrants writers negotiate and manage their muliple and often-conflicting roots in their writing worlds. In which way do they articulate different « voices » when they both live and write in countries such as France, Switzerland and the United States ? Alain Mabanckou and Leonora Miano's works for example provide contrasted narratives in terms of positionings. This dissertation goes along with the growing field of African Studies which emphasizes on identity dynamics, postcolonial and cultural matters in litterature. Drawing on a dialogical and sociocultural perspective in psychology, our findings will contribute to a better understanding of identity dynamics for people facing multiple cultural references in contexts shaped by issues of art, power, and history. This research, conducted within the framework of Bakhtin’s dialogical principle, addresses the issues of African migrant writers and their works. Its interdisciplinary approach merges literary research with social psychology. The methodology is based upon the interpretative paradigm, and consists of the literary analysis of selected works, the study of the literary fact of migritude, and an analysis of the extensive verbatim accounts recorded in Western countries.Based on a corpus of important works and of interviews with major writers, it analyzes the Dialogical Self of African migrant writers either as an “I arena” or as a “polyphonic narrative” (Bakhtine, [1987] Valsiner, 2000 ; Hermans and Kempen, 2010). The self of migrant writers is apprehended as a repertoire of “I” : I-positions that bring together an infinity of narrative voices. Each voice has a unique bond to the host country, a particular memory of origin, beliefs and poetics, personal convictions. Our results enrich the constant debates about both the existence of an African literature and the identity positions of writers of African origin living in the West. Our essential contribution is the design of a model which takes into consideration the stages of their identity construction. This work also contributes to the research on the relationship between their works and the experiences of authors, within their place of transit or establishment
Magras, Romain. "Les figurations de l'héroïsme dans l'oeuvre d'Abel Posse." Paris 8, 2011. http://octaviana.fr/document/156104970#?c=0&m=0&s=0&cv=0.
The novels of Abel Posse (Argentina, 1934) are anchored in History. The three novels that make up his “Trilogy of Discovery” have been qualified by critics as “new historical novels”; two recently published novels have as their protagonists two myths of Argentina’s recent history – Eva Perón and Ernesto ‘Che’ Guevara; other novels such as El inquietante día de la vida depict the founding fathers of the nation. The discourse of historiography is sometimes explicitly integrated into the fictional discourse to then be parodied, to be re-read so as to shed light on the present of the author and the reader and to question the very possibility of writing History, of representing facts. In a number of Posse’s novels, the protagonist – often the fictional avatar of an historical figure become myth – provides a basis for this reflection on the impossibility of representation and on the status of man in or faced with History. Abel Posse’s novels revisit mythified historical figures to re-semantize and re-actualize them as heroes through the use of recurrent, identifiable structures and motifs – a canonical pattern for Posse’s heroes. The ideal heroic figure emerging from Posse’s fiction – this model attitude in the face of History that is presented to the reader – has as its counterpart the figure of the author. The auctorial figure, inspired by the poet-as-hero dear to Carlyle, clearly based on Leopoldo Lugones’s own figure, takes form in Posse’s mythographical and autofictional writings, paratextual strategies, and literary or socio-political essays. Abel Posse’s writings can thus be considered as a literary œuvre whose particular concern is the construction of heroes, focusing on the status of the subject in and faced with History
Jimenez, Lidia. "L'adolescente dans la littérature espagnole de la "Posguerra"." Toulouse 2, 1996. http://www.theses.fr/1996TOU20076.
In spanish fiction and particularly in the kind of written fiction by women-novelists after the civil war, teenagers are often drawn. We feel we are confronted with real, genuine portraits while, before readers had to be content with mere tentative sketches ; indeed in the fiction published, at that time, the very young girls and also the young ladies they often had grown into,take up stances which are surprisingly new. Infact their creators thus achieve a kind of perfection in that respect, insisting, as they do, on the adolescent period of their fictitions feminine characters. Spanish women-writers often insists on the particular period of time of adolescence for their heroins, often imparted their own most intimate hidden, convictions, and are naturally nourished with foreign models but it was also fraught with their own knowledge of death, and love, acquired during the various wars they had gone through. The consequence is the portraying of adolescent characters as drawn by spanish fiction writers ans the reader feels that many personal memories break through the bedrock of the tales that are told. For instance, rosa chacel during all that period does draw such a character in teresa and memorias de leticia valle. In nada and la isla y los demonios carmen laforet renews the genre making conveying to them the shock it was for most people. Ana maria matute writes short stories and in luciernagas tells the memories of a teenager of that time. Carmen martin gaite writes short stories about meregirls and young ladies while reflecting
Michaux, Marianne. "Entre politique et littérature: les écrivains belges du réel (1850-1880)." Doctoral thesis, Universite Libre de Bruxelles, 1997. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/212119.
Fabre-Renault, Catherine. "Le rôle social des femmes écrivains dans la RDA des années quatre-vingt." Paris 12, 1997. http://www.theses.fr/1997PA120026.
Beaume, Sophie. "Le motif de l'écrivain fictif dans Prochain épisode de Hubert Aquin et Le vol d'Icare de Raymond Queneau." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp05/mq25273.pdf.
Lee, Mee-Jeong. "Force et faiblesse chez les écrivains français en Asie : Paul Claudel, Saint-John Perse, Victor Segalen, Pierre Loti, Claude Farrère, Henri Michaux, André Malraux." Paris 4, 1994. http://www.theses.fr/1994PA040103.
The purpose of this thesis is to study the force and the weakness among the french writers of the 20 th century who went to asia. When they travel and stay over there, do they experience in contact with civilisations so differnt form their own civilisation a feeling of force, or of weakness? paul claudel, saint-john perse, victor segalen, pierre loti, claude farrere, henri michaux, andre malraux, all of them were confronted during this century with the reality of asia, moreover confused. Their travel was for them the occasion of a search for personal profundity, of a moral crisis, of a critical action, or of a renewal of their writing. This thesis analyses the moral and literary aspects of this authors
Perrot-Corpet, Danielle. "Georges Bernanos et Miguel de Unamuno : deux écrivains devant l'absolu." Paris 3, 2000. http://www.theses.fr/2000PA030020.
Stoeber, Valérie. "Les images de l'ecrivain au temps de moliere." Paris 3, 1997. http://www.theses.fr/1998PA030009.
The classical age, as a social value, represents a decisive moment in the history of literature. From then on, the concept of the writer as a character was given a meaning and his status, still in a shaping state (and therefore ambiguous), was established. This piece of work finds its origin in this acknowledgement. The writer as a character takes shapes in parallel to the making of the literary institutions, and this simultaneity installs a literature of the literary and of the institutions. Asking oneself questions about the images of the writer meant in fact asking oneself a series of questions about literature and about those who take part in it. On the other hand, it allowed us to give an account of the conflicts between writers over the status of their work and functions. Discussing the image of the writer leads to the unveiling of the practice of the literary field and on its relations to the writer-shaping personality. There is a dual image of the writer : it is the result of creation, and it is also a theoric and aesthetic stake. The literary stake remains within the social stake of the literary field. The literary practice carries the mark of social ideals, from which they were born. The image of the writer invents, in its own special way, a new conception of literature but, at the same time, backs up the idea that a writer is a human being and a source of exchange s
Kettani, Assia. "De l’histoire à la fiction : les écrivains français et l’affaire Dreyfus." Thesis, Paris 3, 2010. http://www.theses.fr/2010PA030002/document.
Through their massive commitment in the Dreyfus Affair, French writers have not only redefined the ways of commitment, they have also used their writing as a weapon to defend their political cause. From the articles written during the battle to the novels based on the Affair, the Dreyfus Affair has thus become a litterary object, questionning the frontier between History and Fiction. The Affair was a case of collective awareness linked to an underlying ideological debate. This litterary battle was born before the actual Affair began : the writers defined the main guidelines of the ideological debate and employed the means of collective mobilization, creating the background in which the Dreyfus Affair took place. During the battle itself, they privately expressed how much the Affair turned the litterary world upside down, leaving little room for dissident voices. The collective aspect of the mobilization has moreover directly influenced the Dreyfus littérature : creating between the lines of the debate an ideological and rhetorical unity, French writers have built this public controversy over common references. Influenced by this collective litterary vision, the fiction works based on the Affair gave it a litterary posterity at the crossroads of different sensitivities
Calonnec, Savina Geneviève. "La Poétique de l'eau ou pour un univers imaginaire dans la littérature d'Aunis et Saintonge de 1900 à nos jours." Angers, 1993. http://www.theses.fr/1993ANGE0015.
It is well worth while to take a really close look at the signifiant part played by the poetics of water in contemporary aunis saintonge literature. Both "patois" and popular literature in its entity are rich in watery images. The various aspects of these images which are sometimes in an antithetic vein and sometimes in an euphemistic one, lend themselves very well to an anthropological approach. From P. Lott to P. H. Simon, travel stories and sea novels blend exoticism and adventure with psychological ponderings and existentialist thought. All through this century, maritime poetry from A. Lemoyne to M. Fonbeure shows an interesting panorama of the main local schools of poetry. The folklore from Charente maritime still perpetuates the memory of old sea legends down to this very day. Poetry of aunis saintonge has given rebirth to a mythology concerning fresh waters. Thanks to countless symbols inspired by aquatic flora and fauna both white waters and still waters have given an opportunity to the poets from charente maritime to express their romantic transports and their feelings of distress when contemplating the ephemeral passage of time and the finality of death. In the same way, the marsh lands with their innumerable facets also play a part in creating the atmosphere of mystery which characterizes this literature. The poet rediscovers in the water-inspired images, images that have been deeply rooted in him since his chidhood …
Budu, Elena Ancuta. "Le déracinement dans l'oeuvre romanesque de quatre écrivains roumains exilés en France après 1945 : V. Gheorghiu, V. Horia, B. Nedelcovici et P. Goma." Rouen, 2000. http://www.theses.fr/2000ROUEL370.
Gardereau, Thibault. "Réécrire le Nouveau Monde : un espace revisité, théâtralisé et poétisé par les écrivains européens entre 1890 et 1945." Versailles-St Quentin en Yvelines, 2012. http://www.theses.fr/2012VERS021S.
In 1890, the frontier is tamed, and the face of America is transforming itself. From this date on, up to 1945, European writers take advantage of this phenomenon to rediscover America. To their astonishment, they are confronted with a highly industrialized civilization, which does not facilitate their task. This new exoticism is initially heightened by a set of preconceptions which urges them to anticipate this “new” New World and to imagine it before arriving. After this prefiguration, the culture shock occurs: the travelers at that time confirm or contradict their horizon of expectation and symbolize the New World. It is the time of sublimation. These two stages are of primary importance to better understand the vision which these well-read travellers will then impose. Finally, they put in writing a theatricalized and poetized America; an America which is, in the last analysis, not far from reality
Goégan, Pierre. "L'écriture prolétarienne dans les années 1920-1930." Rennes 2, 1991. http://www.theses.fr/1991REN20013.
A flourishing proletarian movement has left its mark on the French literature in the years 1920 - 1930. The purpose of this work is to underline its anti-authoritarian component. Not professional, the writers are men and women coming from the people, who thanks to a self-culture proceeding succeed to bear witness to what they know the best the humble people's life. After getting out the difference and the distance between Marxist and anti-authoritarian conception of literature, we give an account of proletarian real life but above all, we emphasize the moral valour of the proletarian writing. The praise of the daily bread, wine, work, struggle and solidarity runs through the pages of the anti-authoritarian writing, under the seal of the authenticity. It's not astonishing consequently, that a deep bitterness veil the great desire and the tremendous hope of the proletarian people, that get not satisfaction
Lemieux, Anne. "La réinvention des figures romantiques dans les textes biographiques des écrivains est-allemands." Paris 3, 2001. http://www.theses.fr/2001PA030071.