Дисертації з теми "École de Chicago (architecture)"
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Sohst, Claudia. "Die Rezeption nordamerikanischer Architektur um 1900 in Deutschland und Österreich /." München : m Press, 2006. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=014797879&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA.
Повний текст джерелаBenson, Robert Anthony. "Bill -n- (kris'tl) at OSB, Chicago." Thesis, Massachusetts Institute of Technology, 1996. http://hdl.handle.net/1721.1/64533.
Повний текст джерелаIncludes bibliographical references (p. 36-37).
Can the individual be implicated in the mega-scale environment by mediating the barriers and marginal zones of the urban landscape? This investigation engages the megalopolis and its full grotesqueness in terms of scale and intensity; experiments with a range of strategies attempting to emphasize the individual without combating the potency of the urban environment; prismatically separates and intensifies the visual, audible and tactile senses while involving cognitive processes in re-sensitizing the individual. The contemporary metropolis (or megalopolis) exists as a dramatic urban landscape. With a propensity for territorial sprawl, this mega-entity can be physically defined by its severe shifts in scale and intensity. Spatial cohesiveness is non-existent as immense, fragmented barriers are introduced and marginal non-spaces are created. The whole can be viewed as calamity of independent layers manifesting coincidental relationships and intersections. This contemporary environment is inherently in motion as conditional and cultural elements compete for attention. Planes, trains, automobiles, media, cell phones, signage, voice mail, BMW's, exercise make-up, couriers, overnight delivery, e-mail, phone sex, commercials, busses, espresso, deadlines, ambulances, whistles, bars, parades, politics, dogs barking, news at nine ... bombard the senses. Within this environment the individual must insulate perceptions to cognitively organize the stimulus. Consequently a psychological ambivalence is procured and sensual experiences lost.
by Robert Anthony Benson.
M.Arch.
Massu, Claude. "Modernité et post-modernité : architecture et urbanisme à Chicago." Paris 1, 1987. http://www.theses.fr/1987PA010553.
Повний текст джерелаThis thesis is an analysis ans interpretation in terms of modernity of some aspects of architecture and urbanism in chicago from the end of world war ii to the early 1980s. The first part deals with architectural and urbanistic modernism. Mies van der rohe's work in chicago is examined from the aesthetic, economic and structural points of view. The doctrines and buildings of the firm skidmore, owings and merrill, of w. Netsch and b. Goldberg are then examined as so many aspects of modernism in the building art in chicago. The second part focuses on post-modernist doctrines and productions since the mid-1970s. Selected examples (helmut jahn, thomas beeby and stanley tigerman) underline a concern for historicism and semiological communication in chicago current architecture. In the third part is put forward a global interpretation of the set of works analysed previously. The conclusion is the following : the openly proclaimed and supposedly real break between modernism and post-modernism is far less significant than the underlying continuities between the two. They are both part of modernity. To point out different levels of continuity is a means to emphasize some fundamental questions at stake in the status and socio-economic function of architecture in current american society
Massu, Claude. "Modernité et post-modernité architecture et urbanisme à Chicago /." Lille 3 : ANRT, 1989. http://catalogue.bnf.fr/ark:/12148/cb37607787w.
Повний текст джерелаValdy, Jérôme. "Monnaie et incertitude : les apports des théories autrichienne et post keynésienne à l'économie monétaire : une approche comparative." Aix-Marseille 3, 2002. http://www.theses.fr/2002AIX32001.
Повний текст джерелаThe failure of neo-classical economics to integrate money in general equilibrium models - Hahn's problematic - is due to its conception of probabilistic uncertainty : i. E. , the risk. Using Keynes' and Knight's alternative definition of uncertainty, non measurable or non probabilistic uncertainty, money can truly take into account. The study of theoretical relations between money and uncertainty bring out a double causality link between the two concepts : 1) a link between uncertainty => (toward) money. It raises the question of the nature of the money. 2) a link between money => (toward) uncertainty. It poses the problem of co-ordination in a monetary economy. Firstly Austrian and post Keynesian theoreticians with two divergent conceptions of uncertainty can grasp the nature of money in its individual and social dimension. .
Adducci, Dominic John. "Development options for a corporate headquarters in the Chicago area." Thesis, Massachusetts Institute of Technology, 1986. http://hdl.handle.net/1721.1/71054.
Повний текст джерелаLOBELLO, RYAN. "ARCHITECTURE OF DUAL IDENTITY: CHICAGO URBAN CONTEXT INFORMED BY FINNISH PROCESS." University of Cincinnati / OhioLINK, 2006. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1147879286.
Повний текст джерелаHootman, Heather. "Lessons in sustainable design : case study of a school in Chicago." Thesis, Massachusetts Institute of Technology, 1994. http://hdl.handle.net/1721.1/67141.
Повний текст джерела"June 1, 1994."
Includes bibliographical references (p. 175-179).
This thesis develops an approach to environmentally sustainable design through the hypothetical redesign of the South Loop School in Chicago. Sustainable architecture seeks to reinforce ecological relationships to the greatest extent possible, be they among humans or between humans and other species. Increasingly, pressure mounts in our society to design with such ecological sensitivity. This is especially true in regard to buildings for children- a population vulnerable to environmental problems and significantly influenced by surroundings. The design of an elementary school facility in particular also has the potential to both act sustainably and, on some level, teach sustainability. If, in addition to implementing materials that are nontoxic in ways that conserve energy, the built environment can simultaneously heighten an appreciation of the forces of nature, then it might truly be called sustainable. Thus, this thesis pushes sustainable design beyond its marginalized role of technical implementation by linking it to architectural theory about the relationship between architecture and nature. Sustainable design in this thesis attempts to translate environmentally conscious strategies into active and expressed design elements while fostering an appreciation of natural elements through architectural form.
by Heather Hootman.
M.Arch.
Johansson, Simon, and Hugo Andersson. "Chicago : A multiplayer card game based on Client – Server architecture." Thesis, Karlstads universitet, Institutionen för matematik och datavetenskap, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-28071.
Повний текст джерелаIyengar, Varsha G. "Liminal Landscapes: Conditioning Climates on the Chicago Riverfront." University of Cincinnati / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1553618489377804.
Повний текст джерелаPettigrew, Paul Stephen. "Paradigm or pariah? : an architectural intervention into Daniel Burnham's timeless plan of Chicago." Thesis, Massachusetts Institute of Technology, 1988. http://hdl.handle.net/1721.1/79449.
Повний текст джерелаIncludes bibliographical references (p. 156-158).
This thesis is not a eulogy to but an analysis of and contemporary intervention into Daniel Hudson Burnham's 1909 Plan of Chicago. It presses the boundary of what is known, and concentrates on dissecting and analyzing extremes brought about by the polar boundaries of (re)presentation and abstraction, in order to reveal the nature of time and move closer in my personal search for the qualities of timelessness (a timeless architecture). It allows one to imagine an instance in which Daniel Burnham's Plan for Chicago is physically overlaid upon a diagram of the city today. Then makes real the thesis, that further completions of Burnham's plan could occur through the building of appropriate architectural programs upon site transformations of coincidental junctures resulting from the juxtaposition of Burnham's plan and its corresponding contemporary overlay. This definition of appropriate programming is followed by the further locating of three sites, three sites upon which a further single site believed most exemplary or appropriate for a select mixed use Regional Public Library Facility is derived. A unique program for a library facility which seeks to establish connections to the theoretical designs of Burnham's Plan as well as with the contemporary site and time specific influences and demands of an existing urban fabric.
by Paul Stephen Pettigrew.
M.Arch.
Lobello, Ryan. "Architecture of dual identity Chicago urban context informed by Finnish process /." Cincinnati, Ohio : University of Cincinnati, 2006. http://www.ohiolink.edu/etd/view.cgi?acc%5Fnum=ucin1147879286.
Повний текст джерелаTitle from electronic thesis title page (viewed July 17, 2006). Includes abstract. Keywords: Finnish architecture; Chicago architecture; Finland; Intuition; Nature and Architecture; Cultural Synthesis; Critical Regionalism. Includes bibliographical references.
Szufnar, Elizabeth A. "The dissemination of the Chicago school of architecture in the Midwest." Virtual Press, 1999. http://liblink.bsu.edu/uhtbin/catkey/1133731.
Повний текст джерелаDepartment of Architecture
Fu, Xuan. "Chinese moon pavilion at Montrose Harbor Chicago, Illinois." Virtual Press, 1991. http://liblink.bsu.edu/uhtbin/catkey/770945.
Повний текст джерелаDepartment of Architecture
Vaillant, Mickaël. "Race et culture, les sciences sociales face au racisme : étude comparative de la genèse et des modalités de la rupture épistémologique de l'école durkheimienne et de l'école de Chicago avec la pensée racialiste (fin 19e siècle-1945)." Paris, Institut d'études politiques, 2006. https://spire.sciencespo.fr/notice/2441/53r60a8s3kup1vc9kd4ip2t18.
Повний текст джерелаMcBride, Peter Nevins. "Biomimetic Constructs High-Technology Towards Ecological Design." University of Cincinnati / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1280778265.
Повний текст джерелаBoyer, Jean-Daniel. "Architecture du système d'Adam Smith." Université Louis Pasteur (Strasbourg) (1971-2008), 2006. http://www.theses.fr/2006STR1EC07.
Повний текст джерелаThis thesis examines the structure underlying Adam Smith’s work. It attempts to show that its coherence may be discerned as we let ourselves be guided by the idea that some of the author’s methodological principles are drawn from Newton. We wonder about the author’s explicit evocation of gravitation which is assumed to explain the way societies work. For social norms indeed, appear to be revolving round natural laws, just as market prices are, round natural prices or round the value of commodities. There also lies the implicit evocation of a force of attraction governing the destiny of human societies that would in time, tend towards an ideal City. Such a process would then be at the root of the need for the implementation and establishment of a specific institution of justice: the state. And Adam Smith would eventually emphasize the liberalism of liberty and justice
Simonse, Catherine. "Living In Between: Designing to Encourage Social Interaction." University of Cincinnati / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1490701665696509.
Повний текст джерелаLuzi, Jacques. "Flexibilité des prix et surajustement du taux de change : une étude du discours monétariste." Aix-Marseille 2, 1993. http://www.theses.fr/1993AIX24001.
Повний текст джерелаOne of the alleged advantages of the flexible exchange rate system is to ensure insularity of economies. This insularity is achieved when the PPP does so, which means that real exchange rate is insensitive to fluctuations in the nominal stocks of monies. PPP must be understood as an extension of the postulate of money neutrality to the open economy. If monetary economies can control fluctuations of money as monetarism let suppose it, then the "monetary" stability of the fers will be ensured. This proposition is re-examined trough the instrumentality of a rational expectations equilibrium model which is defined solely on the basis of monetarist hypothesis. So, it can be shown that : (a) contradicting the overshooting model, the differential between nominal exchange rate and prices behaviours is not the fact of prices stickiness, and can appear at the same time as PPP as a monetary standard. (b) contradicting the conventional monetarism, the control of stochastic component of the dynamic of money did imply the control of the results of this component, as this impacts are also determined by the stability of the real demand of goods
Righi, Farid. "Politique monétaire ou politique monétariste?" Paris 10, 1987. http://www.theses.fr/1987PA100015.
Повний текст джерелаThe comparison of Keynesian and monetarist approaches of economic and monetary policy shows, on a theoretical point of view, a convergence between the standard Keynesian model and the disequilibrium theory considered together, and the monetarist school. Indeed, all these macroeconomic analysis are attached to the notion of equilibrium. This comparison also reveals the importance of the post-Keynesian theory, which refuses to develop its framework in terms of equilibrium and emphasizes the hypothesis of uncertainty. The study of the economic events and the economic and monetary policy in United States from 1979 to 1986, in France from 1981 to 1986, has tried to focus on the influence of Keynesian and monetarist ideas on policy actions in these two countries
Bousch, Denis. "L'architecture et le cosmopolitisme viennois : Otto Wagner et son École (1894-1914)." Paris 12, 1992. http://www.theses.fr/1992PA120033.
Повний текст джерелаGlenn, Kimberly Laurren. "Chicago and the visual art of the "New Negro Movement," 1925-1940." Diss., University of Iowa, 2013. https://ir.uiowa.edu/etd/6582.
Повний текст джерелаCheng, Chien-Ke. "Sustainable urban design within contemporary urban policy| A comparative study between Chicago and Taipei." Thesis, Illinois Institute of Technology, 2013. http://pqdtopen.proquest.com/#viewpdf?dispub=3574932.
Повний текст джерелаThis research and methodology develop a set of statistical measurements to evaluate sustainability — in terms of desired high urban density, walkability for community amenity and convenience for everyday life — at the level of urban design for the cities of Chicago, USA and Taipei, Taiwan. The method, based upon GIS (Geographical Information System) technology, is used at this spatial level and for this type of academic study for the first time. The research analyzes and compares the percentage of each city's population living within the "Quarter Mile Radius Sphere of Influence" (QMSI) for three classes of community amenities: parks, public elementary schools, and subway stations. The new and unique statistical data obtained in this thesis show a great disparity between the two cities.
1. Chicago has 31.98% of its population living within the QMSI of public elementary schools. Taipei has 49.64% of its population living within the QMSI of public elementary schools.
2. For subway stations, Chicago has only 8.09% of its population living in the QMSI, while Taipei has 25.99%.
3. For urban parks, Chicago has 44.06% of its population living in the QMSI, while Taipei has 88.80%.
Further, based upon comparison, this research also discovers that the "sweet spot" areas — intersection of the QMSIs of all three community amenities — are mostly distributed along subway lines. With this indication, the research visualizes and supports the objective of improved public transit and walkability as key factors for sustainability in urban design in this case. The research also demonstrates the usefulness of GIS technology's new application in urban design studies for the future. The research shows that this new method has applicability for academic studies in other urban contexts, and for future international urban design and planning.
Baron, Thomas. "Politique monétaire, monnaie et bulles sur les prix d'actifs." Paris 1, 2011. http://www.theses.fr/2011PA010064.
Повний текст джерелаKuo, Yi. "Chinatown Square and the Convention Center, Chicago, Il. : a balanced design approach between outdoor spaces and indoor spaces in public buildings, a scheme for a convention center in Chinatown, Chicago, Il." Virtual Press, 1992. http://liblink.bsu.edu/uhtbin/catkey/845982.
Повний текст джерелаDepartment of Architecture
Dixon, Imani. "Revealing Identity Through the Lens of Appropriation." University of Cincinnati / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1491307241886434.
Повний текст джерелаKahn, Sergey. "Thinking Outside The Grid: Structural Design Through Multi-parametric Growth and Self-Adaptive Analysis." University of Cincinnati / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1491317566570458.
Повний текст джерелаStrzebniok, Peter. ""It's not the road you walk, it is the walkin" : a Benedictine monastery in Chicago." Virtual Press, 1996. http://liblink.bsu.edu/uhtbin/catkey/1020166.
Повний текст джерелаDepartment of Architecture
Huet, Armel. "La raison urbaine : communauté et socialité." Paris 10, 1988. http://www.theses.fr/1988PA100076.
Повний текст джерелаOlivendal, Nica. "Stadsdelar i förändring : En jämförande arkitekturanalys av gentrifierade områden i Chicago och London." Thesis, Uppsala universitet, Konstvetenskapliga institutionen, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-448228.
Повний текст джерелаChebahi, Malik. "L’Enseignement de l’architecture à l’École des beaux-arts d’Alger et le modèle métropolitain : réceptions et appropriations (1909-1962)." Thesis, Paris Est, 2013. http://www.theses.fr/2013PEST1049.
Повний текст джерелаIn 1881, an atelier (studio) was founded at the École des Beaux-Arts in Algiers. Up until 1940, programs, concours, as well as judgments and rewards have depended on masters and local juries. From 1940, the atelier has been regional and included the bosom of the École des Beaux-Arts in Paris. This is the only structure belonging to the French colonial empire to have been granted this status. While the evolution of architectural and urban ideas in colonial Algiers was the subject of much research, the history of architectural education in this city has meanwhile remained unexplored. This thesis comes therefore to lift the existing veil around the pedagogical model developed in Algeria. It examines in particular the period between 1909 and 1962. These chronological limits correspond to both a period that is better documented and to two important moments for the architectural institution. Indeed, the year 1909 marked the appointment of the first French architect born in Algeria as the head of the architectural studio. This advent is the starting point for a more structured and better organized teaching of architecture. As for the year 1962, it signaled the end of the French presence in Algeria and the birth of the Algerian school. The interest is to place the education provided at the studio of architecture in Algiers in relation to the pedagogical system of the Beaux-Arts in Paris, and to replace it in the broader context of the emergence of an architectural identity that is specific to the colony. This research, which converge the history of architectural education in France and the history of colonization, is notably built on the following questions: what form has the teaching of architecture in Algeria taken during the colonial period? Was the transplantation identical to the pedagogical model introduced by the Beaux-Arts in Paris, adaptation or rebuilding? What part has the regional dimension taken in the architectural education disseminated in Algeria? Through a comparative analysis between the pedagogy disseminated in Paris and in Algiers, this research shows that a structure forming in the art of building is inseparable from the territory that houses it, the population that attends it, and the political and cultural environment that surrounds it. Furthermore, this thesis contributes to updating the cultural and professionals exchanges that operate between France and its colony
Fleury, Jean-Baptiste. "L’extension de la science économique hors de ses frontières traditionnelles : le cas américain (1949-1992)." Thesis, Lyon 2, 2009. http://www.theses.fr/2009LYO22008/document.
Повний текст джерелаThis thesis studies the expansion of the scope of economics to the study of phenomena traditionally considered to lie outside of the domain of economics. We claim that such a development came with the expansion of the domain of government intervention from the late 1940s on, which raised interdisciplinary questions. What was considered to be “economic”, “social” or “political” phenomena evolved and blurred. In return, this stimulated economists to overstep the traditional disciplinary boundaries. We identify three steps in the expansion of the scope of economics. First, in the context of the Cold War society, economists progressively studied political phenomena such as the problem of collective choice. Second, in the 1960s, and more precisely during Lyndon Johnson’s presidency, economists became progressively interested in the study of social problems related to the notion of poverty, such as discrimination, education, crime or public health. Finally, in the 1970s, the last step of the development of the scope of economics was characterized by the progressive fading of any a priori disciplinary boundaries. Vindicated by the success of their economic approach to political and social phenomena, some economists argued that their discipline was not defined by its field of analysis, but rather by its tools
Bauer, Caroline. "L'agence André au temps de Jacques et Michel (Nancy, 1929-1973) : architecture, réseaux et filiations." Thesis, Paris 1, 2015. http://www.theses.fr/2015PA010573.
Повний текст джерелаOur study focuses on the André agency between 1929 and 1973, period of activity of thebrothers Jacques and Michel André, architect and engineer. We question their production inits spatial and historical context, in the light of the notions of filiation and networks. Comingfrom a large dynasty of architects in Lorraine, they benefit from both material and intellectuallegacy. This rooting, supported by the teeming École de Nancy in the early century,promotes close networks as well as international cultural exchanges. The André brothersextend this critical dynamic by getting involved in the Comité Nancy-Paris, the Union desartistes modernes (UAM) and the L'Architecture d'aujourd'hui magazine. During the Interwarperiod, they were the first architects to work sustainably with Jean Prouvé, before associatingClaude, the son of the later, to the agency in the 1960s. Close to local building contractors,the two brothers question the constructive value of architecture: they focus on reaching ontechnical perfection and experimentation on materials. This research goes through theirproduction, since their first major achievement, the Institute of Zoology, inspired by FrankLloyd Wright’s processes, to the museum of iron history, symbol of the region's industrialglory. While the 1930s are a period of creativity, the agency develops postwar the toolsneeded to face intense order, in particular postal, and shifts toward a quest for productivity.The André agency thus constitutes a privileged witness to the upheavals of architecturalproduction during the 20th century
Sanchez, Enrique Roberto. "From Aztec To Médiathèque: Hybrid Contradictions." University of Cincinnati / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1306503293.
Повний текст джерелаGarate, Emmanuel. "La Révolution économique au Chili : à la recherche de l'utopie néo-conservatrice (1973-2003)." Paris, EHESS, 2010. http://www.theses.fr/2010EHES0161.
Повний текст джерелаThis thesis deal with two fundamentals questions regarding Chile's recent past. The first one is the profound economical and social transformation Iived between 1973 and 2003, that is to say the period that includes the military regime and the first three governments of the democratic transition. The second one refers to the evolution of the liberal economical thought in Chile, and the rising of a new entrepreneurial elite formed at the image of the neoclassical economists discourse. To situate the deepness of the changes that occurred in the country since 1973, the research goes back to the beginnings of the XIXth century when arrive to Chile the first ideas on economical liberalism, as well as the 1930 decade when the model of the «State of Compromise » is sealed. However, the analysis is centered on the origins and development of the « Chicago Boys» as managers of Chile's economical transformation understood as a different type of violence and the important changes produced inside the leading elite of the country (1973-2003). Finally, the thesis examines the uses of the recent past in the strategies of power and the representations of the new elite concerning the imaginaries of a society articulated around a free market model
Boifava, Barbara. "Théorie, pratique et histoire de l'architecture : l'insegnamento di Louis-Hippolyte Lebas all'École des Beaux-Arts di Parigi, 1842-1856." Paris 8, 2003. http://www.theses.fr/2003PA082623.
Повний текст джерелаThe dissertation takes into consideration Lebas’ teaching experience at the Ecole des Beaux-Arts in Paris in a period characterized by the definition of methods and instruments necessary for a research meant as a deep reflection on modern architecture. Lebas’ teaching fits in a project aiming at a systematic classification of different periods and styles in the history of architecture. Basing himself upon sources and references, he defines and precisely identifies the professor of history of architecture’s role and the value of this discipline. The study of Lebas’ « entretiens » made an interpretation possible of his effort to write and illustrate a history of architecture. This interpretation also revealed the aspects of a multiple and extended teaching based on the integration of theorectical precepts and practical rules deduced from an absolute ancient model and from project experience, which is the expression of the search for a « new architecture »
Ricateau-Marciano, Florence. "Formation et carrière de élèves de la classe d'architecture de l'Ecole des Beaux-Arts de Marseille 1813-1914." Aix-Marseille 1, 1999. http://www.theses.fr/1999AIX10011.
Повний текст джерелаMangin, France. "La place du patrimoine urbain dans le développement du centre-ville de Hanoi͏̈." Paris 8, 2002. http://www.theses.fr/2002PA082102.
Повний текст джерелаTalenti, Simona. "L'histoire de l'architecture en France : émergence d'une discipline (1863-1914)." Paris 8, 1998. http://www.theses.fr/1998PA08A006.
Повний текст джерелаThe subject of this study is the transformation of history of architecture and of the historiographical conceptions between 1863, date of the pedagogical reform at the parisian ecole des beaux-arts, and 1914, date that signifies a break in teaching and publishing. From huyot to Magne, from Reynaud to Choisy, history of architecture aims more and more to become an independant matter. This research of autonomy means to define clearly the fields of inquiries, the objectives and particular methods. History of architecture refuses to provide only auxiliary knowledge to illustrate political or literary history, to be confined to the same existence as numismatical studies for example. Archeology, comparative anatomy and other sciences supply important models. But for the architects or engineers a major difficulty exists : they need to define the links between a scientific' history and the architectural pratice, searching desperately for the caracteristic style of their own century. The most important items of this transformation studied here are the aims and ideas of the authors, their analytical methods, their conception of classification and their manner of using images and illustrations
Rollot, Mathias. "Eléments vers une éthique de l'habitation." Thesis, Paris 8, 2016. http://www.theses.fr/2016PA080008/document.
Повний текст джерелаThe research aims at questioning the inhabitation philosophical idea in its critical contents. Beyond its binary reduction (inhabilitability : what would be inhabitable, and what may be un-inhabitable), it tries to shape more complex explainations of the different resistances to the inhabitations processes. To do so, the research first construct a dialogic structure of the « inhabitation » philosophical notion. Then, it put it in relation to the philosophical thinking of Günther Anders. Through the notions of conformisation, of « dividu », or the one of « familiarization », it wants to show how human inhabitation polarities can be difficult to realize in certains spatial configurations, with certains technological disposals, or inside certain societies or cultural structures. In all this, the study tries to establish a new reading of the complex relations that stands between architectures, inhabitations and responsabilities inside the liquid modernity we live in. Introduction of a larger « critical theory of milieus », it works at constructing a series of elements capable of representing inhabitation as a ethical value, as much as bringing the thinking to new potentialities. Sketching, in this way, contents and limits of what could be a paradoxal but also necessary inhabitation’s ethic
Lopes, Ferreira Thiago. "Architectures vernaculaires et processus de production contemporains : formation, expérimentation et construction dans une communauté rurale au Brésil." Thesis, Grenoble, 2014. http://www.theses.fr/2014GRENH037/document.
Повний текст джерелаThis thesis takes as its analytical perspective the contemporary manifestations of vernacular architecture production and building cultures within the complex correlation of forces and interests that shape and determine the phenomena of capitalist production of popular housing.The analytic framework is delineated from a series of reflections of theoretical and conceptual order, in relation to the analysis of a popular housing building site within an agrarian reform rural settlement in Brazil. This assumes the form of a field school in loco on the building site and is projected as a stage for experiments and experiences, where the proposal is to combine pedagogy and production in the same space. The processes of knowledge formation and construction occur simultaneously and complementarily to practical achievements and development of technologies.This building site is thus transformed into a tool for the constitution of a dialectical space of social work, where the orientation of its productive experimenting is focused on the challenge of designing a house from the local generation of social technologies, through the use of natural materials and reuse of discarded resources. A theoretical work, presented in the initial of the thesis, provides the framework for this fieldwork, which feeds back our reflection on processes of production and development of new vernacular architectures, integrated into their territories
Esta tese possui como perspectiva de análise as manifestações contemporâneas de produção das arquiteturas vernáculas e culturas construtivas, dentro da complexa correlação de forças e interesses que formatam e determinam os fenômenos de produção capitalista das habitações populares. Seu contorno analítico está delineado a partir de uma série de reflexões de ordem teórico-conceituais relacionadas com as análises de um canteiro habitacional dentro de um assentamento rural de reforma agrária. Este, assume a forma de um canteiro-escola e se projeta como palco de experimentações e vivências, onde se propõe como prática o exercício de conjugar pedagogia e produção no mesmo espaço. Os processos de formação e construção dos conhecimentos ocorrem de maneira complementar e simultânea às realizações práticas e ao desenvolvimento das tecnologias. Tal canteiro se transforma, assim, em ferramenta para constituição de um espaço dialético de trabalho social, onde o experimentar produtivo está focado no desafio de conceber uma habitação a partir da geração local de tecnologias sociais, por meio do uso de materiais naturais e da reutilização de recursos descartados. O trabalho teórico, apresentado nas primeiras partes da tese, define o quadro de sua práxis, que por sua vez, realimenta a reflexão sobre os processos de produção e desenvolvimento de novas formas de arquiteturas vernáculas, integradas aos seus territórios
Roberts, David A. "The Changes in American Society from the 17th to 20th Century Reflected in the Language of City Planning Documents." Youngstown State University / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=ysu1410888727.
Повний текст джерелаBauer, Caroline. "L'agence André au temps de Jacques et Michel (Nancy, 1929-1973) : architecture, réseaux et filiations." Electronic Thesis or Diss., Paris 1, 2015. http://www.theses.fr/2015PA010573.
Повний текст джерелаOur study focuses on the André agency between 1929 and 1973, period of activity of thebrothers Jacques and Michel André, architect and engineer. We question their production inits spatial and historical context, in the light of the notions of filiation and networks. Comingfrom a large dynasty of architects in Lorraine, they benefit from both material and intellectuallegacy. This rooting, supported by the teeming École de Nancy in the early century,promotes close networks as well as international cultural exchanges. The André brothersextend this critical dynamic by getting involved in the Comité Nancy-Paris, the Union desartistes modernes (UAM) and the L'Architecture d'aujourd'hui magazine. During the Interwarperiod, they were the first architects to work sustainably with Jean Prouvé, before associatingClaude, the son of the later, to the agency in the 1960s. Close to local building contractors,the two brothers question the constructive value of architecture: they focus on reaching ontechnical perfection and experimentation on materials. This research goes through theirproduction, since their first major achievement, the Institute of Zoology, inspired by FrankLloyd Wright’s processes, to the museum of iron history, symbol of the region's industrialglory. While the 1930s are a period of creativity, the agency develops postwar the toolsneeded to face intense order, in particular postal, and shifts toward a quest for productivity.The André agency thus constitutes a privileged witness to the upheavals of architecturalproduction during the 20th century
Légaré, Denyse. "L'enseignement de l'architecture à l'École des beaux-arts de Québec : ses antécédents, son dévelppement et son apport à la profession." Doctoral thesis, Université Laval, 2000. http://hdl.handle.net/20.500.11794/28535.
Повний текст джерелаAndolfatto-Ruebrecht, Christiane. "Le dessin technique en Alsace et en Lorraine : influences germaniques et italiennes de 1861 à 1975." Thesis, Strasbourg, 2012. http://www.theses.fr/2012STRAG036.
Повний текст джерелаIndustrial design is connected to artistic and technical conflicts, designers’ fears, educational facilities. Social dynamic, offers, charities of Alsace and Lorraine Schools overlap historical, industrial and artistic data. Arts and Crafts confronting vernacular and academicism in 1861, school buildings opened to utilitarian design, technical sociology,world, history of art, spirituality and anthropology. Mediocrity and perfection joining drawing and teaching in 1970. With the academicism and the merger of arts of the Middle Ages, the1919’s manufacturers carried the cultural, social, political and economic transformations, like the Kœchlin, the Dollfus or the de Dietrich who trained designers in Alsace. Perfection, simplicity, industrial humanity, design de formities, fusion of art and life produce the humanity of design in the 1960’s and 1970’s, beginning with the transformation of schools in the1960’s. In 1975, arts plastiques instead of drawing, professors and administrations reveal the difficulties in France. From 1861 to 1975 institutions deviate from environment and individuality. In France, Engineering Schools’ competitive exam shows the explosion of general education. The interest in the utilitarian aspect of the (technical) design does not disappear; environment, simplicity of bricoleur’s drawing transformed the attention to drawing encased in the industrial design in 1969. Poorly done, dispelling effort, work and risk
Von, Szilagyi Emmanuel Brito. "La création des écoles d´apprentis et d’artisans au Brésil (Escolas de Aprendizes e Artífices do Brasil) du XXe siècle (1909 - 1937) : enjeux sociaux, politiques et culturels." Master's thesis, Universidade de Évora, 2020. http://hdl.handle.net/10174/29204.
Повний текст джерелаBélime-Droguet, Magali. "Les décors peints du château d'Ancy-le-Franc et leur place dans la peinture en France entre le milieu du XVIe siècle et les premières décennies du XVIIe siècle." Paris 4, 2004. http://www.theses.fr/2004PA040146.
Повний текст джерелаThe chateau at Ancy-le-Franc was built for Antoine de Clermont to plans by Sebastiano Serlio. In 1546 the chateau had reached the level of the first floor and its construction was completed by around 1550. As soon as the main fabric was finished, Antoine de Clermont turned his attention to the interior decoration of his residence, doing his best to attract first-class artists to the site: Primatice and Nicolo dell'Abbate. On the death of Antoine de Clermont (1579), Ancy-le-Franc became the property of his grandson, Charles-Henry de Clermont-Tonnerre. The latter launched in his turn a grandiose campaign of decoration which began shortly before 1596. That is how certain of the decorative cycles executed at Ancy-le-Franc were influenced by paintings belonging to the Second School of Fontainebleau. Using a stylistic approach, we have been able to attribute five decorative cycles of this second campaign to Nicolas de Hoey, a painter of Flemish origin established in Dijon
Gray, Jennifer Louise. "Ready for Experiment: Dwight Perkins and Progressive Architectures in Chicago, 1893-1918." Thesis, 2011. https://doi.org/10.7916/D8FF40BJ.
Повний текст джерелаLoGiudice, Peter. "Humanism and the classical the expansion of the Art Institute of Chicago /." 2006. http://etd.nd.edu/ETD-db/theses/available/etd-04212006-063136/.
Повний текст джерелаCarrero, Givan. "Reinvigorating Englewood, Chicago Through New Public Spaces and Mixed-Income Housing." 2020. https://scholarworks.umass.edu/masters_theses_2/957.
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