Книги з теми "Early sound film"
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Wiegand, Daniel. Aesthetics of Early Sound Film. Nieuwe Prinsengracht 89 1018 VR Amsterdam Nederland: Amsterdam University Press, 2023. http://dx.doi.org/10.5117/9789463727372.
1941-, Abel Richard, Altman Rick 1945-, and Domitor Conference (5th : 1998 : Library of Congress), eds. The Sounds of early cinema. Bloomington, IN: Indiana University Press, 2001.
Barham, Jeremy. The Routledge Companion to Global Film Music in the Early Sound Era. New York: Routledge, 2023. http://dx.doi.org/10.4324/9780429504471.
Rossholm, Anna Sofia. Reproducing languages, translating bodies: Approaches to speech, translation and cultural identity in early European sound film. Stockholm: Almqvist & Wiksell, 2006.
Wagner, A. F. Recollections of Thomas A. Edison: A personal history of the early days of the phonograph, the silent and sound film and film censorship. [London]: City of London Phonograph & Gramophone Society in association with Symposium Records, 1991.
Mukherjee, Madhuja. Aural films, oral cultures: Essays on cinema : from the early sound era. Kolkata: Jadvapur University Press, 2012.
Henry, Jenkins. What made pistachio nuts?: Early sound comedy and the vaudeville aesthetic. New York: Columbia University Press, 1992.
Jenkins, Henry. What made pistachio nuts?: Early sound comedy and the vaudeville aesthetic. New York: Columbia University Press, 1992.
Library of Congress. Motion Picture, Broadcasting, and Recorded Sound Division. Early motion pictures: The paper print collection in the Library of Congress. Washington: Motion Picture, Broadcasting, and Recorded Sound Division, Library of Congress, 1985.
Buhler, James. Early Theories of the Sound Film. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199371075.003.0002.
Tomii, Reiko, Martha Buskirk, Hitoshi Nomura, and Fergus McCaffrey. Hitoshi Nomura: Early Works - Sculpture, Photography, Film, Sound. McCaffrey Fine Art, 2010.
Chattopadhyay, Budhaditya. Sound in Indian Film and Audiovisual Media. Amsterdam University Press, 2023. http://dx.doi.org/10.5117/9789463724739.
Slowik, Michael. After the Silents: Hollywood Film Music in the Early Sound Era, 1926-1934 (Film and Culture Series). Columbia University Press, 2014.
Rogers, Holly, and Jeremy Barham, eds. The Music and Sound of Experimental Film. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190469894.001.0001.
Slowik, Michael. After the Silents: Hollywood Film Music in the Early Sound Era, 1926-1934. Columbia University Press, 2014.
Slowik, Michael. After the Silents: Hollywood Film Music in the Early Sound Era, 1926-1934. Columbia University Press, 2014.
Thom, Randy. Notes on Sound Design in Contemporary Animated Films. Edited by John Richardson, Claudia Gorbman, and Carol Vernallis. Oxford University Press, 2013. http://dx.doi.org/10.1093/oxfordhb/9780199733866.013.018.
Lewis, Hannah Rose. Negotiating the Soundtrack: Music in Early Sound Film in the U.S. and France, 1926-1934. 2014.
Pravadelli, Veronica. The Early Thirties. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252038778.003.0002.
Withall, Keith. Studying Early and Silent Cinema. Liverpool University Press, 2014. http://dx.doi.org/10.3828/liverpool/9781906733704.001.0001.
Kornhaber, Donna. Silent Film: A Very Short Introduction. Oxford University Press, 2020. http://dx.doi.org/10.1093/actrade/9780190852528.001.0001.
Lewis, Hannah. French Musical Culture and the Coming of Sound Cinema. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190635978.001.0001.
Brend, Mark. The Sound of Tomorrow. Bloomsbury Publishing Plc, 2012. http://dx.doi.org/10.5040/9781501382888.
Ashworth, P. Sound It Out; Early Language File. Longman, 1999.
Buhler, James. Theories of the Soundtrack. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199371075.001.0001.
Platte, Nathan. In the Selznick Family Tradition. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780199371112.003.0002.
Jacobs, Christophe P., and Donald McCaffrey. Guide to the Silent Years of American Cinema. Greenwood Publishing Group, Inc., 1999. http://dx.doi.org/10.5040/9798400660429.
Abel, Richard, and Charles (Rick) F. Altman. Sounds of Early Cinema. Indiana University Press, 2001.
Baumgartner, Michael. Metafilm Music in Jean-Luc Godard's Cinema. Oxford University PressNew York, 2022. http://dx.doi.org/10.1093/oso/9780190497156.001.0001.
Tobias, James. An Educational Avant-Garde. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190469894.003.0004.
Maslon, Laurence. A Few of My Favorite Things. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199832538.003.0010.
Lehman, Frank. Tonal Practices. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190606398.003.0002.
King, Rob. Hokum!: The Early Sound Slapstick Short and Depression-Era Mass Culture. University of California Press, 2017.
Henry, Jenkins. What Made Pistachio Nuts?: Early Sound Comedy and the Vaudeville Aesthetic. Columbia U.P., 1993.
Reid, John Howard. Silent Movies and Early Sound Films on Dvd: New expanded Edition. Lulu Press, Inc., 2011.
King, Rob. Hokum!: The Early Sound Slapstick Short and Depression-Era Mass Culture. University of California Press, 2017.
Marsh, Leslie L. Introduction. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252037252.003.0001.
VanCour, Shawn. Making Radio. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190497118.001.0001.
Lewis, Hannah. Surrealist Sounds. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190635978.003.0003.
Toymentsev, Sergei, ed. ReFocus: The Films of Andrei Tarkovsky. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9781474437233.001.0001.
Gardner, Colin. Chaoid Cinema. Edinburgh University Press, 2021. http://dx.doi.org/10.3366/edinburgh/9781474494021.001.0001.
Bishop, Daniel. The Presence of the Past. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780190932688.001.0001.
VanCour, Shawn. Introduction. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190497118.003.0001.
Xiao, Ying. China in the Mix. University Press of Mississippi, 2017. http://dx.doi.org/10.14325/mississippi/9781496812605.001.0001.
Halle, Randall. Interzone History. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252038457.003.0003.
Lewis, Hannah. Conclusion. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190635978.003.0008.
Eisenstein, Sergei. The Eisenstein Reader. Edited by Richard Taylor. British Film Institute, 1998. http://dx.doi.org/10.5040/9781838711023.
Williams, Tami. Fiction, Newsreels, and Social Documentary in the Sound Era. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252038471.003.0005.
Goldsmith, Thomas. Earl Scruggs and Foggy Mountain Breakdown. University of Illinois Press, 2019. http://dx.doi.org/10.5622/illinois/9780252042966.001.0001.
Lewis, Hannah. Source Music and Cinematic Realism. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190635978.003.0006.