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1
Jackson, Andrew. "Tinkering: Australians Re-invent DIY Culture." Journal of Modern Craft 12, no. 1 (January 2, 2019): 85–87. http://dx.doi.org/10.1080/17496772.2019.1568056.
2
Knochel, Aaron D. "DIY Prosthetics: Digital Fabrication and Participatory Culture." Art Education 69, no. 5 (August 15, 2016): 7–13. http://dx.doi.org/10.1080/00043125.2016.1201401.
3
Bradley, Pete. "Enjoy the Ride: DIY culture in Nottingham." Capital & Class 28, no. 3 (November 2004): 179–81. http://dx.doi.org/10.1177/030981680408400114.
4
Sipos, Regina, and Kerstin Franzl. "Tracing the History of DIY and Maker Culture in Germany’s Open Workshops." Digital Culture & Society 6, no. 1 (December 1, 2020): 109–20. http://dx.doi.org/10.14361/dcs-2020-0106.
Анотація:
Abstract This article presents preliminary research findings on the history of Do-It-Yourself (DIY) and maker culture in Germany. It aims to identify historical, political, economic and societal shifts that have led to the existence of approximately 1000 makerspaces of various kinds in Germany today. The article summarises the beginnings of DIY in the 20th century in West Germany and East Germany. It focuses on how infrastructures supporting DIY were created out of necessity and economic considerations, how tools and spaces were offered as public service, the influence of counterculture movements and expression of political views through DIY and finally the use of DIY as a meaningful way to spend newfound leisure time and the phenomenon of state-funded vocational educational spaces. It aims to inspire further research elucidating the connections between broader societal contexts and DIY throughout the past century and its effects on maker culture today.
5
Wihewuren, Jessefan Isaiah, Elisabeth Christine Yuwono, and Vanessa Yusuf. "Basajiwa: Do It Yourself Innovation of Indonesian Batik Education." Gelar : Jurnal Seni Budaya 20, no. 1 (July 29, 2022): 29–37. http://dx.doi.org/10.33153/glr.v20i1.4231.
Анотація:
Batik as an Indonesian culture has many relations towards Indonesian traditions. Its long production process has created stigma and the youths' disinterest in batik. DIY (Do It Yourself) batik products can be the answer on how to educate and attract youths' interest in Batik Indonesia. DIY batik products are innovative and must be created to pass down batik culture to youths. Through Basajiwa and its batik DIY products, youths will be able to recognize and engage in batik culture. Motifs such as Parang Rusak, Parang Centhung, Semen Ageng Sawat Gurdha, and Kawung Sen/Beton are designed to represent some Indonesian batik motifs. The existence of DIY batik products and Basajiwa are further investigated by means of descriptive qualitative analysis research and SWOT Method. Outputs consist of facts about some Indonesian batik motifs, brand analysis of Basajiwa as DIY batik brand, and effects of DIY batik on youths. It is concluded that Basajiwa and its DIY batik products are able to be the correct solution to generate interest of youths towards batik Indonesia because it becomes a self-healing activity and to de-stress for a while.
6
Poon, Michelle, and Wilhelm E. J. Klein. "Identity Crisis in the Pearl River Delta." Digital Culture & Society 3, no. 1 (July 26, 2017): 159–84. http://dx.doi.org/10.14361/dcs-2017-0111.
Анотація:
Abstract This paper is a conversation-based reflection on hacker-, maker- and DIY-culture. It focuses on the unique cultural and socio-economic setting of Hong Kong, using Dim Sum Labs, its first hacker/makerspace as its primary subject of investigation. To provide context, we begin with an outline of the cultural, economic and physical challenges presented by Hong Kong. We then proceed to present and relay conversation pieces from interviews with members and non-members of Dim Sum Labs, who speak about their respective perspectives on notions of “hacking,” “making” and “DIY-culture.” Finally, we provide some reflections on our own experiences as members of the hacker/maker/ DIY-culture and past directors of Dim Sum Labs.
7
Martin-Iverson, Sean. "REVIEW | Underground: The Subterranean Culture of DIY Punk Shows." IASPM@Journal 6, no. 1 (November 7, 2016): 154–56. http://dx.doi.org/10.5429/2079-3871(2016)v6i1.12en.
8
Kanai, Akane. "Jennifer Lawrence, remixed: approaching celebrity through DIY digital culture." Celebrity Studies 6, no. 3 (July 3, 2015): 322–40. http://dx.doi.org/10.1080/19392397.2015.1062644.
9
Prabowo, Trisnar Adi, Endang Rini Sukamti, Ardiah Juita, Agus Sulastio, Ni Putu Nita Wijayanti, and Ricky Susiono. "Analysis of Coaches Work Culture Behavior in DIY Province." COMPETITOR: Jurnal Pendidikan Kepelatihan Olahraga 15, no. 2 (June 25, 2023): 356. http://dx.doi.org/10.26858/cjpko.v15i2.48020.
Анотація:
The purpose of this research is to analyze the coaches work cultural behavior in DIY province in the context of POPNAS 2023 (National Student Sports Week) Indonesia. The importance of this study is to evaluate the trainer's performance during the training periodization. This research uses survey method, its analysis uses quantitative descriptive. The sample of this research is 40 trainers consisting of 15 types of sports, these sports will be competed in the Indonesian POPNAS (National Student Sports Week). The research instrument was a questionnaire in the form of a Google form consisting of 24 statement items. The indicators of the coache work culture behavior are divided into attitudes toward work and behavior on time work. Test the validity of the instrument using Aiken's with a value of 0.898 and Cronbach's Alpha reliability test with a value of 0.791. The results of this study indicate that the cultural behavior of DIY provincial trainers shows the results of "very poor" 4 coaches (10%), "less" 7 coaches (17.5%), "enough" 21 coaches (52.5%), "Good" 6 coaches (15 %), “very good” 2 coaches (5%). Based on the results of research on work behavior, the work culture of DIY coaches is in the dominant category of "enough". Thus it can be an evaluation material for all levels of coaches and sports organizations about the importance of coach awareness and other support including sports institutions so that they pay more attention to coaches. Suggestions from this study so that research can be developed by adding samples or research variables. Because research that examines the work culture of coaches is still a little published.
10
Muallidin, Isnaini, Abdul Juli Andi Gani, Mujibur Rahman Khairul Muluk, and Andy Fefta Wijaya. "THE BARRIERS TO ORGANIZATIONAL REFORM IN LOCAL GOVERNMENT: CASE STUDY IN THE SPECIAL REGION OF YOGYAKARTA." International Journal of Applied Research in Social Sciences 4, no. 3 (May 19, 2022): 75–81. http://dx.doi.org/10.51594/ijarss.v4i3.333.
Анотація:
The purpose of this research is to describe and analyze the obstacles in organizational reform in the Special Region of Yogyakarta. The method in this research uses qualitative methods and data analysis uses spiral analysis techniques. The results show that there are several obstacles related to organizational factors, namely: the problem of limited communication between superiors and subordinates, especially the Governor of DIY and the head of the OPD. For the divisional inhibiting factor in the DIY Regional Government in carrying out organizational reforms, the OPD head in responding to ideas from the DIY Governor in some ways is still slow. The functional factor that becomes an obstacle is the implementation of cross-agency government culture that has not run optimally.
Keywords: Barriers, Organizational Reform, Culture, DIY.
11
Rokhim, Nur. "Tradisi Shalawat Ngelik di Kampung Santri Mlangi, Sleman, DIY." Tamaddun: Jurnal Kebudayaan dan Sastra Islam 20, no. 1 (June 28, 2020): 15–28. http://dx.doi.org/10.19109/tamaddun.v20i1.5951.
Анотація:
The tradition of ngelik prayer is one of the traditions of the celebration of the birth of the Prophet Muhammad, in the Santri Village in Mlangi, Sleman, DIY. This tradition is carried out at the peak of the prophet's birthday celebration which is the 12th of Rabiu'ul Awal at Pathok Negoro Mosque in Mlangi. This research tries to reveal in detail the tradition and try to analyze why this tradition still exists today. This study uses two data collection techniques, namely literature and field studies. The approach used is a qualitative approach with an ethnographic model. This research reveals a brief history of Santri Mlangi Village formed by the initiative of KH. Nur Iman Mlangi, sibling of Sultan Hamengkubuwono I. This research also found that the tradition of ngelik prayer is a new culture as a result of a cross between Islamic and Javanese cultures. The celebration of the birthday of the Prophet Muhammad SAW, is an Islamic culture. While recitation of shalawat using Javanese-style notes is a Javanese tradition. This is inseparable from the influence of the existence of KH. Nur Iman Mlangi who is a royal descendant of the Yogyakarta Palace. This study also revealed that the existence of dozens of pesantren has a big role in maintaining the continuity of the tradition of ngelik prayer.
Keywords: Shalawat Ngelik, Mlangi, Pathok Negoro Mosque
12
Purdue, Derrick, Jörg Dürrschmidt, Peter Jowers, and Richard O'Doherty. "DIY Culture and Extended Milieux: LETS, Veggie Boxes and Festivals." Sociological Review 45, no. 4 (November 1997): 645–67. http://dx.doi.org/10.1111/1467-954x.00081.
Анотація:
The wave of DIY culture and environmental innovation sweeping through the UK is not restricted to isolated sites of high profile protest, such as the Newbury bypass. Based on fieldwork in the South West of England, consisting of in-depth interviews, participant observation, focus groups and a postal survey, we argue that networks such as those around festivals, LETS and organic food box schemes contribute to green milieux, which encourage ecological and cultural innovation of everyday life. We suggest that this creative social and ecological margin may be viewed as extended milieux combining global and local aspects. Local social relations and identities are reconfigured in new reflexive ways that utilize, criticise and even contribute to globalization, while developing new senses of locality and community.
13
del Pozo, Jorge González. "Global social activism, DIY culture and lack of institutional help." Journal of Urban Cultural Studies 4, no. 3 (September 1, 2017): 427–36. http://dx.doi.org/10.1386/jucs.4.3.427_1.
14
Cleveston Gelain, Gabriela, Milene Migliano, and Pedro De Assis Pereira Scudeller. "Experiências de uma Riot Grrrl: Kathleen Hanna, feminismo, DIY e cultura remix." Revista PHILIA | Filosofia, Literatura & Arte 2, no. 2 (November 10, 2020): 152–88. http://dx.doi.org/10.22456/2596-0911.104017.
Анотація:
Por meio dos fragmentos de narrativas da trajetória da musicista e ativista Kathleen Hanna, pioneira do movimento Riot Grrrl, remontamos, a partir do documentário The Punk Singer, a terceira onda do movimento feminista, evidenciando a interseccionalidade e protagonismo juvenil. Através de fanzines, arte, colagens, letras de música, performances e formação de bandas a partir de uma filosofia punk do it yourself (DIY), salientamos a ampla contribuição de Hanna para o feminismo contemporâneo ao desafiar um cenário opressor dentro do movimento punk, estimulando o surgimento de outras iniciativas feministas, rebeldes e riot grrrls. Sua prática e performance artística são abordadas pelo viés das culturas DIY e remix, potencializando partilhas do sensível e politicidades no engajamento de subjetividades que superam a contenção dos imaginários vigentes.Palavras-chave: Feminismo. Riot Grrrl. Kathleen Hanna. Cultura remix. Imaginário político. AbstractThrough fragments of narratives gathered from the documentary The Punk Singer, based on the life and career of musician and activist Kathleen Hanna, pioneer of the Riot Grrrl movement, we refer to the third wave of the feminist movement, by demonstrating the dimensions of intersectionality and youth protagonism within her work. Ranging from fanzines, art, collages and lyric-making to performance and music groups based on a punk "do it yourself" (DIY) philosophy, we highlight Hanna's broad contribution to contemporary feminism by challenging an oppressive scenario within the punk movement, and by stimulating the emergence of other feminist, rebel and riot grrrls initiatives. Her artistic practice and performance are analyzed through the bias of DIY and remix cultures, thus potentializing distributions of the sensible and politicities in the engagement of subjectivities that surpass the containment of current imaginaries.Keywords: Feminism. Riot Grrrl. Kathleen Hanna. Remix culture. Political imaginary.
15
Triyanto, Triyanto, and Alim Isnansetyo. "MONITORING PARASIT PADA BUDIDAYA IKAN DAN UDANG DI DAERAH ISTIMEWA YOGYAKARTA." Jurnal Perikanan Universitas Gadjah Mada 6, no. 1 (February 1, 2004): 34. http://dx.doi.org/10.22146/jfs.9041.
Анотація:
Parasites often cause the great loss in aquaculture either in fish or shrimp aquacultures. The loss will become more serious when fish or shrimp are secondary infected especially by bacteria. The objective of this study was to identify parasites in fish and shrimp culture inYogyakartaSpecialProvince (DIY). Samples of fish and shrimp were collected from several aquaculture centers in this region including several fish and shrimp hatcheries. Observation of parasites was conducted microscopically and macroscopically.Results showed that giant tiger prawn (Penaeus monodon) cultured in DIY was often infected by Zoothamnium sp. and Gregarines sp.. In addition, giant freshwater prawn (Machrobrachium rosenbergii) was often infected by Apiosoma sp., Dactylogyrus sp., Epystilis sp., Glossatella piscicola, Gregarines sp. and Zoothamnium sp.. Moreover Apiosoma sp., Dactylogyrus sp., Gyrodactylus sp., Ichthyopthirius sp., and Trichodina sp. were found in nile (Oreochromis niloticus) culture. Similar parasites such as Apiosoma sp., Dactylogyrus sp., Henneguya sp. Ichtyoptirius sp. and Trichodina sp..were found in Osphronemus gaurami. Ichtyoptirius sp. and Trichodina sp. also were found in walking catfish (Clarias gariephinus).
16
Mahoney, Tara. "Creative Publics: DIY Political Culture and the 2015 Canadian Federal Election." Public 28, no. 55 (June 1, 2017): 158–70. http://dx.doi.org/10.1386/public.28.55.158_1.
17
Mōri, Yoshitaka. "J‐pop: from the ideology of creativity to DiY music culture." Inter-Asia Cultural Studies 10, no. 4 (December 2009): 474–88. http://dx.doi.org/10.1080/14649370903166093.
18
Smith, Rochelle. "Antislick to Postslick: DIY Books and Youth Culture Then and Now." Journal of American Culture 33, no. 3 (September 3, 2010): 207–16. http://dx.doi.org/10.1111/j.1542-734x.2010.00744.x.
19
Afriandi, Riki, and Eka Anisa. "Utilization of Instagram social media as a means of promotion and preservation of Javanese Culture (Qualitative descriptive study on Instagram account @bpnb.diy)." Symposium of Literature, Culture, and Communication (SYLECTION) 2022 3, no. 1 (November 22, 2023): 819. http://dx.doi.org/10.12928/sylection.v3i1.14105.
Анотація:
This research discusses the utilization of Instagram as a means of promoting and preserving Javanese culture on the Instagram account of bpnb diy. The aim of this research is to understand the utilization of Instagram as a tool for promoting and preserving Javanese culture on the bpnb diy Instagram account and to comprehend the supporting factors and barriers to its utilization. The research method used is descriptive research with a qualitative approach. The data collection techniques include observation, interviews, and documentation. Data analysis techniques utilize Miles and Huberman's analysis, consisting of three stages: data reduction, data display, and conclusion drawing. The research results indicate that bpnb diy, has effectively utilized Instagram as a means of promoting Javanese culture. The activities conducted include: Uploading (1) Javanese cultural content. Collaborating with cultural communities.(2) Organizing contests and thematic events.(3)Using relevant hashtags. The impact of this promotion includes an increase in the number of cultural enthusiasts, as evident from the number of followers, comments, and Instagram insights. However, there are challenges faced, such as a lack of understanding of how to use Instagram effectively, inactive participation from the community, and a shortage of creative resources
20
Bennett, Andy. "Youth, Music and DIY Careers." Cultural Sociology 12, no. 2 (April 3, 2018): 133–39. http://dx.doi.org/10.1177/1749975518765858.
Анотація:
Since the 1970s, the concept of DIY (do-it-yourself) culture has evolved from a bluntly resistant statement of independence from dominant forms of capitalist cultural production and dissemination to a more nuanced expression of creative cultural practice. While such practice remains resistant to more mainstream forms of cultural production and consumption it has at the same time evolved a level of professionalism aimed towards ensuring cultural and, where possible, economic sustainability. In a time where the concept of the cultural industries has become commonplace across many regions of the world and where various attempts are being made to co-opt or suppress forms of cultural production based on their perceived value or threat to the status quo, DIY careers become viable ways in which to mark out and maintain DIY cultural spaces as both ethical and aesthetically meaningful. The articles that make up this special issue consider the contemporary significance of DIY careers with specific reference to young people and music-making practices in a global context.
21
Gulley, Paige, and Alissa Voth. "The computation urge to... DIY social media." ACM SIGCAS Computers and Society 51, no. 1 (April 2022): 11. http://dx.doi.org/10.1145/3557907.3557912.
Анотація:
We are in an era of polarized and pessimistic self-reflection on the state of the internet. As we grapple with the destructive impacts of the modern arrangement of the social web, it's worth remembering that the technology which underpins these giants is more accessible than ever before to those who want to use it to pursue their own ends. We believe that in the hands of thoughtful independent developers the internet stll holds tremendous promise to positively shape our culture at local levels.
22
Golpushnezhad, Elham. "Untold Stories of DIY/Underground Iranian Rap Culture: The Legitimization of Iranian Hip-Hop and the Loss of Radical Potential." Cultural Sociology 12, no. 2 (June 2018): 260–75. http://dx.doi.org/10.1177/1749975518769001.
Анотація:
In this article, I aim to explore how legitimization and de-radicalization of the underground hip-hop subculture have restrained the DIY creation of social norms and cultural behaviours that mobilized Iranian hip-hop in the early 2000s. The article offers a critical discussion of the literature around legitimization of DIY/underground subcultures, specifically youth musical subcultures such as punk and hip-hop, before turning to an analysis of Iranian hip-hop culture in three phases: (1) hip-hop and the creation of a community, 2000–2003; (2) the golden age of Iranian hip-hop, 2003–2009; (3) contemporary Iranian hip-hop, 2009–2016. The article suggests that these three phases have finally led to the entry of hip-hop into the mainstream system and cultural industry, as recent trends bringing it in line with the values and standards of Islamic Iran result in turning underground DIY culture into a mainstream popular form of music supported and funded (indirectly) by the Islamic state.
23
Ahmadi, Makhrus. "Peran Forum Pemuda Kerukunan Umat Beragama Daerah Istimewa Yogyakarta dalam Memperkuat Paradigma Inklusif Kaum Muda." Wahana Akademika: Jurnal Studi Islam dan Sosial 4, no. 1 (July 11, 2017): 93. http://dx.doi.org/10.21580/wa.v4i1.1482.
Анотація:
<p><strong>Abstract</strong></p><p>Religious life in Yogyakarta (DIY) has its own style and culture. It is based on the existence of DIY as a student town, travel, and education, resulting in DIY is seen as civil of tolerance due to DIY into a meeting place for differences of race, culture and religion. Thus, the existence of this study want to study on the role, community leaders and the government's response to the Youth Forum for Religious Harmony Special Region of Yogyakarta (FPKUB DIY) in strengthening the inclusive paradigm among young people in Yogyakarta.</p><p>This study used descriptive qualitative approach. While data collection techniques using the documentation, observation and interviews. Analysis of the data used in this research is data obtained and presented descriptively, begins by describing that has been expressed by the respondents either in person, in writing or direct observation. The process of data analysis is done by starting to examine all the data collected from various sources that had been predetermined.</p><p>This study shows that DIY FPKUB role in strengthening the inclusive paradigm of youth done with emphasis on inter-religious dialogue and national harmony. Form of program activities carried out by FPKUB DIY using participatory-dialogical that program activities runs are varied and well targeted, it is shown by the responses of participants who stated that 25% strongly agree, 60% agree, 15% disagree, 0% no agree, while the expectations of participants towards FPKUB DIY activities are in accordance with the expectations and desires of the participants with the response indicated 5% strongly agree, 85% agree, 10% disagree, 0% disagreed. Response to the role of community leaders FPKUB DIY done by inserting a board representative FPKUB DIY into management FKUB DIY that became the highest forum forum inter-religious harmony that already exist in each district and town in the province. Moreover, historically the birth of an initiative FPKUB DIY community leaders to encourage their mutual awareness among young people about religious harmony, so hope the presence of a pilot program DIY FPKUB other regions in Indonesia regarding inter-religious harmony forum based youth. The government's role Yogyakarta Special Region in strengthening the paradigm of inclusive youth conducted by FPKUB DIY done by providing facilities and infrastructures for use in a variety of activities by FPKUB DIY, though related forms penyelediaan facilities on grants and funding programs could not be implemented due to the lack of legal protection FPKUB overshadow the existence of DIY.</p><p>Keywords: <em>paradigm, inclusive, youth, religious groups</em></p>
24
Jia, Xiaoshuang, Yuan Liang, Kexin Wang, Shengnan Yao, Leiqian Han, and Xingzhuan Chai. "Designing a Mini-Program for Culture Learning and Creative Product Customization: DIY RADP." Digital Presentation and Preservation of Cultural and Scientific Heritage 9 (September 13, 2019): 359–66. http://dx.doi.org/10.55630/dipp.2019.9.39.
Анотація:
Taking Chinese royal architecture decorative patterns as an example, this paper explores an overall socioeconomic framework of culture learning and culture creative product customization as well as the technological framework for developing a WeChat mini-program. It highlights the results so far and the challenges of it.
25
Blaylock, Solomon, and Declan Ryan. "Librarian in the underground: What academic libraries can learn from DIY culture." College & Research Libraries News 78, no. 6 (June 6, 2017): 312. http://dx.doi.org/10.5860/crln.78.6.312.
Анотація:
Academic library professionals are now in uncharted territory. We’re hurtling through unfamiliar, rapidly shifting landscapes. Information storage and retrieval, scholarly publishing, information literacy: everything’s changing on a daily basis. Get hung up on any one thing, and you’re already working in the past. Allow yourself to be overwhelmed and you’re paralyzed.
26
Snake-Beings, Emit. "Maker Culture and DiY technologies: re-functioning as a Techno-Animist practice." Continuum 32, no. 2 (April 26, 2017): 121–36. http://dx.doi.org/10.1080/10304312.2017.1318825.
27
Danilova, Anna G. "QUANTITATIVE METHODS IN THE HISTORICAL AND PSYCHOLOGICAL STUDY INTO THE CATEGORICAL STRUCTURE OF VALUES AND IMAGES IN DIFFERENT CULTURES." Moscow University Psychology Bulletin, no. 1 (2023): 221–46. http://dx.doi.org/10.11621/vsp.2023.01.10.
Анотація:
Background. X e growing interest in the historical development of social systems requires an assessment of the possibilities for a quantitative comparison of psychological characteristics in a person and society of diY erent eras. Objective.X e study aims to reveal the structure of social values and features of contemporary images according to verbal and visual texts of the cultures in the past.Methods. Behavior characteristics describing G. Hofstede’s basic cultural dimensions (Hofstede, 1980) were used to encode texts. Psychosemantic assessment of the works of art perception was carried out with the use of a scale based on the multifaceted Five Factor Model of personality by P. Costa, R. McCrae (FFM; NEO-PI-R questionnaire adapted by V.E. Orel et al.) and the scale of individual image perception in media communication by L.V. Matveeva et al. Sample. A) Ancient Greek and Roman texts of 7th c. BC — 4th c. AD, Old Russian texts of 11th–17th centuries, Byzantine texts of 5th–15th centuries and texts of medieval European culture according to the 17th c.— a total of 205 separate texts. B) Visual stimulus material on cultures: Ancient Greece (7th–1th c. BC); Ancient Rome (7th c. BC — 4th c. AD); Byzantium (5th–15th cc.); Russia (11–19 cc.); Europe (9th, 11th–17th cc.) was assessed by respondents of diY erent ages from 14 to 70 (N = 68). Results. Reliability analysis and confirmatory factor analysis generally supported the structure of the W ve-factor model of personality and the basic dimensions of culture by G. Hofstede on the material of historical texts and works of art. X e least stable dimensions are Hofstede’s Masculinity and Openness to Experience factors of the personality model. An exploratory factorial analysis of data on historical texts yielded a factor structure reZ ecting speciW c aspects of Hofstede’s dimensions. In general, the correlations between personality traits and basic cultural dimensions described by G. Hofstede and R. McCraе (Хофстеде, МакКрэй, 2010) are reproduced. X e diY erences mainly relate to the FFM factor “Extraversion”. X e features of social situations described in historical narratives that are not W xed by the characteristics of behavior that describe the basic dimensions of culture according to Hofstede are discussed. Conclusion. X e subdimensions of modern models of personality and cultural values make it possible to obtain a fairly adequate quantitative assessment of the cultures of the past.
28
Rauszer, Michał. "Od subkultury do kultury DIY. Miejskie ewolucje kultury punk." Kultura Popularna 3, no. 53 (February 26, 2018): 91–100. http://dx.doi.org/10.5604/01.3001.0010.8270.
Анотація:
The aim of this article is to show evolution of punk subculture in the context of a city. The author presents his ethnographical research on punk subculture. Punk is depicted as a two-figure movement. First figure works as a historical reconstruction of early punk contestation character. Second, based on late political engagement, creates a figure of alternative culture in a city. The author describes forms of engagement in movement and reconstructs the line of punk city network.
29
Ďurianová, Andrea, and Peter Daniel. "The DIY Principle in Home Improvement: Background, Motivation and Benefits." Architecture Papers of the Faculty of Architecture and Design STU 26, no. 2 (June 1, 2021): 38–43. http://dx.doi.org/10.2478/alfa-2021-0012.
Анотація:
Abstract Producing objects for one’s own consumption is a major strand in the historical development of material culture. Making things with one’s own hands can be considered a natural means to satisfy human needs. In the present time, this form of production is covered by the term “do-it-yourself” (DIY). DIY has become a global social phenomenon, especially thanks to the opportunities enabled by the Internet. Websites provide a lively forum for discussion, sharing ideas, how-to guides, and galleries of the results of DIY projects. The present work addresses home improvement DIY projects carried out by individuals in Slovakia. The aim is to outline the background, motivation and inspiration of so called do-it-yourselfers, the DIY process and participants’ evaluation of their work. DIY is generally considered to be an activity for amateurs, which is to say people who engage in the activity in their free time, as opposed to professionals, who perform such activity as their job or to earn a living. Moreover, the paper also partly focuses on the relationship between amateurs and professionals which has shown to be the basic principle of current DIY home improvements. One of significant findings of the research showed that the individual experience of craftsmanship or craftwork and the individual need for self-expression appear to be important parts of the DIY experience. Research findings contribute to a better understanding of DIY production in the context of design as an academic discipline. The main research method used was a questionnaire titled “DIY home improvement”, which was drawn up on the model of prior research abroad.
30
Allen, Katherine H. "Human-Robot Haptic Communication and Accessible Assistive Technology." ACM SIGACCESS Accessibility and Computing, no. 137 (January 2024): 1. http://dx.doi.org/10.1145/3654768.3654769.
Анотація:
This research aims to empower disabled makers and engineers to participate in collaborative engineering activities. First, this research identifies barriers to and benefits of applying makerspace culture precepts to the creation of DIY Assistive Technologies (DIY-AT). From this data, we will be developing a hybrid online and in-person community for supporting DIY-AT makers. Simultaneously, this research aims to identify the basic structure and vocabulary of human haptic communication. From that data, we will design an anthropomorphic human-robot interaction for assistive technologies, using the haptic channel to facilitate fluid assistive interactions. Together, these become a program of research that will support disabled makers and engineering students in collaborating with diverse teams of other creators with improved situational awareness and collaboration.
31
Oswal, Sushil K., and Zsuzsanna B. Palmer. "Culturally Situated Do-It-Yourself Instructions for Making Protective Masks: Teaching the Genre of Instructional Design in the Age of COVID-19." Journal of Business and Technical Communication 35, no. 1 (September 18, 2020): 160–66. http://dx.doi.org/10.1177/1050651920959190.
Анотація:
This article employs cross-cultural communication approaches to teaching instructional design in the times of COVID-19 pandemic. Focusing on instructions from France, India, Spain, and the United States for making protective masks, the authors highlight how the writers and designers of these four documents from each culture approach their audiences, organize their DIY instructions, make language choices, employ images and other illustration devices, and culturally persuade users. While acknowledging cultural differences, the authors urge students to identify and adopt design strengths from diverse cultures in their own ideas about composing instructions.
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Brennan, Rebekah, John S. G. Wells, and Marieclaire Van Hout. "“Saving Face”: An Online Study of the Injecting Use of DIY Botox and Dermal Filler Kits." Plastic Surgery 26, no. 3 (April 19, 2018): 154–59. http://dx.doi.org/10.1177/2292550318767432.
Анотація:
This study reports on an empirically underdocumented practice in contemporary aesthetic enhancement culture, the self-injection of unregulated DIY Botox and dermal filler kits purchased online. Data were collected from 4 online discussion forums containing disclosures in relation to use of DIY kits and analyzed using ethnographic content analysis. Motivation to source DIY Botox and dermal fillers online was grounded in desire to avoid financial cost of professional services and a lack of confidence in practitioners. Future intentions to order online raw materials and “formulas” to prepare dermal fillers at home were expressed. Individuals taught themselves to inject through watching YouTube tutorials and downloading Botox injection maps from the Internet. Although individuals demonstrated awareness of the health risks involved with self-injection of unregulated products, this was not a deterrent. Future research is warranted to document the injecting practices and health outcomes of individuals who inject DIY Botox and dermal filler kits to inform targeted harm reduction interventions by health-care practitioners.
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Soldak, Мyroslava. "Employment of DIY potential to ensure the economic resilience of the regions of Ukraine." Economy of Industry 3, no. 103 (September 11, 2023): 28–46. http://dx.doi.org/10.15407/econindustry2023.03.028.
Анотація:
Deindustrialization of regions, especially traditional industrial ones, caused by the destruction of enterprises, infrastructure facilities, relocation of businesses to safer regions of the country significantly reduces the economic potential, creating obstacles to ensuring a decent standard of living in wartime and post-war recovery. New challenges and threats form the demand for finding ways to ensure a resilient economy, which in a broad sense means the system's ability to cope with adverse shocks and recover from them. Within the framework of evolutionary economic geography, it is emphasized the need, along with traditional innovative actors, such as firms, research organizations, and state bodies, to distinguish new participants in innovative activity, in particular – citizens, who are able to play a significant role in the development, application, and scaling of innovative solutions of local problems. The article proposes to pay attention to capabilities of the modern «Do-it-yourself» activity format – DIY 4.0 or Third Wave DIY – as a potential for ensuring the economic resilience of the regions of Ukraine. DIY 4.0/Third Wave DIY relies on the functionality of the interactive and social Internet Web 2.0, digital design and additive manufacturing, which allows common people to invent, design, produce and sell the goods they create. The new advantages significantly expand opportunities of regional actors for prosumption, innovation and entrepreneurship, which are important components of the recovery of economic activity, the development of human capital and the growth of the economy based on the internal potential of the territories. The author identified the directions of stimulation of the DIY culture among population by local authorities and expressed an opinion about possible complications in the practical implementation of the proposed approach, primarily due to the lack of functional literacy of population, problems with access to equipment and resources for financing DIY activities. It is proposed to consider the expediency of including projects to create conditions for the development of DIY culture in the post-war reconstruction programs of regions, which does not exclude widespread support for this movement at the state level. The abovementioned may be related to further research.
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Wolf, Darya V. "Seflie as a SocioCultural Practice in the Context of DIY." Observatory of Culture, no. 1 (February 28, 2015): 24–29. http://dx.doi.org/10.25281/2072-3156-2015-0-1-24-29.
Анотація:
Is devoted to the sociocultural aspects of photographic selfportrait which is examined through the prism of Do It Yourself principle. The author underlines that in the 21st century, this type of practices is represented both in material and virtual spheres of culture and argues that selfie represents a special type of practice that involves producing the media image of the self and personal reality with one’s own hands.
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Afriliani, Dhuwik, and Setiati Widihastuti. "Batak Toba’s Diaspor Loyalty against Customary Heritage in Special Region of Yogyakarta." SOCIA: Jurnal Ilmu-Ilmu Sosial 19, no. 2 (February 9, 2023): 19–31. http://dx.doi.org/10.21831/socia.v19i2.58456.
Анотація:
Various problems due to meetings between two or more cultures such as shock culture, cultural assimilation, and cross culture are considered to be problems of the diaspor community until now. The question is, is this problem also experienced by the Batak Toba’s diaspor, which incidentally is considered a tribe that is very loyal to the customs of their ancestral heritage? Then, how their efforts to maintain the sustainability of traditional marriages? To answer this question, a study was conducted on 8 (eight) Batak Toba’s diaspor in Special Region of Yogyakarta (DIY). The main findings in the study raised from descriptive research with a qualitative approach include: love of the Batak’s custom and the existence of social sanctions encourage the Batak Toba’s diaspor to hold tight to the tradition up to now, it encourages them to try to instill customary valuesand principles, provide direct practical learning to naposo, held traditional seminars, persuaded to directly deal with each marriage, and actively involved in their respective pockets so that their traditional marriages would be preserved. However, in this effort there are still some obstacles, one of which is the indifference of naposo in the management of the HKBP Church. This study recommends the need to allocate a portion of HKBP Church funds to provide guidance by providing free housing for naposo who migrate to DIY.
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Kadie, Christian R., and Muller Koumaï. "Commercial DIY and Involvement of Arab Women in Okra Culture in Dabanga, Cameroon." European Journal of Humanities and Social Sciences 2, no. 3 (May 14, 2022): 57–62. http://dx.doi.org/10.24018/ejsocial.2022.2.3.253.
Анотація:
The realization of a study on commercial DIY and the involvement of Arab women in the cultivation of okra in the city of Dabanga, in the department of Logone and Chari in Cameroon makes it possible to characterize this production in this precarious environment. The objective of this article is to study the mode of production and marketing of okra cultivation by the Arab women of Dabanga, the challenges and the prospects they face to get out of this commercial tinkering. Surveys and observations show that more than half of the households in the city of Dabanga practice agriculture for family self-consumption or the sale intervenes to fill certain deficits of other products. Okra cultivation occupies two women out of three during the rainy season and one woman out of two during the dry season in the commune of Dabanga. Cultivated in a traditional and anarchic way, okra can be found in the markets of surrounding towns such as Maltam, Goulfé, Doublé, Kousseri and in those of neighboring countries such as Ndjamena in Chad.
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Goshert, John Charles. "You (plural): Political configurations of punk’s DIY ethos." Punk & Post-Punk 00, no. 00 (May 27, 2022): 1–18. http://dx.doi.org/10.1386/punk_00148_1.
Анотація:
This article traces the evolution of punk’s do it yourself (DIY) ethos from an emphasis on individualist-contrarian to collectivist-participatory forms following its initial commercial period (c. 1977–80). The focus is on 1980s American hardcore as locus of shifts in music content, media production and distribution, and venue infrastructure, which together developed and ultimately linked local punk scenes into a national and international network. The article identifies ‘punk comradeship’ as the mechanism of social enculturation that reorients punk into an inclusionary, activist endeavour working in its own interests rather than those of the culture industry. The contemporary relevance of punk’s commitment to institution building is considered in the context of increasing dominance of biopolitics and reformatting of the DIY ethos as the entrepreneurial curation of individual selves.
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Pearce, Ruth, and Kirsty Lohman. "De/constructing DIY identities in a trans music scene." Sexualities 22, no. 1-2 (February 5, 2018): 97–113. http://dx.doi.org/10.1177/1363460717740276.
Анотація:
The emergence of ‘trans’ as a social and political movement and identity has created the conditions for the creation of a new music scene, organized around the gender(ed) identities of those involved rather than around musical genre. This article examines the parallels between the attitude taken towards gender(ed) identity and the organization of events in the United Kingdom’s trans music scene. Both entail de/construction through strategies of ‘genre evasion’ (Steinholt, 2012) and ‘cut-and-paste’ (Bornstein, 1994). This de/constructive process crosses boundaries and opens possibilities, enabling new modes of organization alongside new ways of understanding culture and identity.
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Rodríguez, Sagrario Martín. "DIY: Arte, Diseño y Tecnología. Estrategia crítica de colaboración comunitaria offline y online." Revista ICONO14 Revista científica de Comunicación y Tecnologías emergentes 12, no. 1 (January 1, 2014): 181–211. http://dx.doi.org/10.7195/ri14.v12i1.653.
Анотація:
El objetivo del artículo es analizar las diferentes prácticas colaborativas offline y online que de forma emergente han surgido bajo la cultura denominada DIY (do it yourself) o “hazlo tú mismo”, vinculadas al arte y al diseño.Para ello se exploran los distintos factores sociales, culturales y estéticos que propiciaron el cambio de tendencia, orientada a dar voz a un público cada vez más amplio. De tal manera que diseñador/artista y usuario establecen una relación de colaboración y participación creativa.Después, la atención recae sobre las distintas prácticas que se vehiculan a través y en la Red, estableciendo una serie de tipologías según el uso de las TICs. Y también, de cuáles han sido sus estrategias para abogar por una postura crítica, activa y comunitaria. Finalmente, se ha concluido puntualizando la potencialidad de la aplicación de la ética DIY a diferentes ámbitos y subrayando algunos aciertos e inconvenientes de los proyectos analizados. ABSTRACTThe aim of this paper is to analyze the different collaborative practices, offline and online, that have pop up under the DIY (do it yourself) culture linked to art and design. To that end, we explore the diverse social, cultural and aesthetic factors that favoured the trend change, oriented towards giving voice to a wider public. Designer/artist and user establish a creative cooperation and participation. After that, the attention is focused on the diverse practices that are transported through and in the Network, establishing typologies according to the ICT. And also what have been their strategies to enhance for a critical, active, and community attitude.To conclude, we detail the potential application of the DIY aesthetic to other fields, emphasizing possible pros and cons of the analyzed projects.
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Andrade Filho, Marcos Antonio Soares de, Alberto da Silva Franqueira, Aline Socorro de Andrade, Sandra de Oliveira Botelho, and Silvana Maria Aparecida Viana Santos. "INTEGRATION OF MAKER CULTURE INTO THE SCHOOL CURRICULUM." Revista Ibero-Americana de Humanidades, Ciências e Educação 10, no. 5 (May 24, 2024): 4815–21. http://dx.doi.org/10.51891/rease.v10i5.14170.
Анотація:
Este estudo aprofundou a investigação sobre a integração da cultura Maker no currículo escolar, um movimento educacional que enfatiza a aprendizagem prática, a criatividade e a colaboração. A cultura maker incentiva os alunos a criarem, experimentarem e resolverem problemas utilizando ferramentas e tecnologias acessíveis. No contexto escolar, isso pode envolver a criação de projetos DIY (faça você mesmo) que combinam disciplinas tradicionais com habilidades práticas, como programação, design e fabricação digital. A integração da cultura Maker no currículo busca promover o pensamento crítico, a resolução de problemas e o engajamento dos alunos, preparando-os para os desafios do século XXI. O artigo discute estratégias para implementar essa abordagem, destacando exemplos de escolas que já adotaram com sucesso a cultura Maker em seu ensino.
41
Czarnecki, Gina, and John Hunt. "Heirloom: Living Portraits of and for the Artist’s Daughters Created out of Their Own Cultured Cells." Leonardo 50, no. 1 (February 2017): 84–85. http://dx.doi.org/10.1162/leon_a_01357.
Анотація:
This article presents the artwork Heirloom created by artist Gina Czarnecki and scientist John Hunt. Heirloom grows living portraits of Gina Czarnecki’s daughters from their own cells cultured from buccal swabs. The resulting artwork is an ongoing exploration in “culture,” “nurture” and “media” from the scientific, parental and artistic perspectives. The experiment is ongoing as new methods for sustaining life outside the lab have been developed for this work, potentially facilitating future DIY biotechnology for others and helping with maxillofacial reconstruction in the future. Heirloom has been presented within Trust Me, I’m an Artist, an EU Creative Europe supported project.
42
Mantz, Ophélia. "Matter transgression." SAJ - Serbian Architectural Journal 14, no. 3 (2022): 263–88. http://dx.doi.org/10.5937/saj2203263m.
Анотація:
Post-pandemic, France is promoting new ways of inhabiting domestic space by learning from COVID. However, certain models have emerged from a slower transformation. We examine how do-it-yourself (DIY) work may indicate paradigm changes in French society. This essay describes the characteristics and changes in DIY across time in France based on the momentum created by social sciences in the 1970s. It explains how DIY is able to generate changes in people's behaviour and thus offers possible new models for economy and production. However, to play a role in both twenty-first century housing and the contemporary city, action taken on the matter must be spatially legitimised. Therefore, the historical role of homo faber and his workshop in constructing la cite is discussed. Workshops allow the transgression of current material culture led by the ideas of abundance and accumulation. Thus, DIY is viewed as a way of being in the world that allows the construction of new economic and productive models during an era of ecological transition.
43
Hamid, Mudasetia, and Zulkifli Zulkifli. "Pengaruh Penerapan Corporate Governance (GCG) Dan Budaya Organisasi Pengelola Zakat Terhadap Motivasi Pembayaran Zakat Penghasilan Di DIY." Kajian Bisnis STIE Widya Wiwaha 26, no. 1 (January 30, 2018): 48–68. http://dx.doi.org/10.32477/jkb.v26i1.264.
Анотація:
Zakat is a worship that has two dimensions of the vertical and horizontal, which is worship as a form of obedience to God (vertical) and as a duty to fellow human (horizontal). One of the large potential of zakat is zakat income. But so far zakat income has not been well managed including aspects of collection. This study was conducted to determine the effect of the application of the principles of good corporate governance and organizational culture on the motivation to pay zakat income in Yogyakarta Special Region. The result of t test on the variable of good corporate governance has an effect on the motivation of zakat payment of income, it is shown with tcount 3,063 with significance value 0,003. While the organizational culture variable is 2,800 with significance value 0,006. This test shows that the significance value <0.025. F test results on the concurrent effects of good corporate governance and organizational culture shows F count is 6.673 with a significance value of 0.002. This test shows that the significance value <0.05. This test shows that there is a positive influence of Good Corporate Governance and organizational culture on the Motivation of Zakat Payment “. R square value of 0.126 shows that about 12.6% of zakat payment motivation is directly influenced by good corporate governance and organizational culture. Keywords: good corporate governance, organizational culture, zakat income
44
Karimah, Erlinda Nur. "PARTISIPASI PEREMPUAN DALAM PERUMUSAN KEBIJAKAN PENYELENGGARAAN PENDIDIKAN MENENGAH DI DPRD DIY." Spektrum Analisis Kebijakan Pendidikan 9, no. 3 (May 20, 2021): 297–306. http://dx.doi.org/10.21831/sakp.v9i3.17209.
Анотація:
AbstrakPenelitian ini bertujuan untuk: 1) menganalisis partisipasi perempuan anggota DPRD dalam perumusan Kebijakan Penyelenggaraan Pendidikan Menengah di DPRD DIY; 2) menganalisis hambatan yang ada pada partisipasi perempuan dalam perumusan Kebijakan Penyelenggaraan Pendidikan Menengah di DPRD DIY; 3) mendeskripsikan solusi yang dilakukan perempuan anggota DPRD dalam perumusan Kebijakan Penyelenggaraan Pendidikan Menengah di DPRD DIY. Penelitian ini merupakan penelitian deskriptif kualitatif. Subjek penelitian ini adalah anggota dewan perempuan dengan teknik purposive sampling. Teknik pengumpulan data menggunakan wawancara dan dokumentasi. Teknik analisis data menggunakan model analisis data Miles dan Huberman dan analisis gender. Teknik keabsahan data menggunakan triangulasi sumber dan triangulasi teknik. Hasil penelitian menunjukkan bahwa: 1) partisipasi perempuan dalam perumusan Kebijakan Penyelenggaraan Pendidikan Menengah di DPRD DIY sudah menunjukkan keadilan dan kesetaraan gender, dilihat dari aktivitas, manfaat, akses, kontrol, dan dampak.; 2) hambatan partisipasi perempuan, hambatan struktural yaitu kurangnya pelatihan dalam membuat rancangan peraturan daerah, sistem rekrutmen oleh KPU pada calon perempuan anggota DPRD tidak ada tes kemampuan profesional, koordinasi rapat kurang terjadwal sistematis. Hambatan kultural meliputi budaya literasi, kurangnya rasa percaya diri, budaya untuk meningkatkan profesionalitas masih lemah; 3) Solusinya adalah pelatihan, KPU memiliki syarat untuk menjadi politisi perempuan harus menjalani tes kemampuan profesional, penjadwalan yang di atur oleh Badan Musyawarah, memberikan kesempatan pada perempuan untuk mengikuti forum diskusi.Kata Kunci: Partisipasi, Perempuan, Perumusan Kebijakan AbstractThis study aims to: 1) analyze the women’s participation in the process of formulating the Secondary Education Implementation Policy in DPRD DIY; 2) analyze the obstacles that exist in women's participation in the process of formulating the Secondary Education Implementation Policy in DPRD DIY; 3) describe the solutions made by female members in the process of formulating the Secondary Education Implementation Policy in DPRD DIY. This research is a qualitative descriptive study. The subjects of this study were female board members with a purposive sampling technique. Data collection techniques using interviews and documentation. The data analysis technique used the Miles and Huberman data analysis model and gender analysis. The data validity technique source triangulation and technique triangulation. The results showed that: 1) women's participation in the formulation of the Secondary Education Implementation Policy in DPRD DIY has shown gender justice and equality, seen from their activities, benefits, access, control, and impact; 2) barriers to women's participation, structural obstacles are the lack of training in drafting regional regulations, the recruitment system by KPU for female candidates for DPRD there is no professional ability test, the coordination of meetings is not systematically scheduled. The existing cultural barriers include a literacy culture, a lack of self-confidence, a culture to improve professionalism is still weak; 3) The solution is training, the KPU has a requirement to become a female politician and must undergo a professional proficiency test, the scheduling is arranged by the Deliberative Council, giving women to participate in discussion forums.Keywords: Participation, Women, Policy Formulation
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Wijayanti, Nina Wahyu, and Susanto Tirtoprojo. "Organizational Culture and Work Environment on Employee Performance with Management Knowledge as Mediation." International Journal of Economics, Business and Management Research 07, no. 01 (2023): 157–71. http://dx.doi.org/10.51505/ijebmr.2023.7113.
Анотація:
This study aims to examine the influence of organizational culture and work environment. This research was conducted on employees who work at PT Telkom Solo Raya and DIY with a total sample of 125 employees using a random sampling method. Data analysis was performed using Structural Equation Modeling (SEM) analysis with the Smart PLS application. The results of this study indicate that organizational culture has a direct positive effect and the work environment has a positive and significant effect on employee performance. Meanwhile, management knowledge can mediate the influence of organizational culture and work environment on employee performance.
46
Aisyah, Alfiyani. "Jogjaprov.go.id Website Management in Realizing Good Governance of the Special Government of Yogyakarta Period 2019." Journal of Islamic Communication and Counseling 1, no. 1 (January 10, 2022): 41–55. http://dx.doi.org/10.18196/jicc.v1i1.8.
Анотація:
Disclosure of information becomes an important part of governance to create good governance or good governance. One of the efforts of the DIY regional government to realize good governance is through transparent information disclosure. The website jogjaprov.go.id managed by the public relations government of DIY never got the most innovative service website in the year 2019 and the first ranking award of Best smart Governance. Public relations of DIY regional government use the website as one of the information media to implement e-government so that people can access and know the information quickly. As for the management of the website, the public relations of DIY regional Government conducted several stages as follows: searching and collecting content, editing, verification and publication on the website jogjaprov.go.id. Content on the jogjaprov.go.id also has several categories, including infrastructure, economics, society, culture, health, education and tourism. This research aimed to analyze the management of jogjaprov.go.id website in realizing the governance of the special region of Yogyakarta in 2019. The research methods in this study were qualitative descriptive with the collection of data through interviews, observations and documentation. The data validity test was through data triangulation. The results showed that the management of the website underwent a change of task from earlier that manages the Department of DIY Communication and informatics, then now moved to public relations of DIY regional government. It can be noted that the public relations of the DIY regional government have been utilizing the website as an information disclosure media to achieve good governance with one aspect of transparency, but the monitoring and evaluation of website content have not been running quite well. As for the website management of public relations of DIY regional government is done through searching and collecting content, editing, verifying and publishing on jogjaprov.go.id.
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Sakir, Sakir, and Riska Sarofah. "Accountability Model for Utilization of Privilege Funds Special Region of Yogyakarta 2013-2017." ARISTO 8, no. 2 (June 1, 2020): 328. http://dx.doi.org/10.24269/ars.v8i2.2481.
Анотація:
This study describes the process of accountability of DIY special funds in realizing the prosperity of DIY society 2013-2017. Special Region of Yogyakarta is one of the regions that get the special policy in the form of asymmetric decentralization. This policy is effective since the enactment of Law Number 13 the Year 2012 on the Specialties of DIY. In particular, this regulation regulates 5 privileged affairs: the procedures for filling the positions, positions, duties and authorities of the Governor and Vice Governor, the regional government of DIY, the affairs of culture, the land affairs and spatial affairs. The hope that decentralization policy in Indonesia can improve the people's welfare significantly has not been fulfilled. This is like what happened in Yogyakarta Special Region which has special authority to manage its government affairs. However, these expectations still cannot be met well. This study aims to analyze the accountability model for the utilization of DIY privileged funds so as to provide policy recommendations to be taken. This research uses the qualitative method with data collection method with in-depth interview technique, elite interview, and documentation. The results showed that the poverty rate in DIY until March 2017 about 488.53 thousand people or about 13.02% and Ratio Gini DIY by 0.425%. This is not worth the number of privileged funds that increase each year. It is, therefore, necessary in the determination of success indicators of achievement and output in accordance with the output and outcome to be achieved. In addition, the accountability process also includes not only technical in report submission but also ensuring that process and involving the community in the planning process until accountability.
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Totten, Kelley D. "(hand)Made in America." Museum Anthropology Review 11, no. 1-2 (May 23, 2017): 1–14. http://dx.doi.org/10.14434/mar.v11i1.13190.
Анотація:
Analyzing a Ford Motor Company advertisement that nods to a Do-It-Yourself (DIY) subculture, this essay explores how the “handmade” gets valued and defined in the context of mass culture. I offer a reading of the advertisement in the context of contemporary marketing trends to consider how ideas of mass culture, counterculture, and traditional culture shape ideas of fabricated objects. The idea of the factory-produced Ford is not in contrast to the handcrafted object as much as it is in dialogue. How do we categorize and value certain modes of production over others to construct our understandings of cultural identities – national, community, and individual?
49
Nugroho, Dwinanta, Hani Subagio, Hari Rachmadi, Ajeng Tri Kadesti, and Laksmi Garneta Kintawangi. "Tata Ruang Pesisir Bantul dalam Perspektif Keistimewaan DIY." GLOBAL: Jurnal Lentera BITEP 1, no. 02 (November 30, 2023): 76–89. http://dx.doi.org/10.59422/global.v1i02.147.
Анотація:
This research investigates the coastal spatial planning of Bantul Regency, which is known for its features in geographical, cultural and socio-economic aspects. Bantul Regency faces a number of challenges, including serious coastal erosion, climate change, and the preservation of local cultural values. This research aims to identify holistic solutions that can combine coastal erosion mitigation, adaptation to climate change, and cultural heritage preservation in coastal area management. This research involves collecting geospatial data, abrasion susceptibility analysis, interviews with local stakeholders, and the use of geographic information systems (GIS). The research results show that handling coastal abrasion can be integrated with broader adaptation strategies to climate change. In addition, community involvement in decision making and implementation of coastal spatial planning policies has helped maintain the sustainability of the local environment and culture. The implication of this research is the development of sustainable coastal spatial plans that take into account physical, social and cultural aspects. The results of this research can be a guide for local governments, environmental management institutions and other stakeholders in maintaining the sustainability of the coastal areas of Bantul Regency and similar areas throughout the world that face similar challenges.
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Triwahyuningsih, Triwahyuningsih. "The Reviewing Concept of Asymmetric Decentralization in The Special Region of Yogyakarta." Jurnal Daulat Hukum 4, no. 3 (September 20, 2021): 189. http://dx.doi.org/10.30659/jdh.v4i3.17525.
Анотація:
The following research aims to analyze the background of the concept of asymmetric decentralization applied in the Special Region of Yogyakarta and aspects of asymmetric authority in the Special Region of Yogyakarta. This research method is normative legal research which is complemented by field research in the form of interviews with related parties. Using a historical approach (historical approach) and legislation (statute approach) It is concluded that the granting of asymmetric decentralization in DIY is due to philosophical, historical, juridical and sociological. The application of asymmetric decentralization in the Special Region of Yogyakarta in the form of the special authority of DIY includes filling in the positions of Governor and Deputy Governor, Regional Institutions, Culture, Land and Spatial Planning.