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Готові списки джерел за темами / Degree Name: Master of Arts / Дисертації

Дисертації з теми "Degree Name: Master of Arts"

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Автор: Grafiati

Опубліковано: 10 грудня 2022

Оновлено: 28 січня 2023

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1

Senate, University of Arizona Faculty. "Faculty Senate Minutes December 5, 2011." University of Arizona Faculty Senate (Tucson, AZ), 2011. http://hdl.handle.net/10150/209889.

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2

Lange, Sheila Edwards. "The master degree : a critical transition in STEM doctoral education /." Thesis, Connect to this title online; UW restricted, 2006. http://hdl.handle.net/1773/7655.

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3

Westgate, James E. "The development and implementation of a Master of Arts Urban Ministry degree at Trinity Evangelical Divinity School." Theological Research Exchange Network (TREN), 1993. http://www.tren.com.

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4

Ma, Yun. "The role of consumer knowledge in consumer evaluations of brand extension a thesis submitted to Auckland University of Technology in partial fulfilment of the degree of Master of Business, 2005." Full thesis. Abstract, 2005.

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5

Liu, Yang. "The relationships among extrinsic cues, perceived quality, perceived sacrifice and perceived value a cross national study : a thesis submitted to Auckland University of Technology in partial fulfilment of the degree of Master of Business, September 2005 /." Full thesis. Abstract, 2005. http://puka2.aut.ac.nz/ait/theses/LiuYang.pdf.

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6

Toluta'u, Talita. "Talanoa matala 'oe fonua : an exegesis submitted to AUT University for the degree of Master of Arts (Art and Design), 2008 /." Click here to access this resource online, 2008. http://hdl.handle.net/10292/503.

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Анотація:

This study is concerned with representation. It considers the nature of a culturally located narrative form called talanoa and its creative translation into film. The film Talanoa: Matala ‘o e Fonua that constitutes the designed outcome of this project considers the memories of three Tongan women who left their homeland to settle in New Zealand between 1970’s and 1990’s. It is designed as three related garlands that exist as a related unit. Talanoa: Matala ‘o e Fonua is therefore, a creative synthesis of their talanoa, into a new form of documentary that is designed to capture the cultural and emotional resonance of their stories. The work orchestrates photography, animation, sound design, filmed footage and extensive postproduction research into a unique text that seeks to move the parameters of documentary beyond the visual interview. In doing so, the research draws heavily on Tongan paradigms of narrative and representation.

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7

Jones, William H. "Developing leadership for evangelism and discipleship a proposed Master of Arts degree for Columbia Biblical Seminary and Graduate School of Missions /." Theological Research Exchange Network (TREN), 1998. http://www.tren.com.

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8

McGlashan, Ann. "Present tense this thesis is submitted to the Auckland University of Technology for the degree of Master of Arts (Art and Design) /." Full thesis. Abstract, 2005.

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9

Farrell, Cornelia A. "Experiences of First-Year Master's Degree Counseling Students: A Grounded Theory." Ohio : Ohio University, 2006. http://www.ohiolink.edu/etd/view.cgi?ohiou1156276730.

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10

Lin, Pei-Yu, and 林姵余. "A Study of the Repertory of Pei Yu Lin's Master of Arts Degree Recital." Thesis, 2010. http://ndltd.ncl.edu.tw/handle/66076408411362651041.

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11

Ting-Fang, Tsai, and 蔡庭芳. "A Study of the Repertory of Ting-Fang, Tsai's Master of Arts Degree Recital." Thesis, 2010. http://ndltd.ncl.edu.tw/handle/61489497734603368120.

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Анотація:

碩士
東海大學
音樂系
98
A Study of the Repertory of Ting-Fang, Tsai's Master of Arts Degree Recital Organ Concerto After Antonio Lucio Vivaldi in A minor，BWV593 J. S. Bach Symphony No.6 in B minor Op. 74, “Pathétique” P. I. Tchaikovsky Finale: Adagio lamentoso El sombrero de tres picos，Danza, final Manuel De Falla 人間蔡庭芳

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12

Pai, Wei-chan, and 白維真. "A Thesis Submitted to The Graduate Institute of Arts in partial fulfillment of the requirements for the degree of Master of Arts Music." Thesis, 2003. http://ndltd.ncl.edu.tw/handle/76548037020409663797.

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Анотація:

碩士
中國文化大學
音樂研究所
92
This thesis, mainly concerned with the evolution of the Zheng Repertoire in the 1990s in Taiwan, consists of the following four chapters as a whole. The first chapter is the introductory part. I will focus on the methodology as well as the objective, inclusive of the motivation, the research fields, and the research steps. The second chapter is entitled “Overview of the Zheng Repertoire in Taiwan.” In this chapter, I will try first to arrange the collected data in a proper order, and then to draw insightful conclusions for them. I will also explore the general Zheng environment in Taiwan, the development reality of Zheng, and the transformation of its role. The third chapter “The Evolution of Zheng Repertoire as well as the Performing Style” is devoted to studying the stylistic transition of the Zheng Repertoire between the 1970s and 1990s in Taiwan. The fourth chapter “The Distribution and Statistics of the Zheng Repertoire in Musical Competitions” is an overall analysis of the collected data. The fifth chapter “An Analysis of the Repertoire” is an analysis of four representative Zheng compositions. The sixth chapter is the conclusion part. Based on the research results acquired from the previous chapters, this thesis ultimately proposes a causality for the evolution of the Zheng Repertoire in the 1990s in Taiwan with particular accounts of its grounds. By doing so, I expect to point out a promising direction for the Zheng learners as well as the Zheng scholars.

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13

Uppal, Baljinder Kaur. "A comparison of self-acceptance among counselor education Master's Degree students at the beginning, practicum level, and graduation from their program of studies." 2007. http://etd1.library.duq.edu/theses/available/etd-07102007-135903/.

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14

Dunn, Janet. "ReFashion reDunn : a thesis presented in partial fulfillment of the requirements for the degree of Master of Design at Massey University, Wellington, New Zealand." 2008. http://hdl.handle.net/10179/711.

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Анотація:

This study arises out of the researcher’s experience in the fields of costume and fashion. It develops, through design practice and reflection, a design process for fashion wear made from post-consumer recycled materials. Theoretical analysis provides global, historical, philosophical and design contexts within which to develop an ethos for this variant form of fashion wear designated ReFashion. Differences in design process between conventional fashion and ReFashion are detailed to highlight the significance of provenance of materials in the light of a perceived need to slow down clothing production and consumption. This perception is informed by scientific predictions that failure to engage with urgently needed changes to the prevalent economic paradigm will result in planet earth reaching a tipping point with potentially disastrous results for its inhabitants. Fundamental to the ReFashion ethos is preparedness for a speculative post-apocalyptic future that might render the fashion system unable to operate as it currently does, necessitating a more self-sufficient approach to clothing needs, with an accompanying shift in perceptions of what is deemed fashionable. The theme Survivalist Fantasy provides a lens to bring conceptual and material aspects of the work into focus. Informed by sustainability, Survivalist Fantasy recontextualises a failure of sustainable initiatives on a global scale and their adaptation on a local scale specifically in the arena of clothing.

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15

Kreft, Steffen. "Metamorphosis : [a thesis presented in partial fulfilment of the requirements for the degree of Master of Design at Massey University, Wellington]." 2009. http://hdl.handle.net/10179/877.

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16

Ting, Michael Arthur. "Art and disssensus : a thesis presented in partial fulfilment of the requirements for the degree of Master of Fine Art at Massey University, Wellington, New Zealand." 2010. http://hdl.handle.net/10179/1324.

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Анотація:

For a contemporary art practice, what does it mean to resist? This essay will discuss the idea of resistance in the present day using the work of Karl Marx as the key starting point. If he is foundational to the understanding of capitalism, then later philosophers such as Frederic Jameson and Jacques Ranciere have added considerably to the relevance of Marx, and added their own critical engagement with the art world. Ranciere advocates dissensus, which he sees as being counter to the conformity that liberalism and concensus bring. Political philosopher Chantal Mouffe also advocates dissensus, replacing antagonism with the idea of agonism. There is disagreement but as in sport both parties recognize the legitimacy of their opponent. This is why identity is so important to democracy, for without difference there is no real choice, and so the nature of identity and the subject become crucial factors in conceiving of a way to resist, and a way of being as an artist.

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