Статті в журналах з теми "Dardennes Brothers"
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Wheatley, Catherine. "The Third City: The Post Secular Space of the Dardenne Brothers' Seraing." Film-Philosophy 23, no. 3 (October 2019): 264–81. http://dx.doi.org/10.3366/film.2019.0116.
Yang, Hyunjin. "Moral Imagination through Dilemma Narrative of Forgiveness: Centering on Dardenne Brothers’ “Le fils”." Korean Association for Literacy 14, no. 1 (February 28, 2023): 473–89. http://dx.doi.org/10.37736/kjlr.2023.02.14.1.473.
Cho, Chang-Yeol. "Film Acting Method of Dardenne Brothers." Journal of the Korea Entertainment Industry Association 16, no. 3 (April 30, 2022): 77–90. http://dx.doi.org/10.21184/jkeia.2022.4.16.3.77.
Jungbum Shin. "A Study of the Dardenne Brothers’ Cinema Space." journal of the moving image technology associon of korea 1, no. 21 (December 2014): 153–67. http://dx.doi.org/10.34269/mitak.2014.1.21.008.
Cooper, Sarah. "Mortal Ethics: Reading Levinas with the Dardenne Brothers." Film-Philosophy 11, no. 2 (June 2007): 66–87. http://dx.doi.org/10.3366/film.2007.0011.
Ahn, Soong-Beum. "Meaning of 'Labor' and Aesthetic in Dardenne Brothers' Films." Journal of the Korea Contents Association 12, no. 9 (September 28, 2012): 93–105. http://dx.doi.org/10.5392/jkca.2012.12.09.093.
Dillet, Benoit, and Tara Puri. "Left-over Spaces: The Cinema of the Dardenne Brothers." Film-Philosophy 17, no. 1 (December 2013): 367–82. http://dx.doi.org/10.3366/film.2013.0021.
Rushton, R. "Empathic projection in the films of the Dardenne brothers." Screen 55, no. 3 (September 1, 2014): 303–16. http://dx.doi.org/10.1093/screen/hju027.
Oh, Bobae. "The Language-Image of the Dardenne Brothers Representing Solidarity: Focusing on Their Film, Deux jours, une nuit." Hankuk University of Foreign Studies Literature Studies 90 (May 31, 2023): 85–104. http://dx.doi.org/10.22344/fls.2023.90.85.
Park, Eun-Jee. "The politics of friendship and paternity: The Dardenne brothers’ Rosetta." Studies in French Cinema 12, no. 2 (May 8, 2012): 137–49. http://dx.doi.org/10.1386/sfc.12.2.137_1.
Gills, Melina. "Book Review: The Cinema of the Dardenne Brothers: Responsible Realism." Film Quarterly 67, no. 1 (2013): 82–84. http://dx.doi.org/10.1525/fq.2013.67.1.82.
Herbeck, Mariah Devereux. "The Cinema of the Dardenne Brothers: Responsible Realism by Philip Mosley." French Review 87, no. 3 (2014): 242. http://dx.doi.org/10.1353/tfr.2014.0370.
Caruana, John. "The Dardenne Brothers and the Invisible Ethical Drama: Faith without Faith." Religions 7, no. 5 (April 26, 2016): 43. http://dx.doi.org/10.3390/rel7050043.
Campillo, Margarita, Juan Sáez, and Andrés Zaplana. "Nuevos lenguajes fílmicos en la vieja Europa: el cine social de los hermanos Dardenne." Fotocinema. Revista científica de cine y fotografía, no. 6 (March 17, 2013): 97–121. http://dx.doi.org/10.24310/fotocinema.2013.v0i6.5911.
Yang, Hyunjin. "Moral Imagination through Dilemma Narrative of Forgiveness: Centering on Dardenne Brothers’ Films." Korean Society of Culture and Convergence 43, no. 3 (March 31, 2021): 403–24. http://dx.doi.org/10.33645/cnc.2021.03.43.3.403.
McAteer. "Facing the Responsibility of Parenthood in the Films of the Dardenne Brothers." Soundings: An Interdisciplinary Journal 103, no. 3 (2020): 346. http://dx.doi.org/10.5325/soundings.103.3.0346.
Mai, Joseph. "Lorna's Silenceand Levinas's ethical alternative: form and viewer in the Dardenne Brothers." New Review of Film and Television Studies 9, no. 4 (December 2011): 435–53. http://dx.doi.org/10.1080/17400309.2011.606532.
Кунгуров, Ю. М. "“The Silence of Waiting, the Silence of Living: Why the Dardenne Brothers’ Refusal to Use Music Made Their Films More Musical”." Музыкальная академия, no. 4(784) (December 21, 2023): 20–29. http://dx.doi.org/10.34690/339.
Pippin, Robert. "Psychology Degree Zero? The Representation of Action in the Films of the Dardenne Brothers." Critical Inquiry 41, no. 4 (June 2015): 757–85. http://dx.doi.org/10.1086/681785.
Beausoleil, Emily. "The political space of art: The Dardenne brothers, Arundhati Roy, Ai Weiwei, and Burial." Contemporary Political Theory 16, no. 3 (January 16, 2017): 409–12. http://dx.doi.org/10.1057/s41296-016-0021-y.
Trahair, Lisa. "Belief in this World: The Dardenne brothers’ The Son and Søren Kierkegaard’s Fear and Trembling." SubStance 45, no. 3 (2016): 98–119. http://dx.doi.org/10.1353/sub.2016.0031.
Jeong, Seung-hoon. "From 'face-to-face' to 'side-by-side': The abject neighbour in European cinema." Northern Lights: Film & Media Studies Yearbook 18, no. 1 (January 1, 2020): 53–67. http://dx.doi.org/10.1386/nl_00013_1.
Kim, Soyoung. "Dialectical hegemony in the Dardenne brothers’ cinematic real space, ‘Labor Field’: Focusing on Rosetta and Deux jours, une nuit." Film Studies 90 (December 31, 2021): 71–96. http://dx.doi.org/10.17947/fs.2021.12.90.71.
Scott, Jason. "From Local Roots to Global Screens: Shane Meadows’ Positioning in the Ecology of Contemporary British Film." Journal of British Cinema and Television 10, no. 4 (October 2013): 829–45. http://dx.doi.org/10.3366/jbctv.2013.0182.
민병훈. "The research on the similarity between the films of Robert Bresson and ones of Dardenne Brothers -focused on the directing style shown in the 'Mouchette' and 'Rosetta'-." Film Studies ll, no. 43 (March 2010): 169–98. http://dx.doi.org/10.17947/kfa..43.201003.006.
"The Dardenne Brothers’ Cinematic Parables: Integrating Theology, Philosophy, and Film." Journal of Religion & Film 27, no. 1 (April 2023). http://dx.doi.org/10.32873/uno.dc.jrf.27.01.53.
Smith, Matthew. "Precarity, Liminality, mobility: childhood in the cinema of the Dardenne Brothers." Studies in European Cinema, April 4, 2024, 1–15. http://dx.doi.org/10.1080/17411548.2024.2333130.
"Fetish, Sacrifice and Tragic Freedom in the Dardenne Brothers' La Promesse." April 2016 20, no. 2 (April 2016). http://dx.doi.org/10.32873/uno.dc.jrf.20.02.39.
Botha, Martin P. "Flemish Cinema and Film Culture through South African Eyes." Kinema: A Journal for Film and Audiovisual Media, November 20, 2007. http://dx.doi.org/10.15353/kinema.vi.1154.