Увійти

Готові списки джерел за темами / Daniel Gendre / Статті в журналах

Статті в журналах з теми "Daniel Gendre"

Щоб переглянути інші типи публікацій з цієї теми, перейдіть за посиланням: Daniel Gendre.

Автор: Grafiati

Опубліковано: 26 липня 2024

Оновлено: 28 липня 2024

Оформте джерело за APA, MLA, Chicago, Harvard та іншими стилями

Оберіть тип джерела:

Ознайомтеся з топ-50 статей у журналах для дослідження на тему "Daniel Gendre".

Біля кожної праці в переліку літератури доступна кнопка «Додати до бібліографії». Скористайтеся нею – і ми автоматично оформимо бібліографічне посилання на обрану працю в потрібному вам стилі цитування: APA, MLA, «Гарвард», «Чикаго», «Ванкувер» тощо.

Також ви можете завантажити повний текст наукової публікації у форматі «.pdf» та прочитати онлайн анотацію до роботи, якщо відповідні параметри наявні в метаданих.

Переглядайте статті в журналах для різних дисциплін та оформлюйте правильно вашу бібліографію.

1

Gregoli, Roberta. "Se eu fosse você: liminal spaces of gender and sexuality." Significação: Revista de Cultura Audiovisual 48, no. 55 (January 30, 2021): 36–54. http://dx.doi.org/10.11606/issn.2316-7114.sig.2021.160524.

Повний текст джерела

Анотація:

The body swap comedy is a privileged genre for investigating norms related to gender and sexuality in popular culture. This article explores these norms through the close analysis of the film Se eu fosse você (Daniel Filho, 2006), using Mikhail Bakhtin’s thesis on the carnivalesque and Judith Butler’s theory of gender performativity. Despite the film’s overall strong conservative framework, it is argued that just as revealing as what the film tries to regulate is what it exposes: double standards, failures in the heteronormative matrix, and disruptive sex acts and gendered behavior.

Стилі APA, Harvard, Vancouver, ISO та ін.

2

Hutahaean, Hasahatan. "Menafsir Genre Apokaliptik Kitab Daniel." ILLUMINATE: Jurnal Teologi dan Pendidikan Kristiani 3, no. 1 (September 22, 2020): 25–39. http://dx.doi.org/10.54024/illuminate.v3i1.81.

Повний текст джерела

Анотація:

The Apocalyptic genre is one genre that is difficult to understand because of its long intricacies and requires accuracy. One reason for the difficulty in interpreting the apocalyptic genre is the use of symbols that are not uncommon for today's readers. The use of symbols is very close to the speaker and, the first reader. The Book of Daniel is identical to the many uses of the symbolic language of the two Apocalyptic genre Books in the Bible. Readers increasingly need to be careful and careful when classifying symbol languages because there are differences in the use of symbols and language of descriptions. This paper was prepared by searching the literature with a qualitative approach. With the support of data from journal articles and cognate books, the research achieved the expected goals. The discussion begins by describing the apocalyptic genre based on literal facts. Then examine the uses of symbols, images, and others and the need for the interpreter's humility when trying to interpret this genre, especially in the use of symbolic language. The results show that many parts can be understood by following the rules of interpretation of the apocalyptic genre in the use of symbolic language. But some parts are precisely still a mystery to the reader as sealing of their meaning.AbstrakGenre Apokaliptik termasuk salah satu genre yang sulit untuk dipahami karena seluk-beluk yang panjang dan memerlukan ketelitian. Salah satu penyebab sulitnya menafsir genre apokaliptik yakni pemakaian simbol-simbol yang tidak lazim bagi pembaca masa kini. Pemakaian simbol-simbol sangat dekat bagi penutur dan pembaca pertamanya. Kitab Daniel identik dengan banyaknya pemakaian bahasa simbol dari dua Kitab genre apokaliptik dalam Alkitab. Pembaca semakin perlu berhati-hati dan teliti ketika mengelompokkan bahasa-bahasa simbol karena terdapat perbedaan penggunaan simbol dan bahasa penggambaran. Tulisan ini disusun dengan penelusuran kepustakaan dengan pendekatan kualitatif. Dengan dukungan data dari artikel jurnal dan buku-buku serumpun maka penelitian mencapai tujuan yang diharapkan. Pembahasan dimulai dengan memaparkan genre apokaliptik berdasar fakta-fakta literal. Kemudian menelisik penggunaan simbol, gambar dan yang lain serta perlunya kerendahan hati penafsir ketika mencoba menafsirkan genre ini khususnya dalam penggunaan bahasa simbol. Hasilnya menunjukkan banyak bagian yang dapat dipahami dengan mengikuti kaidah penafsiran bagi genre apokaliptik dalam pemakaian bahasa simbol. Namun ada bagian-bagian yang justru masih menjadi misteri bagi pembacanya sebagai penyegelan terhadap maknanya.

Стилі APA, Harvard, Vancouver, ISO та ін.

3

Gates, Sarah. ""A Difference of Native Language": Gender, Genre, and Realism in Daniel Deronda." ELH 68, no. 3 (2001): 699–724. http://dx.doi.org/10.1353/elh.2001.0022.

Повний текст джерела

Стилі APA, Harvard, Vancouver, ISO та ін.

4

Valeta, David M. "The Book of Daniel in Recent Research (Part 1)." Currents in Biblical Research 6, no. 3 (June 2008): 330–54. http://dx.doi.org/10.1177/1476993x07084791.

Повний текст джерела

Анотація:

This is the first of two articles exploring recent research on the book of Daniel. The focus of Part 1 is the court tale narratives of Daniel 1—6, with particular attention to genre identification, sociological and ideological viewpoints, and textual and language issues. Other topics of interest are represented in the bibliography, which identifies important publications since 1993. Foundational works published prior to 1993 are also included. Historical-critical analysis of Daniel 1—6 has furthered understanding of important topics such as the nature of court tale literature and the context of conquest, exile and empire in the ancient Near East, and how those constructs affect the biblical writings. New explorations of Daniel 1—6 that focus on literary, multi-critical and interdisciplinary approaches to the study of this book suggest interesting answers to perennial debates over issues such as the language, genre and ideology of these court tales, and are a main focus of this survey article. Part 2 will explore the apocalyptic material of Daniel 7—12, including discussion of topics such as the Son of Man and the nature of vision material in the Hebrew Bible.

Стилі APA, Harvard, Vancouver, ISO та ін.

5

Pääkkölä, Anna-Elena, and Rebecca Burditt. "Fart for Fart's Sake? The Fantastical Reality, Sacred-Profane Musical Bodies, and Nostalgic Millennial Masculinities in Swiss Army Man." Music and the Moving Image 17, no. 1 (April 1, 2024): 3–19. http://dx.doi.org/10.5406/19407610.17.1.01.

Повний текст джерела

Анотація:

Abstract This article explores the uses of music, voice, and sound in Daniels’ 2016 film Swiss Army Man (SAM)—a story about a friendship between a stranded, suicidal loner (Paul Dano) and a farting, talking corpse (Daniel Radcliffe). We argue that the film's unique play between nondiegetic and diegetic sound, musical references to popular culture, and privileging of bodily noise (particularly farting) generate a distinctive soundscape that adds new dimensions to SAM's major themes of loneliness and nostalgia. This study draws upon scholarship in musicology, film studies, social history, and queer studies to better define the sonic techniques that the directors and composers employ. In doing so, it also helps us locate how sound articulates the film's genre, its construction of masculinity, and the queerness of the two protagonists’ relationship. Our goal is to provide insight into a film in which farting equals music, and meaning is made through colliding dualities: sacredness vs. vulgarity, a hyperbody that is both dead and alive, heterosexual yearning vs. homoromantic bonding, and even comedy vs. tragedy.

Стилі APA, Harvard, Vancouver, ISO та ін.

6

Gijón, Pablo Rubio. "Deshonra (Daniel Tinayre, 1952)." Acta Hispanica 22 (January 1, 2017): 113–20. http://dx.doi.org/10.14232/actahisp.2017.22.113-120.

Повний текст джерела

Анотація:

Within the context of the film industry of the first peronist period (1946-1955) crime films established themselves as a means to disseminate the dominant ideology. Some of the characteristics of this genre were used to leave proof of the pre-eminence of the State as a safeguard of the status quo. However, Deshonra (1952) resorts in its structure to visual features that could be interpreted as a veiled criticism to the very ideology it aims to divulge. The crime film genre, from its constitutive proposals and its supposed ideological rigidity in a political framework such as Peronism, may grant some areas of ambiguity.

Стилі APA, Harvard, Vancouver, ISO та ін.

7

Agustina, Pradipta, and Maimunah Maimunah. "Queering The Construction Of Gender Identity In Chris Columbus’ Movie Mrs. Doubtfire." ATAVISME 16, no. 2 (December 30, 2013): 141–52. http://dx.doi.org/10.24257/atavisme.v16i2.89.141-152.

Повний текст джерела

Анотація:

The construction of traditional gender roles has affected the understanding of being feminine and masculine. This understanding seems to influence gender performance in the film Mrs. Doubtfire. This onehourandfiftysevenminute film was directed by Chris Columbus. This study is conducted to examine how gender performativity is illustrated in the film and what ideology lies within the film. Queer theory, especially gender performativity by Judith Butler is used as the framework of the study. The study is done by observing and analysing chosen scenes from the film focusing on the performance of Daniel Hillard as Euphegenia Doubtfire. Narrative aspect of the film is not only the main concern; the nonnarrative is also part of the analysis especially on costume, makeup, performance and color. The main finding of this study is this film in one hand celebrates traditional gender roles but on the other hand promotes gender as performance. Femininity is pictured as fluid. Therefore, it is also a performativity. The contestation between those two opposing ideas is smoothly wrapped through amusing film such as Mrs. Doubtfire. Abstrak: Film Mrs. Doubtfire karya Chris Columbus menampilkan konstruksi yang berbeda dengan konstruksi peran gender yang telah menjadi mainstream. Berdurasi 1 jam dan 57 menit, film ini menampilkan konstruksi maskulinitas dan femininitas yang dapat saling bertukar, cair, dan tidak baku. Studi ini mengkaji dua pertanyaan utama. Pertama, bagaimana konstruksi peran gender digugat melalui performativitas gender? Kedua, ideologi apa yang terdapat dalam film? Teori Queer terutama gender performativitas yang dikemukakan oleh Judith Butler menjadi kerangka penelitian ini. Penelitian ini dilakukan dengan mengobservasi dan menganalisis adegan terpilih dengan berfokus pada penampilan Daniel Hillard sebagai Euphegenia Doubtfire. Aspek naratif dalam film bukan satusatunya perhatian utama. Aspek nonnaratif juga menjadi bagian analisis kostum, tata rias, penampilan, dan warna. Penelitian ini menyimpulkan bahwa film ini pada satu sisi mengonfirmasi peran gender yang tradisional, tetapi di lain pihak juga mencoba menawarkan performativitas gender. Ideologi film ini menggambarkan femininitas sebagai sesuatu yang cair sehingga femininitas juga sesuatu yang sifatnya performativitas. Kontestasi antara kedua hal tersebut disajikan dengan menarik dalam film Mrs. Doubtfire. KataKata Kunci: konstruksi gender; performativitas gende; teori queer

Стилі APA, Harvard, Vancouver, ISO та ін.

8

Suri, Gayatri. "Gendered Orientations around Domestic Objects; A Study of Home Truths: Gender, Domestic Objects and Everyday Life." New Literaria 04, no. 01 (2023): 100–104. http://dx.doi.org/10.48189/nl.2023.v04i1.014.

Повний текст джерела

Анотація:

When Daniel Miller asked ‘Why some things matter?’, it became critical to question why they matter differently for various genders. This paper is an attempt to analyze how ‘orientations’ around objects play out differently for the female gender in Sarah Pink’s (2004) Home Truths: Gender, Domestic and Everyday Life. The domestic space of research informants in England and Spain is taken up to explore not only how orientations are different for the female genders, but how they also go on to reinforce gender roles. Thus works of foundational thing theorists like Bill Brown, Bruno Latour and Daniel Miller’s ideas of subject-object relations are critiqued and revealed to be inadequate until gender is factored in. Additionally, the paper also reveals how bodies then purposely attempt to break out of gender roles by molding their subject-object relations. Ultimately, things end up shaping our mind more than we can fathom.

Стилі APA, Harvard, Vancouver, ISO та ін.

9

Saez de Adana, Francisco. "Reseña de "Authorizing Superhero Comics. On the Evolution of a Popular Serial Genre" de Daniel Stein." CuCo, Cuadernos de cómic, no. 17 (January 7, 2022): 154–57. http://dx.doi.org/10.37536/cuco.2021.17.1567.

Повний текст джерела

Стилі APA, Harvard, Vancouver, ISO та ін.

10

Waller, Daniel James. "Sympathy for a Gentile King: Nebuchadnezzar, Exile, and Mortality in the Book of Daniel." Biblical Interpretation 28, no. 3 (June 4, 2020): 327–46. http://dx.doi.org/10.1163/15685152-00283p03.

Повний текст джерела

Анотація:

Abstract Nebuchadnezzar II sacked Jerusalem and destroyed its temple. Yet he emerges in Daniel 1-4 as a compelling and sometimes sympathetic hero-villain. Drawing upon the concept of the story-collection, this article considers the implications of this genre for character formation, examines the further thematic means by which Nebuchadnezzar’s sympathetic characterization is generated in the book of Daniel, and explains his character in terms that make his often contradictory nature understandable across the text of the book. This article argues that Nebuchadnezzar’s dreams reflect deep-seated anxieties about his own mortality and relates these anxieties about death and time to Daniel’s broader themes of time, mortality, and exile. It suggests an analogy between the death of the self and the death of one’s state, and suggests that Nebuchadnezzar’s portrayal in Daniel has a role to play in our understanding of Daniel as a reflection upon life in exile.

Стилі APA, Harvard, Vancouver, ISO та ін.

11

Callanan, Laura. "The Seduction of Daniel Deronda." Women's Writing 3, no. 2 (January 1996): 177–88. http://dx.doi.org/10.1080/0969908960030207.

Повний текст джерела

Стилі APA, Harvard, Vancouver, ISO та ін.

12

Becker, Karina, Thomas Engel, Lena Grebenstein, and Laura Künzel. "Gender Health Gap." PROKLA. Zeitschrift für kritische Sozialwissenschaft 49, no. 195 (June 19, 2019): 219–37. http://dx.doi.org/10.32387/prokla.v49i195.1820.

Повний текст джерела

Анотація:

Karina Becker, Thomas Engel, Lena Grebenstein und Laura Ku?nzel: Gender Health Gap: Gesundheitsbezogene Ungleichheit zwischen den Geschlechtern in der Arbeit. In dieser Arbeit werden die gesundheitsbezogenen Unterschiede von Belastungen und Ressourcen zwischen den Geschlechtern in der Lohnarbeit in Deutschland analysiert. Um das Problem zu kontextualisieren werden aktuelle Diskussionen der Arbeitssoziologie sowie feministischer Theorie nachgezeichnet. Die Datenbasis unserer Analyse stellt die BiBB/BAuA-Erwerbstätigenbefragung dar. Wir gruppieren die Arbeitnehmer*innen in elf Berufsklassen, die sich auf der Basis des von Daniel Oesch entwickelten Schemas anhand von Arbeitslogik und Bildungsniveau ergeben. In der interpersonellen und der technischen Arbeitslogik stellen wir eine Gratifikationskrise fest, von der Frauen besonders stark betroffen sind. Hohe psychische Belastungen stehen hier einer geringen Ausstattung mit ausgleichenden Ressourcen gegenüber. In unserem Fazit diskutieren wir Ursachen und mögliche Lösungsstrategien für diese nachgewiesene gesundheitliche Diskriminierung von Frauen in der Lohnarbeit.

Стилі APA, Harvard, Vancouver, ISO та ін.

13

Lamb, Mary Ellen. "The Tragedie of Cleopatra. Samuel Daniel. Emma Whipday, dir." Early Modern Women: An Interdisciplinary Journal 9, no. 2 (March 1, 2015): 148–52. http://dx.doi.org/10.1086/emw26431321.

Повний текст джерела

Стилі APA, Harvard, Vancouver, ISO та ін.

14

Hong, Tiffany. "Authorizing Superhero Comics: On the Evolution of a Popular Serial Genre, Daniel Stein (2021)." Studies in Comics 13, no. 1 (November 1, 2022): 169–73. http://dx.doi.org/10.1386/stic_00088_5.

Повний текст джерела

Стилі APA, Harvard, Vancouver, ISO та ін.

15

Brazil, Percy. "Remembering Daniel Singer." Monthly Review 52, no. 9 (February 5, 2001): 46. http://dx.doi.org/10.14452/mr-052-09-2001-02_5.

Повний текст джерела

Стилі APA, Harvard, Vancouver, ISO та ін.

16

Amiryan, T. N. "DANIEL PENNCAC: FROM DETECTIVE TO AUTOFICTION." Human Being: Image and Essence. Humanitarian Aspects, no. 3 (2020): 98–118. http://dx.doi.org/10.31249/chel/2020.03.07.

Повний текст джерела

Анотація:

The article considers the evolution of autobiographical prose by Daniel Pennac, which is characterized by the transition from his earlier novels (1970-1990s) to the metanarrative essay «Reads like a novel» (1992), autobiographical novel «School Blues» (2007), and autofictional works such as «Le Journal d’un corps» (2012) and «La Loi du rêveur» (2020). The current article focuses on the literature and means of fictionalization of his own biography, which becomes the central figure and topic for multi-genre writings of the author.

Стилі APA, Harvard, Vancouver, ISO та ін.

17

Lake, Marilyn. "Kay Daniels as feminist historian." Women's History Review 12, no. 2 (June 1, 2003): 149–51. http://dx.doi.org/10.1080/09612020300200356.

Повний текст джерела

Стилі APA, Harvard, Vancouver, ISO та ін.

18

Day, Linda. "Power, Otherness, and Gender in the Biblical Short Stories." Horizons in Biblical Theology 20, no. 1 (1998): 109–27. http://dx.doi.org/10.1163/187122098x00084.

Повний текст джерела

Анотація:

AbstractThe concern of this article will be with the books of Ruth, Esther, Daniel, Judith, and Tobit. I would argue that we might profitably compare these five books with regard to themes running throughout them. All evidence similarities in how they portray power relationships, alienation and otherness, theology and divine activity, gender categories, and how their protagonists attain ultimate success. Though this set does not represent a collection of works traditionally grouped together in biblical studies,1 find, nonetheless, that these five literary documents evidence ample similarities that we may beneficially consider how they relate to one another. First and most obvious is that each of these books is a free-standing work which is named by a single character, and thus the action is (at least initially) focused around this individual. They are all most likely compositions of the same general time period in Jewish history, during the Second Temple period. All are narrative in structure and brief in length, and might be seen as representatives of a short story genre.2 In all of them we find continuations and reworkings of ideas from the Torah and the Prophets.3 Also, they all function as diaspora narratives; that is, addressing issues that Jews would have been facing in the diaspora. Esther, Daniel, and Tobit are written directly about diaspora situations. Ruth and Judith, though set within in the geographical boundaries of Judah, likewise deal with the question of the relationship between Israelites and other peoples and how to successfully live with other cultures.

Стилі APA, Harvard, Vancouver, ISO та ін.

19

HERZOG, A. "Tale of Two Secrets: A Rereading of Daniel Deronda." differences 16, no. 2 (January 1, 2005): 37–60. http://dx.doi.org/10.1215/10407391-16-2-37.

Повний текст джерела

Стилі APA, Harvard, Vancouver, ISO та ін.

20

NOVAK, DANIEL. "A Model Jew: ““Literary Photographs”” and the Jewish Body in Daniel Deronda." Representations 85, no. 1 (2004): 58–97. http://dx.doi.org/10.1525/rep.2004.85.1.58.

Повний текст джерела

Анотація:

ABSTRACT This essay examines the relationship between George Eliot's representation of the Jewish body in Daniel Deronda and Francis Galton's photographic race-science. It argues that, for both Eliot and Galton, Jewish racial identity is, paradoxically, defined by a corporeal evacuation and abstraction——that is, by a ghostly disembodiment. While Eliot's representation of Deronda has traditionally been read as a radical departure from the realism that Eliot was so instrumental in defining, in a sense, Daniel Deronda represents a thorough adaptation to photographic technology and scientic realism.

Стилі APA, Harvard, Vancouver, ISO та ін.

21

Hernandez, E. M. "Gender-Affirmation and Loving Attention." Hypatia 36, no. 4 (2021): 619–35. http://dx.doi.org/10.1017/hyp.2021.45.

Повний текст джерела

Анотація:

AbstractIn this article I examine the moral dimensions of gender-affirmation. I argue that the moral value of gender-affirmation is rooted in what Iris Murdoch called loving attention. Loving attention is central to the moral value of gender-affirmation because such affirmation is otherwise too fragile or insincere to have such value. Moral reasons to engage in acts that gender-affirm derive from the commitment to give and express loving attention to trans people as a way of challenging their marginalization. In the latter part of the article, I will discuss how my arguments bear on recent arguments by Robin Dembroff and Daniel Wodak on the use of gender-neutral language (Dembroff and Wodak 2018). They argue that we have a duty not to use gender-specific pronouns for anyone. Their conclusion turns, in part, on a rejection of gender-affirmation as a moral duty. The value of gender-affirmation, rooted in our moral perception of trans people, should make us skeptical of this conclusion, in favor of a more nuanced and pluralistic approach to the ethics of gendering.

Стилі APA, Harvard, Vancouver, ISO та ін.

22

Daniels, Susannah. "Raised on My Mother's Love Alone: A Mayan Theater Collective Contests Gender Violence." American Indian Culture and Research Journal 39, no. 4 (December 1, 2015): 93–112. http://dx.doi.org/10.17953/aicrj.39.4.daniels.

Повний текст джерела

Стилі APA, Harvard, Vancouver, ISO та ін.

23

Fine, Agnès. "Daniel Fabre (1947-2016).« L’invisible initiation » en Europe, une recherche pionnière." Clio, no. 44 (December 1, 2016): 265–80. http://dx.doi.org/10.4000/clio.13334.

Повний текст джерела

Стилі APA, Harvard, Vancouver, ISO та ін.

24

Monk, Daniel. "‘Queering Genealogy Through Wills’." Legal Information Management 15, no. 1 (March 2015): 12–15. http://dx.doi.org/10.1017/s1472669615000080.

Повний текст джерела

Анотація:

AbstractWills are an overlooked source. Alongside birth, death and marriage certificates they are official legal texts that provide a record of families, kinship and personal life. They have a particular significance for research about gender and sexuality. This paper, by Daniel Monk, highlights some of the insights that they can provide and discusses the methods (and associated pitfalls) for accessing and reading them.

Стилі APA, Harvard, Vancouver, ISO та ін.

25

Crecelius, Kathryn J., and Phyllis Stock-Morton. "The Life of Marie d'Agoult, Alias Daniel Stern." Tulsa Studies in Women's Literature 20, no. 1 (2001): 140. http://dx.doi.org/10.2307/464473.

Повний текст джерела

Стилі APA, Harvard, Vancouver, ISO та ін.

26

Donert, Celia. "Gender History in a Transnational Perspective: Biographies, Networks, Gender Orders, ed. Oliver Janz and Daniel Schönpflug." English Historical Review 132, no. 557 (June 24, 2017): 1010–11. http://dx.doi.org/10.1093/ehr/cex190.

Повний текст джерела

Стилі APA, Harvard, Vancouver, ISO та ін.

27

Huba, L. "Genre as communication: “Sluchai” (“Incidents”) by Daniil Kharms." International Humanitarian University Herald. Philology 40, no. 1 (2019): 30–34. http://dx.doi.org/10.32841/2409-1154.2019.40.1.7.

Повний текст джерела

Стилі APA, Harvard, Vancouver, ISO та ін.

28

Gross, Toomas. "Double book review: 'The Anthropology of Sport' and 'Sport, Migration, and Gender in the Neoliberal Age'." Suomen Antropologi: Journal of the Finnish Anthropological Society 45, no. 4 (July 27, 2021): 47–49. http://dx.doi.org/10.30676/jfas.v45i4.108007.

Повний текст джерела

Анотація:

Besnier Niko, Susan Brownell, and Thomas F. Carter 2018. The Anthropology of Sport: Bodies,Borders, Biopolitics. Oakland: University of California Press. 336 p. ISBN: 9780520289000 (hardback);ISBN: 9780520289017 (paperback); ISBN: 9780520963818 (E-book). Besnier, Niko, Domenica Gisella Calabrò, and Daniel Guinness (eds) 2021. Sport, Migration,and Gender in the Neoliberal Age. London and New York: Routledge. 274 p. ISBN: 9781138390645(hardback); ISBN: 9781138390652 (paperback); ISBN: 9780429423277 (E-book).

Стилі APA, Harvard, Vancouver, ISO та ін.

29

Derksen, Rick. "[review of:] Daniel Petit. 2010. Untersuchungen zu den baltischen Sprachen." Baltic Linguistics 2 (December 31, 2011): 203–10. http://dx.doi.org/10.32798/bl.433.

Повний текст джерела

Анотація:

Daniel Petit, Untersuchungen zu den baltischen Sprachen. (Brill’s Studies in Indo-European Languages & Linguistics, 4.) Leiden–Boston: Brill 2010. ISBN: 978-90-04-17836-6. This collection of studies by Daniel Petit originates from a series of lectures presented at the Indo-European summer school in Berlin in 2006. It consists of five chapters, which deal with dialectology (49 pp.), accentology (88 pp.), the neuter gender (65 pp.), the semi-thematic flexion (56 pp.), and the syntax of clitics (48 pp.), respectively. The introductory character of the first two chapters (the first chapter is actually called “Einführung in die Baltische Dialektologie”) is without doubt connected with the background of the book. On the whole, it is not an introduction to Baltology, however, nor is it intended to be, as the author explains in the preface.

Стилі APA, Harvard, Vancouver, ISO та ін.

30

Kuzmina, Marina D. "Message from Fedor Karpov to metropolitan Daniel and the scribe “The beginning of the messages...”: to the question of the interaction of the letter and the scribe in Old Russian literature." Philological Sciences. Scientific Essays of Higher Education, no. 1 (January 2021): 36–43. http://dx.doi.org/10.20339/phs.1-21.036.

Повний текст джерела

Анотація:

The article raises the question of the interaction of ancient Russian scribes and individual samples of the epistolary genre. A connection is established between the message of Fedor Karpov to Metropolitan Daniil and the scribe “The beginning of the messages...”, created, like the mentioned message, in the 16th century. Both the message and the scribe actualize the intention of business writing, teaching message and secular friendly writing. The first introduces a respectful and complementary tone (the addressee is lower than the addressee), the second — the educational one (the addressee is higher than the addressee), the third is actually friendly (they are “equal”). This allows Fedor Karpov to flexibly conduct an epistolary conversation with the correspondent: to attract him to himself, to inspire confidence, then, already having this trust, contrast his point of view with his own and present it as authoritative, finally, boldly affirm the “equivalence” of both points of view. This is a completely secular, humanistic position inherent to Fedor Karpov, a secular man, a diplomat, one of the early Russian Europeans. He begins to speak with Metropolitan Daniel in the language familiar to Metropolitan Daniel, in the traditions of ancient Russian epistolary communication: he self-abases and exalts his interlocutor, introduces the antithesis “addressee-sinner / addressee-righteous”. His correspondent is characterized as was done in the scribbler “The beginning of the messages...” through his high position, wisdom, enlightenment, purity and beauty of the soul, metaphors of flowering, fragrance and light. Myself — by the principle of contrast. Introduces, like the author of the scribe, the traditional medieval motif of sailing and the image of the ship, raises the question of “helmsman”. But if in the scribe, which focuses mainly on the epistolary communication of the subordinate with the boss and the establishment of relations, promotion on the career ladder, the boss was given the honorary role of «helmsman», then in the message of Fedor Karpov the aforementioned motive and image are reinterpreted in a secular way. The point is that for monks the path lies to the heavenly harbor and “helmsman” is Christ, while the secular man “swims” in the earthly world and hardly needs a “helmsman”, he chooses the path. Supporting his judgments with quotes from the Holy Scriptures (strictly selected and arranged in the text, of course, exactly as the author needs it), Fedor Karpov remains in the Old Russian tradition, approved by the scribe for the epistolary genre. But he is not limited to this tradition. Quotes from ancient literature are adjacent to quotes from the Holy Scriptures in the epistle to Metropolitan Daniel, and the judgment of Aristotle turns out to be much more authentic for Fedor Karpov than, say, the apostle Paul. Thus, from a sphere close to the addressee, the author transfers epistolary communication into his sphere. This secular quotation plan was completely absent from the scribe, but the scribe, offering users, in accordance with the title, only the “beginning” of the messages, provided great opportunities for experimentation. Fedor Karpov, to whom the European individual beginning was so dear, could not help but use them. Based on the scribe, he created, on the one hand, a modern, flawlessly “correct” letter written “according to the rules of rhetoric”, as befits an educated person, and on the other hand, a letter that is very independent, very personal, reflecting his personality. However, there is a likelihood of feedback: perhaps the scribe did not form the basis of the creative experiment of Fedor Karpov, but the epistolary text of Karpov formed the basis of the scribe.

Стилі APA, Harvard, Vancouver, ISO та ін.

31

Zhilyakov, Sergey V. ""Word of Daniel the Immured" as a manifesto of the autocracy in Russia of the 12th century." Vestnik of Kostroma State University, no. 3 (2019): 57–61. http://dx.doi.org/10.34216/1998-0817-2019-25-3-57-61.

Повний текст джерела

Анотація:

The article deals with the problem of functional and genre belonging of the "Word of Daniel the Immured", and considers the problem of dating the work. We reveal that the semantic "impenetrability" of the "Word" is connected, first, with the phenomenon of the text of the transition period, which determines the ideological and everyday (biographical) concept. It is shown that the "Word" is a Manifesto of autocracy, representing the "expressed" stereotype of behavior, which destroys the boundaries of the previous canons both in genre and stylistic terms, since the synthetic worldview discrediting the usual mental positions, no longer works at the level of the norm, it is an object of parody (new) and at the same time selectively traditional poetics. In this connection, the "Word" is unusual for any listener who does not live in that era, the era of the 12th century – the time of tectonic cultural and historical shifts, when old traditions die, and new ones are just emerging. This fluid (amorphous) process is reflected in the phenomenon of "Word of Daniel the Immured", presented as a mystery for the modern researcher.

Стилі APA, Harvard, Vancouver, ISO та ін.

32

Araya, Isabel. "Migración, género y danza. Trayectorias de mujeres afrodescendientes en el norte de Chile." REMHU: Revista Interdisciplinar da Mobilidade Humana 31, no. 67 (April 2023): 97–114. http://dx.doi.org/10.1590/1980-85852503880006707.

Повний текст джерела

Анотація:

Resumen Esta investigación indaga en la dimensión corporal de la interseccionalidad entre mujeres migrantes. Para ello se consideran las trayectorias corporales de mujeres afrocolombianas en Arica, frontera norte de Chile donde se desarrolla además el movimiento afrochileno. En la última década, la llegada de población afrolatinoamericana y afrocaribeña al país suscita reacciones de racismo, discriminación y xenofobia. A su vez, hace dos décadas, el movimiento afrochileno conforma organizaciones que reclaman el reconocimiento efectivo de sus comunidades, entre ellas agrupaciones musicales. Desde un enfoque cualitativo, se realizan dos historias de vida y mapas corporales con mujeres afrocolombianas que participan del movimiento afrochileno a través de la danza, y se ahonda en sus procesos corporales vinculados a las trayectorias migrantes. Se destaca que para las mujeres afrodescendientes migrantes la danza se transforma en una estrategia vinculada a sus cuerpos que propicia procesos de agencia.

Стилі APA, Harvard, Vancouver, ISO та ін.

33

WILSON SMITH, SANDRA. "Frontier Androgyny: An Archetypal Female Hero in The Adventures of Daniel Boone." Journal of American Studies 44, no. 2 (December 24, 2009): 269–86. http://dx.doi.org/10.1017/s0021875809990752.

Повний текст джерела

Анотація:

Influential American studies scholars of the mid-twentieth century, such as R. W. B. Lewis, Henry Nash Smith, and Leslie A. Fiedler, focussed attention on a mythic American character, the frontiersman who penetrates the wilderness. These critics provided analyses of figures such as Daniel Boone and his fictional counterpart, Natty Bumppo, and discussed the power the romanticized western frontier had over the American imagination. Their observations were accurate, as far as they went. However, these critics did not acknowledge the many narratives in which a female character conquers the frontier. The assumption seemed to be that the literary female figure belonged in the parlor with her sewing basket and not in the forest with her weapon. Unfortunately, this incomplete assessment of the frontier adventure genre is still in evidence today. In this essay, I work towards the development of a more complete understanding of the American frontier story and point out that, even in the iconic John Filson/John Trumbull Boone tale, we find a mini-narrative involving a female hero who triumphs over the “savage” forces of the wilderness. This female figure became a cultural archetype, and similar versions of her story were repeated in countless captivity and western adventure anthologies, almanacs, and the like for the next seventy years. The popularity of this frontier narrative featuring a strong, violent female figure suggests that readers were accepting of the idea of an active, aggressive woman, at least while she was contending with chaotic forces in the wilderness. The popularity of this kind of narrative also undercuts the traditional gender paradigm (the nurturing passive female versus the active aggressive male) too often imposed by scholars on antebellum American letters and culture.

Стилі APA, Harvard, Vancouver, ISO та ін.

34

K. Gugler, Thomas. "Gerster, Daniel, Michael Krüggeler (Hg.), God’s Own Gender? Masculinities in World Religions." Sexuologie. Zeitschrift für Sexualmedizin, Sexualtherapie und Sexualwissenschaft 26, no. 1-2 (June 2019): 109–10. http://dx.doi.org/10.61387/s.2019.12.27.

Повний текст джерела

Стилі APA, Harvard, Vancouver, ISO та ін.

35

Wills, Lawrence M. "Jewish Novellas in a Greek and Roman Age: Fiction and Identity." Journal for the Study of Judaism 42, no. 2 (2011): 141–65. http://dx.doi.org/10.1163/157006311x544409.

Повний текст джерела

Анотація:

AbstractAlthough Jewish novellas (Esther, Daniel, Tobit, Judith, and Joseph and Aseneth) have received more attention recently as a distinct genre within ancient Jewish literature, their relation to Greek and Roman novels is still debated. This article argues that, although some of the Jewish novellas arise earlier, they should be considered part of the same broad category of novelistic literature. The rich research on the cultural context of Greek and Roman novels applies to the Jewish as well. But a further question is also explored: if the Jewish texts were originally considered fictional, how did they come to be considered biblical and historical? Two suggestions are proposed: the protagonists of the narratives first came to be revered as heroes of the faith aside from the texts, and the rise of “biblical history” required the use of Esther and Daniel to fill in the gaps in the chronology.

Стилі APA, Harvard, Vancouver, ISO та ін.

36

Neagoe, Alexandru. "Symbols of Conflict and Hope." Kairos 11, no. 2 (December 7, 2017): 187–95. http://dx.doi.org/10.32862/k.11.2.3.

Повний текст джерела

Анотація:

The present article offers an analysis of the use of symbolism in the books of Daniel and Revelation. Thus, the first section of the study evaluates the degree of thematic unity which may be said to exist between the two books (given their common literary genre). Secondly, the article explores the different roles which symbolism plays within the two books. Finally, a concluding section brings together the findings of the study, indicating that despite the complex symbolism of Daniel and Revelation, it is plausible to speak of these books (individually and together) as having a unifying message which could be described as the victory of good over evil or, more precisely, the sovereignty of God in a world where evil seems to prevail. At the same time, this unifying message can take a wide variety of distinctive meanings for specific groups and for specific settings.

Стилі APA, Harvard, Vancouver, ISO та ін.

37

Kravetz, Rachel. "The Radiant Tableaux of Daniel Deronda." Nineteenth-Century Literature 73, no. 1 (June 1, 2018): 68–93. http://dx.doi.org/10.1525/ncl.2018.73.1.68.

Повний текст джерела

Анотація:

Rachel Kravetz, “The Radiant Tableaux of Daniel Deronda” (pp. 68–93) This essay argues that the ekphrastic images in Daniel Deronda (1876) mark a shift in George Eliot’s thought away from a historical to a prophetic national mode. Taking as a point of departure the critical commonplace that Eliot’s novel has two largely separate spheres, a degenerate English world and a visionary Jewish realm, I show that each has a painterly model. The grounds of stately English homes represent a false Arcadia in passages that allude to the genre of landscape known as “ideal.” While the glowing river landscapes that frame Jewish characters conjure the extrasensory, they have a material correlative in the paintings of J.M.W. Turner. In my reading, these vivid scenes comprise a response to the vexed status of the nation that issues from philosophical empiricism. The nation is too large a body to be perceived directly or depicted fully in fiction. Eliot’s sunset landscapes form a locus for propositions about how the mind may reach beyond experience. With images of arched bridges, she transmutes an empiricist metaphor for the mental process of prediction through inference into a symbol for prophecy. The gold skies light up the distance, directing the reader to conceive a national ideal Eliot cannot locate or provide: ultimately, both empiricism and idealism prove insufficient to her fictional project, nonetheless brilliant, of national reanimation.

Стилі APA, Harvard, Vancouver, ISO та ін.

38

Coxon, Peter W. "The 'List Genre and Narrative Style in the Court Tales of Daniel." Journal for the Study of the Old Testament 11, no. 35 (June 1986): 95–121. http://dx.doi.org/10.1177/030908928601103506.

Повний текст джерела

Стилі APA, Harvard, Vancouver, ISO та ін.

39

McGrail, Simon Peter. "Daniel and Genre Confusion: The Strange Case of The Burning Fiery Furnace." Relegere: Studies in Religion and Reception 3, no. 1 (2013): 41–56. http://dx.doi.org/10.11157/rsrr3-1-586.

Повний текст джерела

Стилі APA, Harvard, Vancouver, ISO та ін.

40

Bell, Nora K. "What Setting Limits May Mean A Feminist Critique of Daniel Callahan's Setting Limits." Hypatia 4, no. 2 (1989): 169–78. http://dx.doi.org/10.1111/j.1527-2001.1989.tb00580.x.

Повний текст джерела

Анотація:

In Setting Limits, Daniel Callahan advances the provocative thesis that age be a limiting factor in decisions to allocate certain kinds of health services to the elderly. However, when one looks at available data, one discovers that there are many more elderly women than there are elderly men, and these older women are poorer, more apt to live alone, and less likely to have informal social and personal supports than their male counterparts. Older women, therefore, will make the heaviest demand on health care resources. If age were to become a limiting factor, as Dr. Callahan sug-gests it should, the limits that will be set are limits that will affect women more dras” tically than they affect men. This review essay examines the implications of Callahan's thesis for elderly women.

Стилі APA, Harvard, Vancouver, ISO та ін.

41

Cammu, Nola. "Daniel Monk and Nicola Barker (eds), From Civil Partnership to Same-Sex Marriage." Sexualities 20, no. 5-6 (December 2, 2016): 657–59. http://dx.doi.org/10.1177/1363460716673961.

Повний текст джерела

Стилі APA, Harvard, Vancouver, ISO та ін.

42

González, Francisco J. "Necessary Disruptions: A Discussion of Daniel Butler’s “Racialized Bodies and the Violence of the Setting”." Studies in Gender and Sexuality 20, no. 3 (July 3, 2019): 159–64. http://dx.doi.org/10.1080/15240657.2019.1641939.

Повний текст джерела

Стилі APA, Harvard, Vancouver, ISO та ін.

43

De Bruyn, Joseph Jacobus. "CONSTRUCTING A LIVING DEITY – FRAMING THE GOD OF ISRAEL IN THE STORIES OF DANIEL AND BEL AND THE DRAGON." Journal for Semitics 24, no. 1 (November 15, 2017): 65–92. http://dx.doi.org/10.25159/1013-8471/3439.

Повний текст джерела

Анотація:

This article is the concluding part in a series of articles on “Bel and the dragon”. These articles are an investigation into the Greek editor’s/author’s use of body, space, narrative and genre in creating a new reality regarding the Jewish deity. A spatial analysis is used. It suggests that the episodes of “Bel and the dragon”, as well as each of the chapters of Greek Daniel, should be read in a reciprocal relationship with each other. First, such an analysis indicates that the smaller episodes and chapters are part of a larger clash of deities. Second, it shows that the editor/author utilises the different events in the chapters of Greek Daniel to create a new worldview. In this new worldview the God of Israel is an almighty deity while other deities that are revered are false, and not real, living gods. In his own way the editor/author contributes to the way in which Jews regarded their God within the reality of the diaspora.

Стилі APA, Harvard, Vancouver, ISO та ін.

44

Lieber, Emma. "Investigations into the Unpoliced Novel:Moll FlandersandThe Comely Cook." Slavic Review 74, no. 3 (2015): 575–96. http://dx.doi.org/10.5612/slavicreview.74.3.575.

Повний текст джерела

Анотація:

Taking its cue from Lev Tolstoi's claim, in “A Few Words Apropos of the BookWar and Peace,” that the Russian novel is a “deviation from European form,” this article investigates deviance as a formal and thematic aspect of the Russian novel. Concentrating on Mikhail Chulkov'sThe Comely Cookas an early exemplar of the Russian novel form, and locating its deviance against the backdrop of Daniel Defoe'sMoll Flanders(the English novel with which it is most frequently paired), I examine both formal matters and the texts' thematic and imaginative clusters. These questions of commercialism, capital, and the role of money; of gender difference, the regulation of sexuality and pleasure, and bodily life generally; of Oedipal family arrangements and communal organization; and of repetition and the production of the new are especially at stake in investigating issues of normativity and abnormality, or regularity and deformity, as they are given shape in the works. In particular, this article concentrates on the police as a multivalent literary, and particularly novelistic, construct to present the Russian novel as a distinctively unpoliced and unregulated genre whose lawlessness is brought into relief by the culture of discipline and legality that pervades Defoe's work.

Стилі APA, Harvard, Vancouver, ISO та ін.

45

Drager, Emmett Harsin. "Early Gender Clinics, Transsexual Etiology, and the Racialized Family." GLQ: A Journal of Lesbian and Gay Studies 29, no. 1 (January 1, 2023): 13–26. http://dx.doi.org/10.1215/10642684-10144364.

Повний текст джерела

Анотація:

This article puts the research and writing of UCLA psychology professor Robert J. Stoller in conversation with Daniel Patrick Moynihan's famous essay “The Negro Family: The Case for National Action” to highlight the racial and colonial logics of university-based gender clinics and their significance for transsexual life. The author provides examples of patients of color who made their way to these gender clinics through institutions of psychiatric detention or the criminal justice system. The article attempts to demonstrate three points: (1) gender-clinic patients were not all white and middle class, and many of them did not come to the gender clinics voluntarily; (2) understanding the prolonged, multigenerational temporality of Stoller's theory of transsexual etiology makes clear the connections between transsexual medicine, evolutionary and eugenic theory, and racial science; and (3) Stoller's theory of transsexual etiology emerges alongside essays like Moynihan's reveals the shared genealogy of US sexology and Jim Crow.

Стилі APA, Harvard, Vancouver, ISO та ін.

46

Santana, M. Myrta Leslie. "Transformista, Travesti, Transgénero." Small Axe: A Caribbean Journal of Criticism 26, no. 2 (July 1, 2022): 46–59. http://dx.doi.org/10.1215/07990537-9901597.

Повний текст джерела

Анотація:

This essay considers the stories of Blaccucini and Ángel Daniel, two Black transgender drag performers from Cuba, and dwells on the relationship they imagine between their work as performers and their subjectivities as trans people. The author situates these narratives within queer Cuban and Caribbean studies, noticing the ways they push back against renderings of gender and sexuality as inherently distinct categories. Instead, for these artist-thinkers, trans subjectivity is informed by various experiences related to gender, sexuality, race, class, and geography. The essay offers some possibilities for greater nuance in accounts of sexual subjectivity in Cuba and the Caribbean and locates the stakes of these discussions in broader transnational LGBT rights discourses.

Стилі APA, Harvard, Vancouver, ISO та ін.

47

Akinrinde, Tolulope. "Cross-gender Journey Motif in Daniel Black’s They Tell Me of a Home and Yaa Gyasi’s Homegoing." CLAREP Journal of English and Linguistics 3 (October 10, 2021): 129–52. http://dx.doi.org/10.56907/g6fek26r.

Повний текст джерела

Анотація:

Representations of ‘cross-gender’ Journey motif means the marked difference(s) in ‘Cross-Gender’ experiences and challenges in diasporic milieu. This paper focused on portraying how the patriarchal society in which both male and female genders find themselves tends to be the ultimate tool defining and creating in their psyche what strength and weakness is, as such, the differences in their journeys. This is to map psychosocial ‘cross-gender’ journeys, and how these journeys influence their mental and physical well-being. This paper concluded with the discovery that, while a male gender returns home to rediscover the unhomely home, the female gender is not given the chance. Hers is rather redirected, lest she remain unmarried, single, or termed promiscuous.

Стилі APA, Harvard, Vancouver, ISO та ін.

48

Li, Chenyang. "Revisiting ConfucianJenEthics and Feminist Care Ethics: A Reply to Daniel Star and Lijun Yuan." Hypatia: A Journal of Feminist Philosophy 17, no. 1 (January 2002): 130–40. http://dx.doi.org/10.2979/hyp.2002.17.1.130.

Повний текст джерела

Стилі APA, Harvard, Vancouver, ISO та ін.

49

Licandro, Daniela. "Reading Wendy Larson’s Women and Writing in Modern China (1998) to Reflect on Gender-based Approaches in China Studies." Altre Modernità, no. 31 (June 1, 2024): 570–75. http://dx.doi.org/10.54103/2035-7680/23448.

Повний текст джерела

Анотація:

Reading Wendy Larson’s Women and Writing in Modern China (1998) to Reflect on Gender-based Approaches in China Studies (Wendy Larson, Women and Writing in Modern China, Stanford, Stanford University Press, 1998, 267 pp. ISBN 0-8047-3151-9) by Daniela Licandro

Стилі APA, Harvard, Vancouver, ISO та ін.

50

Wijaya, Graciela Queen. "Gender Roles and Culture: Female Students’ Interest in Information Technology Major and Career." K@ta Kita 10, no. 1 (March 15, 2022): 132–40. http://dx.doi.org/10.9744/katakita.10.1.132-140.

Повний текст джерела

Анотація:

Stereotypes has been ingrained in the society for a very long time. According to Daniel Katz and Kenneth Braly (1933), stereotyping guides to racial discrimination just after people respond to a particular group and assign the characteristic of the group emotionally. Cultural expectations have dominated societies around the world, and become an obstacle to women, including in career. However, they start to break down the barriers to show how traditional gender roles belong in the past. Therefore, in college majors, they started to enter the male-dominated majors. This research aims to find out what cultural values do the female students believe related to gender roles and its relationship with their chosen major and career. The theory that will be used is gender roles. A qualitative approach will be used by interviewing and collecting all the data from the students who are majoring in Informatics Engineering and Business Information System (SIB) in Petra Christian University.Keywords: gender roles, non-traditional career, male-dominated majors, education, career choice

Стилі APA, Harvard, Vancouver, ISO та ін.

Ми пропонуємо знижки на всі преміум-плани для авторів, чиї праці увійшли до тематичних добірок літератури. Зв'яжіться з нами, щоб отримати унікальний промокод!