Добірка наукової літератури з теми "Dadashri"

Water-soluble gases in the Caspian-Guba oil and gas region began in the 90s of the last century. It was studied under the leadership of F. H. Dadashov and with the direct participation of the author. Gas and water samples were taken and analyzed from the required depths with depth sampling devices (PD-03 and PQM-1000). The isotope composition of the samples was studied at BP in London. Samples from aqueous complexes in Absheron, Productive layer and Cretaceous sediments were analyzed. Based on the results of the analysis, it was found that the gas composition varies depending on the area and depth. In Khudat, Nabran and Khachmaz areas, the gas content of thermomineral waters distributed in the Productive Formation Aquatic Complex and reaching a temperature of 65 °C at the mouth of the well is mainly nitrogen, and in Yalama, Guba and Gusar areas it contains methane. In Mesozoic sediments (Upper Cretaceous), the gas content of thermal waters with a surface temperature of 86 °C is methane. Homologues of this component, as well as the content of nitrogen and carbon components in the total gas content have a relatively low percentage. The thermal waters of this sedimentary complex are chlorinated-sodium due to their hydrochemical composition. Keywords: temperature; sediment; complex; component; composition; thermal waters; gas; methane; chloride; flow.

The article for the first time raises the question of authorship of one of the key sources on archaeology and ethnography of the peoples of the North Caucasus, first and foremost the Balkars, Kabardins, Karachais, and Abazins — an album with watercolour drawings of fortresses, churches, funerary monuments, elements of costume of mountain peoples, etc. stored in the fonds of the Peter the Great Museum of Anthropology and Ethnography (the Kunstkamera). This source is known in historiography under the name of its first owner, D.A. Vyrubov, head of the Nalchik district of the Terek region. The article argues that the author of the album was Ivan A. Vladimirov (1869-1947), Russian and later Soviet artist, archaeologist, and military correspondent. Handwriting experts' examination of handwritten notes in the album and I.A. Vladimirov’s reports on archaeological investigations conducted in the Nalchik district confirms this; chronology and geography of the album coincides with I.A. Vladimirov's travels to the Caucasus. There is interconnected and complementary information on a number of archaeological and ancient architectural monuments, as well as on people who supported Vladimirov in his field research — Dimitri Alekseyevich Vyrubov, the chief of the Nalchik district, and Dadashe Dohshukovich Balkarokov, a Chegem taubian. It is shown that the period from 1892 to 1898, that is, from I.A. Vladimirov’s first appearance in the Nalchik district to Colonel D.A. Vyrubov’s transfer to Vladikavkaz, is the most probable time of the album’s creation. Establishing the identity of the artist who created the album has significantly broadened the information capacity of the source itself, as it now can be considered in conjunction with I. A. Vladimirov's scientific accounts of his archaeological work. This, in turn, facilitates identification of a number of objects, including ancient half-destroyed Christian church near Bylym village. In addition, comparative study of the sources has yielded new information on the monuments. Thus, the album contains drawings and measurements of mausoleums and crypts near the village of Gundelen, church on the Kisanty river, mausoleums and tombs in the same area, while I.A. Vladimirov’s report contains photos of these objects, their site layout plan and drawings. Some previously unknown facts from the history of the first archaeological expedition conducted by I.A. Vladimirov in 1896 have also been revealed.

Yüksək səthi aktivliyə malik olan katanion tipli səthi-aktiv duzların sintezi, tədqiqi və perspektivli tətbiq sahələrinin araşdırılması istiqamətində tədqiqat işləri aparılmışdır. Sintez edilmiş duzların əsas fiziki-kimyəvi göstəriciləri, o cümlədən ən mühüm səthi aktivlik parametrləri təyin olunmuşdur. Sintez edilmiş katanion duzun quruluşu İQ və UB spektroskopiya üsulları ilə identifikasiya edilmişdir. Alınmış duzların işığın dinamik səpilməsi metodu ilə müxtəlif qatılıqlı sulu məhlullarında zərrəciklərin ölçüləri də təyin edilmişdir. Bu duzların səthi aktivliyi tenziometr vasitəsi ilə su-hava sərhədində halqanın qopması üsulu ilə tədqiq edilmiş, müxtəlif qatılıqlı sulu məhlullarının elektrokonduktometriya üsulu ilə xüsusi elektrik keçiriciliyi təyin edilmişdir. Sintez edilmiş yeni duzların tətbiq yönümlü xassələrindən neftyığıcılıq qabiliyyətinin tədqiqinə xüsusi diqqət yetirilmişdir, çünki bu cür xassələrə malik olan səthi-aktiv reagentlər ekoloji cəhətdən təhlükəli olan nazik neft təbəqələrini su hövzələrinin səthindən kənar etməyə imkan verir. Açar sözlər: katananion duzlar, işığın dinamik səpilməsi metodu, heksadesiletilolammonium xlorid, neftyığma, elektrokonduktometriya üsulu Tarana Ali Poladova Alasgar Dadash Agha-zade Ulviyya Nizami Karimova-Japharova Synthesis and study of new surface-active hexadecylammonium ethanoate and pentanoate salts Abstract New surface-active catanionic-hexadecylethylolammonium ethanoate and pentanoate salts have been synthesized on the basis of hexadecylammonium chloride salt. Composition and structure of these reagents have been identified by IR and UV spectroscopy methods. By tensiometric measurements, their high surface activity at the water-air border has been shown. By electroconductometric method, specific electrical conductivity of the aqueous solutions of the complexes has been determined. The diameters of the aggregates formed by the synthesized surfactants in aqueous solutions have been determined via dynamic light scattering method. Petroleum-collecting properties of the synthesized complexes (in the pure state and in the form of 5% wt. aqueous solution) have been studied on the example of crude oil from the Pirallahi oil field in the Absheron Peninsula (Azerbaijan). The surfactant or its solution was added to a thin film (thickness 0.15-0.16 mm) of this petroleum on the surface of distilled water, fresh water and the Caspian Sea water (separately) in Petri dishes. By laboratory tests, their effectiveness for removal of ecologically-hazardous thin petroleum films from the water surface has been revealed. Since it was found that the presence of an alkyl radical in the composition of catanionic salts, as well as an increase in these radicals, contributes to an increase in the oil-collecting capacity. Keywords: catanionic salts, dynamic light scattering, hexadecylammonium chloride, petroleum collecting, electroconductometry method

Artikel ini bertujuan untuk mendeskripsikan pendekatan braind based learning sebagai basis pembelajaran dalam kurikulum 2013. Keberhasilan pembelajaran dalam arti tercapainya standar kompetensi, sangat bergantung pada kemampuan guru mengolah pembelajaran yang dapat menciptakan situasi yang memungkinkan peserta didik belajar. Pendekatan pembelajaran BBL sejalan dengan konseptual pendidikan holistik. Hal ini dadasari oleh pemikiran bahwa setiap peserta didik memiliki potensi yang berbeda dan itu merupakan fitrah manusia. Potensi yang dimiliki peserta didik dikembangkan lewat proses pendidikan sehingga mendistorsi makna pendiidkan bila proses pendidikan mengabaikan salah satu potensi tersebut. Hal ini pulalah yang dikembangkan dalam kurikulum 2013, bahwa orientasi pencapaian kompetensi peserta didik di arahkan pada pencapaian kompetensi holistik yaitu dari kompetensi sikap spiritual dan sosial, kompetensi pengetahuan dan kompetensi ketermapilan/psikomotorik.

Исследование посвящено разработке модели, характеризующей внутренний баланс национальной культуры, функционирующей в условиях глобализации между противоположными полюсами идентичности и диверсификации. Материалами послужили исследования азербайджанских и российских философов, культурологов и искусствоведов, произведения художников ХХ в. В процессе исследования на основе принципа бесфоновой организации изобразительных форм (БОИФ), разработанного Х. Мамедовым и С. Дадашевым, визуализирована мультикультурная модель. Отмечено, что язык БОИФ обладает свойствами комплементарности и полиэйконичности, то есть бесконечно интегрирует элементы в систему. Модель устойчива и структурно отражает идеи мультикультурализма. Комплементарность организует внешние формы культур, не затрагивая их содержания, что отвечает формуле «моя свобода заканчивается там, где начинается ваша». Баланс внутри национальной культуры достигается кристаллизацией этнических особенностей и внутренним разнообразием системы. The article is devoted to the development of a model that ensures the internal balance of national culture, which, in the context of globalization, functions between the opposite poles of identity and diversification. The materials are results of the studies of Azerbaijani and Russian philosophers, culturologists, and art historians, works of artists of the 20th century. The methodology is based on a comparative approach using analogies and parallels. The authors define identity as the gathering, concentration, crystallization of all the characteristic features of a given ethnic group with the uniformity, similarity of the totality of its properties. In this case, diversification is understood as diversity, dissimilarity, difference and even diversity of features within one system. It is noted that researchers often projected the laws of cultural development onto the art system as a whole, but they never inverted this scheme, trying to model the processes in culture with the help of art. The article examines the crisis of figurativeness in art expressed in the works of Kazimir Malevich, non-figurative art and works of Maurits Cornelis Escher, which are characterized by a special type of symmetry interpreted as the fundamental basis of the visual language. In the authors’ opinion, this phenomenon corresponds to the global identity crisis that resulted from the collapse of all empires (except for the British one) following the results of World War I. The parallelism of the discussed phenomena made it possible to use the pictorial language studied by Kh. Mamedov and S. Dadashev for modeling cultural processes. Based on their concept of a backgroundless organization of pictorial forms (such as an image in which the drawing is equal to the background), the authors of the article created the visualization of a multicultural model. The model’s properties and features are described, among which stability, complementarity, and polyiconicity (infinite equal integration of elements within an integral system) are distinguished, after which this model is projected by analogy on culture and various aspects of intercultural interaction. The authors note that this model, in terms of its structure, reflects the ideas of multiculturalism. The principle of complementarity organizes the external forms of cultures without affecting their internal content. This corresponds to the formula “my freedom ends where yours begins”. It is concluded that the balance within the national culture is achieved, on the one hand, by the crystallization of ethnic characteristics with which the culture identifies itself and, on the other, by the diversity that is preserved within the system.