Дисертації з теми "Dada2"
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Myers, John Vincent. "An Exploratory Analysis of the DADA2 and uBiome Pipelines." The Ohio State University, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=osu1555603546669156.
Повний текст джерелаBargues, Cécile. "Dada après Dada (années 1930-1940)." Paris 1, 2012. http://www.theses.fr/2012PA010576.
Повний текст джерелаFernandez, Ruben. "Dada /." Title page, contents and foreword only, 1994. http://web4.library.adelaide.edu.au/theses/09ARM/09armf363.pdf.
Повний текст джерелаBarry, Marie Porterfield. "Lesson 18: On the Dada of Art versus the Dada of War." Digital Commons @ East Tennessee State University, 2020. https://dc.etsu.edu/art-appreciation-oer/20.
Повний текст джерелаNunes, Matheus Marques [UNESP]. "Dada e o riso." Universidade Estadual Paulista (UNESP), 2006. http://hdl.handle.net/11449/106291.
Повний текст джерелаCoordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)
O trabalho analisa a ligação entre o riso e as intervenções realizadas por vários artistas ligados ao Dada. Inicialmente buscamos contextualizar o riso enquanto manifestação cultural em diferentes momentos da história. Tentamos destacar, com isso, os seus inúmeros significados culturais. Também analisamos certas características da indústria cultural e as transformações sofridas pelo riso diante das novas modalidades de dominação. Enfatizamos, além disso, as implicações da racionalidade e da tecnologia como formas de ideologia nas sociedades capitalistas mais desenvolvidas. Ressaltamos, finalmente, algumas das principais implicações do riso mercadoria como uma forma privilegiada de manipulação das massas e as contradições entre as atitudes dadaístas e a prática de dominação fomentada pela indústria cultural.
This work analyses the connection between laugh and the interventions performed by several artists linked to Dada movement. Initially we try to characterize laugh as a cultural manifestation in different moments of history. With that we try to highlight its several cultural meanings. We also analyze certain aspects of culture industry and the transformations undergone by laugh in face of new forms of domination. Additionally we stress some of the main implications of commodity laugh as a privileged form of manipulation of masses and the contradictions between the dadaist attitudes and the practice of domination stimulated by culture industry.
Nunes, Matheus Marques. "Dada e o riso /." Araraquara : [s.n.], 2006. http://hdl.handle.net/11449/106291.
Повний текст джерелаBanca: Valentim Aparecido Facioli
Banca: Renato Bueno Franco
Banca: Fábio Akcelrud Durão
Banca: José Pedro Antunes
Resumo: O trabalho analisa a ligação entre o riso e as intervenções realizadas por vários artistas ligados ao Dada. Inicialmente buscamos contextualizar o riso enquanto manifestação cultural em diferentes momentos da história. Tentamos destacar, com isso, os seus inúmeros significados culturais. Também analisamos certas características da indústria cultural e as transformações sofridas pelo riso diante das novas modalidades de dominação. Enfatizamos, além disso, as implicações da racionalidade e da tecnologia como formas de ideologia nas sociedades capitalistas mais desenvolvidas. Ressaltamos, finalmente, algumas das principais implicações do riso mercadoria como uma forma privilegiada de manipulação das massas e as contradições entre as atitudes dadaístas e a prática de dominação fomentada pela indústria cultural.
Abstract: This work analyses the connection between laugh and the interventions performed by several artists linked to Dada movement. Initially we try to characterize laugh as a cultural manifestation in different moments of history. With that we try to highlight its several cultural meanings. We also analyze certain aspects of culture industry and the transformations undergone by laugh in face of new forms of domination. Additionally we stress some of the main implications of "commodity laugh" as a privileged form of manipulation of masses and the contradictions between the dadaist attitudes and the practice of domination stimulated by culture industry.
Doutor
Matheson, Neil. "The traumatised male : Dada, surrealism and masculinity." Thesis, University of Kent, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.246594.
Повний текст джерелаBenjamin, Elizabeth Frances. "The authenticity of ambiguity : Dada and existentialism." Thesis, University of Birmingham, 2015. http://etheses.bham.ac.uk//id/eprint/5600/.
Повний текст джерелаWidmaier, Tobias. "Sin(n)copations: ein Kapitel Dada-Musik." Bärenreiter Verlag, 1998. https://slub.qucosa.de/id/qucosa%3A37157.
Повний текст джерелаMiguel, Luiz Felipe Hadlich. "As garantias dadas ao particular nas parcerias público-privadas." Universidade de São Paulo, 2010. http://www.teses.usp.br/teses/disponiveis/2/2134/tde-20062013-133627/.
Повний текст джерелаThe present work aims at presenting the reader a wide range of guarantees which can be offered to private companies by the State, so as to attract them to contracting public-private partnerships, instituted in federal extent under law number 11.079, dated December 30, 2004. The shortage in public resources, culminating with the incapacity of the State to invest in sectors of its own responsibility, has brought about the pursuit of new ways of interaction between the public and private sectors. Notwithstanding, the fact that Brazilian Public Administration has a history of being a bad payer has implied the need for guarantees to those who will hire the Public Power, taking into consideration that perhaps only a few people will be willing to invest their funds in doubtfully profitable activities. The purpose of this paper is to analyze the various forms of guarantees, pointing out weaknesses and favorable aspects, always targeting on turning them viable and efficient. At last, some other new suggestions will be introduced, enhancing the range of options the administrator may have at reach whenever one intends to put into practice such kind of hiring.
Lochmann, Erin Megan. "THE ART OF NOTHINGNESS: DADA, TAOISM, AND ZEN." UKnowledge, 2011. http://uknowledge.uky.edu/art_etds/1.
Повний текст джерелаWinskell, Samantha Kate. "Dada and Russia : Zurich and Berlin, 1915-1922." Thesis, Courtauld Institute of Art (University of London), 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.294791.
Повний текст джерелаLewer, Deborah Claire. "Dada in Zurich 1916-1920 : ideology and practice." Thesis, Manchester Metropolitan University, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.322020.
Повний текст джерелаKunesova, Mariana. "L'absurde dans le théâtre français Dada et présurréaliste." Thesis, Montpellier 3, 2014. http://www.theses.fr/2014MON30010/document.
Повний текст джерелаThe aim of this doctoral dissertation is to analyze the absurd as an aesthetic category in French Dada and pre-surrealist theatre between 1916 and 1923, dealing with three texts : La Première aventure céleste de Monsieur Antipyrine by Tristan Tzara (1916), S’il vous plaît, by André Breton et Philippe Soupault (written in 1919) and Les Mystères de l’amour by Roger Vitrac (written in 1923).The absurd as a theatre and drama category was examined especially at the half of the last century by the British drama critic Martin Esslin, author of the conception of the ‘theatre of the absurd’, created in order to caracterize and explain the avant-garde theatre of the 1950´s. This contribution has reached both popularity and deep critics, being considered as poignant as well as imprecise and vague. Thus, this dissertation does not use M. Esslin´s propositions as its starting point, bur attempts to define the category of the absurd in drama and theatre independently. In the conclusion, it proceeds to a comparison with M. Esslin´s contribution.The first chapter of the thesis defines the absurd as an aesthetic and theatre category. Then, it observes the evolution of the aesthetic absurd (named as such or intuitive) in theatre history, before all in France of the post-classical period. The second part analyzes the absurd elements in my corpus, as regards narrative and also discursive structures
horas, Noticiero 24. "Carlos Adrianzén cuestiona cifras de crecimiento económico dadas por Gobierno." Panamericana Televisón, 2016. http://hdl.handle.net/10757/611838.
Повний текст джерелаMorel, Maxime. "Histoire du surréalisme au temps du surréalisme : essai d'historiographie (1921-1941)." Thesis, Paris 1, 2017. http://www.theses.fr/2017PA01H044.
Повний текст джерелаThis work is dedicated to the history of surrealism du ring the inter-war period (1921-1944). Through the study of many periodicals and the writings of André Breton, Georges Hugnet, David Gascoyne, it highlights how surrealists have made themselves the actors of their own history. This memorial construction, sometimes criticized by some surrealists (especially René Crevel), undoubtedly explains the tensions and conflicts that shake the group. Du ring the 1930s, many art historians and writers attended and commented on the formation of the surrealist group. The role of Christian Zervos, René Huyghe and Marcel Raymond is evoked, as are the more marginal contributions of Carl Einstein, Benjamin Fondane and Walter Benjamin. This process of commodification of a movement that intends to write its own story does not only take place in France and in Europe. Many American art historians, merchants and galleries have played a major role in recognizing surrealism. The writings of James Thrall Soby, James Johnson Sweeney, as well as Alfred Barr or Julien Levy's initiatives show the planetary dimension of the movement
Delfiner, Judith. "Le renouveau de Dada aux États-Unis, 1945-1957." Paris 1, 2006. http://www.theses.fr/2006PA010584.
Повний текст джерелаPerestrelo, Maria Natália de Oliveira Santos Fadigas. ""De mãos dadas" combate ao isolamento social no Concelho de Tavira." Master's thesis, Universidade de Évora, 2012. http://hdl.handle.net/10174/15013.
Повний текст джерелаSchultz, Deborah. "Marcel Broodthaers : strategy and dialogue." Thesis, University of Oxford, 1999. https://ora.ox.ac.uk/objects/uuid:7d6dbff1-7cf0-4187-8ba8-6940192f4824.
Повний текст джерелаAlbert, Dada Aishe [Verfasser], and T. [Akademischer Betreuer] Stief. "Thrombin Generation by Gentamicin / Dada Aishe Albert. Betreuer: T. Stief." Marburg : Philipps-Universität Marburg, 2014. http://d-nb.info/1051935040/34.
Повний текст джерелаLara, Sara Veloso. "No limiar do ethos do enunciador e do ator do enunciado no drama político O último rei da Escócia e no documentário-verdade General Idi Amin Dada: um autorretrato." Universidade de São Paulo, 2015. http://www.teses.usp.br/teses/disponiveis/8/8147/tde-29062015-145116/.
Повний текст джерелаIn this dissertation, we observe and compare the ethos of the enunciators and the actors of enunciation of two movie subgenres: the political drama The last king of Scotland, directed by the North American filmmaker Kevin McDonald (2006), and the documentary General Idi Amin Dada: a selfportrait (1974), directed by the French filmmaker Barbet Schroeder, from the perspective of French Semiotics. The enunciators correspond to the simulacrum of the subjects responsible for the movie: filmmakers, screen players, sound editor, photography etc; and the actors of the enunciation correspond to the subject Idi Amin Dada. Ethos in the perspective of narrative and discursive semiotics is understood as resulting from repetitive ways of doing and being, which are recognized in the generative process of meaning. The actions of the actors, which are related to the way of doing, vary according to the influence of two valencies: intensity and extensity, which aspectualize them through the viewers gaze, represented by the spectators, whose perceptions are time-measured and controlled by the pacing, principle derived from tensive Semiotics. The ethos of the enunciators is apprehended from the filmic elements: types of plan, framing, angle, camera movements, lighting, sound effects and body elements: gestures, facial expression, gaze and movement in space. Based on the works of Yuri Lotman (1978), Greimas and Courtès (1979), Elizabeth Harkot de-La-Taille (2004), Norma Discini de Campos (2009; 2006), Fiorin (2004; 2008), we perform an analysis of filmic and gestural features of three emblematic scenes in each movie, whose meanings come from the combination of the content and the expression plan submitted to the perception of viewers. Firstly, we compare them separately in order to verify the possibility of convergence or divergence between the ethos of the enunciator and the actor. Then we compare both films in order to verify the degree of convergence or divergence between the ethos of enunciators and the style of each subgenre.
Varadarajan, Malini. "The localization of rnp-4f and dADAR mRNA isoforms during Drosophila embryonic development." Miami University / OhioLINK, 2006. http://rave.ohiolink.edu/etdc/view?acc_num=miami1155906454.
Повний текст джерелаFuenzalida, Caro Barbara Bia. "Pronóstico de efectividad de promociones sobre clientes, dadas sus características y respuestas pasadas." Tesis, Universidad de Chile, 2012. http://www.repositorio.uchile.cl/handle/2250/111506.
Повний текст джерелаEl presente trabajo se realiza en el contexto de la industria del retail, que tiene por principal dificultad entender las preferencias de sus clientes, dificultando la gestión eficiente y correctamente dirigida de sus iniciativas de marketing, particularmente promociones de descuento. Una segunda dificultad enfrentada por la industria es la complejidad de evaluar correctamente los efectos de dichas iniciativas dado que generalmente su proceso de asignación no es aleatorio. El objetivo del trabajo es establecer un método de pronóstico de la respuesta del cliente al ser expuesto a promociones, agregando a la información actualmente utilizada su respuesta a ofertas pasadas, de manera de reducir las pérdidas de ganancia de los retailers. La metodología a utilizar se basa en la aplicación de un modelo estimador de efectos causales ad hoc a la naturaleza no aleatoria de los datos llamado Modelo Causal de Rubin con Enfoque Predictivo, el cual mediante el cálculo de la propensión que presentan los clientes a ser expuestos a la promoción llamado Propensity Score contrasta la respuesta de consumidores comparables, reflejando el efecto incremental de la presencia de la intervención. Al modelo se le puede dar un enfoque predictivo si se considera que los clientes no cambian su comportamiento en el tiempo. Además se plantea un modelo propio basado en los principios de Rubin que permite reconocer clientes que si bien no es posible asegurar que compran el producto a consecuencia de la promoción, su intención de adquirirlo no es independiente de la presencia de un cupón de descuento. Entre los resultados se encuentra que la inclusión de las respuestas a ofertas pasadas de los consumidores mejora en un 23,6% el pronóstico de su respuesta actual. Por otro lado el 72% de los clientes no manifiesta cambios en su comportamiento de compra inmediato producto de la intervención, siendo las únicas variables que presentan influencia significativa sobre dicha decisión aquellas referentes a la marca del producto ofertado, la respuesta a promociones a las cuales fueron expuestos el trimestre anterior a la intervención y su comportamiento de compra en el mismo período. Además se identifican dos tipos de clientes, aquellos a quienes una alta exposición a promociones de características comunes incentiva el imprimir y utilizar cupones de descuento y aquellos a los cuales dicha exposición deteriora su propensión a manifestar estos dos comportamientos. Finalmente el modelo propio propuesto es capaz de reconocer al 80,6% de los clientes que según el Modelo de Rubin sí es influenciable por promoción. Se concluye que el actual sistema de evaluación de promociones sobrestima los efectos reales de la intervención sobre los consumidores en MM$ 1,2 por promoción, siendo más riguroso el modelo de estimación de Efectos Causales de Rubin. Por otro lado se tiene que el modelo propio propuesto, si bien no iguala el porcentaje de identificación de clientes influenciables del modelo recién mencionado, su superioridad en eficiencia lo hace el más indicado para la aplicación en el retail estudiado, además de superar en precisión al actual sistema de asignación de promociones que podría significar una disminución de la perdida de aproximadamente MM$ 72. Finalmente se sugiere a la empresa evaluar el trade off entre costos y resultados más reales que plantea continuar usando el actual modelo de evaluación de promociones versus el uso de Modelo Causal de Rubin de manera de utilizar el que mejor se ajuste a sus prioridades. Además se sugiere utilizar el modelo de pronóstico propio planteado para dirigir promociones de productos con niveles de demanda poco clara, evitando desarrollar iniciativas en aquellos con demanda alta. Por último se propone automatizar el modelo de pronóstico propuesto, además de incluir en él mediciones de la percepción que los clientes tienen respecto a promociones.
Forster, Iris. "Die Fülle des Nichts : wie Dada die Kontingenz zur Weltanschauung macht /." München : m Press, 2005. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=013145336&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA.
Повний текст джерелаNoury, François. "Duchamp, le regardeur et la scène de l'art : un théâtre dada." Paris 8, 2006. http://www.theses.fr/2006PA083675.
Повний текст джерелаArfouilloux, Sébastien. "La musique, entre pratiques et théorie littéraire, de Dada au surréalisme." Paris 4, 2007. http://www.theses.fr/2007PA040061.
Повний текст джерелаThis study puts to the test facts the theoretical declarations of Dada and surrealism about music, proposing to read them again in their historical and cultural context. It is about to know in what music has a role to play into surrealism, taking into account the texts that announce a refusal, and to measure the difference between the announced theory and the achievements concluded. Taking as starting point the spectacles and the musical theories of the avant-garde of the time of Dada, which carry in germ what will be surrealism, it examines then the whole of the declarations of Andre Breton on the music. It finally questions the idea that there was no musical surrealism. Far from the postromantism, well off the return to the classicism of France at the beginning of the twentieth century, new musics are worked out. Certain news musical tendencies will be able to hold the attention of the surrealist poets and to constitute an inspiration. Others will be impelled by composers having dependent part with the surrealist movement
Antoine, Vincent. "Théâtre et théâtralité du mouvement Dada : mise en scène d'une subversion." Montpellier 3, 2001. http://www.theses.fr/2001MON30041.
Повний текст джерелаAndrus, Timothy G. "Stuart Davis's Early Theoretical Writing, 1918–1923: Realism, Cubism, and Dada." VCU Scholars Compass, 2016. http://scholarscompass.vcu.edu/etd/4589.
Повний текст джерелаHaugstad, Bjørn. "Strategy as the intentional structuration of practice : the translation of formal strategies into strategies-in-practice." Thesis, University of Oxford, 2011. http://ora.ox.ac.uk/objects/uuid:91e71808-dad2-4532-87e5-e2380d5d17ad.
Повний текст джерелаNédélec, Marine. "De l'incohérence à l'humour, Dada et le surréalisme dans le miroir de la presse : réception et diffusion de Dada et du surréalisme par la presse française (1920-1927)." Thesis, Paris 1, 2019. http://www.theses.fr/2019PA01H084.
Повний текст джерелаWhat is left to examine about Dada and the Surrealism almost a hundred years after the birth of these movements? Numerous studies have dealt with the subject, yet the reactions of their contemporaries have still to be explored. If Dada’s and the Surrealism’s reception among the public has been touched upon by scholars, it remains an unexplored aspect of these movements. This thesis relies upon the analysis of a hundred and twenty-six titles from the 1920’s French press in order to fill this gap by exploring the reception of Dada and Surrealism. The structure of this thesis has been built upon the themes found in the press articles. The first part shows how Dada and to a lesser extent Surrealism have been perceived as incoherent, absurd and thus unintelligible. By trying to explain the reasons of this Dadaist incoherence, this first part touches upon the notion of hermeticism. Then, the second part analyses Dadaist humour through its mystification and laughter which often turns to be offensive and tragic. By cross-reading the various critical assessments of these two movements, this thesis allows us to put back these avant-guardes in their own historical contexts. It unveils their history which is underlined by the concerns of the 1920’s. in addition, the analysis of their reception enables us to insert these two movements in a cartography of references which goes back to the Antiquity, continues in the Middle Ages, expands in the 19th century and comes to an end in the beginning of the 20th century. Therefore, Dada and Surrealism have been read and evaluated in relation to artistic and literary history, from Romanticism to Futurism, right through Symbolism, Incoherent Arts, Impressionism, post-Impressionism, Cubism and the Humorists
Rodrigues, Carina Miguel Figueiredo da Cruz Rosa. "Palavras e imagens de mãos dadas: a arquitetura do álbum narrativo em Manuela Bacelar." Doctoral thesis, Universidade de Aveiro, 2013. http://hdl.handle.net/10773/10586.
Повний текст джерелаÉ objetivo da presente investigação a análise sistemática do álbum narrativo infantil, mais concretamente, da obra escrita e ilustrada por Manuela Bacelar, numa leitura dialógica das suas componentes linguística e pictórica. Partindo de um conspecto teórico-crítico do conceito e da caracterização do álbum enquanto género maior da literatura, o estudo centra-se no exame técnicocompositivo do corpus, procurando indagar alguns dos traços e/ou dos recursos formais, retórico-estilísticos e ideotemáticos que singularizam a obra desta premiada artista plástica, assentando em algumas das modernas correntes literárias (e.g., a intertextualidade e a metaficção) que a inscrevem numa estética pós-modernista. As repercussões práticas do contacto precoce com o álbum e os seus contributos na promoção de comportamentos emergentes de literacia são analisados num estudo de caso que a investigação contempla. Analisando a interação entre as vertentes textual e icónica sublinha-se a especificidade de um género que aposta na narrativização como forma de aproximar a criança do universo plástico e literário.
The aim of this thesis is to provide a systematic analysis of the narrative picturebooks (or picture storybook) of the author illustrator Manuela Bacelar – an analysis derived from a dialogical reading of the linguistic and pictorial components. The study begins with a critical overview of the concept and characterization of the picturebook as one of the greatest forms of literature. Relying upon modern literary currents (e.g., intertextuality and metafiction) to be found in a postmodernist aesthetic, it examines the corpus, from both a technical and compositional point of view, seeking to investigate some of the traits and / or formal resources, rhetorical, stylistic and thematic, that distinguish the work of this awarded artist. To contemplate the practical implications of early contact with picturebooks and their possible contribution to emergent literacy behaviours, a case study is described. By analysing interaction with the textual and iconic aspects of these picturebooks, it highlights how the specificity of a form that relies upon the narrative process can bring a child closer to the illustrated and literary universe.
Martins, Marcos Henrique Santos. "A interpretação global de propriedades figurais no esboço de curvas dadas por equações paramétricas." reponame:Repositório Institucional da UFSC, 2016. https://repositorio.ufsc.br/xmlui/handle/123456789/176711.
Повний текст джерелаMade available in DSpace on 2017-06-27T04:13:25Z (GMT). No. of bitstreams: 1 345840.pdf: 4525592 bytes, checksum: d0792479e140057d94ccfa7d3c3a5808 (MD5) Previous issue date: 2016
A aprendizagem em Matemática se constitui de atividades cognitivas que requerem a compreensão e manipulação dos seus variados sistemas de representação. Entre esses sistemas temos as chamadas representações algébricas e as suas correspondentes representações gráficas. Neste contexto, estamos então nos referindo a formas diferentes de representação de um mesmo objeto matemático. Ao visualizarmos um gráfico, muitas vezes não nos damos conta que este nada mais é que uma relação, comparação entre duas ou mais grandezas representadas de tal forma que, visualmente, podemos perceber informações que denotam uma série de características em relação ao objeto representado, sendo que para esse gráfico tomar forma, se faz necessário que essa relação tenha uma representação na forma algébrica, podendo esta ser escrita também de maneiras distintas. Este trabalho se refere à utilização da interpretação global de propriedades figurais proposta por Raymond Duval em sua Teoria dos Registros de Representação Semiótica, aplicada ao esboço de curvas planas. Primeiramente, é feito um detalhamento sobre alguns estudos já realizados a respeito de curvas planas, representantes de funções e cujas equações (representações algébricas) são dadas cartesianamente em sua forma explícita. Em seguida apresentamos uma proposta para curvas planas dadas por equações paramétricas, independentemente de estas representarem ou não funções . Levando em consideração as operações cognitivas de tratamento e conversão, a interpretação global de propriedades figurais foi realizada no âmbito do entendimento das variações visuais (registros gráficos) e suas correspondentes variações simbólicas (registros algébricos). As curvas paramétricas analisadas se referem às retas e parábolas, onde propomos a utilização do software Geogebra com a finalidade de facilitar a obtenção de seus registros gráficos a partir de suas equações paramétricas, visto que a construção em si das referidas curvas foge ao foco deste trabalho.
Abstract : Learning in Mathematics is composed of cognitive activities that require understanding and manipulation of its various systems of representation. Among these systems have the so-called algebraic representations and their corresponding graphical representations. In this context, then we are referring to various forms of representing the same mathematical object. To visualize a graphic, often we do not realize that this is nothing more than a relationship, comparing two or more quantities represented in such a way that visually we can see information that show a number of characteristics in relation to the object represented, and that for this chart take shape, it is necessary that this relationship has a representation in algebraic form, which may also be written in different ways. This work relates to the use of global interpretation of figural properties proposed by Raymond Duval in his Theory of Semiotics Representation Registers, applied to the sketch plane curves. First, it is done a breakdown of some previous studies on plane curves, representatives of functions and whose equations (algebraic representations) are given cartesianly in its explicitly. Then we present a proposal for plane curves given by parametric equations, regardless of whether they represent functions or not . Taking into account the cognitive processing and conversion operations, the overall interpretation of figural properties was carried out under the understanding of visual variations (graphic records) and their corresponding symbolic changes (algebraic records). Parametric curves analyzed refer to straight and parables, which we propose the use of the Geogebra software in order to facilitate obtaining their graphic records from their parametric equations, as the construction itself of these curves beyond the focus of this work.
Patrício, Maria Júlia de Oliveira Cyrino. "A ciência normal em Thomas Kuhn : apresentação, críticas e respostas dadas por Thomas Kuhn." Universidade Estadual de Londrina. Centro de Letras e Ciências Humanas. Programa de Pós-Graduação em Filosofia, 2016. http://www.bibliotecadigital.uel.br/document/?code=vtls000205978.
Повний текст джерелаThe work presented has as objective to show how it develops the philosophy of Thomas Kuhn, more precisely, its scientific structure. At first do an analysis of normal science to show how it works in the scientific community according to Kuhn's thoughts. However, when Karl Popper, Paul Feyerabend and Larry Laudan reach the conclusions that Kuhn shows us Structure of Scientific Revolutions, ace critical start to appear. Therefore, the criticism before the normal science Thomas Kuhn are deepened and finally, the need of Kuhn's response on the criticism given and his attempt to explain that he may be correct in their placements. We conclude that the criticisms that have been given by philosophers were appropriate since much of it was placed had not been thought of and perhaps would not have been if it were not taken into account all the criticism given by each and criticisms are even more relevant, especially the sharp decline that sometimes Kuhn can give with his rhetoric; thus leaving some areas without solutions and scientists eventually continue following the Kuhn manuals.
Adkins, Helen Blumenfeld Erwin. "Erwin Blumenfeld : "In Wahrheit war ich nur Berliner" : Dada-Montagen 1916-1933 /." Ostfildern : Hatje Cantz Verlag, 2008. http://opac.nebis.ch/cgi-bin/showAbstract.pl?u20=9783775721264.
Повний текст джерелаAnlässlich des Erscheinens dieses Buches findet eine Ausstellung statt: Berlinische Galerie, Landesmuseum für Moderne Kunst, Fotografie und Architektur, Berlin, 27. Februar - 1. Juni 2009.
Lieban, Diego Eduardo. "Soluções radialmente simétricas da equação de Poisson-Boltzmann com uma energia dada." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2009. http://hdl.handle.net/10183/18697.
Повний текст джерелаIn this work, the goal is to evaluate, with parameters M and E given, the existence of solution (assumed radially symmetric) for the Dirichlet problem whose physical connotation is discussed in chapter 1. Initially we do for unit balls in R2, where we show the existence and uniqueness from the explicit solutions to a “associated problem” and adjusting to this original problem via a proper function. Later seeking to extend the idea to a unit ball in Rn, we use the Sub/Supersolution method to get to the solution of the problem, since for dimensions larger than 2, “associated solutions”are not available. Finally, we show that if we reduce our hypotheses, i.e., extending beyond the domain of a unit ball (but still limited), we still have a unique solution. However, the “ freedom ” on the parameters M and E is restricted to the condition that M2 E is sufficiently small. The fundamental references of this work are [12], [6], [7] and [13], although other bibliographies have been consulted and eventually cited.
Sheldon, Melissa A. "DadaShow : an interactive resource and reference database on the Dada art movement /." Online version of thesis, 1993. http://hdl.handle.net/1850/11762.
Повний текст джерелаSimões, Eleonora das Neves. "De mãos dadas com as crianças pequenas pelos espaços da escola : interações, brincadeiras e invenções." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2015. http://hdl.handle.net/10183/131058.
Повний текст джерелаEste estudio investiga como los niños, en el convivio con los adultos y con otros niños, atribuyen significado a los espacios de la escuela de educación infantil. Además, se buscó identificar los protagonismos de los niños pequeños en la constitución y/o la transformación del espacio. A partir de estas cuestiones se pretende reflexionar sobre la manera como nos relacionamos con los espacios, muebles, materiales de la escuela y entender estos como una pedagogía invisible. Se utilizó como metodología de la investigación el abordaje de una etnografía escolar para acercarse de la vida cotidiana de la institución. La producción de datos surgió de las tres grandes cuestiones teóricas, a saber: el protagonismo compartido, la constitución del lugar, y la estética de los espacios y de las relaciones. El cuadro teórico es compuesto por un diálogo entre autores de la pedagogía italiana, Tuan en la comprensión del concepto de lugar y Duarte Jr sobre la estética de las relaciones. A lo largo del trabajo se revela que constituir espacios en una institución de vida colectiva es, ante todo, organizar encuentros e interacciones, sin necesariamente prever como ello ocurrirá.
Gangapatnam, Girija Lakshmi. "A NOVEL ROLE FOR dADAR ISOFORMS IN DROSOPHILA rnp-4f 5'-UTR INTRON SPLICING REGULATION." Miami University / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=miami1335963918.
Повний текст джерелаDos, Anjos Farias Lemoine Maria Soeli. "La culture matérielle des Munduruku du Haut-Tapajos en Amazonie brésilienne : Kapikipi Jewa wy dadam." Thesis, Strasbourg, 2012. http://www.theses.fr/2012STRAG037.
Повний текст джерелаThis Phd deals with the peoples named Munduruku. We’ll study the evolution of both their material culture and their educational system. The meaning of the word “native” is defined in order to respect the Munduruku terminology: “being Munduruku” means “being real men”. In 2005 ,their leaders first granted us permission to meet them on condition we respect the rules. Their material culture has undergone drastic changes particularly as far as architecture is concerned. The square-shaped straw houses observed at the beginning of the twentieth century have been replaced by rectangular ones with wooden walls and zinc rooftops. Missangas made in China have taken the place ot the original necklaces handcrafted with puca seeds and adorned with animals carved in coconuts. The former calabashes used for food or beverage have been replaced by glasses . As to the hammock made of bark still used today, it is no longer crafted by the Munduruku studied. We’ll use the collected materials to analyze their know how. The Munduruku environment is described as well. As our research only partially covers their huge territory, it can’t be considered as completed yet
Dada, Waed [Verfasser]. "A semigroup Approach to Numerical Ranges of Operators on Banach Spaces. / Waed Dada." München : Verlag Dr. Hut, 2014. http://d-nb.info/1064559867/34.
Повний текст джерелаPINHEIRO, SERGIO ESTEVAO MACHADO LISBOA. "A PREDICTIVE CACHE SYSTEM FOR REAL-TIME PROCESSING OF LARGE 2D GRAPHICAL DADA." PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2004. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=4734@1.
Повний текст джерелаAtualmente, diversas áreas de Computação Gráfica necessitam processar uma grande quantidade de dados. Para visualizar em tempo-real esses dados é necessário lidar com dois tipos de problema. O primeiro está relacionado com o pouco tempo destinado para realizar os cálculos no processo de síntese de imagem. O segundo problema surge da capacidade limitada de armazenamento dos dispositivos de alta velocidade, como memórias RAM e de textura. Para resolver o primeiro problema, este trabalho utilizou a técnica de multi-resolução para representar os dados gráficos. A representação em multi-resolução permite que a quantidade de dados processada durante a visualização seja praticamente constante. O segundo problema foi resolvido a partir de um sistema de gerenciamento de memória preditivo baseado no modelo de memória virtual. Este trabalho propõe uma arquitetura que permite que qualquer tipo de dispositivo de armazenamento seja inserido. Os dispositivos estão organizados em seqüência. O funcionamento do sistema consiste em reservar um espaço de memória em cada dispositivo e gerenciar esse espaço de forma otimizada. O sistema de predição tem a finalidade de carregar antecipadamente os dados que serão provavelmente utilizados pela aplicação num futuro próximo. Este trabalho propõe um algoritmo de predição adaptativo específico para o problema de visualização. Este algoritmo explora as informações sobre as variações dos parâmetros da câmera e as informações sobre a taxa de transferência de dados, que são usadas para decidir o que deve ser carregado. As informações dos parâmetros da câmera ajudam a determinar os dados que possivelmente serão utilizados pela aplicação. A informação da taxa de transmissão é utilizada para decidir qual o nível de resolução desses dados que devem ser carregados antecipadamente para os dispositivos de alta velocidade. O sistema de gerenciamento de memória preditivo foi testado em aplicações de visualização de imagens de satélite e panoramas virtuais,em tempo-real.
Nowadays, many areas of computer graphics need to process a huge amount of data. In order to visualize the data in realtime time, it is necessary to solve two different problems. The first problem is the limited time available to perform rendering. The second one arises from the restricted capacity of storage high-speed memories, like RAM and texture memories. In order to solve the first problem, this work has used multi-resolution techniques. The multi-resolution representation allows the application to work with a constant amount of data during the rendering process. The second problem has been solved by a predictive management memory system based on the virtual memory model. This work proposes an architecture that allows any storage device to be incorporated in the system. Devices are organized sequentially. The heart of the system consists in allocating an area of memory for each device and managing this space optimally. The predictive system aims to load in advance. The data that will probably be used by the application in the near future. This work proposes a specific adaptative prediction algorithm for the visualization problem. This algorithm exploits the information about the camera parameter variations as well as the data transfer rate, in order to decide what should be loaded. The camera parameters are used to determine which data will possibly be used by the application. The transfer rate is used to decide which resolution level of the data should be loaded to the high- speed devices, in advance. The predictive memory management system has been tested for real-time visualization of satellite images and virtual panoramas.
Marcon, Heloisa Helena. "Sobre a justificação hegeliana dada por Lacan para a função criadora da fala." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2003. http://hdl.handle.net/10183/3642.
Повний текст джерелаMaruta, Vasile. "La poésie et le théâtre Dada de Tristan Tzara : continuité d'inspiration et rupture." Université Marc Bloch (Strasbourg) (1971-2008), 1989. http://www.theses.fr/1989STR20016.
Повний текст джерелаThis research concerns itself with the first twelve years of tristan tzara's (1896-1963) litterary works (1912-1924). Especially known and stadied as an unprecedented period of turbulence compared with traditional litterature, his dadaist works (1916-1924) must be analysed as a continuation of his poetic beginnings. Indeed, the sole volume of poems written in roumanian, his native language, reveals a rather surprising use of discourse in the poetry to question the very construction of the poem itself. Thus the split with dadaism which occured in zurich (cabaret voltaire) found its expression in a certain "continuity of inspiration" similar to the irony he adopted with regard to romanian folklore. This irony, witch became a real destructive force, transforms the litterary works (poetry, plays and prose) into a chaotic and explosive mixture, comparable with pictural collages whose composition will take any substances. Extoling the confusion of litterary genders and the de-realisation of the written text, the author attains a point where logic is evidently lacking. This is a feature of dadaist verse, argument and phrase. In fact, hidden within is his aspiration for unity and universality. The analyses presented concern the alterations brought about in the structure of the works written in this period and grant a particular importance to the numerical. .
Schaschke, Bettina. "Dadaistische Verwandlungskunst : zum Verhältnis von Kritik und Selbstbehauptung in Dada Berlin und Köln /." Berlin : Gebrüder Mann, 2004. http://catalogue.bnf.fr/ark:/12148/cb409216966.
Повний текст джерелаFoster, Jonathan W. "Dada was there before Derrida was there : the sound poetry of Hugo Ball /." Electronic version (PDF), 2004. http://dl.uncw.edu/etd/2004/fosterj/jonathanfoster.pdf.
Повний текст джерелаOntoria, Mercedes <1978>. "Las grandes transparencias: Dada y surrealismo en los libros-collage de Julio Cortázar." Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2011. http://amsdottorato.unibo.it/3826/1/ontoria_mercedes_tesi.pdf.
Повний текст джерелаOntoria, Mercedes <1978>. "Las grandes transparencias: Dada y surrealismo en los libros-collage de Julio Cortázar." Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2011. http://amsdottorato.unibo.it/3826/.
Повний текст джерелаMindrup, Matthew. "Assembling the Ineffable in Kurt Schwitters’ Architectural Models." Diss., Virginia Tech, 2007. http://hdl.handle.net/10919/26502.
Повний текст джерелаPh. D.
Riechelmann, Renata de Castro Hyppolito. "Fatores que influenciam as recomendações dadas por vendedores: um estudo exploratório do mercado de televisores LCD." reponame:Repositório Institucional do FGV, 2007. http://hdl.handle.net/10438/5565.
Повний текст джерелаO objetivo desse trabalho é descrever o que leva um vendedor do varejo a recomendar uma marca. Quando um consumidor entra numa loja e busca a orientação de um vendedor, este último tem em suas mãos uma oportunidade única para influenciar a escolha deste cliente. Entender que fatores levam o vendedor a recomendar uma marca poderá ajudar os fabricantes a melhor adequarem suas ações de marketing para tentar conquistar a lealdade do vendedor e indiretamente influenciar a escolha do cliente no ponto de venda. O estudo teve como foco o mercado de TVs LCD, por ser um bem durável, que possui uma tecnologia relativamente nova no mercado brasileiro e um alto valor agregado, o que faz com que a maioria dos consumidores primeiro avalie bem suas opções para depois decidir que marca comprar, muitas vezes contando com a ajuda de um vendedor. Através de entrevistas em profundidade, a pesquisa buscou compreender como os fabricantes vêem o papel do vendedor do varejo e o que fazem hoje para conquistá-lo. Em seguida, os vendedores foram entrevistados, com o objetivo de se identificar o que os fazem recomendar uma marca em prevalência a uma outra.
Held-Poschardt, Dada [Verfasser]. "Motivationale und emotionale Verarbeitung bei Patienten mit Panikstörung : drei fMRT-Studien / Dada Held-Poschardt." Berlin : Medizinische Fakultät Charité - Universitätsmedizin Berlin, 2019. http://d-nb.info/119552823X/34.
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