Дисертації з теми "Cultural studies of nation and region"
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Seivertson, Bruce Lynn. "Historical/cultural ecology of the Tohono O'odham nation." Diss., The University of Arizona, 1999. http://hdl.handle.net/10150/289005.
Повний текст джерелаFrost, Earnie Lee 1950. "Dereliction of duty: The selling of the Cherokee Nation." Thesis, The University of Arizona, 1991. http://hdl.handle.net/10150/291757.
Повний текст джерелаAntonić, Maja. "Yugoslav Revolutionary Legacy: Female Soldiers and Activists in Nation-Building and Cultural Memory, 1941-1989." TopSCHOLAR®, 2019. https://digitalcommons.wku.edu/theses/3107.
Повний текст джерелаForgash, Rebecca. "Military transnational marriage in Okinawa: Intimacy across boundaries of nation, race, and class." Diss., The University of Arizona, 2004. http://hdl.handle.net/10150/280696.
Повний текст джерелаHolovko, Iryna. "Volunteering for the nation : Volunteering as a tool of nation branding during the Eurovision Song Contest 2017 in Ukraine." Thesis, Södertörns högskola, Medie- och kommunikationsvetenskap, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-35646.
Повний текст джерелаKish, Ashley. "Protracted Conflict and Development in South Sudan| A Feminist Analysis of Women's Subjugation in the Making of a Nation." Thesis, California Institute of Integral Studies, 2018. http://pqdtopen.proquest.com/#viewpdf?dispub=10686896.
Повний текст джерелаProtracted conflict and development in South Sudan: A feminist analysis of women’s subjugation in the making of a nation argues that international interventions in South Sudan from the period of British colonization to present day South Sudan perpetuate and [re]inscribe formations of women’s oppression and agency. Foreign presence affects identity constructions, conflict, and governance. I demonstrate how international interventions, militarization, and protracted conflict, compromise women’s rights, health, and self-determination as they permeate understandings of gender, sex, reproduction, and security. I integrate an analysis of customary and civil law to establish how the expression and implementation of law and rights inform relationships to women’s freedom and justice. Further, I investigate techniques the United Nations and NGOs used to influence cultural shifts that reproduce structural inequities based on gender, body, class, and nation. Foregrounding power, politics, and local knowledges, my ethnography is a practice of emancipatory anthropology to excavate techniques and procedures of normalizing gender, reproductive and sexual health, and biopolitical governance (Foucault 2008, 4). Informed by an ethnography of United Nations and NGO staff, I argue that international interventions in South Sudan introduce formations of biopolitical governance mediated by donor-driven, development agendas, by superimposing relationships to sex, gender, reproduction, and health, which are both culturally contested and unsustainable.
Aguirre, Elea. "Vestiges of other relations: Weaving our lives across a two-nation divide." Diss., The University of Arizona, 2002. http://hdl.handle.net/10150/280145.
Повний текст джерелаBatra-Wells, Puja. "One Nation, Under Arugula: The Obama White House Kitchen Garden as Cultural Display and Pedagogy." Bowling Green State University / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1276536935.
Повний текст джерелаKIM, JU OAK. "THE KOREAN WAVE AS A LOCALIZING PROCESS: NATION AS A GLOBAL ACTOR IN CULTURAL PRODUCTION." Diss., Temple University Libraries, 2016. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/385105.
Повний текст джерелаPh.D.
This dissertation research examines the Korean Wave phenomenon as a social practice of globalization, in which state actors have promoted the transnational expansion of Korean popular culture through creating trans-local hybridization in popular content and intra-regional connections in the production system. This research focused on how three agencies – the government, public broadcasting, and the culture industry – have negotiated their relationships in the process of globalization, and how the power dynamics of these three production sectors have been influenced by Korean society’s politics, economy, geography, and culture. The importance of the national media system was identified in the (re)production of the Korean Wave phenomenon by examining how public broadcasting-centered media ecology has control over the development of the popular music culture within Korean society. The Korean Broadcasting System (KBS)’s weekly show, Music Bank, was the subject of analysis regarding changes in the culture of media production in the phase of globalization. In-depth interviews with media professionals and consumers who became involved in the show production were conducted in order to grasp the patterns that Korean television has generated in the global expansion of local cultural practices. In conclusion, the Korean Wave has rekindled national forces in spreading local popular content globally in three ways: 1) by deconstructing a binary approach of West vs. non-West, and Global vs. Local in order to understand media cultures and practices; 2) by understanding the rise of Northeast Asian media connections as part of a global culture; and 3) by decolonizing non-US/UK state actors to perceive their actions, which hinges on the ongoing centrality of nation-states in the global media sphere.
Temple University--Theses
Hübinette, Tobias. "Comforting an orphaned nation : Representations of international adoption and adopted Koreans in Korean popular culture." Doctoral thesis, Stockholm University, Division of Korean Studies, 2005. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-696.
Повний текст джерелаThis is a study of popular cultural representations of international adoption and adopted Koreans in Western countries. The study is carried out from a postcolonial perspective and uses a cultural studies reading of four feature films and four popular songs as primary sources. The aim is to examine how nationalism is articulated in various ways in light of the colonial experiences in modern Korean history and recent postcolonial developments within contemporary Korean society. The principal question addressed is: What are the implications for a nation depicting itself as one extended family and which has sent away so many of its own children, and what are the reactions from a culture emphasising homogeneity when encountering and dealing with the adopted Koreans? After an introductory chapter, Chapter 2 gives the history of international adoption from Korea, and Chapter 3 is an account of the development of the adoption issue in the political discussion. Chapters 4, 5, 6 and 7 analyse the cinematic and lyrical representations of adopted Koreans in four feature films and popular songs respectively. Chapter 4 considers the gendering of the colonised nation and the maternalisation of roots, drawing on theories of nationalism as a gendered discourse. Chapter 5 examines the issue of hybridity and the relationship between Koreanness and Whiteness, which are related to the notions of third space, mimicry and passing. Linked to studies of national division, reunification and family separation, Chapter 6 looks at the adopted Koreans as symbols of a fractured and fragmented nation. Chapter 7 focuses on the emergence of a global Korean community, with regards to theories of globalisation, diasporas and transnationalism. In the concluding chapter, the study argues that the Korean adoption issue can be conceptualised as an attempt at overcoming a difficult past and imagining a common future for all ethnic Koreans at a transnational level.
Avhandlingen är även utgiven på Jimoondang Publishing Company (Seoul, 2006) och ingår där i Korean Studies Series No.32, isbn 8988095952. The thesis is also published at Jimoondang Publishing Company (Seoul, 2006) in Korean Studies Series No. 32, isbn 8988095952.
Pita, Laura. "TERESA CARREÑO’S EARLY YEARS IN CARACAS: CULTURAL INTERSECTIONS OF PIANO VIRTUOSITY, GENDER, AND NATION-BUILDING IN THE NINETEENTH CENTURY." UKnowledge, 2019. https://uknowledge.uky.edu/music_etds/134.
Повний текст джерелаMcRae, Kim Ellen. "Effects of PCB Contamination on the Environment and the Cultural Integrity of the St. Regis Mohawk Tribe in the Mohawk Nation of Akwesasne." ScholarWorks @ UVM, 2015. http://scholarworks.uvm.edu/graddis/522.
Повний текст джерелаLowrey, Brian. "The Forging of a Nation: Cultural and Political Scottish Unity in the Time of Robert the Bruce." Thesis, University of North Texas, 2020. https://digital.library.unt.edu/ark:/67531/metadc1707260/.
Повний текст джерелаStephenson, Maxine Sylvia. "Creating New Zealanders: Education and the formation of the state and the building of the nation." Thesis, University of Auckland, 2000. http://hdl.handle.net/2292/30.
Повний текст джерелаDwyer, Kathleen Angelique. "Performing nation in the twenty first century: female bodies and voices of greater Mexico." Diss., University of Iowa, 2010. https://ir.uiowa.edu/etd/2865.
Повний текст джерелаGustafsson, Martina. "Kulturell, administrativ eller funktionell region? : En analys av Region Skåne och Västra Götalandsregionen." Thesis, Växjö universitet, Institutionen för samhällsvetenskap, 2009. http://urn.kb.se/resolve?urn=urn:nbn:se:vxu:diva-6947.
Повний текст джерелаBhattacharyya, Gargi. "Multiculturalism and English studies : an analysis of ideas of #race' and #nation' in the project of cultural education since the nineteenth century." Thesis, Queen Mary, University of London, 1993. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.262279.
Повний текст джерелаHemmig, Christopher T. "What Development? Poverty and the Struggle to Survive in the Fuuta Tooro Region of Southern Mauritania." The Ohio State University, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=osu1429830570.
Повний текст джерелаSaxen, Aura. "Becoming Citizens : Representations of Citizenship in European Children's Literature." Thesis, Uppsala universitet, Teologiska institutionen, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-361205.
Повний текст джерелаSchaab, Katharine. "Threatening Immigrants: Cultural Depictions of Undocumented Mexican Immigrants in Contemporary US America." Bowling Green State University / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1433459712.
Повний текст джерелаGreen, Christopher Allen. "THE SOCIAL LIFE OF POETRY: PLURALISM AND APPALACHIA, 1937-1946." UKnowledge, 2004. http://uknowledge.uky.edu/gradschool_diss/349.
Повний текст джерелаHille, Jochen. "Gute Nation oder Europa?" Doctoral thesis, Humboldt-Universität zu Berlin, Philosophische Fakultät III, 2005. http://dx.doi.org/10.18452/15381.
Повний текст джерелаNorway and Switzerland are not member states of the EU, since the majority of the people rejected integration in several referenda. The emotionality and the enormous mobilisation in national debates on integration cannot sufficiently be explained by economic and political reasons, since the majority of the elites are supporting integration. Instead, the main resource of mobilisation for Eurosceptics lies in reactivating deeply rooted descriptions of national self and other. For carving out these collective images, this discourse-analysis compares how the major Eurosceptical actors of Switzerland, the “Action for an Independent and Neutral Switzerland” (AUNS) together with the tightly connected “Swiss People’s Party” (SVP), on one hand, and the Norwegian movement “No To EU” (NEI TIL EU), on the other hand, describe their actions as meaningful in their iconography and narrations. In doing so, the study refers to and interprets extensive material from Eurosceptical actors and contributes to the understanding of Eurosceptical self-perception, ways of thinking, rhetoric and virtue system. Here Eurosceptics perceive themselves mainly as defenders of the national community and its nation-state, which are regarded as warm, natural, close, justified, efficient, peaceful and democratic, while Europe is perceived as the cold, distant, bureaucratic superstate EU.
almogy, maya. "State Power and the Formation of Subjects as Re/Production of the Nation: Jewish Israeli Women and the Israeli Military Identity." Scholarship @ Claremont, 2019. https://scholarship.claremont.edu/scripps_theses/1392.
Повний текст джерелаJohansson, Lina. "A stunning portrait of diversity? : Gender, race, and nation in Miss Universe Japan 2015." Thesis, Stockholms universitet, Genusvetenskap, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-158561.
Повний текст джерелаMasson, Geraldine. "Préserver et transmettre les collections de la nation : les conservateurs des musées de province sous la IIIe République." Thesis, Paris 1, 2016. http://www.theses.fr/2016PA01H033.
Повний текст джерелаThe Third Republic enabled French museums to become a place of cultural education similar to that of schools. A national, federated network of museums was established for national collections of art in the early 20th Century, during the rise of provincial museums. The French state sought to display a self-legitimizing, civic-mindedness and to teach lessons of history of the Nation and national heritage to its citizens. More than an institutional history of the rise of provincial museums, this study demonstrates the involvement of the curators of provincial museums in the development of that policy and shows how it led to the creation of an organized profession. Utilizing the report of the parliamentary commission for French museums created in 1905, 263 curators in charge of state sponsored long-term loans were identified and studied. Involved in the safeguarding of patrimony, they belonged to numerous provincial academies and local scholarly societies. At the museum, they provided a local history lesson related to French national history. They had to cope with locally specific issues, particularly financial restrictions and local politics, but succeeded in fashioning a new way of working that was agreed to by ail colleagues in provincial institutions as well as French national museums, such as the musée du Louvre, when museology was created
Chen, Zhaoyu Vicky, and 陈昭宇. "Public private partnership (PPP) in heritage conservation: the case study of Casa de Cha Long Wa, Macao." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2013. http://hub.hku.hk/bib/B50713280.
Повний текст джерелаpublished_or_final_version
Conservation
Master
Master of Science in Conservation
Séra, Jasmin. "The Appropriation of Māori identities in the nation branding and public diplomacy of Aotearoa New Zealand: an attempt to understand how cultural identities are self-constructed, planned and projected for specific communication purposes." Doctoral thesis, Universitat Pompeu Fabra, 2020. http://hdl.handle.net/10803/669317.
Повний текст джерелаAndreasson, Larsson Elin. "Genomgår basker en identitetsförändring? : En antropologisk studie om nationalism och unga baskers identitetsskapande i spanska Baskien." Thesis, Uppsala universitet, Institutionen för kulturantropologi och etnologi, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-339564.
Повний текст джерелаKonlan, Binamin. "Predictability of Identity Voting Behaviour, Perceived Exclusion and Neglect, and the Paradox of Loyalty| A Case Study of a Conflict Involving the Ewe Group in the Volta Region of Ghana and the NDC-led Administrations." Thesis, Nova Southeastern University, 2017. http://pqdtopen.proquest.com/#viewpdf?dispub=10260431.
Повний текст джерелаThe Republic of Ghana is the legacy of the colonial amalgam of multiple, and previously distinct, ethnic homelands. The Trans-Volta Togoland became the Volta Region of Ghana following a Plebiscite in 1956. The dominant ethnic group in this region; the Ewe, has long maintained a claim of neglect of the Volta Region and the marginalization of its people in this postcolonial state. Protests in the street and at media houses ensued against the State. This qualitative case study explores the undercurrents of this conflict in the context of the Ewe group’s identity and their experiences of neglect and marginalization in the postcolonial state. The main objective of the study was to understand why the Ewe group has not revolted despite the perceptions of deprivation. This study focused on the Ewe group in the Volta Region of Ghana a as sub-colonial construct that has managed its perceptions of deprivation without revolting against the host State.
Kanematsu, Makiko. "Saga och verklighet : Barnboksproduktion i det postsovjetiska Lettland." Doctoral thesis, Stockholms universitet, Institutionen för etnologi, religionshistoria och genusstudier, 2009. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-30602.
Повний текст джерелаPopovic, Dunja. "Economic inequality and Nationalism : Relationship between the discourse of Nation and the National and economic reforms in Yugoslavia, Case Study: Serbia." Thesis, Uppsala universitet, Teologiska institutionen, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-327039.
Повний текст джерелаHaynes, Brandon D. "A Gateway for Everyone to Believe: Identity, Disaster, and Football in New Orleans." ScholarWorks@UNO, 2013. http://scholarworks.uno.edu/td/1712.
Повний текст джерелаSjöwall, Rebecca. "Med kulturen som redskap : En fallstudie om kulturell representation och dess möjligheter att stärka Sverigebilden utomlands." Thesis, Linnéuniversitetet, Institutionen för samhällsvetenskaper, SV, 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-9970.
Повний текст джерелаProsper, Mamyrah. ""New" Social Movements: Alternative Modernities, (Trans)local Nationalisms, and Solidarity Economies." FIU Digital Commons, 2015. http://digitalcommons.fiu.edu/etd/1849.
Повний текст джерелаGuerpin, Martin. "Adieu New York, bonjour Paris ! : les enjeux esthétiques et culturels des appropriations du jazz dans le monde musical savant français (1900-1930)." Thèse, Paris 4, 2015. http://hdl.handle.net/1866/15948.
Повний текст джерелаCette version de la thèse a été tronquée de certains éléments protégés par le droit d’auteur (exemples musicaux et iconographie). Par conséquent, ces éléments n'apparaissent pas dans le document.
Ce travail envisage les appropriations musicales et discursives du jazz dans le monde musical savant français. Fondé sur la méthode des transferts culturels, il propose une histoire croisée de la musique savante française, de la diffusion des répertoires de jazz en Europe et de leur perception. La réflexion s’appuie sur un corpus systématique des œuvres savantes influencées le jazz et des textes que lui consacrent compositeurs et critiques. La réflexion se fonde sur l’établissement d’un corpus systématique des œuvres savantes influencées le jazz et des textes que lui consacrent compositeurs et critiques. Une analyse informée par des données issues de l’esthétique et de l’histoire culturelle montre que ces œuvres contribuèrent à différentes entreprises de redéfinition d’une identité française de la musique. Les appropriations du jazz remettent également en cause une conception de la musique populaire propre au XIXe siècle. Elles valorisent des sujets auparavant considérés comme triviaux et proposent un son nouveau, tantôt associé au modernisme mécaniste des États-Unis, tantôt à l’énergie débridée attribuée au primitivisme nègre. Enfin, elles participent à la remise au goût du jour d’un classicisme protéiforme. Ces différents aspects font l’objet d’une périodisation et d’une thématisation. Si les premiers cake-walks des années 1900 sont mis au service d’un exotisme « nègre », les emprunts au jazz à la fin des années 1910 relèvent d’un geste avant-gardiste au service d’un projet nationaliste de rétablissement de l’identité française de la musique. À partir du milieu des années 1920, suite aux efforts fructueux de Jean Wiéner pour légitimer le jazz aux yeux du monde musical savant, un discours spécialisé émerge. De nouveaux compositeurs s’y intéressent, dans la perspective d’un classicisme désormais plus cosmopolite. Tout en faisant émerger différents paradigmes de l’appropriation du jazz (cocteauiste, stravinskien, ravélien, entre autres), ce travail vise à jeter un éclairage nouveau sur la production musicale savante dans la France de l’entre-deux-guerres et sur les rencontres entre différentes traditions musicales.
This thesis deals with the musical and discursive appropriations of jazz in the French musical world. Inspired the approach of cultural transfers and crosses the history of French art music in France and the history of its diffusion and perception in Europe. To do so, it draws upon a corpus of art music pieces influenced by jazz and of texts written by composers and critics. This corpus contributes to different redefinitions of an alleged French musical identity. What is more, appropriations of jazz renew a conception of popular music that goes back to the beginning of the 19th century. They also valorize topics previously considered as trivial, and they display a new kind of sound, evoking Anglo-saxon modernism or « negro » primitivism. The different aspects mentionned above are presented in a chronological and thematic fashion. In the 1900s, the first cake-walks contribute to a tradition of « negro » exoticsm. Ten years after, borrowing to jazz has become an avant-gardist gesture, and a response to nationalist motivations. Thanks to Jean Wiéner’s efforts in order to legitimize jazz, a new group of composers and critics take an interest in it. Jazz then becomes a means to assert a more cosmopolitan classicism. This thesis identifies different paradigms of the appropriation of jazz in France. More broadly, it sheds new light on musical creation in the French art music world between 1900-1930, and on musical encounters between different musical traditions.
Bryson, Krista Lynn. "A Regional Rhetoric for Advocacy in Appalachia." The Ohio State University, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=osu1429196463.
Повний текст джерелаIngels, Lovisa. "The Attraction of Korea : An empirical study on how country-of-origin affects consumers' perception and purchase intentions of Korean beauty products." Thesis, Stockholms universitet, Institutionen för Asien-, Mellanöstern- och Turkietstudier, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-183472.
Повний текст джерелаBound, Mark George. "Nation-State Personality Theory: A Qualitative Comparative Historical Analysis of Russian Behavior, during Social/Political Transition." NSUWorks, 2015. http://nsuworks.nova.edu/shss_dcar_etd/33.
Повний текст джерелаEmbrey, Monica. "A Place Like This: An Environmental Justice History of the Owens Valley - Water in Indigenous, Colonial, and Manzanar Stories." Scholarship @ Claremont, 2009. http://scholarship.claremont.edu/pomona_theses/72.
Повний текст джерелаLoick, Steffen. "Donna J. Haraway." Universitätsbibliothek Leipzig, 2017. http://nbn-resolving.de/urn:nbn:de:bsz:15-qucosa-220672.
Повний текст джерелаLoick, Steffen. "Donna J. Haraway." Ludwig-Maximilians-Universität, 2013. https://ul.qucosa.de/id/qucosa%3A15408.
Повний текст джерелаMarks, Sharon L. "The Obispeno Chumash indians: San Luis Obispo County's first environmentalists." CSUSB ScholarWorks, 2001. https://scholarworks.lib.csusb.edu/etd-project/1973.
Повний текст джерелаMiner, Jenny. "Migration for Education: Haitian University Students in the Dominican Republic." Scholarship @ Claremont, 2013. http://scholarship.claremont.edu/pomona_theses/89.
Повний текст джерелаSchulze, Sylvia. "Landesbilder deutscher Schüler von Großbritannien und den USA: Die Bilder deutscher Gymnasiasten verschiedener Jahrgangsstufen und Herkunft (2008)." Saechsische Landesbibliothek- Staats- und Universitaetsbibliothek Dresden, 2010. http://nbn-resolving.de/urn:nbn:de:bsz:14-qucosa-62727.
Повний текст джерелаStenbäck, Tomas. "Swedish Belief and Swedish Tradition : The Role of Religion in Sweden Democrat Nationalism." Thesis, Högskolan i Gävle, Religionsvetenskap, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:hig:diva-33345.
Повний текст джерелаSarsilmaz, Defne. ""I am a Teacher, a Woman's Activist, and a Mother": Political Consciousness and Embodied Resistance in Antakya's Arab Alawite Community." FIU Digital Commons, 2017. https://digitalcommons.fiu.edu/etd/3542.
Повний текст джерелаHabel, Chad Sean, and chad habel@gmail com. "Ancestral Narratives in History and Fiction: Transforming Identities." Flinders University. Humanities, 2006. http://catalogue.flinders.edu.au./local/adt/public/adt-SFU20071108.133216.
Повний текст джерелаSärnbrink, My. "Arns makt : Representationer av makt, positivt kapital och livsmål i berättelserna om tempelriddaren Arn." Thesis, Linköpings universitet, Kultur, samhälle, mediegestaltning, 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-70805.
Повний текст джерелаMy Särnbrink hette tidigare My Ravin.
Simovic, Nancy. "Cultural expressions and landscape : Semiahmoo First Nation reserve." Thesis, 2001. http://hdl.handle.net/2429/11592.
Повний текст джерелаKrebs, Matthew Edward. "Wrestling hierarchy : performance of race, nation, and body surrounding a case study of Rey Mysterio." Thesis, 2014. http://hdl.handle.net/2152/26543.
Повний текст джерелаtext