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Статті в журналах з теми "Cultural Architectural Built and Landscape Heritage"
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Brůha, Lukáš, Josef Laštovička, Tomáš Palatý, Eva Štefanová, and Přemysl Štych. "Reconstruction of Lost Cultural Heritage Sites and Landscapes: Context of Ancient Objects in Time and Space." ISPRS International Journal of Geo-Information 9, no. 10 (October 14, 2020): 604. http://dx.doi.org/10.3390/ijgi9100604.
Повний текст джерелаАнотація:
Diachronic studies play a key role in the research and documentation of cultural heritage and its changes, ranging from architectural fragments to landscape. Regarding the reconstructions of lost cultural heritage sites, the determination of landscape conditions in the reconstructed era goes frequently unheeded. Often, only ruins and detached archeological artefacts remain of the built heritage. Placing them correctly within the reconstructed building complex is of similar importance as placing the lost monument in the context of the landscape at that time. The proposed method harmonizes highly heterogeneous sources to provide such a context. The solution includes the fusion of referential terrain models of different levels of detail (LODs) as well as the fusion of diverse 3D data sources for the reconstruction of the built heritage. Although the combined modeling of large landscapes and small 3D objects of a high detail results in very large datasets, we present a feasible solution, whose data structure is suitable for Geographic Information Systems (GIS) analyses of landscapes and also provides a smooth and clear 3D visualization and inspection of detailed features. The results are demonstrated in the case study of the island monastery, the vanished medieval town of Sekanka, and the surrounding landscape, which is located in Czechia and was the subject of intensive changes over time.
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Permilovskaya, Anna B. "Onega Pomorye Cultural Landscape as a Heritage Object." Vestnik slavianskikh kul’tur [Bulletin of Slavic Cultures] 66 (2022): 99–119. http://dx.doi.org/10.37816/2073-9567-2022-66-99-119.
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The research presents the results of a comprehensive survey of the cultural landscape, rural historical settlements of the Arctic zone of the Russian Federation — Onega Pomorye (2018–2021). Pomorye is a special region of the Russian North, which represents the Russian version of maritime culture in the Arctic. Empirical field material, archival and museum sources, monuments of wooden architecture. In the Russian North, the natural landscape determined the direction of colonization flows, the type of settlement, and the layout of settlements. For the North, the nesting is the most characteristic type of settlement, in which settlements are located not alone, but in groups, which is reflected in the creation of well-known architectural and natural ensembles. The study involved survey of the ancient historical settlements on the territory of the Onega Pomorie (Purnema, Maloshuyka, Vorzogory) with preserved cult ensembles (called “tees”). The ensemble consists of summer cold, winter warm churches, a bell tower. Art-built temples were erected by local Onega craftsmen. A significant part of the temples of Pomorye was dedicated to the patron saint of sailors: St. Nicholas, which was reflected in the local saying “from Kholmogor to Kola 33 Nikola.” The research included the first ever survey of peasant houses and of economic and industrial architecture, ensuing their schematic measurements, the identifying of new monuments of wooden architecture, offering ideas for their conservation, use, revalorization, as well as determining possible category of protection of settlements. It has been established that wooden architecture in Pomorye acts as a specific ethno-marker of the North Russian identity. The author came up with recommendations on the preservation of cultural landscapes as objects of cultural heritage for the Administration of the Arkhangelsk region and Onega region.
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Son, Le Minh, and Linh Ngoc Thao Dang. "Preserving and Promoting Colonial Architecture." Culture and Local Governance 6, no. 2 (July 9, 2020): 135–50. http://dx.doi.org/10.18192/clg-cgl.v6i2.4755.
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Da Nang’s urban landscape reveals more than a half century of colonization and French presence on its territory. The buildings carry the imprint of the colonial experience, as they were once considered a symbol of domination, linking Da Nang to the global history of colonization. After years of independence and reconstruction, the public attitude towards French colonial heritage has changed. Despite its roots and historical origins, today, French colonial architecture is engrained into the collective understanding of Da Nang’s urban landscape and has shaped the local visual identity of the urban space. More importantly perhaps, this architectural style contributes to the city’s connection with cultural tourism, an important tool for economic development. As Da Nang is on a path of constant growth, this paper engages with issues around architectural preservation of built colonial heritage, in terms of both the values of preservation, and the challenges it presents for contemporary urban planning.
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Debljović Ristić, Nevena, Nenad Šekularac, Dušan Mijović, and Jelena Ivanović Šekularac. "Studenica Marble: Significance, Use, Conservation." Sustainability 11, no. 14 (July 18, 2019): 3916. http://dx.doi.org/10.3390/su11143916.
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Studenica marble is the stone used in creating the mediaeval Serbian cultural heritage. This is a historical overview of the importance and use of stone from prehistoric times to the Middle Ages, when the most imposing religious architectural structures were built. The significance of Studenica marble is particularly manifested in the Virgin’s Church at the Studenica Monastery. For its marble façades and artistic architectural elements, among other things, the church was inscribed in the UNESCO World Cultural and Natural Heritage List in 1986. Through centuries, the Virgin’s Church suffered multiple destructions. In order to restore the marble façades properly and its architectural elements, the marble deposits where the stone was once quarried had to be located anew. When the stone material characterisation had been performed, the right stone was selected for the complex conservation works on the churches in Studenica and Sopocani. A practical implementation of the research results raised the awareness of the marble deposits in the Studenica vicinity, being also part of the national heritage. The Studenica Monastery Cultural Landscape Management Plan envisions preservation of the deposits and their sustainable use for restoration purposes in the future.
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Mandaka, Mutiawati, Wiendu Nuryanti, and Dyah Titisari W. "Exploring the Potential Tourism Objects in the Small City of Heritage Lasem." Journal of Humanities and Social Sciences Studies 4, no. 4 (September 28, 2022): 36–47. http://dx.doi.org/10.32996/jhsss.2022.4.4.7.
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Lasem is a small town that has the potential to be a tourist destination. Located on the northern coast of Java, Lasem has three types of landscapes, namely coastal landscapes, topographical landscapes, and mountainous landscapes. The purpose of this paper is to explore the potential of tourist objects that can be developed for tourists who have an interest in visiting Lasem. The method used is descriptive qualitative with field observations and direct interviews with visitors. There are several potential tourist objects that have been explored, such as potential natural attractions, potential cultural attractions, potential social attractions, and potential attractions that are built. The results of this study are the potential natural attractions obtained from the Lasem city landscape, such as the Lasem riverbank, Caruban beach tourism, Dasun, Karangjahe, Binangun, and Watu Layar. Potential cultural attractions such as ancient buildings are the result of cultural products in the past. The products of these buildings include places of worship (three ancient pagodas, Ratanava Arama monastery, Jami' mosque, etc.) and houses with Chinese, Indies, and Javanese architecture. In addition, there is the potential of Lasem batik, which can be featured as a product of Lasem culture and the Lasem carnival festival. For potential social appeal, several community activities can be found in Lasem, namely New Year celebrations and Cap Go Meh, Ceng Beng celebrations, and others. While the potential attraction that was built is the Jami' mosque complex, where in it there is the main building, pawestren, porch, tomb complex, additional foyer, and also the Nusantara museum. Of the three existing landscapes, the topographical landscape that has the most potential is visited because, in this landscape, there is potential for cultural attraction, the potential for social attraction, and potential for an attraction that is built.
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Parlato, Monica C. M., Francesca Valenti, and Simona M. C. Porto. "Sustainable Promotion of Traditional Rural Buildings as Built Heritage Attractions: A Heritage Interpretation Methodology Applied in South Italy." Sustainability 14, no. 23 (December 5, 2022): 16206. http://dx.doi.org/10.3390/su142316206.
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The study describes the methodology implemented to include a rural cultural heritage attraction within an existing tourist route, i.e., the Sicilian Roads of Wine (“Strade del vino”). The aim was to promote a traditional rural building (TRB) as a tourist attraction and diversify rural tourism offerings. By promoting TRB and wine and food, the rural tourism sector offers a significant opportunity to achieve sustainable socio-economic development in rural areas, rural diversification, and landscape preservation. The inclusion of the TRB within the visitor route is based on a detailed heritage analysis approach as an operative process which could enable the comprehension and collective use of the cultural sites. The valorization of a traditional rural building with wine cellars and oil mills, located within the Chiaramonte Gulfi (RG) boundary, will be described. The objective is to make an architectural heritage building made with local materials and following the traditional Sicilian building techniques accessible to tourists. Special attention is paid to restore the building by respecting its identity and relevant building regulations and focusing on a complete, sustainable approach regarding social, environmental, and economic factors.
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Riba Hernández, Lucía, and Julián Monge-Nájera. "Environmental quality of a cultural landscape 75 years after its foundation: the Banana City of Golfito, Costa Rica." UNED Research Journal 8, no. 1 (June 10, 2016): 85–92. http://dx.doi.org/10.22458/urj.v8i1.1227.
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In 1938, the American multinational United Fruit Company built a small city in Golfito, South Pacific of Costa Rica. Golfito persists today as an urban area flanked by a mountain chain and a small bay surrounded by mangroves. We applied a set of environmental indicators to assess the current environmental quality of the landscape. We compared 106 photographs of Golfito with photographs from San José (capital of Costa Rica) as a reference; this comparison found a smaller proportion of urban green areas, but more trees and forest in Golfito. Contemporary architecture and public spaces have few facilities (such as sidewalks, public lighting and furnishing), and suffers from deterioration and low adaptation to tropical climatic conditions, especially in traditional architectural remains. Landscape management must make the natural components compatible with the cultural components, and Golfito is unique in the country because of its intense and fragile relationship among city, history and nature. We recommend priority conservation in risk management, public space comfort, valorization of the built heritage and abandoned areas, and an increase of urban green areas.
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Picchio, Francesca, and Raffaella De Marco. "Landscape Analysis and Urban Description of Bethlehem Historical Center: A Methodological Approach for Digital Documentation." Heritage 2, no. 1 (February 2, 2019): 507–18. http://dx.doi.org/10.3390/heritage2010034.
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Bethlehem’s territory and the architectural heritage present in its historical city center result from the stratification of different cultural activities, religions, and urban policies that have conditioned the actual image of the urban landscape. The city, apparently conformed as a single urban entity, is structured on multiple apparatuses of complexity, and the application of principles of decomposition and cataloging becomes a fundamental method for the analysis of the built system. To better understand the relationship between the original settlement and the historical quarters of the city, and to define a tool for their conservation and development, the present research project, developed since 2018 in synergy with administrations and local authorities, and scientifically coordinated by the University of Pavia, Department of Civil Engineering and Architecture, seeks to promote a documentation protocol that, starting from a report analysis on landscape and urban context, methodologically defines the development of an integrated digital database, constituted by multiple informative layers, to ensure better management of the city. This contribution illustrates the first step of the survey activities, which represent a preparatory phase for the organization of the digital acquisition campaign, to highlight the structure of current urban development, the divisions in neighborhoods, and the understanding of architectural values, to give guidelines for the enhancement of historical and traditional values of architectural heritage.
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Clarke, Nicholas John, Marieke Cornelie Kuipers, and Job Roos. "Cultural resilience and the Smart and Sustainable City." Smart and Sustainable Built Environment 9, no. 2 (September 13, 2019): 144–55. http://dx.doi.org/10.1108/sasbe-09-2017-0041.
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Purpose The purpose of this paper is to explore the conceptualisation of the Smart Sustainable City (SSC) with new concepts of resilience thinking in relation to urgent societal challenges facing the built environment. The paper aims to identify novel methodologies for smart reuse of heritage sites with a pluralist past as integral to inclusive urban development. Design/methodology/approach SSC concepts in the global literature are studied to define a new reference framework for integrated urban planning strategies in which cultural resilience and co-creation matter. This framework, augmented by UNESCO’s holistic recommendation on the Historic Urban Landscape (HUL), was tested in two investigative projects: the historic centre of South Africa’s capital Tshwane and the proximate former Westfort leprosy colony. Findings The research confirms that SSC concepts need enlargement to become more inclusive in acknowledging “cultural diversity” of communities and engaging “chrono-diversity” of extant fabric. A paradigm shift in the discourse on integrated urban (re)development and adaptive reuse of built heritage is identified, influenced by resilience and sustainability thinking. Both projects show that different architectural intervention strategies are required to modulate built fabric and its emergent qualities and to unlock embedded cultural energy. Originality/value Together with a critical review of SSC concepts and the HUL in relation to urban (re)development, this paper provides innovative methodologies on creative adaptation of urban heritage, reconciling “hard” and “soft” issues, tested in the highly resilient systems of Tshwane.
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Ahrland, Åsa. "Landscape of visions: the Ekolsund manorial estate, Sweden." Ex Novo: Journal of Archaeology 4 (December 31, 2019): 53–72. http://dx.doi.org/10.32028/exnovo.v4i0.370.
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Parks and gardens are characterized by constant change and the need to be continuously managed and recreated. Over time, layers of history are built up, reflecting artistic and human ideals, socio-economic factors, technology and practices from different periods. Designed landscapes are archives and often have significant levels of biodiversity. One example is the Ekolsund manorial estate in Sweden, laid out in the seventeenth century in a large-scale project. Buildings, gardens and parks formed part of an overall architectural composition, where representation and display were key elements. With its audacity and grandeur, Ekolsund represents a new approach to landscape design in Sweden. The later development includes an early attempt by King Gustavus III to create landscape gardens and, during the era of capitalist owners, the planting of arboreta. Despite favourable conditions for a restoration of the seventeenth-century designed landscape, this paper argues for a holistic approach, where visions and actions of different agents - that together have shaped Ekolsund - are the foundation. Where cultural and natural values complement each other, requiring collaboration between research disciplines and the cultural heritage and nature conservation sectors.
Дисертації з теми "Cultural Architectural Built and Landscape Heritage"
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COLUCCI, ELISABETTA. "Geospatial Ontology to support the Documentation of Minor Historical Centres." Doctoral thesis, Politecnico di Torino, 2022. http://hdl.handle.net/11583/2964782.
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Joubert, Elize. "The relativity of authenticity: Notions of authenticity in the Cape Winelands cultural landscape and the impact of wine tourism on cultural heritage." Master's thesis, University of Cape Town, 2015. http://hdl.handle.net/11427/21538.
Повний текст джерелаАнотація:
This study explores various notions of authenticity in tourism experience and seeks to establish if these notions are compatible with the concept of authenticity in conservation of the built environment. Three wine farms in the Cape Winelands cultural landscape, a proposed serial World Heritage Site, have been studied. The study suggests that object-related or material authenticity is being replaced with alternative notions of authenticity in tourism and that the toured object, for the purpose of winelands tourism in the Western Cape during this period, no longer needs to be authentic.
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NGUYEN, HUU LONG PHUNG. "heritage and climate change: urban and architectural perspective for “floodscape” in quang tri province." Doctoral thesis, Università Politecnica delle Marche, 2017. http://hdl.handle.net/11566/245600.
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Sommario
Il Vietnam è tra i cinque paesi principalmente interessati dal cambiamento climatico.
Secondo il report EM-DAT (the Emergency Events Database), si deve a disastri naturali un danno pari a $2,600 billion nell'ultimo ventennio (1994-2013). Alle sole alluvioni si imputa il 47% dei suddetti danni a scapito di una popolazione di 2.3 billion, la maggior parte della quale asiatica, il 95%. In Vietnam, sono stati circa 649 gli eventi calamitosi tra il 2005 e il 2014: alluvioni, inondazioni, grandinate, tempeste, cicloni e frane. Il danno totale è stimato approssimativamente all'1.5% GDP all'anno. 160 alluvioni e inondazioni si sono susseguite causando il 58% dei danni totali.
In futuro il cambiamento climatico causerà l'aumento delle temperature della superficie terrestre, il regime di caduta delle pioggie con la crescita di eventi meteorologici estremi, con l'aumnto del livello del mare, il rischio di alluvioni e i relativi impatti sulla popolazione e sui territori.
Parallelamente a ciò il patrimonio culturale materiale e immateriale frutto di un lungo processo di sviluppo umano, rappresenta i valori culturali e storici del paese ma non è sufficientemente resiliente per adattarsi alle conseguenze del cambiamento climatico, che ogni anno colpiscono il patrimonio.
Le conseguenze di ciò si sono sovrapposte, danneggiando e distruggendo parzialmente e, in taluni casi totalmente, il patrimonio.
Affrontare questo quadro ambientale e climatico senza soluzioni di adattamento, porterà alla perdita di detto patrimonio e sebbene il Vietnam non sia soggetto a terremoti o eruzioni vulcaniche, esso è ampiamente soggetto a disastri dovuti a fattori climatici, quali alluvioni, tsunami, uragani e siccità.
La presente ricerca studia la relazione tra il cambiamento climatico e il patrimonio, l'impatto delle alluvioni sui monumenti e intende proporre una carta del rischio per il sistema del patrimonio di Quang Tri Province.
La mappa ha mostrato che l'87,5 % dei monumenti si trovano in aree a rischio (189 siti su 216) e il 4,2% dei patrimoni si trovano in aree ad alto rischio.
Soluzioni per contrastare e adeguarsi al cambiamento climatico sono state studiate e proposte, al fine di contenere il rischio alla scala della pianificazione territoriale, urbana e nella progettazione architettonica. In particolare il metodo di lavoro prevede tre fasi riferibili a momenti diversi alluvionali: direction, storage and absorption.
Sebbene queste non siano definitive ed uniche, l'adattamento richiede tempi di sperimentazione e selezione per individuare le migliori scelte per applicazioni pratiche; inoltre, la ricerca non pone solo le basi per la conservazione del patrimonio, ma anche indirizzi a lungo termine per la progettazione urbana ed architettonica secondo le direttive dello sviluppo sostenibile.Abstract Vietnam is one of the five countries likely to be most affected by climate change. According to the report of EM-DAT (the Emergency Events Database), an estimated damage of $2,600 billion was caused by natural disasters damaged in the last twenty years (1994-2013). Flood alone accounted for 47% of all weather disasters, affecting 2.3 billion people (the majority of whom (95%) live in Asia). In Vietnam, about 649 natural disasters occurred in the last ten years (2005-2014), including flood, flash flood, hail, storm, cyclone and landslide. Total damage was estimated at approximately 1.5% GDP per year. There were 160 floods and flash floods occurred at that time and accounted for 58% of the total damage. In the future, climate change has increased the average surface temperature, changing the average rainfall, increasing frequency of extreme weather events and especially the rising of sea level that will increase flood risks and negative impacts of flooding to people and properties. Meanwhile, heritage is the quintessence of a long process of development by humans. The heritages that characterize the values of culture and history of each nation, country or region; but it does not have the ability to adapt to changes in the weather or disasters of climate change. The changes in the weather and disasters happen every year and they directly affect the heritage. Consequences have been cumulative and results are that some of heritages have been corroded, several heritages have been destroyed a part and a few heritages have been totally damaged. Facing that situation, if there are no adaptive solutions to adapt to the disasters of climate change, the heritages will be gradually lost. Although Vietnam does not have more disasters such as earthquakes, volcanoes, country has influenced heavily by disasters related to water factors, such as flood, tsunami, hurricane or drought. This research is the study of the relationship between climate change and heritage, impacts of flooding on heritage and building the map of flood risk for heritage system in Quang Tri Province. The map showed that 87.5% of the heritages are located in flood risk area (189 in 216 heritages) and 4.2% of the heritages are located in high and very high-risk level. Solutions to response and adaptation to climate change for the heritages have been studied and proposed. Characteristic of flooding is usually happening on a large scale and keeping in 2 or 3 days. Therefore, to reduce flood risks for heritage, the solutions were developed based on spatial planning, urban planning, urban design and architecture design for heritage, corresponding to three steps: direction, storage and absorption. Although the solutions are not mostly complete, the adaptation requires time to application and filter in order to select the most effective solutions for practical application. In addition, the research is not only a basis for conservation but also a long-term orientation for design and urban planning toward sustainable development.
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Bandeira, S?mia ?rika Alves de Caldas. "Paisagem arquitet?nica da cidade de Jo?o Pessoa/PB e seu significado: o perceptivo dos moradores e visitantes." Universidade Federal do Rio Grande do Norte, 2011. http://repositorio.ufrn.br:8080/jspui/handle/123456789/18977.
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Previous issue date: 2011-02-28Coordena??o de Aperfei?oamento de Pessoal de N?vel Superior
This study was conducted in the city of Jo?o Pessoa, Para?ba mesoregion Forest. Having to analyze how does the appreciation of the architectural heritage to the visitor and pessoense Capital Paraiba, taking into account the narratives of Jo?o Pessoa, and practitioners of foreign tourists of cultural tourism. This research builds on a theoretical foundation on concepts of landscape and place. Was taken as a foundation to Cultural Geography. The research in question is justified by embarking on Geography and Heritage and cast a glance on the geographical cultural landscape, trying to unravel the symbols assigned to the ancient architectural examples, meaning that interfere with power relationships that cross generations, constructing and deconstructing identities, is dispersed or integrating cultures, creating cultural groups and social conflict. It is concluded that the geographical area derives from a number of factors, among them the culture and this in turn will shaping the landscape, reflecting the abstract over the concrete architecture of the oldest to the most current, turning from the material to the immaterial in World Heritage Site
O presente estudo foi realizado no munic?pio de Jo?o Pessoa, na Mesorregi?o da Mata paraibana. Tendo como objetivo analisar como se d? a valoriza??o do cultural arquitet?nico para o pessoense e para o visitante da Capital paraibana, levando em considera??o as narrativas dos pessoenses, e dos turistas estrangeiros praticantes do turismo cultural. Esta pesquisa ap?ia-se numa fundamenta??o te?rica pautada nos conceitos de paisagem e lugar. Tomou-se como alicerce a Geografia Cultural. A investiga??o em pauta justifica-se por enveredar na Geografia e Patrim?nio e lan?ar um olhar geogr?fico sobre a paisagem cultural, tentando desvendar s?mbolos atribu?dos aos exemplares arquitet?nicos antigos, significados que interferem nas rela??es de poder que atravessam gera??es, construindo e desconstruindo identidades, seja dispersando ou integrando culturas, gerando grupos culturais e conflitos sociais. Conclui-se que o espa?o geogr?fico deriva de um conjunto de fatores dentre eles a cultura e esta por sua vez vai modelando a paisagem, refletindo o abstrato sobre o concreto das arquiteturas mais antigas at? as mais atuais, transformando desde o material at? o imaterial em Patrim?nio da Humanidade
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Sim, Jean C. R. "Designed Landscapes in Queensland, 1859-1939: experimentation - adaptation - innovation." Thesis, Queensland University of Technology, 1999. https://eprints.qut.edu.au/10835/1/wholePHDsim1999.pdf.
Повний текст джерелаАнотація:
The conservation of historic cultural landscapes in Queensland is in its infancy. Effective conservation practice, however is based on sound historical information, and no previous study has investigated the historical development of local parks, gardens and other landscapes. The objectives of this research were to examine the factors which influenced landscape design in Queensland, to identify the forms and expressions of design derived from these influences, and to identify any distinctive aspects related to local landscape character. The timeframe chosen for this investigation was from the beginning of the separate colony of Queensland (1859) to the outbreak of World War 2 (1939). Using historical method, the research began with an exploration of published primary sources (particularly garden literature from the 1860s to 1930s) related to Queensland and other 'tropical' areas. A series of hypotheses was proposed to explain the findings, and these were tested by further analysis and data gathering. There followed a triple-layered central proposition, suggesting that: (i) in Queensland, the traditional delineation of styles to describe landscape design is of limited application because of the lack of elite professional designers and wealthy clients; (ii) there developed a discernible 'tropical landscape design character' in suitable climatic areas, which included two distinct visual aspects expressed in the landscape (the 'exotic' and the 'prosaic'); and, (iii) these design outcomes were the result of a design process of 'acclimatisation' experienced by early settlers (gardeners and designers) working in unfamiliar lands and climates, and includes the stages of experimentation, adaptation and innovation.
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Poulton, Delwynn V. "Water conservation in Brisbane's residential landscapes : towards the optimisation of water in front garden design." Thesis, Queensland University of Technology, 1998. https://eprints.qut.edu.au/13614/1/13614.pdf.
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One of the most critical issues that the world faces as it enters the new millennium is the provision of a continued supply of fresh water – the source of all life. The depletion problem of this resource through uneducated use is world-wide as well as being specific to Australia. This study centres on this issue in the Australian context with particular reference to gardening practices in Brisbane, the capital city of Queensland. The study examines methods by which fresh water can be saved through innovative garden design options. The cultural philosophies which underpin Brisbane’s suburban residential front gardens were investigated through an examination of literature, painting, and letters of the early settlement days in Australia and, in particular in Queensland. The findings were used to establish the theoretical framework for a qualitative study of seventy two Brisbane gardeners and their gardens. These gardens were selected from sites in a corridor of seven suburbs occupying a south-east segment of the city. The corridor included these components – an outward historical growth pattern, a range of socio-economic and cultural issues, varying soil types, topographical forms and a variety of residential forms and styles with a range of compass frontages. Each selected gardener was encouraged to ‘talk’ about the garden and its design and ‘making’ and the comments were analysed in the light of the author’s theoretical investigations. The results of this investigation provided an understanding of current gardening practices which also involve the use of 50-60 per cent of Brisbane’s domestic water on the garden. The findings suggest that Brisbane’s, and indeed, Australian gardens are based on philosophical notions that have Eurocentric foundations. Alternative and innovative water saving practices were explored and these techniques were modified to suit the design and construction of Brisbane gardens, whilst still satisfying the cultural values behind existing garden practices. The conclusions suggest that if gardeners are to be convinced about adopting water saving techniques, future garden designs must meet existing norms in terms of form and function as well as being able to conserve water.
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Georgescu, Paquin Alexandra. "L'actualisation du patrimoine par la médiation de l'architecture contemporaine." Thèse, Avignon, 2013. http://www.archipel.uqam.ca/5986/1/D2484.pdf.
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Dans la rencontre entre l'architecture contemporaine et le patrimoine bâti, la thèse propose de s'affranchir de la polarité conservation-création en analysant l'actualisation patrimoniale en tant que phénomène culturel à l'œuvre. La cohabitation entre le nouveau et l'ancien en architecture, si elle se pratique depuis plus de deux mille ans, est devenue un enjeu au XXe siècle. L'explosion des formes en architecture contemporaine, parallèlement à la montée d'une prédominance de la signature de l'architecte, semble difficilement réconciliable avec l'extension de la notion de patrimoine, extension autant sémantique que géographique et spatiale. Or, que ce soit pour des raisons économiques et environnementales, fonctionnelles ou patrimoniales, les insertions d'éléments d'architecture contemporaine sur des bâtiments patrimoniaux transforment désormais le patrimoine d'objet-relique en un projet dynamique, constituant un genre architectural particulier et indépendant. L'actualisation est une façon de réinterpréter le patrimoine en lui donnant un sens actuel grâce à une action (en l'occurrence, un ajout architectural dans un style contemporain), ce qui modifie les représentations du lieu tout en lui ajoutant une couche de significations. Ce processus communicationnel se pose ainsi comme une réponse à l'obsolescence patrimoniale ; en transformant les représentations d'un lieu par un langage contemporain et en s'immisçant dans son processus de patrimonialisation. L'hybridité architecturale qui en résulte favorise un espace de médiation à la fois physique (par les formes) et symbolique (par le patrimoine et les représentations). À travers trois cas espagnols récents, l'actualisation est observée dans trois types de manifestations : la « ponctuation » à l'œuvre dans l'accès au CaixaForum de Barcelone (Arata Isozaki), la « prolongation » du musée national Centre d'art Reina Sofía à Madrid (Jean Nouvel) et, finalement, la « révélation » du musée du Théâtre romain de Carthagène (Rafael Moneo).
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MOTS-CLÉS DE L’AUTEUR : actualisation, patrimoine, patrimonialisation, architecture contemporaine, médiation, Espagne
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Antanaitis, Micah Daniel. "The Life and Death of an American Block: A Dialogue with Entropy." 2011. http://trace.tennessee.edu/utk_gradthes/947.
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My goal in this thesis is to frame, through design, an existing environment in a manner that fosters the witness and embrace of the reality and beauty of decay—which acts as a marker of the passage of time. My intent is to engage in a careful renewal of a neglected, and largely forgotten, urban landscape, which does not ignore its temporal context. My hope is to explore the full potential of the life cycle of buildings and discover the lesson of mortality in modern American ruins.Things fall apart. This is a simple truth about the physical world that humanity inhabits, which surrounds, invades and defines the human condition. Because [or in spite] of this we live in a culture that values progress, newness, and speed, that proselytizes through marketing the belief that comfort can be found in surrounding oneself with new things, pushing reminders of death away. The current world of architecture and design nurtures this mentality, selling projects through the production of sleek renderings of pristine and clean objects, a state that will only last for a short time. I argue that, in spite of this mind-set, the realization of entropic inevitability is necessary to provide a healthy temporal context through which to view daily life. Its acceptance is crucial to an appropriate perspective on life and the human condition, allowing positive forward movement in the midst of the change and deterioration that define life. I hope to show how architecture can foster this acceptance through adaptive re-use which values and interacts with the marks of time and traces of past use. The question that I am positing ultimately is this: How can new architecture breathe life into neglected spaces while also preserving the found beauty of the state of its breakdown, what one might call its ‘character’? Can architecture take cues from and be molded and enlivened by the people, events and nature that it interacts with and is transformed by? Can architecture enact a resurrection that deftly navigates between outright neglect and sterile renovation? And what is the appropriate way to do this?
Книги з теми "Cultural Architectural Built and Landscape Heritage"
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Pablo, Zunino, and Verstraeten Xavier A, eds. Argentina: Cultural and natural heritage: bicentennial album. Buenos Aires: Ediciones Verstraeten, 2008.
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Groten, Miel. The Architecture of Empire in Modern Europe. Nieuwe Prinsengracht 89 1018 VR Amsterdam Nederland: Amsterdam University Press, 2022. http://dx.doi.org/10.5117/9789463721479.
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Empires stretched around the world, but also made their presence felt in architecture and urban landscapes. The Architecture of Empire in Modern Europe traces the entanglement of the European built environment with overseas imperialism in the nineteenth and twentieth centuries. As part of imperial networks between metropole and colonies, in cities as diverse as Glasgow, Hamburg, or Paris, numerous new buildings were erected such as factories, mission houses, offices, and museums. These sites developed into the physical manifestations of imperial networks. As Europeans designed, used, and portrayed them, these buildings became meaningful imperial places that conveyed the power relations of empire and Eurocentric self-images. Engaging with recent debates about colonial history and heritage, this book combines a variety of sources, an interdisciplinary approach, and an international scope to produce a cultural history of European imperial architecture across borders.
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Hadda, Lamia, ed. Médina. Florence: Firenze University Press, 2021. http://dx.doi.org/10.36253/978-88-5518-248-5.
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Dedicated to the medina in the Mediterranean space, this book is essentially based on detailed historical and photographic research into the characteristics of city design and its evolution, as well as some case studies from direct experience. The main objective of the present study consists of its documentary and evocative value, without forgetting the analysis of the multiple architectural spaces with monumental complexes of extraordinary cultural importance arranged according to precise hierarchies and specific uses. The research summarises the different experiences from this immense Arab-Muslim architectural heritage and its urban evolution. These aspects are expressed both by the large number of case studies (from Cordoba to Palermo, passing through Fez, Séfrou, Marrakech and Tunis) as well as by the quality of the built spaces as a whole. The several contributions show an urban framework that is still legible and significant, consisting of grids of houses with forms, structures and functions that show a concentration of spaces, places and monuments stratified over time and developed in the Mediterranean countries, producing extremely diverse situations.
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Pecchioni, Elena, and Alba Patrizia Santo. Florence RockinArt. Florence: Firenze University Press, 2020. http://dx.doi.org/10.36253/9788855181570.
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The city of Firenze represents, for the variety of its artistic and architectural heritage, a kind of open-air museum. Works of art and monuments are mainly made of the rocks outcropping in Firenze and in the surrounding areas; indeed, a close link exists between monuments, geographical position of the city and its history. Florence, is characterised by the color of its stone-built cultural heritage, mainly by the warm ochraceous color of the Medieval Pietraforte sandstone and the cerulean grey of the Renaissance Pietra Serena sandstone together with other natural and artificial materials used to complete or cover the stone walls. The web-app Florence RockinArt was created to deepen the knowledge of the stone materials. It is addressed to all those who are interested in discovering the monuments of Florence by carefully observing the stone materials that make up them. The web-app contains short historical notes on the main monuments and detailed geological, mineralogical and petrographic characteristics of the natural and artificial materials of which they are constituted.
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Hadda, Lamia, Saverio Mecca, Giovanni Pancani, Massimo Carta, Fabio Fratini, Stefano Galassi, and Daniela Pittaluga, eds. Villages et quartiers à risque d’abandon. Florence: Firenze University Press, 2022. http://dx.doi.org/10.36253/978-88-5518-537-0.
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The issue of villages and neighborhoods at risk of abandonment is a common topic in many Mediterranean regions and is considered as a strategic point of the new European policies. The progressive abandonment of inland areas, with phenomena of emigration and fragmentation of cultural heritage, is a common trend in countries characterized by economic underdevelopment. This leads to the decay of architectural artifacts and buildings and problems with land management. Some aspects of this issue are also found in several urban areas. The goal of this research work is collecting international debates, discussions, opinions and comparisons concerning the analysis, study, surveys, diagnoses and graphical rendering of architectural heritage and landscape as well as demo-ethno-anthropological witnesses, typological-constructive stratifications, materials and technologies of traditional and vernacular constructions of historic buildings.
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Husain, Husam R., ed. Heritage and the City: Values and Beyond. Cinius Yayınları Publication, 2022. http://dx.doi.org/10.38027/2022_362598.362.
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Values bind us together which makes our communities stronger and united. Communities are built upon our tolerance and understanding of the value of our ties, and ties pave our cities towards a bright future. The structure of this book is constructed around the concept of value”. It contains a collection of readings about the Challenges we face in Cities, Culture, and Heritage. The book is divided into three Parts. The first part focuses on aesthetical values; the second contains articles on cultural values in cities, and the third part is a specialized theme on water values and urban areas. Collectively, the 12 chapters discusses findings, approaches, methodologies, and provide new ways of understanding values in old and new cities. This collection of essays and contributors is concerned with underlying issues such as architectural values, heritage and the city, urban identity, conservation and preservation, water values, and climate issues. Each part contains several chapters to enable cross-reference and comparison. This book is a useful collection of academic resource which discusses some questions and issues that cities have to face.
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Spoormans, Lidwine, Wessel de Jonge, and John Stevenson-Brown, eds. ANNE LACATON: Visiting Professor 2016-2017/ Chair of Heritage & Architecture. TU Delft Bouwkunde, 2018. http://dx.doi.org/10.47982/bookrxiv.6.
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Anne Lacaton has been a visiting professor at the TU Delft Faculty of Architecture and the Built Environment during the Fall Semester 2016-2017, hosted by the Chair of Heritage & Design. In the professional field of Heritage & Design the starting point for design is not just a functional brief and a blank sheet of paper but the challenge of an existing spatial setting and cultural-historical context. It is a dynamic and innovative field in architecture that deals with the architectural re-interpretation, adaptive reuse and restoration of historic buildings. This book reports on her workshops and studios during her time at TU Delft. It presents re-use projects at different scales, in different situations and with different programs. These projects generated reflection along with pertinent and inventive ideas that made it possible to overturn the situations in a positive manner, to change the approach and bring forth interesting solutions, a new situational intelligence and a new intelligence towards thinking about architecture and the urban situation. In these projects, what is initially seen as obsolete and as a constraint or restriction through an opening of the mind and a change in outlook and approach, becomes an opportunity, a chance and an asset. If you look at a situation without a frame or filter and with an open spirit, a building that no longer has a purpose and is a hindrance becomes a liberty. The students adhered to this specific approach: No longer looking at something existing as imperfect, constraining, obsolete, not beautiful etc., but instead as a resource, a component, a stratum/layer and a basis for creativity. The idea of drawing value from everything existing, producing richness with less money but with the greater means and parameters offered by existing situations. Extending the story to do better and more of it. A process of regeneration, extension, adaption and re-use rather than replacement. This way of seeing, thinking, projecting is not really widespread. Making new, remove and replace, restarting from the empty remains mostly the way of doing; whereas the superposition, addition, combination, overlapping, infiltration, appear accurate, contemporary, rich, innovative. Therefore, with regard to this work of the semester and to conclude the guest invitation, I think it’s important to collect and publish these ideas and positions by students and teachers involved with the semester’s work. We hope that this booklet will leave a trace and a lasting material for reflection and discussion.
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Christensen, Peter H., ed. Buffalo at the Crossroads. Cornell University Press, 2020. http://dx.doi.org/10.7591/cornell/9781501749766.001.0001.
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This book is a diverse set of twelve cutting-edge chapters that highlight the outsized importance of Buffalo, New York, within the story of American urbanism. The chapters consider the history of Buffalo's built environment in light of contemporary developments and in relationship to the evolving interplay between nature, industry, and architecture. The chapters examine Buffalo's architectural heritage in rich context: the Second Industrial Revolution; the City Beautiful movement; world's fairs; grain, railroad, and shipping industries; urban renewal and so-called white flight; and the larger networks of labor and production that set the city's economic fate. The book pays attention to currents that connect contemporary architectural work in Buffalo to the legacies established by its esteemed architectural founders: Richardson, Olmsted, Adler, Sullivan, Bethune, Wright, Saarinen, and others. The book is a compelling introduction to Buffalo's architecture and developed landscape that frames discussion about the city.
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Parker, Joanne, and Corinna Wagner, eds. The Oxford Handbook of Victorian Medievalism. Oxford University Press, 2020. http://dx.doi.org/10.1093/oxfordhb/9780199669509.001.0001.
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Victorian medievalism physically transformed the streets of Britain. It lay at the root of new laws and social policies. It changed religious practices. It deeply coloured national identities. And it inspired art, literature, and music that remains influential to this day. Sometimes driven by nostalgia, but also often progressive and future-facing, this wide-reaching movement, which reached its peak during the reign of Queen Victoria, looked back to a range of different peoples and historical periods spanning a thousand years, in order to inspire and vindicate cultural, political and social change. Medievalism was pervasive in Victorian literature, with texts ranging from translated sagas to pseudo-medieval devotional verse, to triple-decker novels. It became a dominant architectural mode – transforming the English landscape, with 75% of new churches built on a ‘Gothic’ rather than a classical model, as well as museums, railway stations, town halls, and pumping stations. It was appealed to by both Whigs and Tories. But it also permeated domestic life – influencing the popularity of beards, the naming of children, and the design of homes and furniture. This landmark study is an attempt to draw together for the first time every major aspect of Victorian medievalism, and to examine the phenomenon from the perspective of the many disciplines to which it is relevant, including intellectual history, religious studies, social history, literary history, art history, and architecture. Bringing together the expertise of 39 experts from different subject areas, it reveals the pervasiveness and multi-faceted character of the movement in the nineteenth century, and explains its continuing legacy today.
Частини книг з теми "Cultural Architectural Built and Landscape Heritage"
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Laurìa, Antonio, Valbona Flora, and Kamela Guza. "Three villages of Përmet: Bënjë, Kosinë and Leusë." In Studi e saggi, 39–156. Florence: Firenze University Press, 2020. http://dx.doi.org/10.36253/978-88-5518-175-4.01.
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Part I of the book focusses on three villages in the Municipality of Përmet: Bënjë, Kosinë and Leusë. Bënjë, which lies entirely within the "Bredhi i Hotovës - Dangëlli" National Park, has undergone anthropization processes since prehistoric times. Due to its landscape and architectural value, it was recognised in 2016 as a “historical centre” and as such has come under the protection of the National Institute for the Cultural Heritage. There is little information concerning the history of Kosinë. The inhabitants show a strong connection with the Byzantine Church of the Dormition of Mary, but regrettably, it was impossible to go back to the origins of the current settlement. The village of Leusë, instead, existed before 1812, the year in which the Church of the Dormition of Mary was built. Today, the image of the village is a consequence of the partial reconstruction occured after the severe damage suffered during World War II. In the first chapters, the importance of the intangible heritage is stressed. Përmet’s food heritage is well-known on a national scale for its typical products (spirits, fruit preserves, dairy, meat, honey and bakery products), which result from the favourable climatic conditions and the rich biodiversity of the area. The tradition of the Tosk iso-polyphony, the hospitality of Përmet inhabitants and their historical devotion to religion, knowledge and study emerge with great strength together with the craftsmanship traditions and the exceptional skills of the itinerant and seasonal master builders. In the following chapters, the multiple aspects of the tangible heritage are analysed. The landscape in Përmet includes a vast variety of habitats, which have preserved to a large extent their original qualities. It is deeply marked by the Vjosa River and other several minor watercourses that crisscross the territory. A special attention is given to the historical built heritage of the villages, and specifically to three architectural assets (all listed as category I Cultural Monuments): the Katiu Bridge in Bënjë (an Ottoman bridge of the 18th century), the Church of the Dormition of Mary in Leusë (a Post-Byzantine building of the 19th century), and the Church of the Dormition of Mary in Kosinë (a Byzantine building of the end of the 12th century). For each of the aforementioned issues, the theoretical and historical analysis are closely bound to an evaluation of those features of the cultural heritage that could be enhanced to guarantee a sustainable tourism development of the area. Each chapter ends with a consistent set of specific intervention strategies. They are substantive tools for action aimed at public and private local actors.
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Santamarina-Campos, Virginia, José Luis Gasent-Blesa, Pau Alcocer-Torres, and Mª Ángeles Carabal-Montagud. "The Intangible Cultural Landscape of the Banda Primitiva de Llíria." In Music as Intangible Cultural Heritage, 69–99. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-76882-9_6.
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AbstractThe Banda Primitiva de Llíria is presented as an open heritage resource, which has been built on the uses, values and symbols assigned to it by the local town of Llíria and its inhabitants over the musical society’s two centuries of history. This work focuses on analysing how this musical phenomenon contributes to positioning creativity and cultural industries at the centre of local development, reinforcing the identity elements of Llíria and the Valencian Region. It intends to support the safeguarding, respect and awareness of one of the oldest civic bands in Spain, providing greater visibility and creating positive recognition of the fundamental importance of this form of intangible cultural heritage for social cohesion and development, in an environment that is transformed into one of collective action, shared culture and creativity.
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Shaheen, Noha A., Ayman A. E. Othman, and Mostafa Rifat Ismail. "Environmental Risk Assessment as an Approach of Resilience to Climate Change in Architectural Built Cultural Heritage." In Architecture and Urbanism: A Smart Outlook, 455–68. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-52584-2_32.
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Bianchini, Carlo, and Giorgia Potestà. "BIM for Built Cultural Heritage: Semantic Segmentation, Architectural Stratification and LOD of the Baptistery of San Giovanni in Florence." In From Building Information Modelling to Mixed Reality, 1–15. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-49278-6_1.
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Orlandi, Luca. "Lost Highways. Sinan’s Architectural and Urban Transformations in Thrace as Traces of the Ottoman Civilization and as Possible Cultural Landscape for the Future." In Putting Tradition into Practice: Heritage, Place and Design, 938–48. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-57937-5_96.
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Laurìa, Antonio, and Valbona Flora. "The Coastal village of Zvërnec." In Studi e saggi, 225–388. Florence: Firenze University Press, 2020. http://dx.doi.org/10.36253/978-88-5518-175-4.03.
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Part III of the book focusses on Zvërnec, a small village located in the southern part of the Lagoon of Nartë, on a promontory over a small gulf (Gjiri i Vogël), which looks like a miniature of the ‘great’ Gulf of Vlorë (Gjiri i Vlorës). Zvërnec is part of the Protected Landscape Vjosë-Nartë and is well-known for the suggestive island which hosts the Byzantine church of the Dormition of Mary (Category I Cultural Monument), which every year attracts many faithful and tourists alike, both Albanian and foreign. In the first chapters, the importance of the intangible heritage is stressed. In Zvërnec the cultural traditions in the lagoon area play a pivotal role, especially the fishing tradition together with the culinary tradition connected to sea products. In the following chapters, the multiple aspects of the tangible heritage are analysed. The protected landscape of Vjosë-Nartë requested a special attention. It includes a number of habitats, which constitute one of the most significant assets in terms of biodiversity at a national level. Unfortunately, both active and dismantled industrial sites present in the area as well as questionable development policies, threaten the fragile and delicate lagoon landscape. As far as the built heritage is concerned, the Church of the Dormition of Mary, traditional dwellings and the abandoned military heritage were thoroughly analysed. For each of the aforementioned issues, the theoretical and historical analysis are closely bound to an evaluation of those features of the cultural heritage that could be enhanced to guarantee a sustainable tourism development of the area. Each chapter ends with a consistent set of specific intervention strategies. They are substantive tools for action aimed at public and private local actors.
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Trofymchuk, Oleksandr, Iurii Kaliukh, Oleksiy Lebid, Viktoriia Klymenko, Viacheslav Vyshniakov, Dmytro Kreta, and Yasser Elshayeb. "Effect of Landslide Deformation on the Stability of St. Andrew’s Church (Kyiv, Ukraine): Applications of Remote Sensing and Mathematical Modeling." In Progress in Landslide Research and Technology, Volume 1 Issue 2, 2022, 133–45. Cham: Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-18471-0_11.
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AbstractThis article presents the work conducted by the authors to analyze the stability of the St. Andrew’s Church which contains architecture, painting and decorative arts of the XVIII century. The church is located on a landslide-hazardous hill in the historic part of Kyiv, the capital of Ukraine. The architectural monument was built in 1747–1762 upon the project of Francois Bartolomeo Rastrelli in the Baroque style. It is one of the most important architectural monuments in Ukraine, which has cultural and historical value. Fluctuations in the height of the soil of the upper and lower part of the hill, on which St. Andrew’s Church is located, vary from 181.7 to 118.5 m. There are physical and geological hazards around the historic building, such as landslides, loose soil, soil inhomogeneities, and external erosion of the hill. To preserve this national heritage monument, a set of measures needed (monitoring the monument, identifying dangerous areas, carrying out fortification works, etc.). Monitoring of architectural monument in large areas could be carried out using optoelectronic and radar-location data and remote sensing of the Earth from space. Radar-location observations make it possible to determine reliable information about objects that are exposed to landslides and endure displacements (Casagli et al. in Landslides 7:291–301, 2010). Optoelectronic observations are effective for identifying areas and objects, identifying threats, operational assessment of the state of environmental objects, identifying areas that are affected, etc. After obtaining information on specific landslide-hazardous objects, with the help of geographic information systems (GIS) tools, areas of interest are identified for space survey of ultra-high spatial diversity to further assess the state of the architectural monument and the surrounding area. Subsequently, ground research and mathematical calculations of the object under study are carried out and measures are taken to eliminate landslide hazards and preserve the national heritage. With the results of this research, geotechnical works were already carried out to strengthen, restore and reinforce the damaged building structures.
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Laurìa, Antonio, Valbona Flora, and Kamela Guza. "The Mountain Village of Razëm." In Studi e saggi, 157–224. Florence: Firenze University Press, 2020. http://dx.doi.org/10.36253/978-88-5518-175-4.02.
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Part II of the book focusses on Razëm, a hamlet of the mountain village of Vrith, in the Municipality of Malësi e Madhe. Razëm lies within the Regional Natural Park of Shkrel and is considered the “gateway” to the Western Albanian Alps. The evocative landscape, the quality of the air and the proximity to Shkodër have transformed Razëm into a proper tourist resort. In the first chapters, the importance of the intangible heritage is stressed. The quality of the typical products and of the culinary tradition, the rhapsodic chants based on the Eposi i Kreshnikëve, the tradition of the customary law based on the Kanun code, the religious festivities and the xhubleta (as a most significant feature of local craftsmanship) are some of the issues addressed. In the following chapters, the multiple aspects of the tangible heritage are analysed. Here, the quality of the natural and pastoral landscape – characterised by alpine pastures and typical hut settlements –, together with the building tradition of the area, is highlighted. A special attention is dedicated to a complex of villas built by the rich bourgeoisie from Shkodër during the Twenties and Thirties, a unique phenomenon that deserves a proper in-depth study. For each of the aforementioned issues, the theoretical and historical analysis are closely bound to an evaluation of those features of the cultural heritage that could be enhanced to guarantee a sustainable tourism development of the area. Each chapter ends with a consistent set of specific intervention strategies. They are substantive tools for action aimed at public and private local actors.
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Carso, Kerry Dean. "Ruins." In Follies in America, 89–114. Cornell University Press, 2021. http://dx.doi.org/10.7591/cornell/9781501755934.003.0006.
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This chapter takes a look at how ruins aged the American landscape, thereby conferring a cultural status equivalent to Europe's architectural heritage. Purpose-built ruins in the nineteenth-century United States were rare, but they did exist. Gardeners and architects indulged this desire for age by building such structures in America. Ruins fulfilled a need for a physical heritage beyond pure nature. When Americans built ruins, oftentimes their pragmatism ironically led them to rebuild the ruins as permanent structures. Beyond ruin follies, though, existed a larger culture of ruins among writers and tourists who sought out actual ruins from America's past to visit and to ponder. And in the visual culture of the nineteenth century, Americans projected their desire for ruins onto natural scenery as well, creating ruins in the landscape.
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Getz, Donald. "Built Environment." In Event Impact Assessment. Goodfellow Publishers, 2018. http://dx.doi.org/10.23912/978-1-911635-03-1-4025.
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Built environment refers to the places in which we live and work, the services that meet our needs, and everything humans do by way of physical planning, design, development and controls to ensure our basic needs are met and quality of life maximised. This broad definition encompasses residential neighbourhoods, transport systems, farmland and industrial zones. It is also worth distinguishing between ‘spaces’ where things can be built and activities occur, and ‘places’ which have meaning – such as play and work spaces, living and meeting places, all within social and cultural value systems. Impacts of tourism and events on the built environment are of increasing importance, particularly because so many cities have pursued tourism and culture-based development or re-positioning strategies. There are many examples of using events, venues, iconic architecture, tourism and culture synergistically, with profound effects on the urban landscape, its image and liveability. In small towns the impacts of development can be more noticeable and have more profound impacts on residents. In the literature on events and the built environment the focus has often been on the effects of mega events that require enormous investment in infrastructure and venues. However, construction and operation of sport arenas and stadia, major arts and culture facilities, as well as convention and exhibition centres all have profound implications for cities. In this chapter the starting point is a discussion of the roles of events and venues in urban development and renewal, a theme that incorporates the concepts of liveability (or quality of life), community development, healthy and creative cities. A second theme is the use of public spaces by events, looking at both the positives and negatives. The influence of the environment upon events and tourism has to be mentioned, although it is not part of the objects of impact assessment considered in this book. Within ‘environmental psychology’ there is the principle of ‘setting affordances’, meaning what the environment allows (or lends itself to) by way of events and tourism. For example, many urban spaces with heritage status and unique design are popular venues for festivals and other events, but with possible negative impacts owing to crowd activities and, over time, the accompanying change in the character of the place. Parks and streets lend themselves to parades and open-air events, but at a potential cost. Attention is then directed at place making and place marketing and the interdependent elements of image, reputation, positioning and brand. In recent years the communicative properties of events have come to the fore, and in many cases even replacing the emphasis on events as attractions. We live in a networked world, with mass and social media presenting global opportunities to both market events (especially to special interest segments) and to exploit events and related images for broader political, economic and social purposes. Completing this chapter is a case study from Rudi Hartmann about events and the evolution of the resort town of Vail, Colorado. A number of themes are reinforced, and new theoretical perspectives introduced.
Тези доповідей конференцій з теми "Cultural Architectural Built and Landscape Heritage"
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Villaverde Rey, Montserrat, and Anna Martínez Duran. "Making our Rural Landscape visible. A way to defend Anonymous Cultural Heritage." In HERITAGE2022 International Conference on Vernacular Heritage: Culture, People and Sustainability. Valencia: Universitat Politècnica de València, 2022. http://dx.doi.org/10.4995/heritage2022.2022.14389.
Повний текст джерелаАнотація:
As a result of the energy transition, the traditional rural landscapes are being threatened by renewable energy macro-projects, often promoted by foreign companies. In response to this threat, our project aims to bring to light the Cultural Heritage hidden in these landscapes, built over centuries by wise hands and minds, using the natural resources available back then, in order to highlight their value and later defend them from this menace. The specific case of the surroundings of El Perelló and l’Ametlla de Mar, in Baix Ebre (Tarragona, Spain), a site with Neolithic, Iberian and Roman settlements, with a calcareous geography, situated between the mountains and the Mediterranean Sea, is analyzed. A rural landscape, built in a human and family scale, protected by the mountain of “Tossal de Montagut”. An agrarian mosaic drawn by sinuous walks and dry-stone walls, with beautiful and geometric traces, in which houses, wells, hunter shelters, farmyards, etc.., appear. A series of domestic elements that constitute organic ensembles and define a settlement in balance with nature. A place that, if we give in to the threat of these projects, will become into an industrial estate, and whose Cultural Heritage will be destroyed. We propose a reflection on the identity and fragility of these anonymous places, on the need to maintain alive their memory and their Cultural Heritage: natural and built. We try to contribute, from the perspective of the architecture, to the debate on the current conflicts between rural landscapes and renewable energies. Our project proposes to analyze, register, catalogue, redraw, etc. the architectonic elements in the affected landscape (approx. 800 Ha), highlighting the historical value of the place through historic archival work and the recording of the tradition and daily life of local people.
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Bortolotto, Susanna, Cristiana Achille, Elisabetta Ciocchini, and Maria Cristina Palo. "The rural founding villages of the Italian Agrarian Reform in Basilicata (1950-1970): urban planning and 'modern' vernacular architecture to the test of contemporaneity. The case of Borgo Taccone (MT)." In HERITAGE2022 International Conference on Vernacular Heritage: Culture, People and Sustainability. Valencia: Universitat Politècnica de València, 2022. http://dx.doi.org/10.4995/heritage2022.2022.15113.
Повний текст джерелаАнотація:
The contribution aims at providing an overview on urban planning and on 'modern' vernacular architecture of the rural founding villages built during the Agrarian Reform (1950-1970) in Italy, in the inland areas of Basilicata Region. In particular there are settlements not yet sufficiently known, in which the important of inventorying the considerable built heritage must be the objective of a necessary, urgent safeguarding. With the 'Agrarian Reform' (Law 841/1950), the Italian government carried out a redistribution to settlers of the lands of uncultivated or abandoned large estates. The purpose was to increase productivity in the reformed areas, as long as a better profitability of labor and an adequate 'social equity'. As a consequence, new villages were created that had to fulfil the task of reorganizing rural centers of socio-economic concentrations, able to reconstitute environments similar to the agglomerations from which the laborers, once employed in the latifundiums, came. Among the numerous centers built in Basilicata, Borgo Taccone is representative of this system of agrarian colonization of the Lucanian territory. The settlement, in which the modern construction techniques were broadly experimented, is the service center for farmers living in farmhouses in the surrounding funds and for this reason it was equipped with core services such as the church, the school, the post office, the clinic, cinema/theater, etc. After an initial period of demographic expansion, in the seventies the ‘Borgo’ began to depopulate and is now in a state of abandonment and decay. Despite this, this settlement, surrounded by agricultural land in a well-preserved landscape, still retains a strong formal character in both its urban and architectural layout. The contribution traces the physical, social and cultural transformation line that led this rich asset to the contemporary world, outlining a possible future cultural theoretical debate on its safeguard and sustainable enhancement.
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Domingo Calabuig, Débora, and Laura Lizondo Sevilla. "UNI-HERITAGE. European Postwar Universities Heritage: A Network for Open Regeneration." In CARPE Conference 2019: Horizon Europe and beyond. Valencia: Universitat Politècnica València, 2019. http://dx.doi.org/10.4995/carpe2019.2019.10255.
Повний текст джерелаАнотація:
This research project aims at the regeneration of European universities created in the 60s and 70s through a systematic, circular, open and integrated process of their cultural heritage. At present, these campuses represent both a tangible and intangible heritage (architecture, urban planning, landscape… but also pedagogy, specialization areas, educational policies) whose adaptation to contemporaneity involves issues related to environmental sustainability, to the institution organizational capacities, and to its social implication. Specifically, this proposal aims at lines of action that would offer strategies such as the renewal of infrastructures and services and the adaptive reuse of the built heritage (space recycling, sustainability), the updating of the physical teaching spaces to the new teaching methodologies (European Higher Education Area), and the campus social consideration as a comfortable, conflict-safe and cultural-integrated area. Beyond the simple conservation, restoration and physical rehabilitation of a set of buildings and a university fabric, this project has the added value of an integrated or interdisciplinary action model that seeks four aspects of innovation: the organizational, the formative, the technological and social. This research proposes to ensure a longer life cycle for the heritage through its participation as a resource in the dynamics of regeneration of the universities.
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Testa, Maria Pia. "Between landscape and fortified architecture: traces and memory of rural civilization in the territory of Pesche in Molise." In HERITAGE2022 International Conference on Vernacular Heritage: Culture, People and Sustainability. Valencia: Universitat Politècnica de València, 2022. http://dx.doi.org/10.4995/heritage2022.2022.14314.
Повний текст джерелаАнотація:
The small village of Pesche in Molise extends along the slopes of Monte San Marco, in a perfect symbiosis between architecture and nature. Pesche’s origins date back already between the 5th and 6th century, when the steep natural slope was chosen as a place for the construction of a safe village, consisting of many small houses side by side and built using local limestone. Its position, guarding the Isernia valley, characterized at the top by the ruins of the castle-enclosure, supports the idea that Pesche may have played a dominant role in the passage along the ancient Pescasseroli-Candela sheep track. The castle-enclosure itself is evidence of the traditional medieval building site, but also of a rural civilization which until the beginning of the 20th century probably continued to live in these places, used as houses, stables and barns. This contribution focuses on the architectural and material characteristics of the buildings in the territory of Pesche, which, despite the current state of decay and neglect, are evidence of the use of local materials and the use of construction techniques that have characterized the traditional Molise building site
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Pereira, Larissa de Souza. "As fazendas do sul de Minas e a formação do território: valorização e salvaguarda do patrimônio regional." In Seminario Internacional de Investigación en Urbanismo. Barcelona: Facultad de Arquitectura. Universidad de la República, 2015. http://dx.doi.org/10.5821/siiu.6183.
Повний текст джерелаАнотація:
O conjunto de fazendas localizado no sul do estado de Minas Gerais, representa um grande acervo de reminiscências da formação do território durante as primeiras tentativas de chegada às minas de ouro, sendo formador de uma paisagem rural, que será analisada como representação espacial do processo de construção do território, e elemento gerador das cidades existentes na região. Tais exemplares serão adotados como formadores de um patrimônio cultural paisagístico singular, representativo de uma identidade da região, que ultrapassa a dimensão arquitetônica e monumental. A interpretação adequada do patrimônio como paisagem construída, e portanto, cultural, requer a consideração do conceito de lugar como referência para a implantação de possíveis ações de preservação e gestão. Deste modo, a pesquisa busca demonstrar possíveis avanços quanto à compreensão e caracterização da área de estudo, além de uma ampliação da discussão dos critérios de seleção e classificação desse legado cultural The group of farms in the southern state of Minas Gerais, is a large collection of reminiscences of the territory during the first attempts to arrival to the gold mines, building a rural landscape, which will be examined as a spatial representation of the process construction of the territory, and as a generator element of current cities in that region. These farms will be considered formers of a singular cultural landscape heritage, representing an identity of the region, beyond the architectural and monumental dimension. The appropriate interpretation of heritage as built environment, and therefore cultural, requires consideration of the concept of place as a reference for the implementation of possible conservation and management actions. So, the research wants to demonstrate possible advances in the understanding and characterization of the study area, as well as an extension of the discussion of the selection classification of cultural legacy.
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Malagugini, Massimo. "La valorizzazione delle torri dell’Imperiese." In FORTMED2020 - Defensive Architecture of the Mediterranean. Valencia: Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11521.
Повний текст джерелаАнотація:
The enhancement of the towers of the Imperia coastThe complex structure of the Ligurian territory has found a precise correspondence in the development of the defensive structures. If the main cities were able to provide themselves with “closed” defence systems (the most important of which –the Genoese city walls– are second only in size to the Chinese Wall), the smaller cities and the poorly built areas were equipped with a real “network” of widespread and punctual defensive elements. These are the defence towers and watchtowers that were built mainly to face the Saracen invasions and were strongly related to the morphology of the territory. These are now a vast heritage that is in danger of being lost because of the urban transformations that have characterized the last decades, that have changed the territory and that have led to radical transformations of the artifacts that still exist today. The objective of protecting the heritage of the towers present in the Ligurian territory –and in particular on the coasts of Imperia– was the vector that suggested the research conducted at a multidisciplinary level and that led to the census and knowledge of what remains of this complex system of defense spread over the Ligurian coastal territory. The elaboration of a detailed census of the existing artefacts has allowed the analysis of the recurrent typologies, the study of the connections with the geography, and has brought to the knowledge of the state of conservation of this singular architectural patrimony that still today connotes suggestive ambits of the Ligurian territory and represents a great potential for the development of tourist and cultural activities. Subsequently, a number of projects have been developed which, starting from the dissemination of knowledge of the heritage in question, have as their objective the enhancement of it, identifying new possible uses of individual artifacts within a landscape system of collective interest.
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Rossini, Diva de Mello, Tânia Beisl Ramos, and Luciano Torres Tricárico. "A paisagem do português centro historico de São Francisco do Sul (BR)." In Seminario Internacional de Investigación en Urbanismo. Barcelona: Curso de Arquitetura e Urbanismo. Universidade do Vale do Itajaí, 2016. http://dx.doi.org/10.5821/siiu.6353.
Повний текст джерелаАнотація:
Este artigo divulga a importância da preservação da paisagem do centro histórico das cidades por meio da conservação do patrimônio histórico construído, o qual se caracteriza como um atributo para o desenvolvimento do turismo cultural. O método de Rossini (2014), com categorias de analise da paisagem hierarquizadas por meio da analise de redes sociais, foi aplicado na Baixa Pombalina em Lisboa (PT) e no centro histórico de São Francisco do Sul (BR). O resultado desta investigação demonstra que o centro histórico estudado possui características similares as urbes de origem portuguesa e fato que o transforma em um sitio repleto de potencialidades turísticas. O conhecimento produzido poderá nortear a elaboração de politicas publicas que contribuam com o desenvolvimento do turismo cultural local e regional, além de beneficiar a comunidade científica do Brasil, com a produção de novos conhecimentos nas áreas de Arquitetura, Patrimônio Histórico das Cidades e de Turismo. This article discloses about the importance of preserving the historic center of the landscape of cities through the conservation of built heritage, which is characterized as an attribute to the development of cultural tourism. The Rossini method (2014), with analysis of hierarchical categories of landscape through the analysis of social networks, was applied in the Baixa in Lisbon (PT) and the historic center of São Francisco do Sul (BR). The result of this research shows that the historic center studied has similar characteristics of Portuguese origin and urbes fact that turns it into a place full of tourist potential. The knowledge produced can underpin the development of public policies that contribute to the development of local and regional cultural tourism, as well as benefit the scientific community in Brazil, with the production of new knowledge in the areas of Architecture, Heritage of Cities and Tourism.
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Nocerino, Iole. "The Italian case of Leopoldine in Tuscany: methods and issues for the cata-loguing of rural building heritage." In HERITAGE2022 International Conference on Vernacular Heritage: Culture, People and Sustainability. Valencia: Universitat Politècnica de València, 2022. http://dx.doi.org/10.4995/heritage2022.2022.15476.
Повний текст джерелаАнотація:
The Val di Chiana is characterised by a dense rural building heritage, which differs according to its mountain, hill and plain areas. Among the houses on the plains, there is an elegant model called 'Leopoldina’, which can be considered an exemplary case of vernacular architecture: indeed, such a farmhouse, built on the occasion of the land reclamation initiated during the Grand Duchy of Pietro Leopoldo of Lorraine (1765-1790), presents local materials and building techniques and, moreover, it was designed to meet the precise economic, agricultural and lifestyle needs of the peasant families of sharecroppers. Although the Leopoldine refer to a repetitive typological model, there are many singularities that can be found in the Val di Chiana area, both from the formal and constructive point of view. For this reason, it is indispensable to have a thorough knowledge of them, based on cataloguing. The Landscape Project entitled "Leopoldine in Val di Chiana" (Tuscany Region, 2021) proposes cataloguing the Leopoldine, while in the past, certain municipalities in the Val di Chiana had already carried out a survey of these abodes. However, from a critical analysis of the various files, certain critical points have since emerged. Thus, the present contribution introduces a new tab model of Leopoldine, taken from a PhD Research Project, based on both the richness of information and on an inter-dimensional reading between architecture and landscape: the purpose is to allow an exhaustive knowledge of the factories within the Lorraine area aimed at restoration and re-use projects compatible with the value of the houses, as well as with the development needs of the territory involved. For this reason, the tab has become a valid tool, even to be adopted in agricultural territories, through which it is possible to address, the challenge proposed by the Convention on the Value of Cultural Heritage for Society (Faro, 2005) of heritage conservation in a sustainable way, as an opportunity for the recognition and strengthening of social cohesion.
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Ferrari, Lia, Marco Catellani, and Elena Zanazzi. "CANOSSA CASTLE: THE IMPORTANCE OF A CRITIC AND AWARE PLAN OF INTERVENTIONS FOR CONSERVATION AND PREVENTION OF CULTURAL HERITAGE." In ARQUEOLÓGICA 2.0 - 9th International Congress & 3rd GEORES - GEOmatics and pREServation. Editorial Universitat Politécnica de Valéncia: Editorial Universitat Politécnica de Valéncia, 2021. http://dx.doi.org/10.4995/arqueologica9.2021.12122.
Повний текст джерелаАнотація:
Fortified architecture is a widespread and peculiar typology in Italy as it represents an identifying element for communities and a reference point in the landscape. An imposing system of castles, dating back to the 11th century, characterises the area of Reggio Emilia, in the Emilia Romagna Region. Among these fortifications, Canossa Castle is an important and distinctive fortress. Built on the top of an isolated cliff, a particularly strategic and defensive point, it played a central role in the medieval European history. For instance, it was the scene of the well-known reconciliation between Henry IV and Pope Gregory VII, which ended the Investiture Controversy in 1077. The current state of ruins of this fortress is due to both centuries of neglect and to recent incongruent interventions. Therefore, archival research, in-situ inspections and photogrammetric techniques were carried out on the case study of Canossa Castle, in order to analyse the numerous restoration yards that have followed one another on the fortress in the last century. Firstly, the lack of coordination between the different interventions emerged. Furthermore, it has been observed that the principles of restoration have been disregarded several times, with consequent damage to the archaeological remains. Therefore, the present study aims to underline the importance of a critical and aware intervention plan for the conservation and damage prevention of cultural heritage, considering the possible support of HBIM tools.
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Merlo, Alessandro, and Gaia Lavoratti. "Vernacular architecture and art. The representation of traditional build-ings in Lorenzo Ghiberti's Gates of Paradise in the Baptistery of Florence." In HERITAGE2022 International Conference on Vernacular Heritage: Culture, People and Sustainability. Valencia: Universitat Politècnica de València, 2022. http://dx.doi.org/10.4995/heritage2022.2022.15140.
Повний текст джерелаАнотація:
In the ten bas-relief panels of the Gates of Paradise of the Florence Baptistery, Lorenzo Ghiberti depicted episodes from the Old Testament, narrated through a succession of scenes, in which the figurative language also fulfils a catechetical function.The master set the Istorie (Stories) of the main characters of the Bible against a background of landscapes depicting territories and architecture known to him, and sculpting in great detail the flora, fauna and human structures. With regard to the latter, in the fifth, sixth and tenth panels, the scenery consists of monumental architecture inspired by the Classical and Renaissance style, while in the second, third, fourth, seventh and eighth panels Ghiberti depicts dwellings and shelters linked to the local tradition. In a single artefact, the goldsmith-sculptor master offers an overview of the heterogeneous built landscape, providing a faithful description of a whole series of vernacular constructions which, due to their importance and diffusion in the area, are also frequently found in other contemporary artistic works. From this point of view, the panels can be considered an unprecedented source to allow the analysis of the salient features of those widespread traditional architectures in the early 15th century, which still characterise the rural landscape surrounding Florence.
Звіти організацій з теми "Cultural Architectural Built and Landscape Heritage"
1
Atkinson, Dan, and Alex Hale, eds. From Source to Sea: ScARF Marine and Maritime Panel Report. Society of Antiquaries of Scotland, September 2012. http://dx.doi.org/10.9750/scarf.09.2012.126.
Повний текст джерелаАнотація:
The main recommendations of the panel report can be summarised under four headings: 1. From Source to Sea: River systems, from their source to the sea and beyond, should form the focus for research projects, allowing the integration of all archaeological work carried out along their course. Future research should take a holistic view of the marine and maritime historic environment, from inland lakes that feed freshwater river routes, to tidal estuaries and out to the open sea. This view of the landscape/seascape encompasses a very broad range of archaeology and enables connections to be made without the restrictions of geographical or political boundaries. Research strategies, programmes From Source to Sea: ScARF Marine and Maritime Panel Report iii and projects can adopt this approach at multiple levels; from national to site-specific, with the aim of remaining holistic and cross-cutting. 2. Submerged Landscapes: The rising research profile of submerged landscapes has recently been embodied into a European Cooperation in Science and Technology (COST) Action; Submerged Prehistoric Archaeology and Landscapes of the Continental Shelf (SPLASHCOS), with exciting proposals for future research. Future work needs to be integrated with wider initiatives such as this on an international scale. Recent projects have begun to demonstrate the research potential for submerged landscapes in and beyond Scotland, as well as the need to collaborate with industrial partners, in order that commercially-created datasets can be accessed and used. More data is required in order to fully model the changing coastline around Scotland and develop predictive models of site survival. Such work is crucial to understanding life in early prehistoric Scotland, and how the earliest communities responded to a changing environment. 3. Marine & Maritime Historic Landscapes: Scotland’s coastal and intertidal zones and maritime hinterland encompass in-shore islands, trans-continental shipping lanes, ports and harbours, and transport infrastructure to intertidal fish-traps, and define understanding and conceptualisation of the liminal zone between the land and the sea. Due to the pervasive nature of the Marine and Maritime historic landscape, a holistic approach should be taken that incorporates evidence from a variety of sources including commercial and research archaeology, local and national societies, off-shore and onshore commercial development; and including studies derived from, but not limited to history, ethnology, cultural studies, folklore and architecture and involving a wide range of recording techniques ranging from photography, laser imaging, and sonar survey through to more orthodox drawn survey and excavation. 4. Collaboration: As is implicit in all the above, multi-disciplinary, collaborative, and cross-sector approaches are essential in order to ensure the capacity to meet the research challenges of the marine and maritime historic environment. There is a need for collaboration across the heritage sector and beyond, into specific areas of industry, science and the arts. Methods of communication amongst the constituent research individuals, institutions and networks should be developed, and dissemination of research results promoted. The formation of research communities, especially virtual centres of excellence, should be encouraged in order to build capacity.