Дисертації з теми "Critical Stylistics"
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Weber, Jean Jacques. "Critical analysis of fiction : essays in discourse stylistics /." Amsterdam ; Atlanta (Ga.) : Rodopi, 1992. http://catalogue.bnf.fr/ark:/12148/cb356957750.
Повний текст джерелаChihota, Clement. "Towards Marxist stylistics: incorporating elements of critical discourse analysis into Althusserian Marxist criticism in the interpretation of selected Zimbabwean fiction." Doctoral thesis, University of Cape Town, 2014. http://hdl.handle.net/11427/13117.
Повний текст джерелаThe thesis - which locates itself at the interface between linguistic and literary studies - explores the possibility of developing a ‘Marxist- stylistic’ method of text interpretation, which primarily proceeds from Althusserian Marxist Criticism, but which also incorporates salient elements of Critical Discourse Analysis. In construction of the method, the thesis first investigates the need for Althusserian Marxist criticism to be mediated, and more specifically, the areas in which this mediation is required. The thesis then crosses over to the field of Critical Discourse Analysis where it identifies relevant theoretical and methodological resources that are capable of mediating the ‘gaps’ identified in Althusserian Marxist criticism. The construction of the Marxist stylistic method is then effected through the transfer of germane theoretical and methodological resources from Critical Discourse Analysis to Althusserian Marxist criticism. The distinctive properties of the emergent Marxist-stylistic method are delineated before the method is practically applied to the interpretation of at least four fictional texts – all written and set in Zimbabwe. The key outcome of the thesis is that a distinctive method of text interpretation, which meaningfully separates itself from Althusserian Marxist criticism, on the one hand, and Critical Discourse Analysis, on the other, emerges. The thesis concludes with a reflection on the application of the method and makes some suggestions for further research and development in the area herein labelled as ‘Marxist stylistics.’
Hebert, Joy A. Ms. "A Critical Study of Sue Monk Kidd's The Secret Life of Bees." Digital Archive @ GSU, 2011. http://digitalarchive.gsu.edu/english_theses/117.
Повний текст джерелаFoster, John E. "A critical, social and stylistic study of Australian children's comics /." Title page, contents and introduction only, 1989. http://web4.library.adelaide.edu.au/theses/09PH/09phf755.pdf.
Повний текст джерелаFoster, M. W. "The vocal music of Thomas Morley : A critical and stylistic study." Thesis, University of Southampton, 1986. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.373429.
Повний текст джерелаIbrahim, Mahmood. "The construction of the speaker and fictional world in 'The Small Mirrors' : critical stylistic analysis." Thesis, University of Huddersfield, 2018. http://eprints.hud.ac.uk/id/eprint/34586/.
Повний текст джерелаHarrison, Thomas R. "Van Halen : changes in their stylistic development and a critical examination of audience reception, 1978-1986." Thesis, University of Salford, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.420470.
Повний текст джерелаAbeed, Manal. "News representation in times of conflict : a corpus-based critical stylistic analysis of the Libyan Revolution." Thesis, University of Huddersfield, 2017. http://eprints.hud.ac.uk/id/eprint/34536/.
Повний текст джерелаCoffey, Laura. ""Innocent until proven filthy" : a corpus-based critical stylistic analysis of representations of men in women's magazines." Thesis, University of Huddersfield, 2013. http://eprints.hud.ac.uk/id/eprint/19274/.
Повний текст джерелаPack, Crista Anne. "Ancient West Mexican Sculpture: A Formal and Stylistic Analysis of Eleven Figures in the Virginia Museum of Fine Arts." VCU Scholars Compass, 2006. http://scholarscompass.vcu.edu/etd/1338.
Повний текст джерелаEvans, Matthew. "A critical stylistic analysis of the textual meanings of 'feminism', 'feminist(s)' and 'feminist' in UK national newspapers, 2000-2009." Thesis, University of Huddersfield, 2016. http://eprints.hud.ac.uk/id/eprint/30184/.
Повний текст джерелаKhalifa, Tarek. "Génèse de la critique arabe moderne." Thesis, Lyon, 2018. http://www.theses.fr/2018LYSE3066/document.
Повний текст джерелаThe research work presented in this manuscript focuses on the evolution of the modern Arab poetry critic. The work is two fold: one diachronic and the other analytical. We detail on one hand the history of such evolution, which, in the space of a century, has been quite impressive, and on the other hand,we analyze this phenomenon, which has never occurred in the world literacy history over such a short time span. The period of the nahda started in the second half of the XIXth century and lasted up to the last years of the XXth century. The history of the Arab literature has been shattered by numerous events, at the same time conservative and modernist. Those events were at times contiguous and at times opposite: poetry in particular, has caught up with a major delayof nearly five centuries, as witnessed by the number of poems and collections published,and as well asby the multiplication of styles and literacy schools.Over the span of a century, and often within the same period, one may discoverand study classical, neoclassical, romantic, symbolic as well as realist poets. Furthermore, the poetry production has also been diversein styles, but at the same time addressed the classical rules related to the measure and the rhymes, while displaying a reversal movement towards the classical form, mainly to show and prove mastering skills. Then, the inspiration of the "muwaššaḥ" appeared and has strayed away from the requirements of the traditional form, with a few attempts to write free poetry as well as prose with new measures, and eventually came to the birth of white poetry,… etc.All those various efforts attempting atreclaiming a main historic literacy flow has definitely not been overlooked by the critic, which at times has brought forward poets, and at times has even preceded the poetic production which has undergone through the modernistic pressure by trying to join that same flow; the critique has drawn in the ancient scripts and at the same time in the opening into the occidental critic. The revolution against traditionalism has been launched with various schools who have claimed a split with the inheritance of the classics.Other currents have resisted to the European influence by pretexting a fight against occidental colonialism. These very resolute currents have defended the attachment to the ancient school by invoking the purity of the language of the Koran, the richness of this heritage and the fact that this modernization can produce ill-adapted theories to the social and cultural reality.We attempt in this work to present and analyze the four stages, through which poetry and the poetry critic have gone through during the past century:1) The stage of mediocre imitation 2) The stage of coherent and eloquent imitation, 3) The stage of innovation linked to a nationalist fervor4) And eventually the stage of innovation linked to a feeling of individual freedom
Nakhaeï, Bentolhoda. "Critical Analysis of the Stylistic Transformations in the 19th and 20th-century English and French Translations of Omar Khayyám’s Rubáiyát : exploring the Common Quatrains in FitzGerald, Arberry, Nicolas, and Lazard." Thesis, Sorbonne Paris Cité, 2016. http://www.theses.fr/2016USPCA144.
Повний текст джерелаThis thesis aims to carry out a meticulous analysis of the transformation of form and meaning in the rendition of the Rubáiyát in four significant 19th and 20th-century translations—two in English and two in French. The translators of the selected translations are Edward FitzGerald, Arthur John Arberry, Jean-Baptiste Nicolas, and Gilbert Lazard. The translations produced by these translators have offered opportunities of investigation within linguistic boundaries. In fact, one may wonder if the translators have transformed the meaning and the form of the Persian quatrains. If so, which procedures have they employed? More precisely, how are the underlying networks of signification rendered by the most significant English and French translators of the 19th and 20th centuries? Furthermore, what is the quality of the writing in the target language in each translation? On the whole, this thesis seeks to appreciate whether the translators have been successful in understanding the significance of the subtext and the elegance of the poetic form of the Rubáiyát.This dissertation provides its readers with a scientific application of the theoretical concepts of different theorists in translation studies, linguistics, and literature. The most salient theories employed in the present research are those of Antoine Berman, Henri Meschonnic, Peter Newmark, Eugene Albert Nida, Susan Bassnett, Mona Baker, Geoffrey N. Leech, I.A. Richards, Roger T. Bell, George Lakoff and Mark Johnson, Michael Hanne, and Max Black. In addition, it must be indicated that this thesis sets out to create a balance between two poles in translation studies, i.e. target-oriented and source-oriented translations.The translation of Omar Khayyám’s Rubáiyát into Germanic and Romance languages is an interesting and controversial subject to discuss. This research seeks to prove that the study of the translations of the Rubáiyát can contribute to highlighting the difficulties and the impossibilities of the rendition of certain issues from Persian into English or French
Rajatanavin, Tanaporn. "The Emergence of the Subconscious in Erik Satie's "Parade": The Search for Surrealism in Sound." Thesis, University of North Texas, 2020. https://digital.library.unt.edu/ark:/67531/metadc1707230/.
Повний текст джерелаFoster, John E. (John Elwall). "A critical, social and stylistic study of Australian children's comics." 1989. http://web4.library.adelaide.edu.au/theses/09PH/09phf755.pdf.
Повний текст джерелаFoster, John E. "A critical, social and stylistic study of Australian childrens comics / J. E. Foster." 1989. http://hdl.handle.net/2440/18873.
Повний текст джерелаFoster, John E. "A critical, social and stylistic study of Australian childrens comics / J. E. Foster." Thesis, 1989. http://hdl.handle.net/2440/18873.
Повний текст джерела(6581261), Christa L. Jennings. "Social Media in Politics: Exploring Trump's Rhetorical Strategy During the 2016 U.S. Presidential Campaign Within Twitter's Discursive Space." Thesis, 2019.
Знайти повний текст джерелаThe prevalence of social media in political campaigns are changing the face of politics in the United States and abroad. The rapid pace at which this change is occurring demands inquiry into the previously unexplored area of unconventional political campaign messaging practices on social media. Investigation of Donald Trump’s use of tweets as rhetorical strategy in the discursive space of Twitter during the 2016 U.S. presidential campaign revealed a bypass of traditional media and its source verification processes. This circumventing of mainstream media channels facilitated Trump’s deployment of an unchecked ‘broken system’ narrative alleging government corruption
and a rigged system. Trump’s tweet discourses tapped into existing feelings of disenfranchisement and disaffection felt by a self-identified politically marginalized segment of society. This study
investigates how social media use in political campaigns can serve as a public sphere for contestation of social and political norms. An interdisciplinary theoretical frame comprised of Feenberg’s critical theory of technology, McLuhan’s media ecology, Fraser’s counterpublic spheres, and Iser’s implied reader offer new understandings about the power of anti-establishment discourses and a hybrid discursive space to destabilize governing institutions and redefine social and political identities. Study of Trump’s tweets as rhetorical strategy granted insights into the social and political capacity of alternative truth to undermine the political process. Further, it uncovered the power of social media to awaken and leverage existing political identities for personal political gain.
Заїка, В. С. "Критичний аналіз лінгво-стилістичних особливостей перекладу в діахронії (на матеріалі перекладів "Троє в човні (якщо не рахувати собаки)")". Master's thesis, 2020. https://essuir.sumdu.edu.ua/handle/123456789/81167.
Повний текст джерелаКваліфікаційна робота присвячена порівняльному критичному аналізу лінгво-стилістичних засобів роману «Троє в човні (якщо не рахувати собаки)» на матеріалі перекладів Р. Доценко та Н. Філімонової. Актуальність обраної теми дослідження зумовлена постійними змінами в сучасних тенденціях перекладу, модернізаційними підходами до імплементації порівняльного аналізу в навчанні, а також тим, що критичний лінгво-стилістичний аналіз розвиває не тільки академічні знання, а й сприяє розвитку міжкультурної фахової компетенції перекладачів. Мета дипломної роботи полягає у проведенні критичного та порівняльного аналізу перекладів художнього твору, ідентифікації перекладацьких технік, використаних для відтворення гумору та лінгво-стилістичних засобів оригіналу, визначенні переваг та недоліків обох варіантів перекладу, а також розгляді колаборативних методів роботи в рамках навчання іноземної мови.
Квалификационная работа посвящена сравнительному критическому анализу лингво-стилистических средств романа «Трое в лодке (если не считать собаки)» на материале переводов Р. Доценко и Н. Филимоновой. Актуальность темы исследования обусловлена постоянными изменениями в современных тенденциях перевода, модернизационными подходами к имплементации сравнительного анализа в обучении, а также тем, что критический лингво-стилистический анализ развивает не только академические знания, но и способствует развитию межкультурной профессиональной компетенции переводчиков. Цель дипломной работы заключается в проведении критического и сравнительного анализа переводов художественного произведения, идентификации переводческих техник, использованных для воспроизведения юмора и лингво-стилистических средств оригинала, определении преимуществ и недостатков обоих вариантов перевода, а также рассмотрении коллаборативних методов работы в рамках обучения иностранному языку.
The graduation thesis is devoted to a comparative critical analysis of the linguistic and stylistic means of the novel “Three Men in a Boat (To Say Nothing of the Dog)” based on translations by R. Dotsenko and N. Filimonova. The relevance of the research topic is due to constant changes in modern trends of translation, modernization approaches to the implementation of comparative analysis in teaching, as well as the fact that critical linguistic and stylistic analysis develops not only academic knowledge, but also contributes to the development of intercultural professional competence of translators. The goal of this work is to perform a critical and comparative analysis of translations of a novel, identify translation techniques used to reproduce humor and linguistic and stylistic means of the source text, name the advantages and disadvantages of both translations, and consider collaborative methods of work in teaching a foreign language.