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Книги з теми "Critical film studies"

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Автор: Grafiati
Опубліковано: 10 грудня 2022
Оновлено: 28 січня 2023

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1

John, Hill, and Gibson Pamela Church, eds. Film studies: Critical approaches. Oxford: Oxford University Press, 2000.

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2

Aitken, Ian. Documentary film: Critical concepts in media and cultural studies. Abingdon, Oxon [England]: Routledge, 2012.

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3

Philip, Simpson, Utterson Andrew, and Shepherdson K. J, eds. Film theory: Critical concepts in media and cultural studies. New York: Routledge, 2003.

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4

French cinema: Critical concepts in cultural and media studies. Abingdon, Oxon: Routledge, 2013.

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5

Critical queer studies: Queer life in law, film, and fiction. Farnham, Surrey, UK: Ashgate Pub., 2012.

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6

Hefny, Mostafa. Arab studies for teachers: A critical guide to curricular materials. Wayne, Mich: Wayne County Intermediate School District, 1986.

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7

Critical essays on Colombian cinema and culture: Cinembargo Colombia. New York, NY: Palgrave Macmillan, 2012.

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8

Paul, Heike, Sarah Marak, Katharina Gerund, and Marius Henderson, eds. Lexicon of Global Melodrama. Bielefeld, Germany: transcript Verlag, 2022. http://dx.doi.org/10.14361/9783839459737.

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Анотація:
This new go-to reference book for global melodrama assembles contributions by experts from a wide range of disciplines, including cultural studies, film and media studies, gender and queer studies, political science, and postcolonial studies. The melodramas covered in this volume range from early 20th century silent movies to contemporary films, from independent ›arthouse‹ productions to Hollywood blockbusters. The comprehensive overview of global melodramatic film in the Lexicon constitutes a valuable resource for scholars and practitioners of film, teachers, film critics, and anyone who is interested in the past and present of melodramatic film on a global scale. The Lexicon of Global Melodrama includes essays on All That Heaven Allows, Bombay, Casablanca, Die Büchse der Pandora, In the Mood for Love, Nosotros los Pobres, Terra Sonâmbula, and Tokyo Story.
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9

Kim, Soyoung. Korean Cinema in Global Contexts. Nieuwe Prinsengracht 89 1018 VR Amsterdam Nederland: Amsterdam University Press, 2022. http://dx.doi.org/10.5117/9789463729147.

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Анотація:
Offering the most comprehensive analysis of Korean cinema from its early history to the present, and including the films of Park Chan-wook, Bong Joon-ho and Kim Ki-young, Korean Cinema in Global Contexts: Postcolonial Phantom, Blockbuster and Trans-Cinema situates itself in the local, Inter-Asian, and transnational contexts by mobilizing the critical frameworks of feminism, postcolonial critique and comparative film studies. It is attentive to an enmeshment of the cinematic, aesthetics, politics and cultural history.
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10

Fred, Botting, and Townshend Dale, eds. Gothic: Critical concepts in literary and cultural studies. London: Routledge, 2004.

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11

Martin, Adrian. Mysteries of Cinema. NL Amsterdam: Amsterdam University Press, 2018. http://dx.doi.org/10.5117/9789462986831.

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Анотація:
The major essays of the distinguished and prolific Australian-born film critic Adrian Martin have long been difficult to access, so this anthology, which collects highlights of his work in one volume, will be welcomed throughout film studies. Martin offers indepth analysis of many genres of films while providing a broad understanding of the history of cinema and the history of film criticism and culture. These vibrant, highly personal essays, written between 1982 and 2016, balance breadth across cinema theory with almost encyclopedic detail, ranging between aesthetics, cinephilia, film genre, criticism, philosophy, and cultural politics. Mysteries of Cinema circumscribes a special cultural period that began with the dream of critique as a form of poetic writing, and today arrives at collaborative experiments in audiovisual essays. Throughout these essays, Martin pursues a particular vision of what cinema has been, what it is, and what it still could be.
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12

Soister, John T. Of Gods and monsters: A critical guide to Universal Studios' science fiction, horror, and mystery films, 1929-1939. Jefferson, N.C: McFarland, 1999.

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13

Fairfax, Daniel. The Red Years of Cahiers du cinéma (1968-1973). NL Amsterdam: Amsterdam University Press, 2021. http://dx.doi.org/10.5117/9789048543908.

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Анотація:
The uprising which shook France in May 1968 also had a revolutionary effect on the country's most prominent film journal. Under editors Jean-Louis Comolli and Jean Narboni, Cahiers du cinéma embarked on a militant turn that would govern the journal's work over the next five years. With a Marxist orientation inspired by the thinking of Louis Althusser, Jacques Lacan and Roland Barthes, the "red years" of Cahiers du cinéma produced a theoretical outpouring that was formative for the establishment of film studies as an academic discipline in the 1970s, and is still of vital relevance for the contemporary audiovisual landscape. It was also the seminal experience for a generation of critics who have dedicated the following half-century to the task of critically responding to the cinema. The Red Years of Cahiers du Cinéma (1968-1973) gives a historical overview of this period in the journal's history, combining biographical accounts of the critics who were involved with Cahiers in the post-1968 and theoretical explorations of the text they wrote.
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14

Presotto, Marco. El teatro clásico español en el cine. Venice: Edizioni Ca' Foscari, 2019. http://dx.doi.org/10.30687/978-88-6969-330-4.

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Анотація:
This book aims to deepen the relationship between classical Spanish theater and cinema through the analysis of a corpus which has been only partially studied and recently rescued by critics. The chapters first deal with theoretical questions about the cinematographic adaptation of a dramatic text, followed by specific studies of significant periods in the political and cultural history of Spain in the 20th century, such as the artistic production of exile and that of the Franco regime, also taking into account the creative contribution of the most recent films based on the theme and their impact on contemporary society.
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15

Fairfax, Daniel. The Red Years of Cahiers du cinéma (1968-1973). NL Amsterdam: Amsterdam University Press, 2021. http://dx.doi.org/10.5117/9789048543915.

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Анотація:
The uprising which shook France in May 1968 also had a revolutionary effect on the country’s most prominent film journal. Under editors Jean-Louis Comolli and Jean Narboni, Cahiers du cinéma embarked on a militant turn that would govern the journal's work over the next five years. Inspired by Marxist and psychoanalytic theory, the "red years" of Cahiers du cinéma produced a theoretical outpouring that was seminal for the formation of film studies and is still of vital relevance for the contemporary audiovisual landscape. The Red Years of Cahiers du Cinéma (1968-1973) gives an overview of this period in the journal’s history and its aftermath, combining biographical accounts of the critics who wrote for Cahiers in the post 1968 period with theoretical explorations of their key texts.
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16

(Editor), John Hill, Pamela Church Gibson (Editor), Richard Dyer (Editor), E. Ann Kaplan (Editor), and Paul Willemen (Editor), eds. Film Studies: Critical Approaches. Oxford University Press, USA, 2000.

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17

Perriam, Chris. Carmen: From Silent Film to MTV (Critical Studies 24) (Critical Studies). Editions Rodopi BV., 2005.

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18

Everett, Wendy. The Seeing Century: Film, Vision, and Identity. (Critical Studies 14) (Critical Studies). Editions Rodopi B.V., 2000.

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19

Everett, Wendy. The Seeing Century: Film, Vision, and Identity. (Critical Studies 14) (Critical Studies). Editions Rodopi B.V., 2000.

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20

(Editor), Alexander Graf, and Dietrich Scheunemann (Editor), eds. Avant-Garde Film. (Avant-Garde Critical Studies 23) (Avant Garde Critical Studies). Editions Rodopi BV., 2007.

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21

(Editor), Jay Beck, and Tony Grajeda (Editor), eds. Lowering the Boom: Critical Studies in Film Sound. University of Illinois Press, 2008.

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22

(Editor), Jay Beck, and Tony Grajeda (Editor), eds. Lowering the Boom: Critical Studies in Film Sound. University of Illinois Press, 2008.

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23

O'Regan, Ben Goldsmith Tom. The Film Studio: Film Production in the Global Economy (Critical Media Studies). Rowman & Littlefield Publishers, Inc., 2005.

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24

Film Theory: Critical Concepts in Media and Cultural Studies. Routledge, 2003.

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25

(Editor), Taylor Harrison, Sarah Projansky (Editor), Kent A. Ono (Editor), and Elyce Rae Helford (Editor), eds. Enterprise Zones: Critical Positions on Star Trek (Film Studies). Westview Pr (Short Disc), 1996.

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26

(Editor), Philip Simpson, Andrew Utterson (Editor), and K. J. Shepherdson (Editor), eds. Film Theory: Critical Concepts in Media and Cultural Studies. Routledge, 2003.

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27

Simpson, Philip. Film Theory: Critical Concepts in Media and Cultural Studies. Routledge, 2003.

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28

Film Theory: Critical Concepts in Media and Cultural Studies. Routledge, 2003.

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29

(Editor), Philip Simpson, Andrew Utterson (Editor), and K. J. Shepherdson (Editor), eds. Film Theory: Critical Concepts in Media and Cultural Studies. Routledge, 2003.

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30

Welsh Joint Education Committee., ed. Film Studies.A/AS level.FS6 Critical Studies.426/01.WJEC.June 2003. London: Welsh Joint Education Committee, 2002.

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31

Feminist Studies, Critical Studies: The Woman's Film of the 1940s (Language, Discourse, Society). Palgrave Macmillan, 1988.

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32

Charles, Casey. Critical Queer Studies: Law, Film, and Fiction in Contemporary American Culture. Taylor & Francis Group, 2016.

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33

Charles, Casey. Critical Queer Studies: Law, Film, and Fiction in Contemporary American Culture. Taylor & Francis Group, 2016.

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34

Charles, Casey. Critical Queer Studies: Law, Film, and Fiction in Contemporary American Culture. Taylor & Francis Group, 2016.

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35

(Editor), Taylor Harrison, Sarah Projansky (Editor), Kent A. Ono (Editor), and Elyce Rae Helford (Editor), eds. Enterprise Zones: Critical Positions on Star Trek (Film Studies (Boulder, Colo.).). Westview Pr (Short Disc), 1996.

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36

Hefny, Mostafa. Arab Studies for Teachers: A Critical Guide to Curricular Materials. Wayne County Intermediate, 1987.

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37

Neumeyer, David, ed. The Oxford Handbook of Film Music Studies. Oxford University Press, 2013. http://dx.doi.org/10.1093/oxfordhb/9780195328493.001.0001.

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Анотація:
This volume explores the history and evolution of film music studies from the silent film to the sound film era. It examines the relevance of various theories, including ontological, feminist, queer, critical and apparatus theories, in film studies and analyzes the influence of theater or opera music on the development of film soundtrack. It also discusses the history of video game music and presents two case studies involving the analysis of the musical scores for Cecil B. DeMille’s The Ten Commandments and Terry Gilliam’s 12 Monkeys.
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38

Byrge, Paul. Critical Study of the Screwball Comedy Film, 1934-1941 (Studies in Cinema, No 46). Umi Research Pr, 1990.

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39

Dixon, Wheeler Winston. Film Genre 2000: New Critical Essays (The Suny Series, Cultural Studies in Cinema/Video). State University of New York Press, 2000.

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40

Dixon, Wheeler Winston. Film Genre 2000: New Critical Essays (The Suny Series, Cultural Studies in Cinema/Video). State University of New York Press, 2000.

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41

Price, Steven, and Chris Pallant. Storyboarding: A Critical History. Palgrave Macmillan, 2016.

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42

Price, Steven, and Chris Pallant. Storyboarding: A Critical History. Palgrave Macmillan, 2015.

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43

Piekut, Benjamin, and George E. Lewis, eds. The Oxford Handbook of Critical Improvisation Studies, Volume 2. Oxford University Press, 2013. http://dx.doi.org/10.1093/oxfordhb/9780199892921.001.0001.

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Анотація:
Improvisation informs a vast array of human activities, from creative practices in art, dance, music, and literature to everyday conversation and the relationships to natural and built environments that surround and sustain us. These volumes gather scholarship on improvisation from a similarly wide range of perspectives, with contributions from more than 60 scholars working in architecture, anthropology, art history, computer science, cognitive science, cultural studies, dance, economics, education, ethnomusicology, film, gender studies, history, linguistics, literary theory, musicology, neuroscience, new media, organizational science, performance studies, philosophy, popular music studies, psychology, science and technology studies, sociology, and sound art, among others.
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44

Lewis, George E., and Benjamin Piekut, eds. The Oxford Handbook of Critical Improvisation Studies, Volume 1. Oxford University Press, 2013. http://dx.doi.org/10.1093/oxfordhb/9780195370935.001.0001.

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Анотація:
Improvisation informs a vast array of human activities, from creative practices in art, dance, music, and literature to everyday conversation and the relationships to natural and built environments that surround and sustain us. These volumes gather scholarship on improvisation from a similarly wide range of perspectives, with contributions from more than 60 scholars working in architecture, anthropology, art history, computer science, cognitive science, cultural studies, dance, economics, education, ethnomusicology, film, gender studies, history, linguistics, literary theory, musicology, neuroscience, new media, organizational science, performance studies, philosophy, popular music studies, psychology, science and technology studies, sociology, and sound art, among others.
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45

Tomaselli, Keyan. Myth, Race and Power: South Africans Imaged on Film and TV (Critical Studies in African Anthropology). Smyrna Pr, 1988.

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46

Neale, Steve. Film, Cinema, Genre. Edited by Frank Krutnik and Richard Maltby. University of Exeter Press, 2021. http://dx.doi.org/10.47788/yrcc6901.

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Анотація:
This book brings together key works by pioneering film studies scholar Steve Neale. From the 1970s to the 2010s Neale’s vital and unparalleled contribution to the subject has shaped many of the critical agendas that helped to confirm film studies’ position as an innovative discipline within the humanities. Although known primarily for his work on genre, Neale has written on a far wider range of topics. In addition to selections from the influential volumes Genre (1980) and Genre and Hollywood (2000), and articles scrutinizing individual genres – the melodrama, the war film, science fiction and film noir – this Reader provides critical examinations of cinema and technology, art cinema, gender and cinema, stereotypes and representation, cinema history, the film industry, New Hollywood, and film analysis. Many of the articles included are recommended reading for a range of university courses worldwide, making the volume useful to students at undergraduate level and above, researchers, and teachers of film studies, media studies, gender studies and cultural studies. The collection has been selected and edited by Frank Krutnik and Richard Maltby, scholars who have worked closely with Neale and been inspired by his diverse and often provocative critical innovations. Their introduction assesses the significance of Neale’s work, and contextualizes it within the development of UK film studies.
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47

Murray, Terri. Studying Feminist Film Theory. Liverpool University Press, 2019. http://dx.doi.org/10.3828/liverpool/9781911325802.001.0001.

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Анотація:
This book is aimed at helping media and film studies teachers introduce the basics of feminist film theory. No prior knowledge of feminist theory is required, the intended readers being university undergraduate teachers and students of film and media studies. Areas of emphasis include spectatorship, narrative, and ideology. Many illustrative case studies from popular cinema are used to offer students an opportunity to consider the connotations of visual and aural elements of film, narrative conflicts and oppositions, the implications of spectator 'positioning' and viewer identification, and an ideological critical approach to film. Explanations of key terminology are included, along with classroom exercises and practice questions. Each chapter begins with key definitions and explanations of the concepts to be studied, including some historical background where relevant. Case studies include film noir, Kathryn Bigelow's Strange Days and the work of directors Spike Lee, Claire Denis, and Paul Verhoeven.
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48

Critical Political Economy Of The Media An Introduction. Routledge, 2013.

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49

Buchanan, Ian. A Dictionary of Critical Theory. Oxford University Press, 2018. http://dx.doi.org/10.1093/acref/9780198794790.001.0001.

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Анотація:
Over 750 entriesThe most authoritative and up-to-date dictionary of critical theory available, covering the Frankfurt school, cultural materialism, cultural studies, gender studies, film studies, literary theory, hermeneutics, historical materialism, Internet studies, and sociopolitical critical theory. It explains complex theoretical discourses, such as Marxism, psychoanalysis, structuralism, deconstruction, and postmodernism clearly and provides biographies of figures who have influenced the discipline, such as Deleuze and Foucault.This new edition has been updated to extend coverage of diaspora, race, and postcolonial theory, and of queer and sexuality studies, ensuring that it remains invaluable for students of literary and cultural studies and anyone studying a humanities subject requiring a knowledge of theory.
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50

Raengo, Alessandra. Critical Race Theory and Bamboozled. Bloomsbury Academic & Professional, 2016.

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