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Статті в журналах з теми "Creation"

Автор: Grafiati

Опубліковано: 4 червня 2021

Оновлено: 16 листопада 2024

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1

Rustamova, Ibodat, and Gulbarno Asomiddinova. "THE ISSUE OF CREATING CHARACTER IN ARTISTIC CREATION." Oriental Journal of Social Sciences 02, no. 06 (June 1, 2022): 133–39. http://dx.doi.org/10.37547/supsci-ojss-02-03-18.

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2

Tapadia, Swapnaja. "Perspective on a Value Creating Company - Value Creation & Measurement." International Journal of Science and Research (IJSR) 13, no. 5 (May 5, 2024): 1016–19. http://dx.doi.org/10.21275/sr24516120725.

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3

MOO, DOUGLAS J. "Creation and New Creation." Bulletin for Biblical Research 20, no. 1 (January 1, 2010): 39–60. http://dx.doi.org/10.2307/26423963.

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Abstract The phrase "new creation," used twice in the letters of Paul (Gal 6:15, 2 Cor 5:17), appears abruptly in both contexts and has therefore been subject to several different interpretations. This article argues that the phrase is best understood as a broad description of the "new state of affairs" inaugurated through Christ's first coming and to be consummated at his second coming. This interpretation fits with the usual meaning of the phrase in Jewish literature and makes best sense in both contexts where it occurs. Though the phrase cannot, then, be limited to cosmic renewal, it includes this element and therefore provides some basis for environmental stewardship by Christians today.

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4

David M. Bergeron. "Creating Entertainments for Prince Henry's Creation (1610)." Comparative Drama 42, no. 4 (2008): 433–49. http://dx.doi.org/10.1353/cdr.0.0033.

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5

Phillips, J. "Creating the conditions for creation --or competition?" Journal of Intellectual Property Law & Practice 6, no. 6 (May 13, 2011): 351. http://dx.doi.org/10.1093/jiplp/jpr053.

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6

Scherr, Barry P., and Susanna Witt. "Creating Creation: Readings of Pasternak's Doktor Zivago." Slavic and East European Journal 46, no. 3 (2002): 599. http://dx.doi.org/10.2307/3220210.

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7

Abdusalomovna, Shokhista Mahmudova. "PSYCHOANALYTIC ANALYSIS OF THE CREATIVE PSYCHOLOGY AND THE NATURE OF ARTISTIC CREATION." American Journal of Philological Sciences 4, no. 10 (October 1, 2024): 44–52. http://dx.doi.org/10.37547/ajps/volume04issue10-07.

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Анотація:

In this scientific article, the creative spirit and the nature of artistic creativity are discussed in detail based on the evidence of the different and common aspects of scientific views in world and Uzbek literature. The process of writing down the conclusions about life on the basis of thinking, intelligence, strong mental impressions of the creative people , the personality of the creative person, the psychology of creativity is subjected to psychoanalytical analysis. We have analyzed the images of the creator depicted in the stories and stories of Uzbek writers Sh.Kholmirzayev, E.Azam, N.Eshonkul based on the psychological method, and how the image of the creator is depicted in these works, the hero's worldview, character, and the social conditions and social environment in the formation of these characters. We observed the effect. Valuable opinions were expressed on such important issues as the creative person, his natural talent, the creator and the environment, the role of social life in the formation of the creative worldview, the formation of true talent as an artistic individuality, the horizons of artistic creativity, and the artist's artistic level.

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8

Edwards, Michael. "Wealth creation and poverty creation." City 6, no. 1 (April 2002): 25–42. http://dx.doi.org/10.1080/13604810220142826.

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9

Orr, Brian J. "Creatio ex Creatione a Natura Amoris." Evangelical Quarterly 93, no. 4 (December 1, 2022): 353–83. http://dx.doi.org/10.1163/27725472-09304003.

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Abstract Creatio ex nihilo is the dominant creation theory in the Christian tradition. Relational theologian Thomas Jay Oord proposes an alternative creation theory, in which God everlastingly creates from what he previously created. Key reasons why Oord argues creatio ex nihilo should be rejected are that it has Gnostic roots, is not explicitly taught in Scripture, and is illogical. This article critically assesses Oord’s arguments against creatio ex nihilo, contending that his conclusions are misguided due to a Biblicist tendency in his reading of the text and the inaccurate definition of creatio ex nihilo he argues against. With the biblical and historical data, a definition of creatio ex nihilo representative of the Christian tradition is articulated. This essay then demonstrates how creatio ex nihilo is superior to Oord’s alternative theory.

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10

Kirkley, William W. "Creating ventures: decision factors in new venture creation." Asia Pacific Journal of Innovation and Entrepreneurship 10, no. 1 (December 5, 2016): 151–67. http://dx.doi.org/10.1108/apjie-12-2016-003.

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Анотація:

Purpose The purpose of this pilot study was to identify the key factors that influence the decisions of entrepreneurs who are considering the creation of a new venture. The pilot was conducted to explore the cognitive antecedents of entrepreneurial decision-making and whether specific factors contribute to the decision to create a new venture. Design/methodology/approach The study utilised an inductive and interpretive research design within a constructivist paradigm. The sample comprised entrepreneurs situated in a business incubation unit who engaged in a series of semi-structured interviews. The results of this study will be used to refine the questions asked in preparation for a larger sample using in-depth interviews with identified entrepreneurs. The resulting narrative in this pilot was subjected to discourse analysis and is categorised into relevant themes. Findings The findings in this pilot study reveal that factors such as technological advancement, market opportunity, competition, customer demand and prevailing market conditions have a significant influence on the decision-making process involved in creating a new venture. Research limitations/implications Although the pilot has identified several factors in entrepreneurial decision-making, further work will be needed in the research design to be able to expose the cognitive processes associated with each factor. The aim is to identify the common cognitive characteristics associated with thinking through the decision to create a new venture with a much larger sample of entrepreneurs. Originality/value The value of this research lies in exploring and developing a better understanding of the antecedent cognitive processes used by entrepreneurs for identifying unique, innovative new ideas and converting them into exploitable products or services through new venture creation.

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11

Ivulis, Jāzeps, Aigars Bekmanis, and Andris Martinovs. "IGBT DRIVER AND PROBLEMS OF ITS APPLICATION." HUMAN. ENVIRONMENT. TECHNOLOGIES. Proceedings of the Students International Scientific and Practical Conference, no. 21 (April 19, 2017): 125–30. http://dx.doi.org/10.17770/het2017.21.3592.

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Анотація:

The paper deals with the problems of creation and application of IGBT driver and their possible solutions. Creating your own IGBT driver and apply it to correctly drive transistors according to the desired purposes might be challenging. In this paper, we in brief summarized the process and main stages of creation and application of IGBT driver. This paper could be used as a guideline for future creations and as a piece of information from what you need to avoid if You want to create and apply your own driver without any setbacks.

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12

Thoresen, Lasse. "Creation." Journal of Bahá’í Studies 12, no. 1-4 (March 1, 2002): 71–91. http://dx.doi.org/10.31581/jbs-12.1-4.452(2002).

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Divine creation moves from implicit and transcendent oneness to explicit and manifest multiplicity. To contribute to the creation of a new civilization as a researcher or as an artist means to make oneself available for participation inthis process of neverending unfolding. The divine Names are the eternal archetypes organizing the material world. Divine Names are not concepts; they are tools for invoking the animated presence of a particular aspect of thecreative force, thus enabling dialogue between thinking processes and reality. Such a dialogue favors a presuppositionless, susceptive attitude to reality as more adequate than the imposition of preconceived methodological assumptions.

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13

Pavese, Cesar, and Daniel Tiffany. "Creation." Chicago Review 35, no. 4 (1987): 118. http://dx.doi.org/10.2307/25305393.

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14

Irwin, Mark. "Creation." Colorado Review 38, no. 2 (2011): 117. http://dx.doi.org/10.1353/col.2011.0058.

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15

Dao, Bei, David Hinton, and Yanbing Chen. "Creation." Grand Street, no. 57 (1996): 78. http://dx.doi.org/10.2307/25008042.

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16

Drees, Willem B. "Creation." Ars Disputandi 3, no. 1 (January 2003): 141–43. http://dx.doi.org/10.1080/15665399.2003.10819779.

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17

Daniels, Celia A. "Creation." Anthropology Humanism Quarterly 15, no. 1 (February 1990): 30. http://dx.doi.org/10.1525/ahu.1990.15.1.30.1.

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18

Chang, Tina. "Creation." Callaloo 20, no. 3 (1997): 597–98. http://dx.doi.org/10.1353/cal.1998.0061.

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19

Boyd, Robert. "Creation." Expository Times 101, no. 2 (December 1989): 41–42. http://dx.doi.org/10.1177/001452468910100204.

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20

Todd, Ruby. "Creation." Ploughshares 45, no. 4 (2020): 231–41. http://dx.doi.org/10.1353/plo.2020.0051.

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21

Vogler Meister, Shirley. "Creation." Critical Perspectives on Accounting 8, no. 4 (August 1997): 342. http://dx.doi.org/10.1006/cpac.1996.0150.

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22

Gumbs, Alexis Pauline. "Creation." Feminist Studies 48, no. 3 (2022): 880–81. http://dx.doi.org/10.1353/fem.2022.0060.

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23

Choi, Chang-Kon. "Job Creation, Employment Creation and Mismatch." Journal of Economic Studies 35, no. 1 (February 28, 2017): 99–113. http://dx.doi.org/10.30776/jes.35.1.5.

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24

Marini, Marcelle, and Marie MacLean. "From Minority Creation to Universal Creation." New Literary History 24, no. 2 (1993): 225. http://dx.doi.org/10.2307/469405.

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25

Makmun, Moh, Ponimin Ponimin, and Swastika Dhesti Anggriani. "Kisah Raden Gatotkaca sebagai Ide Ornamentasi Cipta Kriya Keramik Guci Lampu Hias." JoLLA Journal of Language Literature and Arts 3, no. 11 (November 30, 2023): 1585–605. http://dx.doi.org/10.17977/um064v3i112023p1585-1605.

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Анотація:

Wayang bertema Gatotkaca memiliki nilai edukasi dan aspek estetik yang sangat menarik ketika di angkat sebagi ide penciptaan suatu karya seni, hal tersebut karena mengandung nilai-nilai edukatif tentang kepahlawanan serta dan nilai-nilai pendidikan moral. Tujuan dari penciptaan ini adalah dapat merumuskan konsep kreatif penciptaan karya kriya keramik guci lampu hias bertema kisah Raden Gatotkaca, dapat melakukan proses kreatif penciptaan karya kriya keramik guci lampu hias bertema kisah Raden Gatotkaca, dan dapat menghasilkan serta menganalisis hasil visualisasi penciptaan karya kriya keramik guci lampu hias kisah Raden Gatotkaca. Adapun metode penciptaan yang digunakan pada penelitian ini meliputi beberapa proses yaitu eksplorasi gagasan, menggali sumber ide, merumuskan konsep penciptaan, eksplorasi bentuk dan eksplorasi teknik, mewujudkan karya, menganalisis hasil karya guci lampu yang bertema kisah Raden Gatotkaca. Adapun hasil kreasi desain produk keramik ini meliputi 6 karya berjudul; Anugerah, Pengorbanan, Keberuntungan, Taktik, Balas Budi, dan Wasiat. Hasil proses kreasi ini telah memenuhi aspek interior seperti aspek fungsi, ergonomi, dan estetika. Kata Kunci: wayang; Raden Gatotkaca; kriya keramik; guci lampu. The Story of Raden Gatotkaca as Creation's Ornamentation Ideas Ceramic Urns Decorative Lights The Gatotkaca-themed puppet has educational values and very interesting aesthetic aspects when it is adopted as the idea of creating a work of art, this is because it contains educational values about heroism and moral education values. The purpose of this creation is to be able to formulate a creative concept of creating ceramic craft works of decorative lamps with the theme of the story of Raden Gatotkaca, to be able to carry out the creative process of creating ceramic works of decorative lamps with the theme of the story of Raden Gatotkacha, and to be able to produce and analyze the results of visualization of the creation of ceramic works of lamp jars. Decorate the story of Raden Gatotkaca. The creation method used in this study includes several processes, namely exploration of ideas, exploring sources of ideas, formulating the concept of creation, exploration of forms and exploration of techniques, realizing works, analyzing the work of lamp jars with the theme of the story of Raden Gatotkaca. The creations of this ceramic product design include 6 works entitled; Grace, Sacrifice, Luck, Tactics, Rewards, and Wills. The results of this creation process have fulfilled the interior aspects such as aspects of function, ergonomics, and aesthetics. Keywords: puppet; Raden Gatotkaca; ceramic crafts; lamp jar

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26

Putra, Andi Pastika, I. Wayan Rai S, and Kadek Suartaya. "Kale Ritual Processing in the Kalimusada as a New Balaganjur." Randwick International of Social Science Journal 4, no. 2 (April 30, 2023): 52–60. http://dx.doi.org/10.47175/rissj.v4i2.656.

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Kalimasada is an experimental Balaganjur work from a new perspective. Experimental Balaganjur with a new perspective was created due to the reality that most of Balaganjur's creations are still guided by traditional principles. Therefore, the purpose of creating Balaganjur's work is to create experimental Balaganjur according to the creator's ideas by developing instrumentation, sound exploration, playing techniques, and searching for new timbres and appearances. The problem: what are the characteristics of kale composition as music?. Sources of data in this creation are carried out through interviews, video or audio documentation, and appreciating the Balaganjur performance directly. The process is qualitavelly analysed using the theory of the creation of works of art based on local wisdom, the theory of Hindu aesthetics, and the theory of creativity. The Results: The creation of Balaganjur's experimental work "Kalimasada" produces an experimental work by Balaganjur from a new perspective of creation in the process of its creation, focusing on exploring the exploration of timbre, rhythm, thematic, and fabric as creativity in the work. Through this process, the experimental Balaganjur "Kalimasada" is realised in a freer form, changes, and shows the creator's creative attitude. Balaganjur's experimental work "Kalimasada" has aesthetic value, creativity value, honesty value, and creator identity value as a new offer in the creation of Balaganjur's work.

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27

Urberg, Michelle. "Creating return on investment for large-scale metadata creation." Information Services & Use 41, no. 1-2 (December 27, 2021): 53–60. http://dx.doi.org/10.3233/isu-210117.

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The scholarly communications industry is turning its attention to large-scale metadata creation for enhancing discovery of content. Algorithms used to train machine learning are powerful, but need to be used carefully. Several ethical and technological challenges need to be faced head-on to use of machine learning without exacerbating bias, racism, and discrimination. This article highlights the specific needs of humanities research to address historical bias and curtail algorithmic bias in creating metadata for machine learning. It also argues that the return on investment for large-scale metadata creation begins with building transparency into metadata creation and handling.

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28

Rasmussen, Ulrik Houlind. "Creations. Medieval Rituals, the Arts, and the Concept of Creation." Dansk Teologisk Tidsskrift 72, no. 1 (May 17, 2009): 79–80. http://dx.doi.org/10.7146/dtt.v72i1.106456.

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29

Feldt, L. "JOSEPH BLENKINSOPP, Creation, Un-Creation, Re-Creation: A Discursive Commentary on Genesis." Journal of Semitic Studies 59, no. 1 (March 22, 2014): 213–15. http://dx.doi.org/10.1093/jss/fgt043.

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30

Yanti, Noff. "Tafakkur dalam Kehidupan Persfektif Al-Qur'an dan Hadits." Mau'idhoh Hasanah : Jurnal Dakwah dan Ilmu Komunikasi 1, no. 2 (July 3, 2020): 11–20. http://dx.doi.org/10.47902/mauidhoh.v1i2.67.

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Анотація:

Tafakkur is an important component that must be possessed by every believer, because tafakkur is a reflection of a believer. I can see all the benefits and bad things through it. Thus explained Al-Hasan. With tafakkur, the believer will know the nature and secrets of creating his creations or stories that occur around him. So, in this process, you will also need to know about what is contained in it, as well as the environment. From several suggestions for good recitation from the Qur'an and Hadith that can prove that tafakkur is a very important thing. This is what makes the wisdom expert and the Sufis discuss about taking only to recite about Allah's creation. They understand that by meditating they will find peace, find pleasure and ugliness and know the secret behind the creation of Allah's creation.

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31

Rahayu, Agus, Ayu Krishna Yuliawati, and Suwatno Fakhrudin. "Value Creations Through Co-Creation and Collaboration Strategy in SMEs Creative Industry." Jurnal Pendidikan Ekonomi Dan Bisnis (JPEB) 8, no. 1 (March 20, 2020): 77–85. http://dx.doi.org/10.21009/jpeb.008.1.8.

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The study focuses on fashion Small Medium Entreprises (SMEs) in Indonesia utilizing strategies and efforts to develop value creations. It is generated by co-creation and collaboration strategy which are supported by market attractiveness and dynamic capabilities. The objectives of this study are to perform analysis on co-creation, collaboration strategy and value creations of SMEs in fashion industry. The research method is descriptive and explanatory survey. The sample size are thirty one SMEs in Bandung and Partial Least Square (PLS) technique was used to test the hypothesis model. The unique findings is co-creation and collaboration strategy have influence on value creations. Market attractiveness or potential profitability be a major input in formulating and implementing both strategies. The phenomena depicted that optimizing market attractiveness and dynamic input capabilities can help SMEs formulate and implement co-creation and collaboration strategy more effectively to create value for customers (value creations). This research gave theoritical recommendation for fashion industry to enhance their value creations process and to develop co-creation and collaborations strategy.

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32

Oertzen, Anna-Sophie, Gaby Odekerken-Schröder, Saara A. Brax, and Birgit Mager. "Co-creating services—conceptual clarification, forms and outcomes." Journal of Service Management 29, no. 4 (July 2, 2018): 641–79. http://dx.doi.org/10.1108/josm-03-2017-0067.

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Анотація:

Purpose The purpose of this paper is to assess, clarify and consolidate the terminology around the co-creation of services, establish its forms and identify its outcomes, to resolve the conceptual pluralism in service co-creation literature. Design/methodology/approach A focused literature review screened the articles published in five major service research journals to determine relevant contributions on the concept of co-creation of services. Then, a thematic analysis identifies the forms, themes and outcomes of co-creating services in the set of 80 qualifying articles. Findings The study reduces conceptual pluralism by establishing different forms of co-creating services and developing an explicit definition of co-creation in services. The authors develop an integrative framework that recognizes involvement, engagement and participation as prerequisites for co-creation. Relating to the different phases of the service process, the specific co-creation forms of co-ideation, co-valuation, co-design, co-testing and co-launching are classified as regenerative co-creation, while the specific co-creation forms of co-production and co-consumption are recognized as operative co-creation. Both beneficial and counterproductive outcomes of co-creation are identified and arranged into a typology. Research limitations/implications The integrative framework illustrates that service providers and customers are involved, engaged and participate in co-creating services, which manifests in specific forms of co-creation; they attain beneficial and counterproductive outcomes (personal, social, hedonic, cognitive, economic and pragmatic); and are influenced by a contextual multi-actor network. Practical implications Co-creation in services is actionable; the typology of outcomes suggests service managers ways to motivate customers and employees to participate in co-creating services. Originality/value This paper defines and establishes the conceptual forms of co-creating services and the identified outcomes, and develops an integrative framework of co-creation in services.

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33

Sylva, Ron. "Creation and Re-Creation in Art Education." Art Education 46, no. 1 (January 1993): 7. http://dx.doi.org/10.2307/3193414.

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34

Stephen, Lynn. "The Creation and Re-creation of Ethnicity." Latin American Perspectives 23, no. 2 (April 1996): 17–37. http://dx.doi.org/10.1177/0094582x9602300202.

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35

Seeley, John R. "Some Arts of Creation and Re-Creation." Canadian Art Therapy Association Journal 3, no. 2 (April 1988): 1–17. http://dx.doi.org/10.1080/08322473.1988.11432172.

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36

Hyers, Conrad. "Book Review: Genesis, Creation, and Creation-ism." Interpretation: A Journal of Bible and Theology 48, no. 4 (October 1994): 420–22. http://dx.doi.org/10.1177/002096439404800418.

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37

Guo, Zhen. "Sanmao's Literary Creation Style." International Journal of Languages, Literature and Linguistics 8, no. 4 (December 2022): 274–83. http://dx.doi.org/10.18178/ijlll.2022.8.4.362.

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Анотація:

Sanmao was formerly known as Chen Ping, a contemporary Taiwanese female writer and traveler. Sanmao is one of the few contemporary prose writers. Although many scholars believe that her works have some novel elements, a kind of work is accepted by readers with what kind of style, it has a substantial impact on what kind of style, so Sanmao is placed into the ranks of prose writers. For Sanmao, writing constitutes her unique life form. Sanmao's literary creation style has a very high literary research value, which is closely related to her innate personality, as well as her understanding of life itself and her unique literary interpretation skills. To be precise, Sanmao does not have the serious creative mission of a pure literary writer, nor will it deliberately pursue the social effectiveness of her works. For her, innovation is neither the great cause of the country, nor the masterpiece of the past dynasties. This article explores Sanmao's literary creation style through the three writing characteristics of writing freely, “depending on benevolence, swim in art” and integration of “Inovel” creation skills.

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38

Yusupova, Sharofat Y. "CREATION OF NEMAT KOZIBOEV." American Journal Of Social Sciences And Humanity Research 02, no. 10 (October 1, 2022): 6–9. http://dx.doi.org/10.37547/ajsshr/volume02issue10-02.

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Анотація:

This article discusses the creation of Nemat Koziboyev. Nemat Koziboev was one of the artists who thought on a broad scale, looked at the world and existence with different eyes, and strived for vitality. Whether it is a historical or a contemporary subject, he looked at reality in its essence in terms of beauty, colors and forms. Beautiful patterns created by masters, various forms were sometimes used against the background of historical works created by the artist.

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39

Ertz, Myriam. "Co-Creation." Encyclopedia 4, no. 1 (January 12, 2024): 137–47. http://dx.doi.org/10.3390/encyclopedia4010012.

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Co-creation has gained traction in recent years and various fields, including marketing, product development, and innovation studies, as it leverages the collective expertise and insights of multiple parties to enhance outcomes. Broadly, co-creation refers to the collaborative process of involving stakeholders, such as customers, suppliers, employees, or the public, in creating or improving products, services, or experiences.

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40

Li, Zongyuan, and Rose Lai. "International Real Estate Review." International Real Estate Review 24, no. 1 (March 31, 2021): 19–58. http://dx.doi.org/10.53383/100315.

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This paper is about investigating how different bank liquidity creation activities affect housing markets. Using data of 401 metropolitan statistical areas/metropolitan statistical area divisions (MSAs/MSADs) of the U.S. between 1990 and 2018, we show that not all bank liquidity creation activities boost the housing markets. In particular, unlike assetside and off- balance sheet liquidity creations, funding-side liquidity creation dampens housing markets. The relationships between liquidity creation activities and housing markets are stronger in regions with inelastic house supply, but flip when banks face external liquidity shocks. We also find that housing markets dominated by large banks are more sensitive to off-balance sheet liquidity creation activities. Finally, as expected, asset-side and off-balance sheet liquidity creations boost housing markets by driving house prices away from fundamental values. Our results offer a more thorough explanation of how bank liquidity creation fuels the momentum of housing markets.

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Rudd, Melanie, Christian Hildebrand, and Kathleen D. Vohs. "Inspired to Create: Awe Enhances Openness to Learning and the Desire for Experiential Creation." Journal of Marketing Research 55, no. 5 (October 2018): 766–81. http://dx.doi.org/10.1177/0022243718802853.

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Automated fabrication, home services, and premade goods pervade the modern consumer landscape. Against this backdrop, this research explores how the emotion of awe might motivate a consumer to partake instead in experiential creation (i.e., activities in which they actively produce an outcome) by enhancing their willingness to learn. Across eight experiments, experiencing awe (vs. happiness, excitement, pride, amusement, or neutrality) increases people’s likelihood of choosing an experiential creation gift (vs. one not involving experiential creation), willingness to pay for experiential creation products (vs. comparable ready-made products), likelihood of creating a bespoke snack (vs. taking a premade one), preference for experiential creation solutions (vs. solutions without experiential creation), likelihood of purchasing a product when it is framed as high (vs. low) in experiential creation, preference for high (vs. low) experiential creation meals, and likelihood of creating a knickknack (vs. taking a premade one). This greater desire for experiential creation is mediated by openness to learning and moderated by the need for closure. These findings, relevant for firms encouraging creation-oriented products and behaviors, offer fresh insights for engaging consumers.

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42

Moore, Cynthia. "Creation Myth." Iowa Journal of Literary Studies 6, no. 1 (1985): 57. http://dx.doi.org/10.17077/0743-2747.1150.

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MacIntyre, Ferren. "Creation Myths." BioScience 45, no. 8 (September 1995): 516. http://dx.doi.org/10.2307/1312690.

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Matthias Krug. "International Creation:." Interdisciplinary Literary Studies 15, no. 2 (2013): 261. http://dx.doi.org/10.5325/intelitestud.15.2.0261.

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Jacobs, Jessica. "Creation Stories." Massachusetts Review 62, no. 2 (2021): 330. http://dx.doi.org/10.1353/mar.2021.0040.

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Topoff, Howard. "Universe Creation." Science 235, no. 4795 (March 20, 1987): 1447. http://dx.doi.org/10.1126/science.235.4795.1447-c.

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Fowler, Marsha D. "Creation Gratitude." Journal of Christian Nursing 38, no. 2 (April 2021): 78–79. http://dx.doi.org/10.1097/cnj.0000000000000812.

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Loveland, Maren. "creation story." Dialogue: A Journal of Mormon Thought 55, no. 1 (April 1, 2022): 179–81. http://dx.doi.org/10.5406/15549399.55.1.14.

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Kimmelman, Burt. "Digital Creation." American Book Review 42, no. 5 (2021): 25–27. http://dx.doi.org/10.1353/abr.2021.0088.

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Stone, Michael E. "Imagining Creation." Journal of Jewish Studies 61, no. 2 (October 1, 2010): 334–35. http://dx.doi.org/10.18647/2975/jjs-2010.

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