Дисертації з теми "Craig and Gordon models"
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Filho, Almir Ribeiro da Silva. "Edward Gordon Craig e o Über-Marionette - A pedagogia da morte do ator e uma interface com o teatro da Índia." Universidade de São Paulo, 2014. http://www.teses.usp.br/teses/disponiveis/27/27155/tde-22082016-134817/.
Повний текст джерелаThe Über - marionette is the most celebrated and controversial proposal of Edward Gordon Craig . It begins from an initial premise that sentenced the actor to death, identifying the actor as a hindrance to the development of the theater. At the same time develops positively into pedagogy, although hidden in his writings. We decided to call it \"Pedagogy of the death of the actor\", understanding the paradox contained in this expression as an intellectual characteristic of the Gordon Craig\'s system of thinking. By creating an imagistic representation for his critique to the theater of his time, Craig formulated simultaneously a proposal , in allegorical form , of a revolutionary design for the resizing of theater art as a whole. An innovative pedagogy based on the relationship between the actor and inert material. Much of the longevity of the Über-marionette\'s revolutionary potential is due to the methodical use of some raw materials: The first is an incisive critique of the work of the actor and the theater practice generally. The second one, the language of puppet theater, and its evocative nature of rituality and dialectical properties. The third one, a proposal for a complete reconstruction of the theatrical practice and aesthetics, claiming for a revival of the art of the actor and the emergence of the figure of Theatrical Stage Director. This interface with the East was always present in the thought of Craig and found in Coomaraswamy an important interlocutor who challenged him about his the Über-marionette and his approach on the eastern theater art. The cautious reaction from Craig regarding exchanges between traditions begins the investigations on the theme of intercultural theater and points out its idiosyncrasies. This thesis points out the relationship between the Über-marionette and the icon of the hindu performing arts, the god Shiva Nataraja, and the book that rules the practice of traditional scenic in India, the Natya Shastra. We take as a practical example to try to concretely evaluate this dialogical encounter, the Kathakali theater classic male style from southern India. Then, we analyze the pedagogical tradition for Indian theatrical art (Guru system) which supported Coomaraswamy\'s argument founding his critical to the creation f the Über - marionette. And we evaluate if the Kathakali theater could be seen as an embodiment of Coomaraswamy\'s argument. And if this embodiment answers Craig\'s demand for an actor Über - marionette. Within this analysis, we observe the asian theatre\'s process of formal stylization and codification of its scene and acting. This dialogue between Gordon Craig and Coomaraswamy was the precursor of a complex interface that even today presents its idiosyncrasies and difficult framing . Exemplifying the cyclicality of this issue, we redeemed the clash between Rustom Bharucha, harsh critic of Western attempts to Interculturalism and Richard Schechner , one of the mentors of the approaches between western theater and the traditional theater forms of the East.
Ribi, Hana. "Edward Gordon Craig: Maske, "Übermarionette" und Marionette : die Edward Gordon Craig-Sammlung im Museum für Gestaltung in Zürich und Craigs Beitrag an das "Schweizerische Marionettentheater" /." Zürich : Selbstverl, 1999. http://www.ub.unibe.ch/content/bibliotheken_sammlungen/sondersammlungen/dissen_bestellformular/index_ger.html.
Повний текст джерелаDuvillier, Marc. "The Mask [1908-1929] de Edward Gordon Craig : « un rêve mis noir sur blanc »." Thesis, Paris 3, 2009. http://www.theses.fr/2009PA030145.
Повний текст джерелаThe Mask (1908-1929, Florence, Italy, 15 volumes) : in its time, the very name of this newspaper exclusively dedicated to the theatrical Art played the part of a « passeword » among promoters of modern theatre in Europe. This doctoral thesis, the first to be consecrate to this review in France, is an historical research enriched by a lot of documents from the Craig archives of the Departement des Arts du Spectacle, BnF. By the study of this review, we search to understand better Craig’s personality and his conception of the artist. The Mask was Craig’s permanent performance : at once a place for theory, for a history of drama and a place of visual experimentation. He had the talent to endow this review with the very characteristics of a laboratory allowing him to create and express his ideas on Theatrical Art. The actual and physical aspect of the periodical provided a permanence that theatrical performances did not possess. In this way this periodical could be seen as a substitute for the theatre house he never actually owned and a repository for a heritage to be saved in order to create the theatre of the future
Taxidou, Olga. "Edward Gordon Craig and the periodical as performance : sources, background and editorial strategies in 'The Mask'." Thesis, University of Edinburgh, 1990. http://hdl.handle.net/1842/19342.
Повний текст джерелаMarconi, Greta <1993>. "Edward Gordon Craig e il Convegno Volta sul teatro drammatico. Le idee dell’artista e l’Italia del Novecento." Master's Degree Thesis, Università Ca' Foscari Venezia, 2019. http://hdl.handle.net/10579/14549.
Повний текст джерелаPerdomini, Della Costa Vellozo Rossana. "Théâtre de formes animées et formation d'enseignants : une proposition pédagogique de la Surmarionnette." Thesis, Paris 10, 2018. http://www.theses.fr/2018PA100053.
Повний текст джерелаThis dissertation, developed in a joint degree agreement between Universidade Federal do Rio Grande do Sul, Brazil and Université Paris Nanterre, France, investigates the relations between body and object from a theater of animated forms exercise in the Brazilian context of teacher training in Pedagogy. For this purpose, Edward Gordon Craig’s metaphoric notion of Übermarionnette and the experiments with movement and forms of the scenic space are used. The study departs from the verification of the deficit of artistic references on part of the future pedagogues, as well as the invisibility of theater of animated forms in this context, often seen in a superficial and grotesque way in detriment of its potency as object of art, philosophy and history. The theoretical basis is inspired by the Foucauldian work, especially the notions of docile body, author function, heterotopia, utopian body and the exercise of thinking in distinct ways from his archeogenealogy. Such exercise is interwoven with Larrosa’s notion of experience (2015), Dias’ training-experience (2012) and Gumbrecht’s presence experience (2010). It is understood that what the theater of animated forms has as formative is its possibility of fostering shifts: from the conception of training based on content modeling, transmission and repetition to training-experience; from text-centered training to the lack of definition of the creative situation; and from pedagogizing truths to uncertainty. It is concluded that it is a pedagogic proposal that opposes to formulas and considers that the process of knowledge construction is more complex and happens through action, therefore through the body
Esta tese, realizada em convênio de cotutela entre a Universidade Federal do Rio Grande do Sul, Brasil, e a Université Paris Nanterre, na França, investiga as relações entre corpo e objeto a partir do exercício de teatro de formas animadas no contexto brasileiro da formação docente em cursos de gradução em Pedagogia. Para tanto, toma a noção metafórica da Übermarionnette de Edward Gordon Craig e as experimentações com o movimento e as formas do espaço cênico. O estudo parte da constatação do déficit de referências artísticas das futuras pedagogas e, também, da invisibilidade do teatro de formas animadas nesse contexto, frequentemente visto de forma superficial e caricata em detrimento de sua potência como objeto de arte, de filosofia e de história. A questão desta tese pode ser assim definida: como pensar as possibilidades para o corpo na formação docente em Pedagogia a partir da proposta da Übermarionette de Edward Gordon Craig? Para tanto, foram realizadas oficinas de teatro de formas animadas com onze grupos de alunas de cursos de graduação em Pedagogia de oito universidades do Rio Grande do Sul, Brasil. Essas oficinas foram anotadas e registradas em vídeos, produzindo-se dossiês que, posteriormente, foram analisados. A base teórica é constituída a partir da inspiração na obra foucaultiana, em especial, as noções de corpo dócil, função autor, heterotopia, corpo utópico e no exercício de pensar de outros modos a partir da sua arqueogenealogia. Tal exercício é entretecido com a noção de experiência de Larrosa (2015), de formação-experiência de Dias (2012) e de cultura da presença de Gumbrecht (2010). Entende-se que o que o teatro de formas animadas possui de formativo é a sua possibilidade de promover deslocamentos: da concepção de um processo de formação calcada na modelização, transmissão e repetição de conteúdos para uma formação-experiência; da formação textocêntrica para a indefinição da situação criativa; e das verdades pedagogizantes para a incerteza. Conclui-se que é uma proposta pedagógica que se opõe à formulas e considera que o processo de construção do conhecimento é mais complexo e se dá por intermédio da ação e, portanto, do corpo
Costa, Rossana Perdomini Della. "O teatro de formas animadas na formação de professores : uma proposta pedagógica a partir da Übermarionnette." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2018. http://hdl.handle.net/10183/183189.
Повний текст джерелаEsta tese, realizada em convênio de cotutela entre a Universidade Federal do Rio Grande do Sul, Brasil, e a Université Paris Nanterre, na França, investiga as relações entre corpo e objeto a partir do exercício de teatro de formas animadas no contexto brasileiro da formação docente em Pedagogia. Para tanto, toma a noção metafórica da Übermarionnette de Edward Gordon Craig e as experimentações com o movimento e as formas do espaço cênico. O estudo parte da constatação do déficit de referências artísticas das futuras pedagogas e, também, da invisibilidade do teatro de formas animadas nesse contexto, frequentemente visto de forma superficial e caricata em detrimento de sua potência como objeto de arte, de filosofia e de história. A questão desta tese pode ser assim definida: como pensar as possibilidades para o corpo na formação docente em Pedagogia a partir da proposta da Übermarionnette de Edward Gordon Craig? Para tanto, foram realizadas oficinas de teatro de formas animadas com onze grupos de alunas de cursos de gradução em Pedagogia do Rio Grande do Sul, Brasil. Essas oficinas foram anotadas e registradas em vídeos, produzindo-se dossiês que, posteriormente, foram analisados A base teórica é constituída a partir da inspiração na obra foucaultiana, em especial, as noções de corpo dócil, função autor, heterotopia, corpo utópico e no exercício de pensar de outros modos a partir da sua arqueogenealogia. Tal exercício é entretecido com a noção de experiência de Larrosa (2015), de formação-experiência de Dias (2012) e de cultura da presença de Gumbrecht (2010). Entende-se que o que o teatro de formas animadas possui de formativo é a sua possibilidade de promover deslocamentos: da concepção de um processo de formação calcada na modelização, transmissão e repetição de conteúdos para uma formação-experiência; da formação textocêntrica para a indefinição da situação criativa; e das verdades pedagogizantes para a incerteza. Conclui-se que é uma proposta pedagógica que se opõe à formulas e considera que o processo de construção do conhecimento é mais complexo e se dá por intermédio da ação e, portanto, do corpo.
This dissertation, developed in a joint degree agreement between Universidade Federal do Rio Grande do Sul, Brazil, and Université Paris Nanterre, France, investigates the relations between body and object grounded on a theater of animated forms exercise in the Brazilian context of teacher training in Pedagogy. For such, Edward Gordon Craig’s metaphoric notion of Übermarionnette and the experiments with movement and forms of the performing space are used. The study starts from the verification of the deficit of artistic references on part of future pedagogues, as well as the invisibility of theater of animated within this context, which is often considered in a superficial and grotesque way in detriment of its potency as object of art, philosophy and history. The question of this dissertation is: how to think the possibilities for the body in teacher training in Pedagogy, based on Edward Gordon Craig’s Übermarionnette proposal? For this purpose, eleven groups of students from undergraduate Pedagogy courses from Rio Grande do Sul state, Brazil took part in theater of animated forms workshops. These workshops were registered in writing and recorded in video, having been produced dossiers which were later examined The theoretical basis is inspired by Foucault’s work, especially the notions of docile body, author function, heterotopia, utopian body and the exercise of thinking in distinct ways from his archeogenealogy. Such exercise is interwoven with Larrosa’s notion of experience (2015), Dias’ training-experience (2012) and Gumbrecht’s culture of presence (2010). It is understood that what the theater of animated forms has as formativeis its possibility to foster shifts: from the conception of a training process based on content modeling, transmission and repetition of contents to training-experience; from text-centered training to the imprecisionof the creative situation; and from pedagogizing truths to uncertainty. It is concluded that it is a pedagogical proposal that opposes to the formulas and considers that the process of knowledge construction is more complex and happens by means of action, therefore by means of the body.
Nascimento, Wanderley Nunes do. "Klein-Gordon models with non-effective time-dependent potential." Universidade Federal de São Carlos, 2016. https://repositorio.ufscar.br/handle/ufscar/7453.
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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)
In this thesis we study the asymptotic properties for the solution of the Cauchy problem for the Klein-Gordon equation with non-effective time-dependent potential. The main goal was define a suitable energy related to the Cauchy problem and derive decay estimates for such energy. Strichartz’ estimates and results of scattering and modified scattering was established. The C m theory and the stabilization condition was applied to treat the case where the coefficient of the potential term has very fast oscillations. Moreover, we consider a semi-linear wave model scale-invariant time- dependent with mass and dissipation, in this step we used linear estimates related with the semi-linear model to prove global existence (in time) of energy solutions for small data and we show a blow-up result for a suitable choice of the coefficients.
Nesta tese estudamos as propriedades assintóticas para a solução do problema de Cauchy para a equação de Klein-Gordon com potencial não efetivo dependente do tempo. O principal objetivo foi definir uma energia adequada relacionada ao problema de Cauchy e derivar estimativas para tal energia. Estimativas de Strichartz e resultados de scatering e scatering modificados também foram estabelecidos. A teoria C m e a condição de estabilização foram aplicados para tratar o caso em que o coeficiente da massa oscila muito rápido. Além disso, consideramos um mod- elo de onda semi-linear scale-invariante com massa e dissipação dependentes do tempo, nesta etapa usamos as estimativas lineares de tal modelo para provar ex- istência global (no tempo) de solução de energia para dados iniciais suficientemente pequenos e demonstramos um resultado de blow-up para uma escolha adequada dos coeficientes.
Würsch, Michael [Verfasser], and George [Akademischer Betreuer] Craig. "Testing data assimilation methods in idealized models of moist atmospheric convection / Michael Würsch. Betreuer: George Craig." München : Universitätsbibliothek der Ludwig-Maximilians-Universität, 2013. http://d-nb.info/1045561487/34.
Повний текст джерелаBöhme, Christiane. "Decay rates and scattering states for wave models with time-dependent potential." Doctoral thesis, Technische Universitaet Bergakademie Freiberg Universitaetsbibliothek "Georgius Agricola", 2011. http://nbn-resolving.de/urn:nbn:de:bsz:105-qucosa-70939.
Повний текст джерелаBazão, Vanderléa Rodrigues [UNESP]. "Argumentos de Gordon no estudo espectral de operadores de Schrödinger unidimensionais." Universidade Estadual Paulista (UNESP), 2012. http://hdl.handle.net/11449/94318.
Повний текст джерелаCoordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)
Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)
Neste trabalho fizemos um levantamento das diferentes versões discretas e contínuas dos argumentos de Gordon, utilizados no estudo espectral de operadores de Schrödinger unidimensionais. Estudamos como aproximações periódicas do potencial (caso contínuo) e ocorrências de estruturas repetitivas do potencial (caso discreto) permitem excluir o espectro pontual de tais operadores. No caso discreto, as aplicações dos argumentos de Gordon fornecem resultados genéricos, q.t.p. (quase toda parte) e uniformes sobre a ausência de espectro pontual para modelos de Schrödinger com potenciais gerados por substituições primitivas e rotações na circunferência. Parte dos resultados obtidos na demonstração desses argumentos podem ser usados para mostrar que o espectro dos operadores tem medida de Lebesgue zero. Consequentemente, com a ocorrência simultânea das propriedades ausência de espectro pontual e espectro com medida zero , obtemos operadores de Schrödinger com espectro puramente singular contínuo. No caso contí- nuo, as aplicações incluem operadores de Schrödinger gerados por potenciais de Gordon com frequências de Liouville, funções Hölder contínuas, funções escada e funções com singularidades locais
In this work review di erent versions of discrete and continuous Gordon's arguments, used in the spectral study of one-dimensional Schrödinger operators. We study periodic approximations of the potential (continuous case) and occurrences of repetitive structures of the potential (discrete case) that allow us to exclude the point spectrum of such operators. In the discrete case, the applications of Gordon's arguments supply generic results, almost sure and uniform on the absence of point spectrum for Schrödinger models with potentials generated by primitive substitutions and circle maps. Part of the results obtained in the demonstration of these arguments can be used to show that the spectrum of the operators has zero Lebesgue measure. Consequently, with the properties absence of point spectrum and spectrum with zero measure , we obtain Schrödinger operators with purely singular continuous spectrum. In the continuous case, the applications include Schrödinger operators generated by Gordon potentials with Liouville frequencies, Hölder continuous functions, step functions and functions with power-type singularities
Hirt, Mirjam [Verfasser], and George C. [Akademischer Betreuer] Craig. "Convective initiation - relevant processes and their representation in convection-permitting models / Mirjam Hirt ; Betreuer: George C. Craig." München : Universitätsbibliothek der Ludwig-Maximilians-Universität, 2020. http://d-nb.info/1213659043/34.
Повний текст джерелаBazão, Vanderléa Rodrigues. "Argumentos de Gordon no estudo espectral de operadores de Schrödinger unidimensionais /." Presidente Prudente : [s.n.], 2012. http://hdl.handle.net/11449/94318.
Повний текст джерелаCoorientador: Suetônio de Almeida Meira
Banca: Cesar Rogerio de Oliveira
Banca: José Roberto Nogueira
Resumo: Neste trabalho fizemos um levantamento das diferentes versões discretas e contínuas dos argumentos de Gordon, utilizados no estudo espectral de operadores de Schrödinger unidimensionais. Estudamos como aproximações periódicas do potencial (caso contínuo) e ocorrências de estruturas repetitivas do potencial (caso discreto) permitem excluir o espectro pontual de tais operadores. No caso discreto, as aplicações dos argumentos de Gordon fornecem resultados genéricos, q.t.p. (quase toda parte) e uniformes sobre a ausência de espectro pontual para modelos de Schrödinger com potenciais gerados por substituições primitivas e rotações na circunferência. Parte dos resultados obtidos na demonstração desses argumentos podem ser usados para mostrar que o espectro dos operadores tem medida de Lebesgue zero. Consequentemente, com a ocorrência simultânea das propriedades ausência de espectro pontual e espectro com medida zero , obtemos operadores de Schrödinger com espectro puramente singular contínuo. No caso contí- nuo, as aplicações incluem operadores de Schrödinger gerados por potenciais de Gordon com frequências de Liouville, funções Hölder contínuas, funções escada e funções com singularidades locais
Abstract: In this work review di erent versions of discrete and continuous Gordon's arguments, used in the spectral study of one-dimensional Schrödinger operators. We study periodic approximations of the potential (continuous case) and occurrences of repetitive structures of the potential (discrete case) that allow us to exclude the point spectrum of such operators. In the discrete case, the applications of Gordon's arguments supply generic results, almost sure and uniform on the absence of point spectrum for Schrödinger models with potentials generated by primitive substitutions and circle maps. Part of the results obtained in the demonstration of these arguments can be used to show that the spectrum of the operators has zero Lebesgue measure. Consequently, with the properties absence of point spectrum and spectrum with zero measure , we obtain Schrödinger operators with purely singular continuous spectrum. In the continuous case, the applications include Schrödinger operators generated by Gordon potentials with Liouville frequencies, Hölder continuous functions, step functions and functions with power-type singularities
Mestre
Lagorio, Valeria <1988>. "La luce e la rappresentazione del doppio. Studio dell’impiego della luce nel teatro del XX secolo per la rappresentazione del tema del doppio in Edward Gordon Craig e Josef Svoboda." Master's Degree Thesis, Università Ca' Foscari Venezia, 2015. http://hdl.handle.net/10579/5705.
Повний текст джерелаPangon, Vincent. "An RG study of models with spontaneous symmetry breaking." Strasbourg, 2009. http://www.theses.fr/2009STRA6116.
Повний текст джерелаROITBERG, ALICE. "Gross-Pitaevskii hydrodynamics in Riemannian manifolds and application in Black Hole cosmology." Doctoral thesis, Università degli Studi di Milano-Bicocca, 2023. https://hdl.handle.net/10281/404710.
Повний текст джерелаIn this thesis we analyze the physical implications of the geometry of the ambient space in the context of Bose-Einstein condensates (BECs) and possible applications to the field of analogue models in the cosmology of black holes. To this end we derive the hydrodynamic formulation of the Gross-Pitaevskii equation (GPE) in the case of a generic Riemannian manifold. We observe the appearance of a new force, which essentially depends on two parameters: the geometry of the manifold and the first derivatives of the density profile. The stationary conditions are studied in relation to the presence of manifolds with negative scalar curvature. By analyzing these manifolds, an explicit relationship is established between the negatively curved surfaces and the sine-Gordon equation, which results in an approximation of the GPE in the presence of phase coupling. By assuming stationary conditions, we obtain a new type of Einstein field equations and we look for other possible connections between the equations governing condensates and cosmology. For this purpose, we consider relativistic BECs, that are used in the study of the early universe and its expansion, and we obtain Einstein equation in the multi-dimensional case. Then we consider the analogue models used for the study of the formation of black holes and for the calculation of Hawking radiation. Through a linearization process it is possible to derive a Lorentzian acoustic metric for the phase fluctuations; for this purpose, we consider the case of a straight vortex defect with a density profile where the first derivatives have maximum value inside the vortex tube and the geometry of the ambient space becomes relevant. In this situation it turns out that it is possible to determine a Lorentzian metric, and some useful approximations are proposed for its explicit computation. Finally, some concluding remarks are presented on possible future research directions, given by the study of the evolution of isophase surfaces in relativistic cases, and the study of condensates subject to twist.
Ruiz, Ugalde Federico [Verfasser], Michael [Akademischer Betreuer] Beetz, Gudrun Johanna [Akademischer Betreuer] Klinker, and Gordon [Akademischer Betreuer] Cheng. "Compact Models of Objects for Skilled Manipulation / Federico Ruiz Ugalde. Gutachter: Michael Beetz ; Gudrun Johanna Klinker ; Gordon Cheng. Betreuer: Michael Beetz." München : Universitätsbibliothek der TU München, 2015. http://d-nb.info/107165151X/34.
Повний текст джерелаClarke, Suzanna. "Being Isadora." Thesis, Queensland University of Technology, 2003. https://eprints.qut.edu.au/15797/1/Suzanna_Clarke_Thesis.pdf.
Повний текст джерелаClarke, Suzanna. "Being Isadora." Queensland University of Technology, 2003. http://eprints.qut.edu.au/15797/.
Повний текст джерелаControzzi, Davide. "Non perturbative aspects of strongly correlated electron systems." Thesis, University of Oxford, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.343661.
Повний текст джерелаSiew, Keith. "Gitelman & Gordon : mirror image syndromes reveal the roles of WNKs in blood pressure homeostasis and novel anti-hypertensive targets." Thesis, University of Cambridge, 2019. https://www.repository.cam.ac.uk/handle/1810/289398.
Повний текст джерелаSobeck, Janine Michelle. "Arlecchino's Journey: Crossing Boundaries Through La Commedia Dell'arte." Diss., CLICK HERE for online access, 2007. http://contentdm.lib.byu.edu/ETD/image/etd2075.pdf.
Повний текст джерелаDar, Shaakir Shabir. "On the spatio-temporal distribution of stable isotope ratios in the hydrological cycle over India and the Southern Ocean." Thesis, 2020. https://etd.iisc.ac.in/handle/2005/4353.
Повний текст джерелаFalcone, Matthew. "Assessing hydrological processes controlling the water balance of lakes in the Peace-Athabasca Delta, Alberta, Canada using water isotope tracers." Thesis, 2007. http://hdl.handle.net/10012/3081.
Повний текст джерелаMartel, Lacoursière François. "Militarisme, politique et société allemande (1890-1914) : trois perspectives historiographiques." Thèse, 2007. http://hdl.handle.net/1866/7661.
Повний текст джерелаWillis, Craig Robert. "Design of unreinforced masonry walls for out-of-plane loading / Craig Robert Willis." 2004. http://hdl.handle.net/2440/22133.
Повний текст джерелаBibliography: p.167-179.
xi, 333 p. : ill., photos (col.) ; 30 cm.
Title page, contents and abstract only. The complete thesis in print form is available from the University Library.
Focuses on behavioural models of masonry walls with a view to improving their accuracy and extending their application. Results include a numerical model and mathematical expressions capable of predicting the key stages of the non-linear load-deflection behaviour of walls subjected to vertical bending and axial loading; new mathematical expressions for horizontal and diagonal bending moment capacities that are dimensionally consistent and account for the beneficial effects of compressive stress; and. Experimental test data for masonry sections subjected to horizontal and diagonal bending, which were used in the development and verification of the new mathematical expressions.
Thesis (Ph.D.)--University of Adelaide, School of Civil and Environmental Engineering, 2004
Silva, Filipa Duarte Ferreira da 1987. "Arquitectura e cenografia : o espaço cénico na construção de um ambiente." Master's thesis, 2013. http://hdl.handle.net/11067/349.
Повний текст джерелаExame público realizado em 28 de Novembro de 2012
A presente dissertação de mestrado aborda os ambientes cénicos elaborados em dois campos distintos - a Arquitectura e a Cenografia –, com base na obra de um precursor de cada campo: o cenógrafo Edward Gordon-Craig e o arquitecto Le Corbusier. É traçado um paralelismo entre os ambientes espaciais preconizados por cada um, com o objectivo de determinar os pressupostos teóricos e estéticos por detrás das duas disciplinas, os veículos utilizados na criação das atmosferas que determinam um espaço cénico, os seus antecedentes históricos, contra que correntes de pensamento reagem, se são fenómenos independentes, ou se se cruzam, de alguma forma, em algum momento. As obras estudadas partilham uma preocupação: a relação entre observador e observado, actor e espectador. A cenografia criada por Craig para definir uma nova noção da interpretação do texto dramático. A arquitectura de cariz religioso desenhada por Le Corbusier. O espaço cénico não está limitado à boca de cena. Está presente em espaços exteriores e interiores que despertam em nós reacções sensoriais, condicionam a nossa postura, nos seduzem e emocionam. De modo a determinar o que aproxima e separa os espaços cénicos criados por estes dois autores, são abordados os conceitos por detrás dos projectos estudados, assim como a semiótica dos elementos por eles utilizados na criação dos ambientes que caracterizam as suas obras; como estes elementos têm influência na nossa percepção do espaço, e como tais características se aplicam à definição de um espaço cénico. (Filipa Duarte Ferreira da Silva)
Kolářová, Petra. "Étienne Decroux (1898-1991): "Portrét mima jako sochaře". Zobrazení těla průsečíku scénického a výtvarného umění." Doctoral thesis, 2015. http://www.nusl.cz/ntk/nusl-351054.
Повний текст джерелаFroněk, Pavel. ""Fotopurismus" v díle Františka Drtikola." Master's thesis, 2011. http://www.nusl.cz/ntk/nusl-296782.
Повний текст джерелаFonseca, Inês Batista da 1992. "Grupo Gulbenkian de Bailado : a cenografia e figurinos como intervenção plástica na dança em Portugal." Master's thesis, 2018. http://hdl.handle.net/10451/33645.
Повний текст джерела