Книги: "Corpus de tweets"

1

Enegwea, Gregory. NYSC: Twenty years of national service. Yaba, Lagos: Gabumo Pub. Co. Ltd., 1993.

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2

King, Nancy J. Habeas for the twenty-first century: Uses, abuses, and the future of the great writ. Chicago: The University of Chicago Press, 2011.

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3

Page, Kathy, and Marlene A. D. Lynne Van Luven. In the flesh: Twenty writers explore the body. [Victoria, B.C.]: Brindle & Glass Pub., 2012.

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4

Carmin, Charles L. My twenty & then some. Ellinwood, Kansas: Charles L. Carmin, 2011.

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5

Hearn, Chester G. Marines: An illustrated history : the US Marine Corps from 1775 to the twenty-first century. Minneapolis, Minn: Quatro Publishing Group, 2015.

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6

United States. Congress. House. Committee on Government Operations. The Peace Corps: Entering its fourth decade of service : twenty-second report / by the Committee on Government Operations. Washington: U.S. G.P.O., 1990.

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7

LeHockey, John D. Strategic and operational military deception: U.S. Marines and the next twenty years. [Washington, DC]: U.S. Marine Corps, 1990.

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8

LeHockey, John D. Strategic and operational military deception: U. S. Marines and the next twenty years. [Washington, DC]: U.S. Marine Corps, 1990.

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9

International Conference on English Language Research on Computerized Corpora (2000 Sydney, N.S.W.). New frontiers of corpus research: Papers from the Twenty First International Conference on English Language Research on Computerized Corpora, Sydney 2000. Amsterdam: Rodopi, 2002.

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10

Corti, Eugenio. Few returned: Twenty-eight days on the Russian Front, winter 1942-1943. Columbia, Mo: University of Missouri Press, 1997.

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11

Arpioni, Maria Pia, and Alberto Zava. Guido Piovene. Articoli dall’Unione Sovietica (1960). Venice: Fondazione Università Ca’ Foscari, 2020. http://dx.doi.org/10.30687/978-88-6969-430-1.

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In the twenty-nine articles that constitute the result of the 1960s travel experience in the Soviet Union, which have so far appeared only on the third page of La Stampa, the cultural-literary operation of Guido Piovene is outlined, perfectly reflecting the programmatic intention to conduct a wide-ranging investigation into Soviet society in the early 1960s, providing a useful comparison with the condition of the western world and overcoming the appearance and conventionality of preconceived ideas (by the visitor) and prepackaged information (from part of the Soviet administrative system). In his reportage Piovene is able to activate the dynamic functions that constitute the main lines of his literary writing: the inclusion of the landscape in the narrative context and the deep internal investigation conducted on the characters, in a balance between inside and outside, between observation and analysis, between reality and dream. The result is a corpus of articles that constitute an important cultural document of that historical period but at the same time another great literary reportage by one of the most refined journalist-writers of the Italian twentieth century.

12

Martin, Day Frances, Spence Phyllis 1943-, and Ladouceur Barbara 1949-, eds. Women overseas: Memoirs of the Canadian Red Cross Corps (Overseas Detachment). Vancouver, B.C., Canada: Ronsdale Press, 1998.

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13

Spencer-Hall, Alicia. Medieval Saints and Modern Screens. NL Amsterdam: Amsterdam University Press, 2017. http://dx.doi.org/10.5117/9789462982277.

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This ground-breaking book brings theoretical perspectives from twenty-first century media, film, and cultural studies to medieval hagiography. Medieval Saints and Modern Screens stakes the claim for a provocative new methodological intervention: consideration of hagiography as media. More precisely, hagiography is most productively understood as cinematic media. Medieval mystical episodes are made intelligible to modern audiences through reference to the filmic - the language, form, and lived experience of cinema. Similarly, reference to the realm of the mystical affords a means to express the disconcerting physical and emotional effects of watching cinema. Moreover, cinematic spectatorship affords, at times, a (more or less) secular experience of visionary transcendence: an 'agape-ic encounter'. The medieval saint's visions of God are but one pole of a spectrum of visual experience which extends into our present multi-media moment. We too conjure godly visions: on our smartphones, on the silver screen, and on our TVs and laptops. This book places contemporary pop-culture media - such as blockbuster movie The Dark Knight, Kim Kardashian West's social media feeds, and the outputs of online role-players in Second Life - in dialogue with a corpus of thirteenth-century Latin biographies, 'Holy Women of Liège'. In these texts, holy women see God, and see God often. Their experiences fundamentally orient their life, and offer the women new routes to knowledge, agency, and belonging. For the holy visionaries of Liège, as with us modern 'seers', visions are physically intimate, ideologically overloaded spaces. Through theoretically informed close readings, Medieval Saints and Modern Screens reveals the interconnection of decidedly 'old' media - medieval textualities - and artefacts of our 'new media' ecology, which all serve as spaces in which altogether human concerns are brought before the contemporary culture's eyes.

14

Brown, Frances DeBra. An army in skirts: The World War II letters of Frances DeBra. Indianapolis: Indiana Historical Society Press, 2008.

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15

Tracie, Theodore C. Annals of the Nineteenth Ohio Battery, Volunteer Artillery: Including an outline of the operations of the Second Division, Twenty-third Army Corps : lights and shadows of the army life, as seen on the march, bivouac, and battlefield. Cleveland, O[hio]: Published for the Battery Committee by J.B. Savage, 1988.

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16

Durrett, Deanne. Unsung heroes of World War II: The story of the Navajo code talkers. New York, NY: Facts on File, 1998.

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17

Durrett, Deanne. Unsung heroes of World War II: The story of the Navajo code talkers. Lincoln: University of Nebraska Press, 2009.

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18

Hoyau, Davy, and O6/OW/OT/OAY. Tweets from Oomo: Corpus of Interactions. Independently Published, 2018.

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19

Zappavigna, Michele. Discourse of Twitter and Social Media. Continuum International Publishing Group, 2012. http://dx.doi.org/10.5040/9781472541642.

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Social media such as microblogging services and social networking sites are changing the way people interact online and search for information and opinions. This book investigates linguistic patterns in electronic discourse,looking at online evaluative language, Internet slang, memes and ambient affiliation using a large Twitter corpus (over 100 million tweets) alongside specialized case studies. The author argues that we are currently witnessing a cultural movement from online conversation to what can be termed 'searchable talk' - online talk where people affiliate by making their discourse findable (for example, via metadata such as Twitter hashtags) by others holding similar interests. This cutting edge text will be of interest to all scholars and students dealing with electronically mediated discourse.

20

Oliva Abarca, Jesús Eduardo. Cultura y Big Data. Métodos y técnicas para el análisis cultural en una sociedad datificada. Ediciones Comunicación Científica, 2021. http://dx.doi.org/10.52501/cc.014.

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El propósito de este libro es ejemplificar los conceptos, métodos y aplicaciones de la analítica cultural, propuesta formulada por Lev Manovich, y que consiste en el empleo sistemático de herramientas y técnicas de la ciencia de datos para el análisis de datos masivos de fenómenos culturales. Con tal objetivo, se presentan tres estudios que ejemplifican diferentes flujos de trabajo desde este enfoque. El primero consiste en un análisis del micromecenazgo cultural y creativo en México y América Latina, así como en la elaboración de dos sistemas de recomendación a partir de la recolección automatizada de datos mediante “raspado de red” (web scraping), todo ello con la finalidad de brindar información relevante para la financiación de proyectos de artistas y creativos independientes. El segundo estudio es la aplicación de técnicas de procesamiento de lenguaje natural (natural language processing) a un corpus conformado por diversos tweets, a partir de los cuales se elabora un modelo de clasificación automática de textos. A partir del examen automatizado de atributos sintácticos y semánticos, se perciben las diferencias estructurales entre tweets clasificados como noticias, frases o reflexiones, y ficciones. En el tercer estudio se abordan las posibilidades y usos de la visión computacional para el análisis y modelado de sistemas de clasificación de imágenes de obras plásticas; para ello, se parte del método iconográfico-iconológico, así como del procesamiento automatizado de atributos visuales de piezas artísticas. Del desarrollo de estas investigaciones se ratifica la necesidad de fomentar abordajes interdisciplinarios para el análisis de la cultura.

21

Tyler, Amanda L. Habeas Corpus in Wartime. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780199856664.001.0001.

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Habeas Corpus in Wartime unearths and presents a comprehensive account of the legal and political history of habeas corpus in wartime in the Anglo-American legal tradition. The book begins by tracing the origins of the habeas privilege in English law, giving special attention to the English Habeas Corpus Act of 1679, which limited the scope of executive detention and used the machinery of the English courts to enforce its terms. It also explores the circumstances that led Parliament to invent the concept of suspension as a tool for setting aside the protections of the Habeas Corpus Act in wartime. Turning to the United States, the book highlights how the English suspension framework greatly influenced the development of early American habeas law before and after the American Revolution and during the Founding period, when the United States Constitution enshrined a habeas privilege in its Suspension Clause. The book then chronicles the story of the habeas privilege and suspension over the course of American history, giving special attention to the Civil War period. The final chapters explore how the challenges posed by modern warfare during the twentieth and twenty-first centuries have placed great strain on the previously well-settled understanding of the role of the habeas privilege and suspension in American constitutional law. Throughout, the book draws upon a wealth of original and heretofore untapped historical resources to shed light on the purpose and role of the Suspension Clause in the United States Constitution, revealing all along that many of the questions that arise today regarding the scope of executive power to arrest and detain in wartime are not new ones.

22

Making a difference: The Peace Corps at twenty-five. New York: Weidenfeld & Nicolson, 1986.

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23

Canada, Jeep. All Goes on Twenty. Balboa Press, 2012.

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24

Enegwea, Gregory. NYSC: Twenty years of national service. Gabumo Pub. Co. Ltd, 1993.

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25

Hoffmann, Joseph L., and Nancy J. King. Habeas for the Twenty-First Century: Uses, Abuses, and the Future of the Great Writ. University of Chicago Press, 2011.

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26

Hoffmann, Joseph L., and Nancy J. King. Habeas for the Twenty-First Century: Uses, Abuses, and the Future of the Great Writ. University of Chicago Press, 2011.

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27

Making a difference: The Peace Corps at twenty-five. New York: Weidenfeld & Nicolson, 1986.

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28

Viorst, Milton. Making a Difference: The Peace Corps at Twenty-Five. Grove Pr, 1986.

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29

Margaritis, Peter, and George Peto. Twenty-Two on Peleliu: Four Pacific Campaigns with the Corps. Casemate Publishers (Ignition), 2017.

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30

Klug, Bernadine C. Twenty-Five Years of Experiences in the Army Nurse Corps, 1943-1968. Vantage Pr, 2002.

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31

Peters, Pam. The lexicography of English usage. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198808206.003.0003.

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The lexicography of English usage is often discussed as being prescriptive or descriptive, but only rarely is it analysed in terms of how usage writers use language evidence in exploring issues of current and changing usage, and whether their methodology is empirical or otherwise. This chapter discusses two twenty-first-century approaches to the use of evidence in usage writing: the selective, a priori use of citations by Bryan Garner to support his ‘Language Change Index’ in Modern American Usage (3rd edn, 2009); and the wealth of data contained in the GloWbE corpus (2012) and others created by Mark Davies, available to quantify usage trends worldwide. Corpus evidence on the assimilation of Latin borrowings, e.g. use of data in singular agreement, shows this is relatively less advanced in the US than elsewhere, which aligns with its stigmatization in American academic discourse.

32

Hesterman, Andrew, and Robert Einaudi. Radioman : Twenty-Five Years in the Marine Corps: From Desert Storm to Operation Iraqi Freedom. Pen & Sword Books Limited, 2022.

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33

Hesterman, Andrew, and Robert Einaudi. Radioman : Twenty-Five Years in the Marine Corps: From Desert Storm to Operation Iraqi Freedom. Pen & Sword Books Limited, 2022.

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34

Hesterman, Andrew, and Robert Einaudi. Radioman : Twenty-Five Years in the Marine Corps: From Desert Storm to Operation Iraqi Freedom. Pen & Sword Books Limited, 2022.

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35

Teichmann, Roger, ed. The Oxford Handbook of Elizabeth Anscombe. Oxford University Press, 2022. http://dx.doi.org/10.1093/oxfordhb/9780190887353.001.0001.

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Abstract Elizabeth Anscombe was one of the most important and original philosophers of the twentieth century, as well as being a friend, a student, and the main translator of Ludwig Wittgenstein. She wrote on a wide range of philosophical topics, publishing a handful of books and a large corpus of articles in her lifetime. This collection of twenty-two essays on the philosophy of Elizabeth Anscombe by an international array of experts in the field covers intention, ethical theory, human life, the first person, and Anscombe on other philosophers. It will be essential reading for anyone interested in Anscombe’s work and in the philosophical problems which she wrote about.

36

Gleeson-White, Sarah, and Pardis Dabashi, eds. The New William Faulkner Studies. Cambridge University Press, 2022. http://dx.doi.org/10.1017/9781108881654.

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William Faulkner remains one of the most important writers of the twentieth century, and Faulkner Studies offers up seemingly endless ways to engage anew questions and problems that continue to occupy literary studies into the twenty-first century, and beyond the compass of Faulkner himself. His corpus has proved particularly accommodating of a range of perspectives and methodologies that include Black studies, visual culture studies, world literatures, modernist studies, print culture studies, gender and sexuality studies, sound studies, the energy humanities, and much else. The fifteen essays collected in The New William Faulkner Studies charts these developments in Faulkner scholarship over the course of this new century and offers prospects for further interrogation of his oeuvre.

37

Margaritis, Peter, and George Peto. Twenty-Two on Peleliu : Four Pacific Campaigns with the Corps: The Memoirs of an Old Breed Marine. Casemate Publishers & Book Distributors, LLC, 2021.

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38

Margaritis, Peter, and George Peto. Twenty-Two on Peleliu : Four Pacific Campaigns with the Corps: The Memoirs of an Old Breed Marine. Casemate, 2017.

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39

(Editor), Frances Martin Day, Phyllis Spence (Editor), and Barbara Ladouceur (Editor), eds. Women Overseas: Memoirs of the Canadian Red Cross Corps. Ronsdale Press, 1998.

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40

Warren, Michelle R. Good History, Bad Romance, and the Making of Literature. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198795148.003.0012.

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Genre categories are shaped by cultural context and can change over time. This case study of Henry Lovelich’s Grail and Merlin (Cambridge, Corpus Christi College, MS 80) accounts for the malleability of ‘romance’ by assessing in detail how perceptions of genre are mediated by form, politics, religion, archival methods, aesthetics, and pedagogy. When MS 80 was created in the fifteenth century, the English text was part of a multilingual tradition in which romance and history were inherently entangled and overlapping. In the sixteenth century, the Grail and King Arthur served as politically useful history. As the religious polemics of the Reformation subsided, Lovelich’s translation came to represent the beginning of English national romance. By the mid-twentieth century, it had been repositioned as a much maligned ‘bad romance’. Later, from the perspective of manuscript studies, evaluations became more positive. Now, early in the twenty-first century, the expansion of digital archives supports new approaches that challenge traditional distinctions between literary history and book history.

41

Fine, Gail, ed. The Oxford Handbook of Plato. Oxford University Press, 2008. http://dx.doi.org/10.1093/oxfordhb/9780195182903.001.0001.

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The Oxford Handbook of Plato provides in-depth and up-to-date discussions of a variety of topics and dialogues in twenty-one articles. The result is a useful reference to the man many consider the most important philosophical thinker in history. Plato is the best known, and continues to be the most widely studied, of all the ancient Greek philosophers. Each article serves several functions at once: they survey the lay of the land; they express and develop the authors' own views; they situate those views within a range of alternatives. This book contains articles on metaphysics, epistemology, love, language, ethics, politics, art and education. Individual articles are devoted to each of the following dialogues: the Republic, the Parmenides, the Theaetetus, the Sophist, the Timaeus, and the Philebus. There are also articles on Plato and the dialogue form; on Plato in his time and place; on the history of the Platonic corpus; on Aristotle's criticism of Plato, and on Plato and Platonism.

42

Turley, Gerald H. The Journey of a Warrior : The Twenty-Ninth Commandant of the U.S. Marine Corps: General Alfred Mason Gray, Second Edition. Potomac Institute Press, 2018.

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43

Kundahl, George G., ed. Division Commander, May–October 1864. University of North Carolina Press, 2014. http://dx.doi.org/10.5149/9780807895702_kundahl.12.

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This chapter reports that as fighting progressed during May, Ewell's precarious health declined and it was said that he could no longer continue to campaign without respite. It further reports that Ramseur was selected to succeed as division commander and Early assumed temporary control of Lee's Second Corps. The chapter notes that Ramseur's first trial under fire as senior commander ensued quickly on May 30, the eve of his last birthday. It notes that Ramseur was promoted to the rank of major general at the age of twenty-seven years, the youngest West Pointer to achieve this rank in the Confederate Army. The chapter explains that his first letters home as a division commander focus on successes achieved in his last month as brigadier.

44

Seelarbokus, Chenaz B. International Environmental Law. Oxford University Press, 2017. http://dx.doi.org/10.1093/acrefore/9780190846626.013.229.

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Over the course of the twenty-first century, international environmental cooperation has been spurred through various new international environmental institutions and programs, and a dramatic strengthening of international environmental law-making. With the burst of environmental treaty-making the corpus of international environmental law (IEL) has expanded to include significant international environmental agreements (IEAs) in the sphere of climate change, ozone layer depletion, biodiversity, and so on; as well as the recognition of important principles such as good neighborliness and the common heritage. IEAs function similarly to international treaties—indeed, the only difference between an IEA and other international treaties lies in the subject matter. IEAs function as the instrument for laying down the principles of international laws binding upon states was established by the 1815 Congress of Vienna. Over the years, IEAs have not simply increased in number, but have also undergone an evolution in their structural design. In the early 1930s, IEAs tended to be simple in terms of their requirements, vague in terms of their objectives, and utilitarian in their ethos for protecting the environment. With time, however, as environmental sciences evolved to incorporate new principles and concepts, the structure of IEAs has followed in tandem to incorporate the new understandings and the new concerns.

45

Chacón, Gloria Elizabeth. Indigenous Cosmolectics. University of North Carolina Press, 2018. http://dx.doi.org/10.5149/northcarolina/9781469636795.001.0001.

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Latin America's Indigenous writers have long labored under the limits of colonialism, but in the late twentieth and twenty-first centuries, they have constructed a literary corpus that moves them beyond those parameters. Gloria E. Chacón considers the growing number of contemporary Indigenous writers who turn to Maya and Zapotec languages alongside Spanish translations of their work to challenge the tyranny of monolingualism and cultural homogeneity. Chacón argues that these Maya and Zapotec authors reconstruct an Indigenous literary tradition rooted in an Indigenous cosmolectics, a philosophy originally grounded in pre-Columbian sacred conceptions of the cosmos, time, and place, and now expressed in creative writings. More specifically, she attends to Maya and Zapotec literary and cultural forms by theorizing kab'awil as an Indigenous philosophy. Tackling the political and literary implications of this work, Chacón argues that Indigenous writers' use of familiar genres alongside Indigenous language, use of oral traditions, and new representations of selfhood and nation all create space for expressions of cultural and political autonomy. Chacón recognizes that Indigenous writers draw from universal literary strategies but nevertheless argues that this literature is a vital center for reflecting on Indigenous ways of knowing and is a key artistic expression of decolonization.

46

Moore, Stephen D. The Bible After Deleuze. Oxford University PressNew York, 2022. http://dx.doi.org/10.1093/oso/9780197581254.001.0001.

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Abstract The impact of Gilles Deleuze on critical thought in the opening decades of the twenty-first century rivals that of Jacques Derrida or Michel Foucault on critical thought in the closing decades of the twentieth. The “Deleuze and . . .” industry is in overdrive in the humanities, the social sciences, and beyond, busily connecting Deleuzian philosophy to everything from literature to architecture, metaphysics to mathematics, ethics to physics, sexuality to technology, and ecology to theology. What of Deleuze and the Bible? What does the Bible become when it is plugged into the Deleuzian corpus? An immense affective assemblage, among other things. And what does biblical criticism become in the process? A practice of close reading that is other than interpretation and renounces the concept of representation. The book begins with an extended exposition of Deleuzian thought, and proceeds to unexegetical explorations of five successive themes: Text (how to make yourself a Bible without Organs, and why); Body (why there are no bodies in the Bible, and how to read them anyway); Sex (a thousand tiny sexes, a trillion tiny Jesuses); Race (Jesus and the white faciality machine); and Politics (democracy, despots, pandemics, ancient prophets). Cumulatively, these explorations limn the fluid contours of a Bible after Deleuze.

47

Stewart, Jon. Hegel's Interpretation of the Religions of the World. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198829492.001.0001.

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In his Lectures on the Philosophy of Religion, Hegel treats the religions of the world under the rubric “the determinate religion.” This is a part of his corpus that has traditionally been neglected, since scholars have struggled to understand what philosophical work it is supposed to do. The present study argues that Hegel’s rich analyses of Buddhism, Hinduism, Zoroastrianism, Judaism, Egyptian and Greek polytheism, and the Roman religion are not simply irrelevant historical material, as is often thought. Instead, they play a central role in Hegel’s argument for what he regards as the truth of Christianity. Hegel believes that the different conceptions of the gods in the world religions are reflections of individual peoples at specific periods in history. These conceptions might at first glance appear random and chaotic, but there is, Hegel claims, a discernible logic in them. Simultaneously a theory of mythology, history, and philosophical anthropology, Hegel’s account of the world religions goes far beyond the field of philosophy of religion. The controversial issues surrounding his treatment of the non-European religions are still very much with us today and make his account of religion an issue of continued topicality in the academic landscape of the twenty-first century.

48

Matheron, Alexandre. Politics, Ontology and Knowledge in Spinoza. Edited by Filippo Del Lucchese, David Maruzzella, and Gil Morejón. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9781474440103.001.0001.

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Alexandre Matheron (1926–2020) worked and wrote substantially on the 17^th century philosopher Benedict de Spinoza beginning with the publication of his influential 1969 masterpiece Individu et communauté chez Spinoza. Widely considered one of the most important and original interpreters of Spinoza’s philosophy in the twentieth and twenty-first centuries, but whose work was rarely translated into English, the 20 essays gathered here span the entirety of Matheron’s prolific career and present to the Anglophone the first collection of its kind outside of France. From texts on Spinoza’s epistemology and metaphysics to his signature interpretation of Spinoza’s political philosophy, Matheron’s work touches on every imaginable theme in the Spinozist corpus from Spinoza’s views on sexuality to his relationship to his predecessors, contemporaries, and inheritors such as Aquinas, Hobbes, Machiavelli, and Rousseau to Spinoza’s latent communism and importance for the development of Spinozist Marxism in France. Complete with a substantial interview conducted by two of Matheron’s best known students, Laurent Bove and Pierre-François Moreau, and a comprehensive bibliography of Matheron’s publications, this is a crucial collection for anyone seeking to understand 20th-century continental Spinozism. Whether it be the established scholar looking for translations of difficult to find essays or the advanced undergraduate or graduate student in search of reliable secondary literature on Spinoza, this volume is the perfect introduction to Matheron’s rigorous, masterful, and original interpretation of Spinoza’s philosophy.

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Lehman, Frank. Hollywood Harmony. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190606398.001.0001.

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Film music represents one of the few remaining underexplored frontiers for the field of music theory. Discovering its inner workings from a theoretical perspective is imperative if we wish to understand its tremendous effects on the ears (and eyes) of the twentieth and twenty-first centuries. Hollywood Harmony applies for the first time the tools of contemporary music theory and analysis to this corpus in a thorough and systematic way. In order to help readers appreciate how film music works, this study enlists a number critical apparatuses, ranging from abstract theoretical description to psychological models and sensitive close reading. It argues that matters of musical structure in film are matters of musical meaning, and pitch relations are inherently expressive, always somehow collaborating with visuals and narrative. One harmonic idiom, pantriadic chromaticism, plays an especially important role in the “Hollywood Sound,” and much of this study is dedicated to understanding its aesthetic and expressive content—of which the elicitation of a feeling of wonder is paramount. For better understanding of this tonal practice on a rigorous level, the transformational tools of neo-Riemannian theory are introduced and applied in an accessible and novel way. Neo-Riemannian theory emphasizes musical change and gesture over fixed objects or structures, and by recognizing the innate spatiality of musical experience in extended-tonal settings, it serves as an excellent lens through which to inspect film music. The works of a diverse assortment of composers are examined, with particular attention given to recent “New Hollywood” scoring practices.

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Guarneri, Michael. Vampires in Italian Cinema, 1956-1975. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9781474458115.001.0001.

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The book takes as its subject a corpus of thirty-three vampire movies made, distributed and exhibited during the peak years of film production in Italy, and certified to be of Italian nationality by state institutions such as the Italian Show Business Bureau and the Italian Film Censorship Office. Positioning itself at the intersection of Italian film history, horror studies and cultural studies, the book asks: why, and how, is the protean, transnational and transmedial figure of the vampire appropriated by Italian cinema practitioners between 1956 and 1975? Or, more concisely, what do the vampires of post-war Italian cinema mean? The aim is to show that – in spite of Italian vampire cinema’s imported and derivative nature, and its great reliance on profits coming from distribution on the international market – Italian cinematic vampires reflect their national zeitgeist from the economic miracle of the late 1950s to the mid-1970s austerity, twenty years of large political and socio-economic change in which gender politics were also in relative flux. The result of an original research into film production data, film censorship files, screenplays, trade papers, film magazines and vampire-themed paraliterature, the book leaves the well-trod track of award-winning art films to shed light on some of the so-called ‘lower forms’ of cinematic culture, looking for the economic backbone and cultural instrumentality of post-war Italian cinema in the run-of-the-mill genre movies rushed through a cheap production and into domestic and international distribution to parasitically (vampirically?) exploit a given commercially successful film.

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