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Дисертації з теми "Contemporary Macau"

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Автор: Grafiati
Опубліковано: 4 червня 2021
Оновлено: 20 лютого 2023

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1

Koo, Barnabas Hon-Mun, University of Western Sydney, of Arts Education and Social Sciences College, and School of Humanities. "The Survival of an endangered species : the Macanese in contemporary Macau." THESIS_CAESS_HUM_Koo_B.xml, 2004. http://handle.uws.edu.au:8081/1959.7/637.

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Анотація:
The decolonisation of Macau on 20 December 1999 marked a powerful transition for the small Macanese community. Prior to transfer of sovereignty, there have been grave concerns for the survival of these miscegenic descendants of the Portuguese settlers who came to China some five hundred years ago. Many feared that there would be a mass exodus similar to that which overtook the former Portuguese colonies in Africa and East Timor, and that the Macanese future would be threatened by the process of Sinicisation – in short, that they are a dying race. This thesis examines such fears using a combination of newspaper survey, extensive fieldwork and repeat interviews. The outcome of the research shows that despite the dire prognostication, the community has survived the first five years of Chinese rule in robust form; the feared exodus did not eventuate and there has been no death to speak of. In the post-colonial environment, the Constitutions (Macau Basic Law) obliges the government to respect Macanese customs and cultural traditions and to protect their rights – at least for fifty years. The Macanese community in Macau is likely to continue to transform itself and adapt to a changing environment. It is likely that the transformation will occur over a long period of time, representing generations, perhaps centuries not decades. It is then more appropriate to view the Macanese community in Macau as an endangered – not dying – species
Doctor of Philosophy (PhD)
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2

Koo, Barnabas Hon-Mun. "The Survival of an endangered species : the Macanese in contemporary Macau." Thesis, View thesis, 2004. http://handle.uws.edu.au:8081/1959.7/637.

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Анотація:
The decolonisation of Macau on 20 December 1999 marked a powerful transition for the small Macanese community. Prior to transfer of sovereignty, there have been grave concerns for the survival of these miscegenic descendants of the Portuguese settlers who came to China some five hundred years ago. Many feared that there would be a mass exodus similar to that which overtook the former Portuguese colonies in Africa and East Timor, and that the Macanese future would be threatened by the process of Sinicisation – in short, that they are a dying race. This thesis examines such fears using a combination of newspaper survey, extensive fieldwork and repeat interviews. The outcome of the research shows that despite the dire prognostication, the community has survived the first five years of Chinese rule in robust form; the feared exodus did not eventuate and there has been no death to speak of. In the post-colonial environment, the Constitutions (Macau Basic Law) obliges the government to respect Macanese customs and cultural traditions and to protect their rights – at least for fifty years. The Macanese community in Macau is likely to continue to transform itself and adapt to a changing environment. It is likely that the transformation will occur over a long period of time, representing generations, perhaps centuries not decades. It is then more appropriate to view the Macanese community in Macau as an endangered – not dying – species
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3

Koo, Barnabas Hon-Mun. "The Survival of an endangered species the Macanese in contemporary Macau /." View thesis, 2004. http://library.uws.edu.au/adt-NUWS/public/adt-NUWS20060510.151501/index.html.

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4

Vong, Lai Ieng. "Macao poetry today : a study of contemporary writing across cultures." Thesis, University of Macau, 2008. http://umaclib3.umac.mo/record=b1780762.

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5

Zhao, Zun Yan. "An investigation of materialism in contemporary Chinese society." Thesis, University of Macau, 2006. http://umaclib3.umac.mo/record=b1636796.

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6

Liew, Yoo Kiang. "Contemporary sociology of knowledge and social research." Thesis, University of Macau, 1990. http://umaclib3.umac.mo/record=b1636954.

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7

Zhou, Jian. "Contemporary Chinese readers' interpretation of Emily Bronte's Wuthering Heights." Thesis, University of Macau, 2007. http://umaclib3.umac.mo/record=b1780783.

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8

Chaplin, Robert Ian Chaplin, and ianchaplin@gmail com. "The Impact of Contemporary Tourism Development on Colonial Built Heritage: Case Study of the Portuguese Legacy in Macau, China." Flinders University. School of Cultural Tourism, 2007. http://catalogue.flinders.edu.au./local/adt/public/adt-SFU20080228.234110.

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Анотація:
The hypothesis put forward in this thesis is that tourism can be the agent for the sustainable conservation and development of the valuable legacy of colonial built heritage by capitalizing on its tangible and intangible assets. The key variable is the recognition of the intrinsic value of both iconic and non-iconic properties and sites that constitute the extrinsic value of the cultural attractions of the tourism destination. The research problem is concerned with assessing the impact of contemporary tourism development on these attractions and identifying the issues affecting preservation and realization of asset potential. The research aims to support the collaboration between tourism professionals and cultural heritage stakeholders committed to resolving issues and problems for the destination identified within the stages of the tourism destination's life cycle of evolution (Butler, 1980).
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9

Yang, Piao. "Materialitic perspectives on gift giving at contemporary Chinese weddings." Thesis, University of Macau, 2005. http://umaclib3.umac.mo/record=b1636269.

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10

韋明月. "當代澳門民眾戲劇先行者 : 周樹利 = The forerunner of contemporary Macau community theatre : Chow Shui Lee". Thesis, University of Macau, 2009. http://umaclib3.umac.mo/record=b2101715.

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11

張長美. "台資在中國大陸勞資關係分析". Thesis, University of Macau, 2005. http://umaclib3.umac.mo/record=b1637003.

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12

陳淑貞. "由公共政策制定及執行探討中國的環境保護政策 : 附廣東省環境保護政策作為個案分析". Thesis, University of Macau, 2003. http://umaclib3.umac.mo/record=b1636349.

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13

鄭洪光. "澳門特別行政區行政主導政策之由來與實踐". Thesis, University of Macau, 2003. http://umaclib3.umac.mo/record=b1636350.

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14

鄭健聰. "順德民營企業發展戰略研究". Thesis, University of Macau, 2003. http://umaclib3.umac.mo/record=b1636351.

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15

何美心. "中國殘疾政策研究 : 探討殘疾人士社區康復政策的社經效益". Thesis, University of Macau, 2001. http://umaclib3.umac.mo/record=b1636352.

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16

何佩華. "中國城鎮住房制度改革 : 上海個案分析". Thesis, University of Macau, 2002. http://umaclib3.umac.mo/record=b1636353.

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17

辜美玲. "從行政與政治之關係探討中國大陸與台灣的公務員制度". Thesis, University of Macau, 2001. http://umaclib3.umac.mo/record=b1636354.

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18

黎雄傑. "政治腐敗及其懲治 : 中國大陸、香港、澳門三地反貪反腐的比較研究 = The (political) corruption and its penalty : the comparison of the anti-corruption in China mainland, Hong Kong and Macau". Thesis, University of Macau, 2001. http://umaclib3.umac.mo/record=b1636355.

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19

林微笑. "國企產權轉變與中央和地方政府的相互關係研究". Thesis, University of Macau, 2003. http://umaclib3.umac.mo/record=b1636356.

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20

劉嘉菲. "中國分稅制改革與中央/地方政府互動的關係". Thesis, University of Macau, 2000. http://umaclib3.umac.mo/record=b1636357.

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21

李鳳霏. "分析興建珠海機場的決策過程". Thesis, University of Macau, 2002. http://umaclib3.umac.mo/record=b1636358.

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22

李偉農. "中國大陸行政監察體制的建構、運作及發展研究". Thesis, University of Macau, 2003. http://umaclib3.umac.mo/record=b1636359.

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23

梁穎斌. "中國全國人民代表大會制度改革之研究1978-1998年". Thesis, University of Macau, 2003. http://umaclib3.umac.mo/record=b1636360.

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24

盧玉泉. "論中國內地與澳門在刑事領域的司法協助". Thesis, University of Macau, 2002. http://umaclib3.umac.mo/record=b1636361.

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25

蘇仲文. "九零年代廣東省各地級市之間發展不平衡之成因分析". Thesis, University of Macau, 2003. http://umaclib3.umac.mo/record=b1636362.

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26

孫悅. "上海大學生的政治價值觀及相關因素分析". Thesis, University of Macau, 2000. http://umaclib3.umac.mo/record=b1636364.

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27

杜辰. "當前中國天津巿大學生的西方觀研究". Thesis, University of Macau, 2001. http://umaclib3.umac.mo/record=b1636365.

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28

尉東君. "中國 債轉股 政策研究". Thesis, University of Macau, 2003. http://umaclib3.umac.mo/record=b1636366.

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29

王炳榮. "東亞金融危機在中國發生的可能性". Thesis, University of Macau, 2003. http://umaclib3.umac.mo/record=b1636367.

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30

蘇熾明. "以"委托人--代理人--顧客"反貪模式分析中國的廉政建設". Thesis, University of Macau, 2000. http://umaclib3.umac.mo/record=b1636363.

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31

Wu, Jun Ye. "A study of contemporary issues of conflict between trade liberalization and protection of the environment with a specific reference to the position of developing and least developed contries." Thesis, University of Macau, 2005. http://umaclib3.umac.mo/record=b1637068.

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32

李昂. "論道家精神在余華小說中的顯現 : 以 活著 為個案 = Taoism and contemporary Chinese author Yu Hua's fictions : based on the case of To live". Thesis, University of Macau, 2009. http://umaclib3.umac.mo/record=b2101718.

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33

Harwood, Haupuru. "Characteristics of traditional and contemporary art and design on Auckland urban marae a thesis submitted in partial fulfilment of the requirements for the degree M.A [Master of Arts] (Art and Design), Auckland University of Technology, Te Waananga Aronui o Tamaki Makau Rau, 2003." Full thesis. Abstract, 2003. http://puka2.aut.ac.nz/ait/theses/HarwoodH.pdf.

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34

Kuan, Iu-Sio, and 余少君. "A Study on Publications of Contemporary Sinophone Literature in Macau." Thesis, 2014. http://ndltd.ncl.edu.tw/handle/01523600529980137968.

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35

HO, NGA-SZE, and 何雅詩. "Research on the Development of Contemporary Dance in Macao - A Case Study of Three Contemporary Dance Companies in Macao." Thesis, 2018. http://ndltd.ncl.edu.tw/handle/289c3f.

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Анотація:
碩士
國立臺灣藝術大學
藝術與人文教育研究所
106
Influenced by the globalization development, countries all over the world are devoting to develop their own distinctive cultural style in order to enhance competitiveness in the international arena, cultural and creative industry is becoming the emerging industry in many countries. Influenced by the global trend, the Macao SAR government determined the positioning, as well as the specific goal and working content of the policy of cultural and creative industry in 2014, setting four major domains of the industries—cultural exposition and performance, creative design, art collection, and digital media to be the direction for development. As one part of cultural exposition and performance, dance features with diversified social meaning and function. Moreover, there is no language barrier for dance. It should be the best medium for art and cultural exchange. However, dance development in Macao is lagged behind to a certain extent by neighboring areas such as Hong Kong, Taiwan, Singapore and the Philippines. To understand the development and current status of dance in Macao is crucial for making the attempt to change this dilemma. This research aims to make a study on the situation of dance education, talent cultivation, dance performances and classification of dance groups in Macao by collecting and consolidating the information related to dance in Macao. Three contemporary dance companies in Macao, namely Cloud Dragon Dance Company, Comuna de Pedra and Stella & Artists were then selected as the research objects. Through interviewing their core members or main choreographers, an in-depth understanding of the background, development path, creative style orientation, mode and trend of operation of the companies was obtained, and it helped to understand the strengths, weaknesses, opportunities and threats faced by contemporary dance companies in Macao. The research comes up to the following conclusion: There are 3 stages of development of contemporary dance in Macao: - 1st Stage – First appearance (1977–1989) - 2nd Stage – Planting flowers in barren (1990–2009) - 3rd Stage – Re-start of contemporary dance (2010–Present) Currently it cannot be said that the contemporary dance scene in Macao is booming, however, there are more dance companies participating, more activities to encourage new creations, as well as more opportunities to go out of Macao for exchange, At least, development is accelerating. Through the comprehensive analysis on the internal and external environment for contemporary dance companies in Macao, SO: Maxi-Maxi strategy should be adopted. Contemporary dance companies should persist to create and make use of the network resources of the artists in company to start collaboration projects with foreign dance companies or artists. Exchange can also be an opportunity for choreographers to enhance their creativeness and qualities, for dancers to progress, as well as a way to raise their enthusiasm and energy for involvement.
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