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Статті в журналах з теми "Consumer fetishism"
Sheehan, Rebecca. "Biker Boys, Muscle Cars, Hollywood Men." Film Studies 21, no. 1 (November 2019): 65–82. http://dx.doi.org/10.7227/fs.21.0006.
Повний текст джерелаCagle, Robert L. "Auto-Eroticism: Narcissism, Fetishism, and Consumer Culture." Cinema Journal 33, no. 4 (1994): 23. http://dx.doi.org/10.2307/1225897.
Повний текст джерелаBöhm, Steffen, and Aanka Batta. "Just doing it: enjoying commodity fetishism with Lacan." Organization 17, no. 3 (May 2010): 345–61. http://dx.doi.org/10.1177/1350508410363123.
Повний текст джерелаLee, Martyn. "Flights of Fancy: Academics and Consumer Culture." Media, Culture & Society 16, no. 3 (July 1994): 521–29. http://dx.doi.org/10.1177/016344379401600310.
Повний текст джерелаShumway, David R. "Fetishizing fetishism: Commodities, goods, and the meaning of consumer culture." Rethinking Marxism 12, no. 1 (March 2000): 1–15. http://dx.doi.org/10.1080/08935690009358989.
Повний текст джерелаBoström, Magnus, and Mikael Klintman. "Can we rely on ‘climate-friendly’ consumption?" Journal of Consumer Culture 19, no. 3 (July 12, 2017): 359–78. http://dx.doi.org/10.1177/1469540517717782.
Повний текст джерелаKim, Hyojin. "Japan’s 1980s Consumer Society and Girls’ Fetishism: Focusing on Girls’ Original Charms and Transmigration Girls Phenomena." Korean Journal of Japanese Dtudies 18 (February 15, 2018): 34–67. http://dx.doi.org/10.29154/ilbi.2018.18.034.
Повний текст джерелаSkotnicki, Tad. "Commodity Fetishism and Consumer Senses: Turn-of-the-Twentieth-Century Consumer Activism in the United States and England." Journal of Historical Sociology 30, no. 3 (November 11, 2015): 619–49. http://dx.doi.org/10.1111/johs.12114.
Повний текст джерелаDuncombe, Stephen. "It stands on its head: Commodity fetishism, consumer activism, and the strategic use of fantasy." Culture and Organization 18, no. 5 (December 2012): 359–75. http://dx.doi.org/10.1080/14759551.2012.733856.
Повний текст джерелаWilliams, Christine L., and Catherine Connell. "“Looking Good and Sounding Right”." Work and Occupations 37, no. 3 (August 2010): 349–77. http://dx.doi.org/10.1177/0730888410373744.
Повний текст джерелаДисертації з теми "Consumer fetishism"
Haylock, Bradley John, and brad@newethic org. "The Front Line is Everywhere: For a Critique of Radical Commodities." RMIT University. Global Studies, Social Science and Planning, 2007. http://adt.lib.rmit.edu.au/adt/public/adt-VIT20080213.095326.
Повний текст джерелаMadeira, Filho Magno de Lara [UNESP]. "Shopping center: consumo do espaço, cotidianidade e fetichismo." Universidade Estadual Paulista (UNESP), 2015. http://hdl.handle.net/11449/134293.
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Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)
A presente tese visa problematizar o lugar do shopping center no processo de produção do espaço, identificando, através de uma análise histórica, as metamorfoses e os novos sentidos adquiridos por essa forma espacial. Antes de se tornar um espaço comercial, o shopping é um relevante investimento imobiliário atrelado ao capital financeiro. Porém, mais que um espaço de consumo torna-se consumo do espaço preso ao tempo da cotidianidade, o que permite a tal forma comercial tornar-se um elemento concreto do processo de subjetivação engendrado pelo espaço produzido pela forma mercadoria, que, por sua vez, reproduz e amplia a mercantilização do urbano, permitindo a análise das relações sociais reificantes características de um momento histórico aonde os valores do consumo ganham centralidade na reprodução da sociedade urbana. A subjetivação realizada pela mercadoria espaço é iluminada com o conceito teórico e prático de fetichismo do espaço, capaz de determinar modos de uso do espaço engendrados pelo mercado, revelando comportamentos, modos de agir e de pensar produzidos com o intuito exclusivo de permitir a aceleração e reprodução do capital, assim como de reforçar os conteúdos capitalistas da cotidianidade imposta à sociedade urbana em constituição.
This thesis aims to discuss the place of the shopping mall in the space production process, identifying, through a historical analysis, the metamorphosis and the new meanings acquired by this spatial form. Before becoming a commercial space, the mall is a major real estate investment linked to financial capital. However, more than a consumption space it becomes a consumption of space stuck to the quotidian time, which allows such commercial form to become a concrete element of subjectivity process engendered by the space produced by the commodity form, which in turn reproduces and expands the commodification of the urban, allowing the analysis of reifying social relations characteristic of a historical moment where the consumption values gain centrality in the reproduction of urban society. The subjectivity held by the space commodity is illuminated with the theoretical and practical concept of fetishism of space, able to determine ways to use the space engendered by the market, revealing behaviors, ways of acting and thinking produced with the sole purpose of enabling the acceleration and reproduction of capital as well as to enhance the quotidian capitalist content imposed on the urban society in constitution.
FAPESP: 2012/08282-2
Souza, Mayra Cotta Cardozo de. "Produção e consumo de leis penais no capitalismo: o fetichismo da mercadoria." Universidade do Estado do Rio de Janeiro, 2012. http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=6298.
Повний текст джерелаThe dialectical historical process is accompanied not only the transformation of the normative content of the laws, but the transformation of their own legal form itself. As the organization of production will be developing more complex social relationships, the categories of law have also become more complex, increasingly autonomous and defined. Capitalism is a movement, as such, if you stop, can not sustain itself. If all the people staying at home, still without consuming, the system collapses, because the commodity needs to circulate. Also, the criminal justice system needs to produce punitive rules to keep, even though the circulation of them happen based only on their symbolic value. the production of criminal law reproduces the logic of commodity production, which, by means of fetishism, secretes the value of the use-value, enabling laws are created regardless of whether they are useful, but only to move and strengthen the structure punitive . Understanding the split between value and usefulness is essential to clarify the fetishism of the criminal provision, which manifests itself through the expansion of criminalization and increased penalties. As much as it has clear inefficiencies in the production of punitive laws to solve social problems, creation of new crimes is anchored in its value, separated from its practical usefulness.
Gaioli, Yheda Maria de Lanes. "Essência e aparência : uma análise do caráter fetichista das mercadorias /." Universidade Estadual Paulista (UNESP), 2017. http://hdl.handle.net/11449/152830.
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A dissertação tem como objetivo trazer uma análise acerca da categoria marxiana de fetichismo da mercadoria, enquanto crítica acerca da dinâmica do modo de produção capitalista, descrito por Marx com ênfase em O Capital. O estudo realizado busca uma análise acerca do desenvolvimento do fenômeno no atual estágio de acumulação capitalista bem como, seus rebatimentos às relações sociais entre pessoas. Partindo do acúmulo teórico já adquirido acerca da temática, através de pesquisa bibliográfica, defendo que no capitalismo não existe a possibilidade de que as pessoas tenham uma vida plena porque suas relações são transformadas. Para tanto, seria necessário pensarmos em outra forma de sociabilidade. Por isso, a dissertação busca trazer também a discussão acerca dos limites da ordem burguesa e a possibilidade história de superação. Neste sentido, tendo como pressuposto a analise marxiana de que os homens fazem historia, mas não como querem e sim sob as circunstâncias que lhes foram postas, na primeira parte trazemos elementos para se pensar a consolidação da sociedade burguesa e a importância da teoria no entendimento da realidade da qual somos partes atuantes. Na segunda parte, descrevemos o fetichismo da mercadoria enquanto resultado da sociedade capitalista, bem como um recente desdobramento do fenômeno, o fetichismo das imagens, analisando os rebatimentos desse fenômeno na realidade social. Por fim, discutimos os limites impostos pela sociedade capitalista à emancipação humana e dinâmica entre essência e aparência que se não entendida como totalidade, contribuem para o processo de falseamento da realidade.
The dissertation aims to bring an analysis of the marxian category of commodity fetishism as a critique of the dynamics of the capitalist mode of production described with emphasis by Marx in The Capital. The study seeks to analyze the development of the phenomenon in the current stage of capitalist accumulation as well as its refutations to social relations between people. Starting from the theoretical accumulation already acquired on the theme, through bibliographical research, I argue that in capitalism there is no possibility that people have a full life because their relationships are transformed. For that, it would be necessary to think of another form of sociability. Therefore, the dissertation seeks to bring also the discussion about the limits of the bourgeois order and its possibility of overcoming. In this sense, starting the Marxian analysis that men make history, not as they want, but under the circumstances that are put to them, in the first part we bring elements to think about the consolidation of bourgeois society and the importance of theory in understanding of the reality of which we are acting parties. In the second part we describe the fetishism of the commodity as a result of capitalist society, as well as a recent unfolding of the phenomenon, the fetishism of images, analyzing the refutations of this phenomenon in social reality. Finally, we discuss the limits imposed by capitalist society to human emancipation and the dynamics between essence and appearance, which, if not understood as totality, contributes to the process of falsifying reality.
Schweriner, Mário Ernesto René. "O CONSUMISMO E A DIMENSÃO ESPIRITUAL DAS MARCAS: UMA ANÁLISE CRÍTICA." Universidade Metodista de São Paulo, 2008. http://tede.metodista.br/jspui/handle/tede/459.
Повний текст джерелаThis thesis has the purpose to prove that, in the consumer society, consumerist individuals transcend their functional relation toward merchandises, trying to obtain, through prestige brands, a spiritual dimension that replaces or complement the traditional religious experiences, and that is fetished. Consumerism is a superlative of purchases, belongings and use, a dependence of non essential goods (superfluous) to satisfy endless desires. It is impossible to satisfy endless desires: therefore the expression transcendental goal of consumption, beyond the capacity to be achieved. The transcendental dimension of consumption, through the symbolism of merchandises potencialized by the prestige brands, give enchantment and sense to the individual, and fulfills the territory that belonged to the family, Church and community. The subject tries to obtain, with the brand-fetished merchandise, a satisfaction of his mimetic desire, and/or compensate absent or fragile values, which is strengthened by advertising. The ultimate meaning of life of materialistic individuals produces immediate effects which are positive for them as well for the economy, but in the future potentially negative for the planet, for the society, as well as for the individuals.
Esta tese objetiva comprovar que, na sociedade de consumo, indivíduos consumistas transcendem sua relação funcional com as mercadorias, buscando nas marcas de prestígio uma dimensão espiritual, que substitui ou complementa as experiências religiosas tradicionais, e que se revela fetichizada. O consumismo é superlativo de compras, posses e uso, uma dependência de bens não essenciais (supérfluos) para atender aos desejos sem fim. É impossível satisfazer a desejos sem fim: daí a expressão meta transcendental do consumo, posicionada além do alcance e da capacidade de atingi-la. A dimensão transcendente do consumo, por meio do simbolismo das mercadorias potencializado pelas marcas de prestígio, propicia encantamento e sentido ao indivíduo, e se presta a preencher o espaço outrora ocupado pela família, Igreja e comunidade. O sujeito busca, na mercadoria fetichizada pela marca, satisfazer seu desejo mimético, e/ou compensar valores frágeis ou ausentes, o que é reforçado pela propaganda. O sentido último da vida dos indivíduos materialistas produz efeitos imediatos que são positivos para eles e para a economia, mas potencialmente negativos mais à frente para o planeta, para sociedade e para os indivíduos.
Chang, Ching-Wen, and 張瀞文. "Consumer Culture And Fetishism — Ching–Wen Chang’s Art Thesis." Thesis, 2011. http://ndltd.ncl.edu.tw/handle/22906046633536697174.
Повний текст джерела國立臺灣藝術大學
版畫藝術研究所
99
The theme of this work mainly discusses “consumer culture and fetishism” from 2008 to 2011’s creation research, hoping to compare and analyze through relative references and theoretical books. By the mutual combination of observing the society and writers’ creating practice, it helps create the novel thoughts and enrich self artistic creation. There are five chapters in the thesis: Chapter I: Motive and purpose, scope of thesis, methods, and interpretation of words. Chapter II: Theoretical foundation. The first section states cultural anthropology, psychology, economics, postmodernism and so forth to briefly illustrate the theory of modern consumer culture. The second section discusses female’s fetishism. The third section goes from the idea of feminism, comparing the creating thinking of eastern and western women. Chapter III: Description of creating thoughts, contents, styles and skills. The first section is the discussion of fast-food consumption and fashion consumption as the creating ideas. The second section is creating content which shows the meaning of comic style and costume design in my works. The third section systematically arranges the works to find the meanings and roles in them through the combination of lines, styles, spaces, and colors. The forth section is the process of printmaking, stating detailed the application of materials and skills; for example, silk screen and techniques of foaming agent, etc. Chapter IV: Practice of creating series. There are four series of works; that is “Plan-M” series,“starlight ”series,“beauty-skin lover” series, and “fetishism”series. Chapter V: Conclusion. Introspect and examine whether the creation practice reach the goal or not, and self expectation for the future.
Kuo, Lin-Chuan, and 郭令權. "Delirious Pierrot -- The Consume Culture of Subjectivity Phenomenology Studies on Dissociation-type Paranoia-fetishism Syndrome Hysterical Confusion symbolist Bibliography." Thesis, 2002. http://ndltd.ncl.edu.tw/handle/02533534949765845095.
Повний текст джерела實踐大學
服裝設計研究所
91
Hysteria is often considered a reaction generated by body heat. Due to its nature of generating anxiety and excitement all over the body, it is often tightly associated with eroticism. Also, since it contains a sense of instability, making people experiencing anxiety, convulsion, and a unique kind of pain, it is often associated with madness. Early researches had often classified it as a feminine sickness related to uterine illness, which should be treated with medical care. However, it was later proved to be an assumption misled by ignorance. In actuality, a hysterical patient is a sensual individual, who possess an uncontrollable body and an insatiable desire so strong that disables the ability of restraining impulse, thus had been categorized as a sort of physical sickness caused by continuous stimulation. A patient''s Subconscious is the other side of his sensuality. This accumulative subconscious is making hysteria a "real" but also "fake" sickness, which may be taken as a sort of physical camouflage. Through people''s hysterical reaction towards products of established labels, symbolized images are no more than props of a theater called life. These products are telling stories of Contemporary City living. The process of making the consumption of social critique into elements of the cultural industry adapts fragments of master thinkers'' trend and label critique and transforms them into sensual messages or sources of expression. The complexity of consumerism not only materialize or alienates question, but also provide emotional and esthetic satisfaction. Consumption is just as important, or even more important, than production. In dealing with the discourses of the manipulation of cultural industry, the illusiveness of mass culture, the man-eating worship of consumer products, and the loss of people''s individuality, my concern is not gearing towards the cultural pathology or social criticism, but rather focused on how to consume without being bound to the ghostly mass consumerism, in order to build up a thinking logic that enables our creation of individualized images. This thesis attempts to transform inspiration and sensuality through different methods, not only committing a search on the functional aspect of everyday life in a literal level, but also re-interpreting spiritual inspiration. It is the attempt to illustrate traces of life through the spatial arrangement done by clothing, from 2D surface to 3D space, through all kinds of viewing method and imaginative thinking, to reveal the questing process of visual design as well as spiritual search. By doing so, we may have a chance to re-evaluate the human body and view it as an archeological subject, taking it as a measuring basis, and adapting various ways of evaluating methods to observe, document, arrange, record, and analyze the meaning of those messages, thus re-define garment within the framework of human body. By analyzing with an orderly thinking logic, de-composing human body into various elements, and adapting a diverse structure to establish a system of categorization. The concept of assemblage is replaced by a line up of partial elements, although the consistency of clothing should also be emphasized. Besides the layered sketching of outside contour in this discourse, I further adapt fabric and knitting, using bodily images as a starting point, to reveal the possibility of re-constructing human body as a space. Using human body as a medium to come up with a design solution which incorporate various, or even paradoxical materials, in order to come up with a conclusion that is both functional and full of theoretical logic.
Shih, Hsin-Cheng, and 施昕承. "The Shape of Fashion Fetishismus in the Consumer Society: A Study on Symbolism Applied to Illustration." Thesis, 2012. http://ndltd.ncl.edu.tw/handle/35327225488352080488.
Повний текст джерела銘傳大學
商業設計學系碩士班
100
This research base on the analysis of Fetishism, fashion and consumer culture in contemporary consumer society, in order to discuss the elements of Fetishism to proposed in the works of this research. In the literature of chapter two, the author discusses Fetishism, fashion and consumer culture by Documentary Analysis, and researches Symbolism of panting in Europe in 19th. Those conclusions are going to be the content for Case Study. Also, the author is going to discuss the art style and the thought of Kuo Wei-Kuo(1960-), Ishida Tetusya(1973-2005) and Mark Ryden(1963-) by Case Study, and explored these in the works of the research. The works are created by Oil Painting, and proposed in Illustration. There are ten works: What we have???, The Shape Of Winner, We Are On The Same Way, The Fur Also Packs A Subject, My Dear, Heart To Heart, Marie Antoinette’s Apple, Life Source, Dancing Queen, The Train Named Desire.
Книги з теми "Consumer fetishism"
The codes of advertising: Fetishism and the political economy of meaning in the consumer society. London: F. Pinter, 1987.
Знайти повний текст джерелаThe codes of advertising: Fetishism and the political economy of meaning in the consumer society. London: Routledge, 1990.
Знайти повний текст джерелаThe codes of advertising: Fetishism and the political economy of meaning in the consumer society. New York: St. Martin's Press, 1987.
Знайти повний текст джерелаFontenelle, Isleide Arruda. O nome da marca: McDonald's, fetichismo e cultura descartável. São Paulo, SP: Fapesp, 2002.
Знайти повний текст джерелаFrom Hegel to Madonna: Towards a general economy of "commodity fetishism". Albany: State University of New York Press, 1998.
Знайти повний текст джерелаCodes of Advertising: Fetishism and the Political Economy of Meaning in the Consumer Society. Taylor & Francis Group, 2016.
Знайти повний текст джерелаCodes of Advertising: Fetishism and the Political Economy of Meaning in the Consumer Society. Taylor & Francis Group, 2014.
Знайти повний текст джерелаCodes of Advertising: Fetishism and the Political Economy of Meaning in the Consumer Society. Taylor & Francis Group, 2014.
Знайти повний текст джерелаCodes of Advertising: Fetishism and the Political Economy of Meaning in the Consumer Society. Taylor & Francis Group, 2014.
Знайти повний текст джерелаCodes of Advertising: Fetishism and the Political Economy of Meaning in the Consumer Society. Taylor & Francis Group, 2014.
Знайти повний текст джерелаЧастини книг з теми "Consumer fetishism"
Holm, Nicholas. "Advertising commodities and commodity fetishism." In Advertising and Consumer Society, 93–116. London: Macmillan Education UK, 2017. http://dx.doi.org/10.1057/978-1-137-47175-8_5.
Повний текст джерела"Consumer Fetishism and the Violence of the Gaze:." In THE ECONOMICS OF FANTASY, 92–119. Ohio State University Press, 2021. http://dx.doi.org/10.2307/j.ctv1cmsn37.8.
Повний текст джерелаMorgan, Francesca. "Chosen Kin versus Genetic Fetishism." In A Nation of Descendants, 162–80. University of North Carolina Press, 2021. http://dx.doi.org/10.5149/northcarolina/9781469664781.003.0008.
Повний текст джерелаBlake, Linnie. "Consumed out of the Good Land: The American Zombie, Geopolitics and the Post-War World." In American Gothic Culture. Edinburgh University Press, 2016. http://dx.doi.org/10.3366/edinburgh/9781474401616.003.0013.
Повний текст джерелаMitchell, Arthur M. "Fetishism of the West in Tanizaki Jun’ichirō’s A Fool’s Love." In Disruptions of Daily Life, 53–100. Cornell University Press, 2020. http://dx.doi.org/10.7591/cornell/9781501752919.003.0002.
Повний текст джерела"Consumer culture and new media: commodity fetishism in the digital era: Matthew P. McAllister." In Media Perspectives for the 21st Century, 162–78. Routledge, 2011. http://dx.doi.org/10.4324/9780203834077-18.
Повний текст джерела"Compr(om)ising commodities in consumer culture: fetishism, aesthetics, and authenticity JOHN F . SHERRY , J R." In Brands, 368–79. Routledge, 2014. http://dx.doi.org/10.4324/9781315765808-28.
Повний текст джерелаChen, Chris. "Rereading Race and Commodity Form in Erica Hunt’s Piece Logic." In Reading Experimental Writing, 99–122. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9781474440387.003.0005.
Повний текст джерелаDoğan, Mustafa. "Can Be Solidarity Paradigm a Catalyst for the Sustainability of Tourism?" In Heritage - New Paradigm [Working Title]. IntechOpen, 2021. http://dx.doi.org/10.5772/intechopen.98992.
Повний текст джерелаBhattacharya, Sreedeep. "The Afterlife of Things." In Consumerist Encounters, 208–25. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190125561.003.0009.
Повний текст джерела