Дисертації з теми "Conserving Intangible Cultural Heritage"
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McSharry, Carolyn Heather. "Conserving tangible and intangible cultural heritage : cleaning degraded East Asian lacquer." Thesis, Imperial College London, 2009. http://hdl.handle.net/10044/1/5528.
Повний текст джерелаNicolson, Kenneth N. "Conserving Hong Kong's heritage cultural landscapes." Click to view the E-thesis via HKUTO, 2005. http://sunzi.lib.hku.hk/hkuto/record/B32045219.
Повний текст джерелаJennings, Theresa. "Leaving school and intangible cultural heritage." Thesis, Curtin University, 2015. http://hdl.handle.net/20.500.11937/2512.
Повний текст джерелаCarvalho, Ana, and Filipe Themudo Barata. "Portuguese legislation on intangible cultural heritage and inventories." Bachelor's thesis, Mar de Culturas, 2008. http://hdl.handle.net/10174/8972.
Повний текст джерелаOllinen, Carin, and Filip Streiffert. "Concerning Conserving." Thesis, Malmö universitet, Fakulteten för kultur och samhälle (KS), 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-21541.
Повний текст джерелаWhat is it in old industrial environments that fascinates us? Is there a value in preservingrusty doors, worn facades and cracked asphalt where the grass penetrates? We want toinvestigate how different preservation strategies affect design transformations in urbanharbour areas. With the help of literature and interviews, we examine conservation basedon antiquarian- and aesthetic points of departure. The place we chose as a study object isthe Varvsstaden area in Malmö, which is currently undergoing a major transformation,where the old industrial environment is adapted to new urban uses.Our analysis show that the term conservation entails different expectations among variousstakeholders in the urban development process, and that it is therefore meaningful toextend the discussion about the concept.
Kok, Chui-wah Ranee, and 郭翠華. "Qipao: living and evolving tangible and intangible cultural heritage." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2012. http://hub.hku.hk/bib/B48345052.
Повний текст джерелаpublished_or_final_version
Conservation
Master
Master of Science in Conservation
Wu, Sarina. "Ethnopolitics and intangible cultural heritage in Inner Mongolia, China." Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:ad67c504-0ddd-42c3-9624-16330fef982e.
Повний текст джерелаBlakely, Megan Rae. "Intellectual property and intangible cultural heritage in Celtic-derived countries." Thesis, University of Glasgow, 2018. http://theses.gla.ac.uk/30838/.
Повний текст джерелаStefano, Michelle. ""Outside Museum Walls : Safeguarding Intangible Cultural Heritage In North East England"." Thesis, University of Newcastle upon Tyne, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.525059.
Повний текст джерелаGiglitto, Danilo. "Using wikis for intangible cultural heritage in Scotland : suitability and empowerment." Thesis, University of Aberdeen, 2017. http://digitool.abdn.ac.uk:80/webclient/DeliveryManager?pid=231768.
Повний текст джерелаLuehrsen, Virginia Kay. "Reading between the lines| Recognizing intangible heritage in the library." Thesis, Indiana University, 2013. http://pqdtopen.proquest.com/#viewpdf?dispub=1547840.
Повний текст джерелаWithin the world of library collection and preservation, the focus has historically been on the dual preservation of physical form and intellectual knowledge as represented through symbols (text), images, metadata, and organization of information. Certainly, the philosophy of the library to "enhance learning and ensure access to information for all" (ALA 2008) is paramount in directing resources and collection development in response to the needs of the user community. However, research and educational material may be found beyond the explicit materiality of books and the text they contain; understanding and recognizing spiritual and cultural properties implicitly located within certain library materials may provide additional fields of research, as well as learning and collaboration opportunities. Using adjunct literature within the field of museum studies and ethnography, this paper proposes to discuss how simultaneous recognition of intangible and tangible properties of certain objects is relevant to the library. The special collections library is perhaps the best place where such considerations can be made - it is a library dedicated to preserving not only copies of each work, but variant copies whose tangible and intangible properties may vary from one another - though some examples may apply to academic or public libraries as well. The scope of this undertaking will include a discussion of the adjunct and related literature from the museum world, identification of books, or types of books that have spiritual or cultural values to be considered, collection of cultural or religious viewpoints related to identified materials from members of one of those communities that create or use these items (Buddhist), and discussion of how such findings can inform the ongoing operations of special collections libraries and their mission as cultural memory institutions.
Sarashima, S. "Intangible cultural heritage in Japan : Bingata, a traditional dyed textile from Okinawa." Thesis, University College London (University of London), 2013. http://discovery.ucl.ac.uk/1388906/.
Повний текст джерелаHui, Fung-yi Polly. "Collective interpretation the public perception of Statue Square as an intangible heritage /." Click to view the E-thesis via HKUTO, 2007. http://sunzi.lib.hku.hk/hkuto/record/B42219607.
Повний текст джерелаDondolo, Luvuyo. "Intangible heritage: the production of post-apartheid memorial complexes." Thesis, University of Fort Hare, 2015. http://hdl.handle.net/10353/3044.
Повний текст джерелаHui, Fung-yi Polly, and 許鳳怡. "Collective interpretation: the public perception of Statue Square as an intangible heritage." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2007. http://hub.hku.hk/bib/B42219607.
Повний текст джерелаDeubel, Tara F. "Conserving cultural heritage with microcredit: A case study of the Dogon Culture Bank in Fombori, Mali." Thesis, The University of Arizona, 2003. http://hdl.handle.net/10150/278802.
Повний текст джерелаCrowe, Stuart. "Strengthening the intergenerational transmission of Intangible Cultural Heritage within a Noongar Kinship group." Thesis, Curtin University, 2018. http://hdl.handle.net/20.500.11937/59728.
Повний текст джерелаChan, Chi-yau, and 陳智柔. "Safeguarding intangible cultural heritage in Hong Kong: a lesson to learn from Cantonese opera." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2012. http://hub.hku.hk/bib/B4834428X.
Повний текст джерелаpublished_or_final_version
Conservation
Master
Master of Science in Conservation
He, Xinying, and 何欣縈. "Tradition vs. authenticity : the intangible cultural heritage of the Nianli Festival at Zaohu temple." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2014. http://hdl.handle.net/10722/208073.
Повний текст джерелаpublished_or_final_version
Conservation
Master
Master of Science in Conservation
Grobbelaar, Leon. "New Royal Theatre : the Marabi Theatre as locus for cultural reproduction." Diss., University of Pretoria, 2011. http://hdl.handle.net/2263/29697.
Повний текст джерелаDissertation (MArch(Prof))--University of Pretoria, 2011.
Architecture
unrestricted
Zhuo, Jing. "Intangible cultural heritage in the People's Republic of China : the example of the Miao nationality." Thesis, University of Macau, 2011. http://umaclib3.umac.mo/record=b2291554.
Повний текст джерелаSomocurcio, Holguin Maria de los Angeles. "Centro Cultural de Danzas Folklóricas en Cusco." Bachelor's thesis, Universidad Peruana de Ciencias Aplicadas (UPC), 2020. http://hdl.handle.net/10757/652360.
Повний текст джерелаThe present work analyzes the culture of Cusco and its immaterial manifestations to propose an improvement in the dissemination and development of its customs. Peruvian folklore is very vast and Cusco is home to a large part of its cultural manifestations such as folk dances. During the investigation of the needs and the problems of the city, the deficit of the cultural infrastructure becomes latent before a high demand for local and foreign users. In addition to a lack of interest towards the local population, giving greater importance to tourism and causing a loss of typical dances. In response to this need and the support of the Ministry of culture, a Cultural Center of Folk Dances is proposed for the city of Cusco. The objective of the project is to rethink the cultural dynamics of the city, giving them a new approach that focuses on the local user, their needs, and customs. Through a contextual architecture approach, which takes the modular patterns of its urban and cultural context as references for applications in architectural design. Furthermore, functionally it seeks a privileged location in the urban context to serve as an articulating element. As well as its connection with a cultural axis in the city and the supply of roads and educational and institutional centers. Taking as a starting point the criteria of the place, its relevance as it is located in a heritage city and with the aim of indicators the wealth and value of folk dances.
Trabajo de investigación
Wa, Chi U., and 華梓如. "Culture that is good to eat: the almond cake as an intangible cultural heritage of Macau." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2013. http://hub.hku.hk/bib/B50716384.
Повний текст джерелаLeeming, David. "Social Representations of Taukuka: A social knowledge approach to the preservation of Bellonese intangible cultural heritage." Thesis, Malmö högskola, Fakulteten för kultur och samhälle (KS), 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-22634.
Повний текст джерелаBin, Hasbollah H. R. "A theoretical framework for conserving cultural values of heritage buildings in Malaysia from the perspective of facilities management." Thesis, University of Salford, 2014. http://usir.salford.ac.uk/31934/.
Повний текст джерелаChan, Tin-kuen Anthony. "Parade for the queen safeguarding the intangible heritage of the Tin Hau Sea Ritual in Leung Shuen Wan, Sai Kung /." Click to view the E-thesis via HKUTO, 2006. http://sunzi.lib.hku.hk/hkuto/record/B42182694.
Повний текст джерелаPan, Bingbing, Yanni Shizhou, and Carl Crone. "Preserving Intangible Cultural Heritage to Facilitate a Transition towards Sustainability : A Case Study of Tibet's Tourism Industry." Thesis, Blekinge Tekniska Högskola, Avdelningen för maskinteknik, 2007. http://urn.kb.se/resolve?urn=urn:nbn:se:bth-3052.
Повний текст джерела郭淑儀 and Suk-yee Eva Kwok. "The last village: cultural memories of the tangible and intangible heritage of Pokfulam Village on Hong KongIsland." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2008. http://hub.hku.hk/bib/B4218907X.
Повний текст джерелаDe, Finis Serena. "Service design for cultural intangible heritage: tra conoscenza dell’architettura contemporanea e turismo sostenibile il caso di Matosinhos." Master's thesis, Alma Mater Studiorum - Università di Bologna, 2022.
Знайти повний текст джерелаWong, Kwok-hing Dominic. "Sustaining the intangible cultural heritage the traditions of Yue Lan Festival in the redevelopment of Ngau Tau Kok Estate /." Click to view the E-thesis via HKUTO, 2004. http://sunzi.lib.hku.hk/hkuto/record/B31473878.
Повний текст джерелаChan, Tin-kuen Anthony, and 陳天權. "Parade for the queen: safeguarding the intangible heritage of the Tin Hau Sea Ritual in Leung Shuen Wan, SaiKung." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2006. http://hub.hku.hk/bib/B42182694.
Повний текст джерелаWong, Kwok-hing Dominic, and 王國興. "Sustaining the intangible cultural heritage: the traditions of Yue Lan Festival in the redevelopment of Ngau TauKok Estate." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2004. http://hub.hku.hk/bib/B31473878.
Повний текст джерелаKwok, Suk-yee Eva. "The last village cultural memories of the tangible and intangible heritage of Pokfulam Village on Hong Kong Island /." Click to view the E-thesis via HKUTO, 2008. http://sunzi.lib.hku.hk/hkuto/record/B4218907X.
Повний текст джерелаGagliani, Gabriele. "International Investment Law and the Tangible and Intangible Aspects of Cultural Heritage : Substantive Discipline and Dispute Settlement Interactions." Thesis, Université Paris-Saclay (ComUE), 2017. http://www.theses.fr/2017SACLN012.
Повний текст джерелаThe relationship between international investment law and cultural heritage has commanded little attention and only recently. Certainly, international investment law has become one of the most prominent branches of international law. Its development has been strictly connected to the soaring growth of bilateral treaties on the promotion and protection of foreign investment and free trade agreements with foreign investment chapters. n turn, the status and place of cultural heritage under international law has grown, significantly progressing from some provisions included in international humanitarian conventions on the protection of heritage during armed conflicts. In light of the few studies existing on the subject of this thesis, which have in general concluded that conflictual and ambiguous relations exist between international investment law and cultural heritage, this thesis proposes to analyze this relation from both the substantive and dispute settlement standpoints. The idea that the relation between foreign investment and cultural heritage, regulated in different ways and ‘intensities’ by international law, could be positive was a general premise for all the research. Indeed, among investments, foreign investments have a great importance in a moment of economic crisis and difficulty in finding appropriate resources to safeguard heritage. Investments are hence vital for culture. The researches and analyses carried out for the thesis have shown that investment treaties often contain a number of provisions concerning culture and cultural heritage. With regard to international disputes, investment disputes have involved or touched upon different cultural forms and expressions: from UNESCO sites to cultural industries, to lieux de mémoire and indigenous communities’ heritage. Further, quite surprisingly, the international rules protecting foreign investors have sometimes been invoked, or resorted to, by subjects that had invested specifically in cultural ‘resources’ or to protect economic activities based on indigenous communities’ culture. The studies and researches carried out for this thesis have made it possible to reach and demonstrate a number of conclusions. First, the researches carried out have demonstrated that foreign investments are necessary to protect, safeguard, preserve and promote any form of cultural expression, and a strong interaction exists between the international regulation of foreign investments and cultural heritage. It has thus been shown that there exists a symbiotic relationship between international investment law and cultural heritage. Second, it has been possible to prove that, within international culture and cultural heritage law, there exists a ‘legitimate space’ for international investment law. Symmetrically, international investment arbitration can represent a valid cultural dispute settlement mechanism. Lastly, it is possible to assert that merging international rules on foreign investments and international rules on culture or cultural heritage can lead to create, or support the existence of, a more transparent, legitimate and rule-of-law-based system. In the light of all these considerations, the research, analysis and reflection carried out for the thesis has demonstrated how positive the relation between international investment law and cultural heritage can be fro states and the society. This, without denying any potentially negative effect. One might hope that the results obtained allow to adapt any practice in the field of culture. The protection of cultural heritage can indeed be strongly enhanced through the regulation of foreign investment
Carvalho, Ana Alexandra Rodrigues. "Os museus e o património cultural imaterial: Estratégias para o desenvolvimento de boa práticas." Master's thesis, Universidade de Évora, 2009. http://hdl.handle.net/10174/18979.
Повний текст джерелаRocha, Raquel Peres. "Patrimônio cultural imaterial de Itaituba/Pará." Pontifícia Universidade Católica de Goiás, 2018. http://tede2.pucgoias.edu.br:8080/handle/tede/3897.
Повний текст джерелаMade available in DSpace on 2018-02-23T12:40:52Z (GMT). No. of bitstreams: 1 RAQUEL PERES ROCHA.pdf: 2666227 bytes, checksum: 67c072e8adeede5a11eb0903f76b841d (MD5) Previous issue date: 2018-02-08
This research aims to describe and understand the intangible cultural heritage of the municipality of Itaituba, a city located in the interior of Pará, represented by the festivals of Açaí, Buriti and Pisces Piau and Aracu. It is hoped to collaborate in the strengthening of these patrimony, as well as to understand the historical and cultural construction of the municipality. In dealing with the different knowledge and practices of food preparation, legends, rites and rituals present in these festivals, we seek to obtain subsidies to understand the relationship between the food of the Amazonian peoples and the indigenous culture, as well as the influence of the Northeastern and African cuisine in the Paraense cuisine, and since these have become essential elements to the gastronomic festivals of the Amazon region. Therefore, the study was developed seeking to understand the importance of these festivals for the culture of Itaituba and region as well as its role in preserving and strengthening the identity of the population. The work was based on the qualitative analysis to work with the bibliographic reference, data collected and produced in the field, with the intention of achieving the best results through the interpretation of the information listed in the course of the investigation. It was used the phenomenologicalhermeneutic approach where subject and object are integrated in the world, seeking to rescue the subject and the understanding of things, as a way of approaching the essence of phenomena, for this was carried out the "dense description" of these patrimonies, with the intention to establish a greater understanding of the festivals and the cultural traditions present in them. The foundation was based on concepts related to culture, immaterial cultural heritage, identities, memories, as well as historiographic data of the place studied, which puts it in line with the research line of the Master's Program in History of PUC Goiás, called Identities, Traditions and Territorialities.
A presente pesquisa tem o propósito de descrever e compreender os patrimônios culturas imateriais do município de Itaituba, cidade localizada no interior do Pará, representados pelos festivais, do Açaí, Buriti e dos Peixes Piau e Aracu. Espera-se colaborar no fortalecimento destes patrimônios, assim como entender a construção histórica e cultural do município. Ao tratar dos saberes e fazeres diferenciados de preparação dos alimentos, das lendas, dos ritos e dos rituais presentes nestes festivais procura-se obter subsídios para entender a relação da alimentação dos povos amazônicos com a cultura indígena, assim como a influência da cultura nordestina e africana na culinária paraense e, como essas tornaram-se elementos essenciais aos festivais gastronômicas da região amazônica. Para tanto, o estudo se desenvolveu buscando entender a importância destes festivais para a cultura de Itaituba e região bem como seu papel na preservação e fortalecimento da identidade da população. O trabalho baseou-se na análise qualitativa para trabalhar com o referencial bibliográfico, dados coletados e produzidos em campo, com o intuito de alcançar os melhores resultados através da interpretação das informações arroladas no desenrolar da investigação. Foi utilizada a abordagem fenomenológica– hermenêutica onde sujeito e objeto estão integrados no mundo, buscando resgatar o sujeito e a compreensão das coisas, como forma de aproximar das essências dos fenômenos, para isso foi realizada a “descrição densa” desses patrimônios, com o intuito de estabelecer uma maior compreensão dos festivais e das tradições culturais presentes neles. A fundamentação pautou-se em conceitos relacionados à cultura, patrimônio cultural imaterial, identidades, memórias, além de dados historiográficos do local estudado, o que a coloca em sintonia com a linha de pesquisa do Programa de Mestrado em História da PUC Goiás, denominada de Identidades, Tradições e Territorialidades.
Beardslee, Thomas Barone. "Questioning Safeguarding: Heritage and Capabilities at the Jemaa el Fnaa." The Ohio State University, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=osu1397570320.
Повний текст джерелаYang, Chen. "Representation and authenticity of historic landscapes in Australia and China." Thesis, Queensland University of Technology, 2015. https://eprints.qut.edu.au/83479/1/Chen_Yang_Thesis.pdf.
Повний текст джерелаCorá, Maria Amelia Jundurian. "Do material ao imaterial: patrimônios culturais do Brasil." Pontifícia Universidade Católica de São Paulo, 2011. http://tede2.pucsp.br/handle/handle/2263.
Повний текст джерелаCoordenação de Aperfeiçoamento de Pessoal de Nível Superior
Created in 2000, the Programa Nacional do Patrimônio Imaterial (PNPI) National Program of Intangible Heritage established a new form of state action related to Brazilian intangible heritages. Executed by Instituto Nacional do Patrimônio Nacional (Iphan), the program innovates by extending its object of heritage, by proposing the registration process for intangible cultural heritage and the development of safeguarding plans to determine the actions to be undertaken. The central problem is based on the following questions: a) what were the progresses and limitations of the Programa Nacional do Patrimônio Imaterial (National Program of Intangible Heritage); b) how its establishment has impacted on the Brazilian cultural policy and the dynamics of cultural property registered as Patrimônios Culturais do Brasil (Cultural Heritage of Brazil)? Based on these questions, this research aims at understand how was the process of implementation of PNPI. The research is based on the analysis of procedures for registration and documents provided by Iphan on its website, supplemented by interviews with Iphan technicians, cultural intermediaries and holders of registered cultural property. It was observed that despite its progress, the program still needs to publicize its procedures and purposes, as well as to increase its human and financial resources to meet the demands created by the program itself. In the context of the holders of cultural property, was noticed that those who obtained record make use of the title Cultural Heritage of Brazil to achieve specific benefits such as access to social rights, the possibility of generating employment and income, partnerships, brokering with other public officials, etc. That is because the title gave greater visibility to the registered holders of cultural practices, enabling better articulation of them
Criado em 2000, o Programa Nacional do Patrimônio Imaterial (PNPI) estabeleceu uma nova forma de atuação do Estado em relação aos patrimônios imateriais brasileiros. Executado pelo Instituto Nacional do Patrimônio Nacional (Iphan), o programa inova ao ampliar seu objeto de patrimonialização, propondo o processo de registro de bens culturais imateriais e a elaboração de planos de salvaguarda para determinar as ações a serem realizadas. O problema central baseia-se nas seguintes indagações: a) quais foram os avanços e as limitações do Programa Nacional do Patrimônio Imaterial; b) como sua implantação impactou na política cultural brasileira e na dinâmica dos bens culturais registrados como Patrimônios Culturais do Brasil? Partindo desses questionamentos, esta pesquisa tem como objetivo geral compreender como se deu o processo de implantação do PNPI. A pesquisa é fundamentada na análise dos processos de registro e dos documentos disponibilizados pelo Iphan em seu sítio eletrônico, complementada pelas entrevistas realizadas com técnicos do Iphan, intermediários culturais e detentores dos bens culturais registrados. Observou-se que apesar dos avanços o programa ainda precisa publicizar seus procedimentos e finalidades, além de aumentar seus recursos humanos e financeiros para atender às demandas criadas pelo próprio programa. No âmbito dos detentores dos bens culturais, o que se percebeu foi que aqueles que obtiveram registro fazem uso do título de Patrimônio Cultural do Brasil para alcançar benefícios pontuais como acesso aos direitos sociais, possibilidade de geração de trabalho e renda, formação de parcerias, intermediação com outros agentes públicos etc. Isso porque o título proporcionou uma visibilidade maior para os detentores das práticas culturais registradas, possibilitando uma maior articulação dos mesmos. Palavras chave: Iphan, Patrimônio imaterial, Programa Nacional Patrimônio Imaterial, Patrimônio Cultural do Brasil
Liang, Mingguang. "Ethnic intangible cultural heritage dissemination on digital platforms-examing media literacy as a mediated factor among Tujia people in Mainland China." Doctoral thesis, Universitat Autònoma de Barcelona, 2019. http://hdl.handle.net/10803/668012.
Повний текст джерелаWith the rapid development of social media, artificial intelligence and virtual reality technologies, ICH preservation and communication have ushered in unprecedented opportunities. However, new issues have been emerged on how the ICH owners use digital platforms to disseminate or inherit their culture, especially in ethnic minority. This study explores on how Tujia ethnic group disseminate their ethnic ICH on digital platforms from the perspective of media literacy. This study uses mixed method with sequential design, SPSS 22 and NVivo 12 used for analyzing the data that form survey. At the first phaste study,online questionnaire used for collecting data in Tujia areas, at the second phase study,online and face to face interview conducted with 10 Tujia people. Findings indicate that (1) Holistic media literacy of Tujia ethnic group is medium,ML levels are not significant different according to genders, the difference are significant according to job status, age and education levels;(2) Holistic level of Tujia ethnic group in disseminating ethnic ICH on digital platforms is medium as well,differences in levels of disseminating Tujia ethnic ICH on digital platforms are significant according to genders, job status, age and education levels;(3) High correlations exist between ML and levels of ethnic ICH dissemination on digital platforms of Tujia ethnic group;(4) In holistic ,the higher in media literacy, the better levels in disseminating ethnic ICH on digital platforms of Tujia ethnic group,from the perspectives of ciritcal understanding skills and communications skills,the results show that the higher in ciritcal understanding and communications skills, the better in disseminating ethnic ICH on digital platfroms as well,whereas,media use skills is opposite. Finally, this study has found out a new way for how to work in ICH digitalization in digital era, and specifically provides a reference for ICH professional institutions to think about on what levels people are able to use the ICH digital platforms and how to use it while develop various ICH digital case.
Braga, Geslline Giovana. "A capoeira da roda, da ginga no registro e da mandinga na salvaguarda." Universidade de São Paulo, 2017. http://www.teses.usp.br/teses/disponiveis/8/8134/tde-24102017-192923/.
Повний текст джерелаThe Intangible Heritage Policy in Brazil was instituted in 2000. Since then, intangible assets have been registered as intangible cultural heritage and the state is responsible for ensuring their safeguarding, ensuring continuity, fruition and sustainability.Capoeira Circle and the Craft Master of Capoeira were declared as Intangible Cultural Heritage of Brazil in 2008, by the Institute of National Historical and Artistic Heritage (IPHAN). As it is provided in the heritage policies, safeguarding actions were carried out.In 2012, these actions were decentralized to Iphan\'s state superintendencies. In 2014, Capoeira Circle was inscribed by Unesco - United Nations Educational, Scientific and Cultural Organization - as Intangible Cultural Heritage of Humanity.Public controversies of recent years between State and Capoeira, present theoretical questions for anthropology and heritage policies. The objectives of this thesis are to understand how capoeiristas conceptualize the term heritage, how they semanticize the registry and what they expect from the actions of safeguarding. Through the multisituated ethnography and from the actions of the CGSPR (Capoeira Safeguarding Committee) in Paraná, I conducted field research at Capoeira events, places where safeguarding actions were designed and carried out, as exchanges of knowledge and affections between capoeiras, between Iphan and Capoeira. The thesis is divided into two parts, as a way of reassembling a Circle, the first part is the registry, the second is the safeguarding, meaning to demonstrate the specificities of each of the instruments of patrimonialization, as complementary in their intentions. The registry is analyzed from the oral reports of the craft master of Capoeira, documents made available by Iphan and the bibliography of capoeiristas. The safeguarding is described from the actions of the CGSCPR. In the traces of the thesis it is revealed how the capoeiristas semantize the registry by means of its previous trajectories with the state and its \"memories unlived\" of the slavery and the criminalization. And, they expect from the patrimonialization action, reason and recognition in the form of rights. In connoting the concept of safeguarding, the masters consider that Capoeira was already safeguarded in the 20th Century, while the masters morrem à mingua (to die without assistance). Therefore, safeguarding is expected to these present Mestres.
Wong, Chee Meng [Verfasser], and Marie-Theres [Akademischer Betreuer] Albert. "Intangible cultural heritage of dance as medium for intercultural dialogue : culture assimilator reinterpreted / Chee Meng Wong. Betreuer: Marie-Theres Albert." Cottbus : Universitätsbibliothek der BTU Cottbus, 2013. http://d-nb.info/1045604119/34.
Повний текст джерелаVelner, Olga. "Fenomén dudáctví v Čechách a možnost jeho zápisu na Reprezentativní seznam nemateriálního kulturního dědictví lidstva UNESCO." Master's thesis, Vysoká škola ekonomická v Praze, 2014. http://www.nusl.cz/ntk/nusl-193552.
Повний текст джерела秦建文 and Kin-man Tsin. "The sustainability of a cultural link: the Sunbeam Theatre : searching for a strategy for conserving privately-owned built heritage in Hong Kong." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2006. http://hub.hku.hk/bib/B42181793.
Повний текст джерелаTsin, Kin-man. "The sustainability of a cultural link the Sunbeam Theatre : searching for a strategy for conserving privately-owned built heritage in Hong Kong /." Click to view the E-thesis via HKUTO, 2006. http://sunzi.lib.hku.hk/hkuto/record/B42181793.
Повний текст джерелаSoncini, Luana. "Política de patrimônio cultural imaterial na América Latina: análise dos processos de identificação e registro no Brasil e no México." Universidade de São Paulo, 2012. http://www.teses.usp.br/teses/disponiveis/84/84131/tde-12072012-155540/.
Повний текст джерелаFor about one decade the notion of Intangible Cultural Heritage is being incorporated within the cultural heritage policies by the Latin American states, and also in an international context, from the Convention for the Safeguarding of the Intangible Cultural Heritage (UNESCO, 2003). In this thesis the experiences of identification and registry of this category of heritage in Brazil and Mexico are analysed, by means of an appreciation of official documents produced within this policy, the Registry Dossiers (Dossiês de registro) made in Brazil and Mexican Inventory of Intangible Heritage (Inventario del Patrimonio Inmaterial). Based on the history of the cultural policies and the relationship between State and popular culture, it is considered that this kind of acknowledgment has specific characteristics in Latin America, setting the potentialities and challenges of the implementation of such politics in this context. Begining by this concern and the analysis of the mentioned documents, two related thematic axes were defined, which guided the comparison between Brazil and Mexico. The first of them refer to the deployment of the widening of the notion of culture, which characterizes this type of cultural heritage, to the heritage policies of these countries. It is verified that such widening results in the incorporation of social tensions, equally broad, within the universe of concern of this area of state intervention. The second axis privilege questions related to the process of attribution of value to cultural manifestations, practices and expressions as heritage. There has been identified the politization of this kind of acknowledgement, as far as it means to corroborate officially the values previously attributed to such heritage in its production context. In this sense, as of the official documentation an analysis is developed about the process of negociation of criteria and concepts of valuing, as well as the legitimacy of collective beings, State anda other groups of holders of cultural heritage in its recognition process.
Nässén, Sara. "Slow Food for thought: food as cultural heritage expressed in the Slow Food movement’s external communication." Thesis, Malmö högskola, Fakulteten för kultur och samhälle (KS), 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-22585.
Повний текст джерелаXue, Asan. "Religion, Heritage, and Power: Everyday Life in Contemporary China." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2014. https://ro.ecu.edu.au/theses/1417.
Повний текст джерелаPortström, Sofia. "Fäbodbruk - “Det magiska mötet mellan natur och kultur” : En fenomenografisk studie om fäbodbruk ur brukarnas perspektiv." Thesis, Södertörns högskola, Miljövetenskap, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-38014.
Повний текст джерелаFäbodbruk bidrar såväl med kulturhistoriska värden som med positiva effekter på den biologiska mångfalden. Bilden av vad dagens fäbodbruk innebär varierar dock och ingen allmän definition finns. I och med bristen på definition uppstår en konflikt: Bör fäbodbruket bevaras för dess kulturhistoriska värde genom att det ska se ut precis som förr, eller ska det bevaras för dess värde för den biologiska mångfalden? Idag är det myndigheternas bild av fäbodbruk som styr vilka fäbodar och värden som beviljas ekonomiskt stöd. Detta innebär att fäbodbruket riskerar att definieras och utvecklas utifrån myndigheternas bild, inte av den bild brukarna själva har som är baserad på historisk och bevarandevärd kunskap. Syftet med denna studie är således att belysa fäbodbruket som företeelse och som verksamhet utifrån brukarens perspektiv. För att få fram den bild fäbodbrukarna själva har av fäbodbruk används en fenomenografisk metod för att analysera intervjuer av fäbodbrukare med varierande bakgrund och verksamhet. Studiens resultat påvisar att dagens fäbodbruk varierar vad gäller verksamhetens utformning. Den gemensamma nämnaren är att det rör sig om småskalig djurhållning där sommarbetet sker på utmarkerna bortom hemgården dit brukaren flyttar med djuren på sommaren. Fäbodbruk är inget som traditionellt sett är något som gett en ekonomisk vinning och knappast heller ger idag. Fäbodbrukarna är snarare eldsjälar som tror på ett högre syfte kring det de gör. Avsaknandet av definition är något som påverkar dem först vid kontakt med myndigheter av vilka de möts av okunskap. Brukarna anser att fäbodbruket har ett kulturhistoriskt värde men att fäbodbruket även hör till framtiden i och med en ökande miljömedvetenhet och klimatförändringar.
Biologiskt kulturarv som hållbar värdeskapare
Yang, Liaoran, and 杨了然. "Boon or bane?: changes in the Yi Fan Festivalof the Chinese Mulam minority after its designation as a national-level intangible cultural heritage." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2013. http://hub.hku.hk/bib/B50716426.
Повний текст джерелаpublished_or_final_version
Conservation
Master
Master of Science in Conservation