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Статті в журналах з теми "Colonialisme et ethnologie":
Keller, Thomas. "Kolonialpolitik, kolonialistische Diskurse und Ethnologie." Revue d’Allemagne et des pays de langue allemande 38, no. 4 (2006): 509–24. http://dx.doi.org/10.3406/reval.2006.5911.
Mabon, Armelle. "Solidarité nationale et captivité coloniale." French Colonial History 12 (May 1, 2011): 193–207. http://dx.doi.org/10.2307/41938216.
Pondopoulo, Anna. "L'Image Des Peul Dans L'Oeuvre Du General Faidherbe." History in Africa 23 (January 1996): 279–99. http://dx.doi.org/10.2307/3171944.
Wosu, Kalu. "Prophetie et structure de l’intrigue dans le Roman Africain d’expression Française: Le cas de l’etrange destin de Wangrin d’Amadou Hampate ba." AFRREV LALIGENS: An International Journal of Language, Literature and Gender Studies 9, no. 1 (April 28, 2020): 142–50. http://dx.doi.org/10.4314/laligens.v9i1.13.
Maldavsky, Aliocha. "Financiar la cristiandad hispanoamericana. Inversiones laicas en las instituciones religiosas en los Andes (s. XVI y XVII)." Vínculos de Historia. Revista del Departamento de Historia de la Universidad de Castilla-La Mancha, no. 8 (June 20, 2019): 114. http://dx.doi.org/10.18239/vdh_2019.08.06.
Marcheva, Marta. "The Networked Diaspora: Bulgarian Migrants on Facebook." M/C Journal 14, no. 2 (November 17, 2010). http://dx.doi.org/10.5204/mcj.323.
Дисертації з теми "Colonialisme et ethnologie":
Tai, Li-Chuan. "L'ethnologie française entre colonialisme et décolonisation (1920-1960)." Paris, EHESS, 2001. http://www.theses.fr/2001EHES0068.
Delpérié, Laurence. "Valorisation linguistique, tourisme et reconnaissance(s). Une approche sociolinguistique critique en contexte autochtone : le cas de la communauté de Mashteuiatsh au Québec." Electronic Thesis or Diss., Université Grenoble Alpes, 2023. http://www.theses.fr/2023GRALL031.
Drawing on a collaborative ethnographic research conducted between 2017 and 2019 with the Pekuakamiulnuatsh First Nation (Mashteuiatsh, Quebec, Canada), this doctoral thesis examines the processes and strategies for the promotion of nehlueun, the ancestral language of the Pekuakamiulnuatsh, in the context of Mashteuiatsh touristic activities. The aim of this sociolinguistic study is to explore, from a critical, ethnographic, and materialistic perspective, the socio-political, economic, ideological, and identity stakes of language value production within the realm of Indigenous tourism, connecting it with issues of colonialism and linguistic reclamation.Like other Indigenous peoples in Canada and beyond, the Pekuakamiulnuatsh began their journey towards self-determination and governmental autonomy in the 1970s, following the global movements for the recognition of indigenous rights. Engaged in a process of political recognition, the Pekuakamiulnuatsh have had to objectify the criteria establishing their identity as a distinct people, as well as position themselves as economic partners to interact with the State. In this context, nehlueun emerged in Pekuakamiulnuatsh political discourse as an identity symbol and a central tool in the First Nation's political and cultural affirmation, undergoing sustained collective mobilization for its reclamation since the mid-1980s. Parallel to this, the Pekuakamiulnuatsh have developed a touristic sector to demystify and share ilnu culture, thus asserting their cultural recognition through the economic market. By creating a space for the valorization of ilnu cultural resources, tourism in Mashteuiatsh has gradually evolved as an alternative site for the valorization of nehlueun for some community stakeholders, seeing it as a testament to identity and collective authenticity. This newfound inclusion of a locally-reclaimed indigenous language on the market sparks debates and presents challenges, reflecting both the tensions arising from the language's status and the position of certain (neo)speakers within the community, as well as tensions posed by economic market valuation logics, rooted in forms of commodification and perceptions of linguistic and cultural authenticity linked to nation-states.By analyzing the discourses and strategies of tourism and reclamation stakeholders, regional tourist associations, and tourists regarding the value of nehlueun, the analyses of this research account for the significance of raciolinguistic categorizations, cultural hegemony, and Eurocentric linguistic ideologies in the symbolic and economic (de)valorization processes of nehlueun. The analyses show that indigenous tourism actors negotiate both their autonomy and the value of their linguistic resources and identities in continuous dialogue – confrontation or alignment – with these ideologies.This research offers a contribution to the understanding of the coloniality of processes of linguistic (de)valorization as well as raciolinguistic dynamics in the realm of tourism, especially in Indigenous tourism, a field hitherto scarcely explored by sociolinguistics. It also lays the groundwork for considering the intricate implementation of a collaborative and decolonial ethnographic sociolinguistics and the sociolinguist's role within such a framework
Malzner, Sonja. "La représentation des africains dans les relations de voyage pluri-médiatiques européennes du début du vingtième siècle." Thesis, Université de Lorraine, 2012. http://www.theses.fr/2012LORR0350.
The interest of this PhD-thesis originates from the conjunction of two important questions, the first one being that of representation of Africans in literature - and especially in travel literature and in photos. The thesis aims to show that the representation of the "other" is not always as fixed and as clear as one might think. Parting from different theories of the perception of the "other", we aim to show that the representation of the "other" in these illustrated travel books is very often ambiguous. The second is a question of communication and deals with the combined usage of different types of media (text, photographs, drawings, layout, peritexte (Gérard Genette). It originates thus from intermediality. The work aims to clarify the role of these different types of media in respect to the representation of Africans. Does the combination of these different types of media draw a picture of Africans which is different from that depicted in the text or in the image on its own? It is interesting to look at the added value which might be achieved by the combination of these elements. Does the added value arise from newly created dimensions which could not have been achieved by any one form of media on their own?
Perrot, Mathieu. "Poésie et ethnographie : des marges du surréalisme à la Beat Generation (autour de Michaux, Césaire et Ginsberg)." Thesis, Paris 10, 2017. http://www.theses.fr/2017PA100060.
That thesis examines the influence of anthropology on the poetics of Henri Michaux, Aimé Césaire and Allen Ginsberg. In studying their writing methods, I question their poetic insights and the limits of their observations to “translate a world” so far and different from “ours.” Surrealist and Beat poets shared common ethical and political views with many ethnographers, placing value on cultures (and cultural margins) often denigrated by industrialized western countries. Like ethnographers, poets work with metaphors and documents to interpret their experience and understanding of the world. Their interest in (and parodies of) ethnography not only propose a healthy way to criticize ethnographers’ ambitions, but also can help us understand each other’s cultures: poetic license and relative brevity of form sometimes reveal accurately or more vividly a cultural pattern that researchers struggle to explain. In the midst of an interconnected world where cultural misunderstandings escalate frequently and sometimes violently, poetry can help us gain or cultivate an awareness of social and cultural prejudice, and at the same time reveal the beauty in things once thought to be irrelevant, ignoble, or even despicable
Freitas-Fernandes, Aurélien. "Le Concert Party hier et aujourd’hui en Afrique de l’ouest : une enquête de terrain (évolution histoire, question dramaturgiques, enjeux esthétiques et sociologiques)." Electronic Thesis or Diss., Paris 3, 2023. http://www.theses.fr/2023PA030030.
This thesis in Theatre Studies, accompanied by a scientific documentary film, is based on a historical and anthropological field study that aims to understand the dramaturgical and sociological issues of a genre of musical cabaret theatre called the Concert Party. From its origins during the colonial period to the present day, the Concert Party has been an extremely popular and subversive artistic movement in West Africa. Produced in the vernacular (Twi, Ewe, Mina...), associated with highlife music and relying on highly coded disguises, make-up and dramaturgy, the shows are still performed in the maquis of the large and medium-sized cities of the West African coast and derisively enjoy turning colonial and racist representations on their head while resisting cultural alienation and political powers. Born in 1930 in the Gold Coast (now Ghana), the genre was exported to its neighbouring country Togo in 1965 after independence. However, the genre's fate in these two countries was very different, without losing its subversive force. The research, which focuses on the history and mutations of the genre up to its present day, is based on research undertaken during several visits to Ghana and Togo, as well as on field experiences from the inside. It was carried out, among other things, by immersion in the Azé Kokovivina Concert Band, Togo's last great concert party company, created in 1985. This also made it possible to collect archives, testimonies and video traces in the form of a scientific report
Choplin, Cédric. "La représentation des peuples exotiques et des missions dans Feiz ha Breiz (1865-1884)." Phd thesis, Université Rennes 2, 2009. http://tel.archives-ouvertes.fr/tel-00370510.
Книги з теми "Colonialisme et ethnologie":
Bellagamba, Alice. Ethnographie, histoire, et colonialisme en Gambie. Paris: L'Harmattan, 2002.
Nicholas, Thomas. Colonialism's culture: Anthropology, travel, and government. Princeton, N.J: Princeton University Press, 1994.
1952-, Edwards Elizabeth, Gosden Chris 1955-, and Phillips Ruth B. 1945-, eds. Sensible objects: Colonialism, museums, and material culture. Oxford: Berg, 2006.
Edwards, Elizabeth, Ruth Phillips, and Chris Gosden. Sensible Objects: Colonialism, Museums and Material Culture. Taylor & Francis Group, 2020.
Edwards, Elizabeth, Ruth Phillips, and Chris Gosden. Sensible Objects: Colonialism, Museums and Material Culture. Taylor & Francis Group, 2020.
Edwards, Elizabeth, Ruth Phillips, and Chris Gosden. Sensible Objects: Colonialism, Museums and Material Culture. Taylor & Francis Group, 2020.
Edwards, Elizabeth, Ruth Phillips, and Chris Gosden. Sensible Objects: Colonialism, Museums and Material Culture. Taylor & Francis Group, 2020.
(Editor), Elizabeth Edwards, Chris Gosden (Editor), and Ruth Phillips (Editor), eds. Sensible Objects: Colonialism, Museums and Material Culture (Wenner-Gren International Symposium Series). Berg Publishers, 2006.
Частини книг з теми "Colonialisme et ethnologie":
Hamery, Roxane. "Les films sur l’art d’Afrique noire : entre colonialisme, ethnologie et histoire de l’art France/Belgique (1945-1961)." In Le film sur l’art, 69–84. Presses universitaires de Rennes, 2015. http://dx.doi.org/10.4000/books.pur.76701.