Статті в журналах з теми "Chinese performing arts organisation"

Щоб переглянути інші типи публікацій з цієї теми, перейдіть за посиланням: Chinese performing arts organisation.

Оформте джерело за APA, MLA, Chicago, Harvard та іншими стилями

Оберіть тип джерела:

Ознайомтеся з топ-50 статей у журналах для дослідження на тему "Chinese performing arts organisation".

Біля кожної праці в переліку літератури доступна кнопка «Додати до бібліографії». Скористайтеся нею – і ми автоматично оформимо бібліографічне посилання на обрану працю в потрібному вам стилі цитування: APA, MLA, «Гарвард», «Чикаго», «Ванкувер» тощо.

Також ви можете завантажити повний текст наукової публікації у форматі «.pdf» та прочитати онлайн анотацію до роботи, якщо відповідні параметри наявні в метаданих.

Переглядайте статті в журналах для різних дисциплін та оформлюйте правильно вашу бібліографію.

1

Hui, Huang, and Yanying Lu. "Interactions of cultural identity and turn-taking organisation." Chinese Language and Discourse 4, no. 2 (December 31, 2013): 229–52. http://dx.doi.org/10.1075/cld.4.2.03hua.

Повний текст джерела
Анотація:
Conversation Analysis (CA) has been used to reveal cultural groups with which an individual identifies him- or herself as interactants are found to practice identity group categories in discourse. In this study, a CA approach — the organisation of turn-taking in particular — was adopted to explore how a senior Chinese immigrant in Australia perceived her own identity through naturally occurring conversations with two local secondary school students, one being a non-Chinese-background English monolingual and the other a Chinese-background Cantonese-English bilingual. How the senior initiated and allocated her turns in four conversations is taken to reflect the way in which she perceived herself and her relationship with her interlocutor(s). The findings suggest that the senior’s cultural identity is not static but emerging and constructed in the conversations with her interlocutors over interactive activities. As such, this study contributes to our understanding of the nature of identity and the role of conversational interaction in negotiating cultural identities.
Стилі APA, Harvard, Vancouver, ISO та ін.
2

Rentschler, Ruth, Jennifer Radbourne, Rodney Carr, and John Rickard. "Relationship marketing, audience retention and performing arts organisation viability." International Journal of Nonprofit and Voluntary Sector Marketing 7, no. 2 (May 2002): 118–30. http://dx.doi.org/10.1002/nvsm.173.

Повний текст джерела
Стилі APA, Harvard, Vancouver, ISO та ін.
3

Levi S. Gibbs. "Faces of Tradition in Chinese Performing Arts." Journal of Folklore Research 55, no. 1 (2018): 1. http://dx.doi.org/10.2979/jfolkrese.55.1.01.

Повний текст джерела
Стилі APA, Harvard, Vancouver, ISO та ін.
4

Lee, Joanna C. "Faces of Tradition in Chinese Performing Arts." Journal of American Folklore 135, no. 535 (January 1, 2022): 111–13. http://dx.doi.org/10.5406/15351882.135.535.14.

Повний текст джерела
Стилі APA, Harvard, Vancouver, ISO та ін.
5

Leidy, Denise P., Wai-fong Anita Siu, and James C. Y. Watt. "Chinese Decorative Arts." Metropolitan Museum of Art Bulletin 55, no. 1 (1997): 1. http://dx.doi.org/10.2307/3269222.

Повний текст джерела
Стилі APA, Harvard, Vancouver, ISO та ін.
6

Weinstock, Michael. "Self-organisation and material constructions." Architectural Design 76, no. 2 (2006): 34–41. http://dx.doi.org/10.1002/ad.238.

Повний текст джерела
Стилі APA, Harvard, Vancouver, ISO та ін.
7

Vardy, Sam. "Spatial agency: tactics of self-organisation." Architectural Research Quarterly 13, no. 2 (June 2009): 133–40. http://dx.doi.org/10.1017/s1359135509990224.

Повний текст джерела
Анотація:
This paper sets out to introduce the notion of self-organisation in spatial, social and political terms, as a form of spatial agency in response to issues of subjectivity and the politics of urban space. Self-organisation – a complex notion, with multiple and sometimes contradictory meanings and implications – has gained increased relevance in contemporary political and urban discourses. In this sense, self-organisation can be understood as ‘a collective process of taking on political functions and addressing tasks that have been excluded from the field of real politics or pushed out of public space’. This reading is representative of the view taken here, particularly in its (perhaps unintentional) conflation of the political and the spatial. Indeed, the political functions that it speaks of are also, for this paper, spatial functions; and the field of politics, is also the field of architecture and urban planning.
Стилі APA, Harvard, Vancouver, ISO та ін.
8

Ballé, Catherine. "Musées, changement et organisation." Culture & Musées 2, no. 1 (2003): 17–33. http://dx.doi.org/10.3406/pumus.2003.1176.

Повний текст джерела
Стилі APA, Harvard, Vancouver, ISO та ін.
9

Eidelman, Jacqueline, Anne Monjaret, and Mélanie Roustan. "MAAO, mémoire d'une organisation." Culture & Musées 2, no. 1 (2003): 101–27. http://dx.doi.org/10.3406/pumus.2003.1180.

Повний текст джерела
Стилі APA, Harvard, Vancouver, ISO та ін.
10

Hensel, Michael. "Computing self-organisation: environmentally sensitive growth modelling." Architectural Design 76, no. 2 (2006): 12–17. http://dx.doi.org/10.1002/ad.235.

Повний текст джерела
Стилі APA, Harvard, Vancouver, ISO та ін.
11

Kuo, Jason C., James Cahill, Julia K. Murray, Kathlyn Maureen Liscomb, Claudia Brown, and Ju-hsi Chou. "Chinese Painting." Art Journal 54, no. 2 (1995): 97. http://dx.doi.org/10.2307/777469.

Повний текст джерела
Стилі APA, Harvard, Vancouver, ISO та ін.
12

Weinstock, Michael. "Self-organisation and the structural dynamics of plants." Architectural Design 76, no. 2 (2006): 26–33. http://dx.doi.org/10.1002/ad.237.

Повний текст джерела
Стилі APA, Harvard, Vancouver, ISO та ін.
13

Frîncu, Raluca. "Die Nachbarschaft: Ein Muster gesellschaftlicher Organisation." Annales Universitatis Apulensis Series Historica 23, no. 2 (December 15, 2019): 9–45. http://dx.doi.org/10.29302/auash.2019.23.2.2.

Повний текст джерела
Стилі APA, Harvard, Vancouver, ISO та ін.
14

Peacock, David. "Creative Performance Arts Degree Courses." British Journal of Music Education 4, no. 1 (March 1987): 71–80. http://dx.doi.org/10.1017/s0265051700005738.

Повний текст джерела
Анотація:
Young musicians wishing to study music in higher education now have a variety of options open to them. One of these, a relatively recent development, is Creative/Performing Arts degree courses, where students can study music in an interdisciplinary setting. This article sets out to trace the emergence of such courses and to present in a descriptive and informative way their philosophy, admissions procedures, general principles of organisation, curricular content and approach, assessment policies and graduate employment possibilities.
Стилі APA, Harvard, Vancouver, ISO та ін.
15

Berrebi, Sophie. "Goats, Lamb, Veal, Breast: Strategies of Organisation in Zoe Leonard’sAnalogue." Afterall: A Journal of Art, Context and Enquiry 25 (September 2010): 30–37. http://dx.doi.org/10.1086/657460.

Повний текст джерела
Стилі APA, Harvard, Vancouver, ISO та ін.
16

Ackermann, Bronwen J. "Health literacy and health promotion challenges in performing arts medicine." Medical Problems of Performing Artists 34, no. 1 (March 1, 2019): 61–62. http://dx.doi.org/10.21091/mppa.2019.1001.

Повний текст джерела
Анотація:
In recent years, the role of health literacy in determining appropriate attitudes and behaviours to health has received extensive attention. According to the World Health Organisation, health literacy refers to the ability of individuals to access, understand, and use information in ways which promote and maintain good health for themselves, their families, and their communities. It has been increasingly recognised that this information should be tailored to the specific needs of the community (e.g., performing artists) to empower them to take an active role in improving their own health outcomes. One concern recognised for well over a decade now has been the challenge for non-health-trained individuals to recognise what is reliable when searching through the highly variable sources of “health information” published on the internet.
Стилі APA, Harvard, Vancouver, ISO та ін.
17

Caillet, Elisabeth. "Profession et organisation : le cas paradoxal des arts plastiques." Culture & Musées 2, no. 1 (2003): 53–76. http://dx.doi.org/10.3406/pumus.2003.1178.

Повний текст джерела
Стилі APA, Harvard, Vancouver, ISO та ін.
18

Lee, Tong Soon. "Chinese Theatre, Confucianism, and Nationalism: Amateur Chinese Opera Tradition in Singapore." Asian Theatre Journal 24, no. 2 (2007): 397–421. http://dx.doi.org/10.1353/atj.2007.0036.

Повний текст джерела
Стилі APA, Harvard, Vancouver, ISO та ін.
19

Sun, Shaoyi. "Chinese-language film or Chinese cinema? Review of an ongoing debate in the Chinese mainland." Journal of Chinese Cinemas 10, no. 1 (January 2, 2016): 61–66. http://dx.doi.org/10.1080/17508061.2016.1139803.

Повний текст джерела
Стилі APA, Harvard, Vancouver, ISO та ін.
20

Wallis, Jillian. "LESSONS FROM VILLAWOOD: The Importance of Spatial Organisation in Urban Housing." Architectural Theory Review 2, no. 2 (November 1997): 41–66. http://dx.doi.org/10.1080/13264829709478318.

Повний текст джерела
Стилі APA, Harvard, Vancouver, ISO та ін.
21

Xiaodong, Li. "Implications of Chinese architectural education in contemporary Chinese architecture." Journal of Architecture 8, no. 3 (January 2003): 303–20. http://dx.doi.org/10.1080/1360236032000134817.

Повний текст джерела
Стилі APA, Harvard, Vancouver, ISO та ін.
22

Yan, Haiping 颜海平. "My Dream: The Intermedial Turn in Contemporary Chinese Performing Arts." diacritics 41, no. 2 (2013): 32–57. http://dx.doi.org/10.1353/dia.2013.0011.

Повний текст джерела
Стилі APA, Harvard, Vancouver, ISO та ін.
23

Luo, Jianxin. "Chinese Painting and Traditional Chinese Culture." International Journal for Innovation Education and Research 3, no. 5 (May 31, 2015): 176–81. http://dx.doi.org/10.31686/ijier.vol3.iss5.373.

Повний текст джерела
Анотація:
Having gone through many generations of inheritance and development, Chinese paintings have become world′s artistic and cultural treasure. Chinese culture has influenced the world for thousands of years with its art, philosophy, technology, food, medicine and performing arts. In this article, it is discussed that painting and calligraphy is from fountain, between the traditional culture and traditional art, which impresses the soul of the Chinese traditional culture.
Стилі APA, Harvard, Vancouver, ISO та ін.
24

Poon, Wena. ": Chinese Box . Wayne Wang ." Film Quarterly 52, no. 1 (October 1998): 31–34. http://dx.doi.org/10.1525/fq.1998.52.1.04a00050.

Повний текст джерела
Стилі APA, Harvard, Vancouver, ISO та ін.
25

García, Sandra Fernández, and Francisco Sánchez Valle. "‘Informal Infrastructure’ of Prototyping: Practicing Organisation by Performing Materiality." Somatechnics 12, no. 3 (December 2022): 162–84. http://dx.doi.org/10.3366/soma.2022.0386.

Повний текст джерела
Анотація:
In recent years, sheltered by the so-called ‘ontological turn’ in the social sciences, organisational analysis has paid special attention to artefacts. Nevertheless, there is still a dominant account grounded in a dichotomist view of the subject-object relationship either in teleological (mind-body) or in hylomorfic (form-matter) terms when analysing organising practices. On the contrary, our argument is based on non-dualistic approaches in an attempt to foreground relational aspects of practices. From a practice-based approach, the article addresses the role of three ‘prototypes’ aimed at the management of the ‘air’ by citizenship, in the re-configuration of bodies, technics and ethical-political engagement. Specifically, it focuses on the normative dimensions of organising by which knowledges, materials and values converge in the open-ended process of prototyping. The argument is deployed by relying on qualitative research based on multi-sited ethnographic fieldwork, developed both at different workshops and by online ethnography. The main aim of the article is to show how bodies and artefacts are mutually in/trans/formed when negotiating the social implications for the ontological category of ‘air’. In doing so, the concept of ‘informal infrastructure’ is proposed to account for those practices (which appear somewhat contingent, mundane or, at best, taken for granted) by which agents do not only commit to a particular ethical implication embedded in the category of ‘air’, as a symbolic result, but also to distinctive ways of practicing organisation as a political process of performing materiality. To this end, adopting the analytical concept of ‘informal infrastructure’ allows to simultaneously consider both the formal and informal aspects that emerge in these collaboration-driven practices, as well as to address their effects on the maintenance within and expansion into other networks.
Стилі APA, Harvard, Vancouver, ISO та ін.
26

Corbeiller, Clare Le, and Alice Cooney Frelinghuysen. "Chinese Export Porcelain." Metropolitan Museum of Art Bulletin 60, no. 3 (2003): 1. http://dx.doi.org/10.2307/3269266.

Повний текст джерела
Стилі APA, Harvard, Vancouver, ISO та ін.
27

O’Kane, Paul. "Chinese Whispers." Third Text 23, no. 2 (March 2009): 211–12. http://dx.doi.org/10.1080/09528820902840722.

Повний текст джерела
Стилі APA, Harvard, Vancouver, ISO та ін.
28

Wang, Cindy, Goh Su-Lynn, Ashley Chen, and Ho-Chien Su. "From Chinese Aesthetics to Art and Design: Bringing Chinese Aesthetics in Chinese Ink Paintings into Product Design." International Journal of Designed Objects 14, no. 2 (2020): 19–31. http://dx.doi.org/10.18848/2325-1379/cgp/v14i02/19-31.

Повний текст джерела
Стилі APA, Harvard, Vancouver, ISO та ін.
29

Doecker, Georg. "“Out, and under, and out, and out.” Self-(Dis-)Organisation and the Stories of Libertatia." Performance Philosophy 4, no. 2 (February 1, 2019): 546–63. http://dx.doi.org/10.21476/pp.2019.42241.

Повний текст джерела
Анотація:
Recent socio-political developments in the experimental performing arts scenes from Europe have seen a strong commitment to the practices of self-organisation and their liberating impetus. Responding to the experimental nature of many such activities with a likewise experimental theoretical enquiry, this paper invests in an interpretation of self-organising principles from anarchism, cybernetics, and vitalist materialism through the fictional narrative of the pirate utopia Libertatia. The argument thus developed is that the liberating potentials of self-organisation can be located precisely in its inherent tendency toward self-dis-organisation.
Стилі APA, Harvard, Vancouver, ISO та ін.
30

Strahan, Donna. "Color in Ancient Chinese Bronzes." West 86th: A Journal of Decorative Arts, Design History, and Material Culture 28, no. 2 (September 1, 2021): 327–31. http://dx.doi.org/10.1086/721216.

Повний текст джерела
Стилі APA, Harvard, Vancouver, ISO та ін.
31

Carson, Diane. "Chinese Film: Sources and Resources." Cinema Journal 34, no. 4 (1995): 83. http://dx.doi.org/10.2307/1225581.

Повний текст джерела
Стилі APA, Harvard, Vancouver, ISO та ін.
32

Van Zile, Judy. "Chinese Dance: A Bicentennial Project." Dance Research Journal 22, no. 1 (1990): 54–55. http://dx.doi.org/10.1017/s0149767700011049.

Повний текст джерела
Стилі APA, Harvard, Vancouver, ISO та ін.
33

Aufderheide, Patricia. "Chinese Documentaries at IDFA 2015." Film Quarterly 69, no. 4 (2016): 92–97. http://dx.doi.org/10.1525/fq.2016.69.4.92.

Повний текст джерела
Стилі APA, Harvard, Vancouver, ISO та ін.
34

Rorex, Robert Albright, Wen C. Fong, Richard Vinograd, and R. Stewart Johnston. "Chinese Painting, Calligraphy, and Gardens." Art Journal 52, no. 4 (1993): 98. http://dx.doi.org/10.2307/777642.

Повний текст джерела
Стилі APA, Harvard, Vancouver, ISO та ін.
35

Whyte, Iain Boyd. "Editorial: Chinese Art and Translation." Art in Translation 5, no. 2 (June 2013): 163–64. http://dx.doi.org/10.2752/175613113x13623999736455.

Повний текст джерела
Стилі APA, Harvard, Vancouver, ISO та ін.
36

Ruru, Li. "Chinese Traditional Theatre and Shakespeare." Asian Theatre Journal 5, no. 1 (1988): 38. http://dx.doi.org/10.2307/1124021.

Повний текст джерела
Стилі APA, Harvard, Vancouver, ISO та ін.
37

Clunas, Craig. "Chinese Art and Chinese Artists in France (1924-1925)." Arts asiatiques 44, no. 1 (1989): 100–106. http://dx.doi.org/10.3406/arasi.1989.1262.

Повний текст джерела
Стилі APA, Harvard, Vancouver, ISO та ін.
38

Paul, John Steven. "Misreading the Chinese Character: Images of the Chinese in Euroamerican Drama to 1925 (review)." Asian Theatre Journal 18, no. 1 (2001): 117–19. http://dx.doi.org/10.1353/atj.2001.0006.

Повний текст джерела
Стилі APA, Harvard, Vancouver, ISO та ін.
39

Liu, Siyuan. "Performing Gender at the Beginning of Modern Chinese Theatre." TDR/The Drama Review 53, no. 2 (June 2009): 35–50. http://dx.doi.org/10.1162/dram.2009.53.2.35.

Повний текст джерела
Анотація:
In the early twentieth century, female impersonators in Japan's first Western-style theatre, shinpa (new school drama), employed gender performance conventions based on kabuki onnagata and European melodramatic techniques. Shinpa performers influenced the performance of gender in early Chinese spoken drama. Chinese student actors emulated shinpa conventions in Tokyo and popularized them in Shanghai in the 1910s, where they were accepted as being accurate enactments of modern women.
Стилі APA, Harvard, Vancouver, ISO та ін.
40

de Almeida, Gabriel Guarino. "Humanity and animality in Chinese martial arts." Theatre, Dance and Performance Training 13, no. 3 (July 3, 2022): 482–95. http://dx.doi.org/10.1080/19443927.2022.2045516.

Повний текст джерела
Стилі APA, Harvard, Vancouver, ISO та ін.
41

Martin-Jones, David, and David H. Fleming. "Deleuze and Chinese Cinemas." Journal of Chinese Cinemas 8, no. 2 (May 4, 2014): 93–98. http://dx.doi.org/10.1080/17508061.2014.915559.

Повний текст джерела
Стилі APA, Harvard, Vancouver, ISO та ін.
42

Leung, Helen Hok-Sze. "Unthinking: Chinese • Cinema • Criticism." Journal of Chinese Cinemas 1, no. 1 (January 2006): 71–73. http://dx.doi.org/10.1386/jcc.1.1.71_7.

Повний текст джерела
Стилі APA, Harvard, Vancouver, ISO та ін.
43

Silbergeld, Jerome. "Chinese Concepts of Old Age and Their Role in Chinese Painting, Painting Theory, and Criticism." Art Journal 46, no. 2 (1987): 103. http://dx.doi.org/10.2307/776887.

Повний текст джерела
Стилі APA, Harvard, Vancouver, ISO та ін.
44

Zavoleas, Yannis, and Mark Taylor. "Patterns and Spatial Organisation: Culture, History and Future Perspectives." Nexus Network Journal 23, no. 1 (February 13, 2021): 1–4. http://dx.doi.org/10.1007/s00004-021-00548-x.

Повний текст джерела
Стилі APA, Harvard, Vancouver, ISO та ін.
45

Schreg, Rainer. "Farmsteads in early medieval Germany – architecture and organisation." Arqueología de la Arquitectura, no. 9 (April 10, 2013): 247–65. http://dx.doi.org/10.3989/arqarqt.2012.11608.

Повний текст джерела
Стилі APA, Harvard, Vancouver, ISO та ін.
46

Poon, Wena. "Review: Chinese Box by Wayne Wang." Film Quarterly 52, no. 1 (1998): 31–34. http://dx.doi.org/10.2307/1213356.

Повний текст джерела
Стилі APA, Harvard, Vancouver, ISO та ін.
47

Yingjin Zhang. "Transnationalism and Translocality in Chinese Cinema." Cinema Journal 49, no. 3 (2010): 135–39. http://dx.doi.org/10.1353/cj.0.0204.

Повний текст джерела
Стилі APA, Harvard, Vancouver, ISO та ін.
48

Fu, Ping. "Cross-Dressing in Chinese Opera (review)." Asian Theatre Journal 22, no. 1 (2005): 158–61. http://dx.doi.org/10.1353/atj.2005.0006.

Повний текст джерела
Стилі APA, Harvard, Vancouver, ISO та ін.
49

Juliano, Annette. "POSSIBLE ORIGINS OF THE CHINESE MIRROR." Source: Notes in the History of Art 4, no. 2/3 (January 1985): 36–45. http://dx.doi.org/10.1086/sou.4.2_3.23202424.

Повний текст джерела
Стилі APA, Harvard, Vancouver, ISO та ін.
50

Wilkerson, Douglas. ": Perspectives on Chinese Cinema . Chris Berry." Film Quarterly 46, no. 3 (April 1993): 59–60. http://dx.doi.org/10.1525/fq.1993.46.3.04a00120.

Повний текст джерела
Стилі APA, Harvard, Vancouver, ISO та ін.
Ми пропонуємо знижки на всі преміум-плани для авторів, чиї праці увійшли до тематичних добірок літератури. Зв'яжіться з нами, щоб отримати унікальний промокод!

До бібліографії