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1
Zhai, L. "Cultural Consumption of the Overseas Chinese Garden in the Process of Cross-cultural Communication." ISPRS - International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XL-5/W7 (August 13, 2015): 483–89. http://dx.doi.org/10.5194/isprsarchives-xl-5-w7-483-2015.
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When referring to the tangible cultural heritage, people tend to concern more about the conservation and research of the entity of the tangible heritage than the cross-cultural communication of the cultural heritage which is also one of the most important components of the preservation of the cultural heritage. As an exotic new born of the cultural heritage, the entity born from the cross-cultural communication inherits the properties of the cultural heritage on the one hand, and on the other hand generates diversities as a result of the differences based on social, cultural and environment. And the business model is one of the most important reasons for the production of diversities. There’s no doubt that a good form of business model makes great significance to the cross-cultural communication. Therefore, the study of the business model of cultural heritage in the process of cross-cultural communication will not only contributes to the deeper understanding towards the phenomenon of the cultural heritage’s cross-cultural communication, but also leads to the introspection to the tangible cultural heritage itself. In this way, a new kind of conservative notion could take form, and the goal of protecting cultural heritage could be achieved. Thus the Chinese Garden is a typical representation of the cultural heritage which makes great sense in the cross-cultural communication. <br><br> As a kind of tangible cultural heritage, the Chinese gardens are well preserved in different regions in China. While the spirits of the Chinese garden carry forward through the construction of the Chinese gardens abroad during the cross-cultural communication. As a new kind of form of the cross-cultural communication of the cultural heritage, on the one hand, the Chinese gardens overseas built ever since China's Reform and Opening express creatively of the materialist and the spirituality of the traditional Chinese Garden, and on the other hand, those Chinese gardens overseas face all kinds of tough issued such as investment, business model and management. The exploration of the reasons for these tough issues makes a great sense of the study towards the cross-cultural communication and preservation of the cultural heritage. <br><br> In this paper, the development of the whole overseas gardens and the cultural consumption of the Chinese gardens in Europe is generalized, then two typical cases are selected from those two categories mentioned above. By way of field study and interviews, it shows different strategies towards cultural consumption and provides constructive advice for the survival and development of overseas Chinese gardens.
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Li, Meng, Yun Wang, and Ying-Qing Xu. "Computing for Chinese Cultural Heritage." Visual Informatics 6, no. 1 (March 2022): 1–13. http://dx.doi.org/10.1016/j.visinf.2021.12.006.
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Shim, Juhyung. "The Politics on the Restoration of the ‘Inconvenient Heritage’: Focused on the Restoration Project of ‘the Guangdong Assembly Hall’ in the Ancient Quarter of Vietnam’s Capital City, Hanoi." Institute for Historical Studies at Chung-Ang University 57 (December 30, 2022): 143–217. http://dx.doi.org/10.46823/cahs.2022.57.143.
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This paper tries to analyze the cultural heritage of ethnic Chinese and overseas Chinese in Vietnam from the perspective of ‘inconvenient heritage,’ focusing on the restoration of ‘the Guangdong Assembly Hall’ located in the ancient quarter of Hanoi, the capital of Vietnam. Firstly, it traces the change in the perspectives and policies of cultural heritage as a resource appropriated for the state-building, nationalism, and the governmentality of the party-state through Vietnam's historical trajectory of cultural heritage management, preservation, and restoration. Secondly, it discusses the possibility of the concept of inconvenient heritage as an instrumental tool, and examines the ‘inconvenient’ historicity of Vietnamese ethnic Chinese, overseas Chinese and Hanoi as the capital city of Vietnam. In particular, it attempts to unravel how the complex history of the Chinese migration and the political vulnerabilities of ethnic Chinese and overseas Chinese unfold the horizon of interpretation of cultural intimacy formed through mutual exchange between Vietnamese and Chinese people. Finally, it tries to analyze the restoration project of the Guangdong Assembly Hall in the ancient quarter of Hanoi in terms of historicity and politics of memory. As a conclusion, this paper suggests that the politics of memory on contemporary cultural heritage such as cultural heritage of a specific population, especially an ethnic minority and immigrant group, is eventually in line with how to secure a horizon of mutual understanding of inherent “inconvenience.”
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Bednarik, Robert G. "Direct Dating of Chinese Immovable Cultural Heritage." Quaternary 4, no. 4 (November 25, 2021): 42. http://dx.doi.org/10.3390/quat4040042.
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The most extensive corpus of ancient immovable cultural heritage is that of global rock art. Estimating its age has traditionally been challenging, rendering it difficult to integrate archaeological evidence of early cultural traditions. The dating of Chinese rock art by ‘direct methods’ began in the late 1990s in Qinghai Province. Since then, China has acquired the largest body of direct dating information about the rock art of any country. The establishment of the International Centre for Rock Art Dating at Hebei Normal University has been the driving force in this development, with its researchers accounting for most of the results. This centre has set the highest standards in rock art age estimation. Its principal method, microerosion analysis, secured the largest number of determinations, but it has also applied other methods. Its work with uranium-thorium analysis of carbonate precipitates in caves is of particular significance because it tested this widely used method. The implications of this work are wide-ranging. Most direct-dating of rock art has now become available from Henan, but results have also been reported from Heilongjiang, Inner Mongolia, Ningxia, Jiangsu, Hubei, Guangxi, Yunnan, Qinghai, Tibet, and Xinjiang. Intensive work by several teams is continuing and is expected to result in a significantly better understanding of China’s early immovable cultural heritage.
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Shepherd, Robert. "Cultural Heritage, UNESCO, and the Chinese State." Heritage Management 2, no. 1 (April 2009): 55–79. http://dx.doi.org/10.1179/hma.2009.2.1.55.
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Shepherd, Robert. "Cultural Heritage, UNESCO, and the Chinese State." Heritage & Society 2, no. 1 (April 2009): 55–79. http://dx.doi.org/10.1179/hso.2009.2.1.55.
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Liu, Y., and Y. Zhuang. "THE EXPLORATION OF APPLYING OF SPATIAL INFORMATION TECHNOLOGY IN GENERAL PLAN FOR REGIONAL CULTURAL HERITAGE CONSERVATION." International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLVI-M-1-2021 (August 28, 2021): 415–22. http://dx.doi.org/10.5194/isprs-archives-xlvi-m-1-2021-415-2021.
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Abstract. With the rapid urbanization and the sharp increasing of the amount of official identification cultural heritages, the Chinese government and public are paying more attention to the regional comprehensive preservation, exhibition and utilization of the cultural heritages in recent years. “General Plan for Regional Cultural Heritage Preservation” offers a new systematic conservating solution for the cluster of cultural heritages in an administrative region. For the past few years, lots of new spatial information technologies have been applied in the preservation of cultural heritages, which tremendously improved the level and effectiveness of cultural heritage recording, management, monitoring and exhibition. This article will focus on discussing the methods and applying prospect of the technologies of geographic information system, 3D laser scanning, photogrammetry modeling in general planning for regional cultural heritage preservation and utilization.In recent years, with the continuous development of cultural heritage preservation in China, an increasing number of provinces and cities began to organize General Plans for regional cultural heritage preservation (hereinafter called "General Plan"), through which local governments are able to control the risk and improve the preservation level of cultural heritage (IAH, 2004).This paper will introduce the working framework of the General Plan and the core problems to be solved, and then analyze the application mode and prospect of spatial information technology in the General Plan.
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Yusoff, Nasir. "Cultural heritage, Emotion, Acculturation, Ethnic minority, Valence." Journal of Ethnic and Cultural Studies 6, no. 3 (December 18, 2019): 53. http://dx.doi.org/10.29333/ejecs/259.
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It is believed that the historical background of the Chinese community in Malaysia has significant impact on their emotional dimension towards the Malay cultural heritage, which is the heritage of the major ethnic group in Malaysia. This study aimed to examine the emotional expression of the Chinese ethnic towards Malay cultural heritage images in comparison to the Malay ethnic. Three different type of Malay cultural heritage images (Malay traditional food - ketupat, Malay traditional dresses – baju melayu/baju kurung and Malay traditional game – wau bulan) were presented to the Chinese (N=80) and the Malay (N=116) participants, recruited from the undergraduate population of a local institution. Participants self-rated their emotional feedback using a non-verbal pictorial measure (Self-Assessment Manikin) which measured the range of emotional response (valence domain), ranging from one (low valence) to nine (high valence). The Chinese indicated similar level of emotion expression as the Malays in response towards the images of Malay cultural heritage. Both Chinese and Malay showed higher self-rated emotional expression for traditional food image (i.e. ketupat) than non-food images (i.e. Malay dresses and wau bulan). Implication of this study points to the effect of acculturation on the emotional development of the ethnic minority and the emotional property of the food image in constructing the emotion.
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Freitag, Florian, and Chang Liu. "Introduction: Cultural History and Heritage in Chinese Theme Parks." Cultural History 11, no. 2 (October 2022): 121–29. http://dx.doi.org/10.3366/cult.2022.0264.
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Globally, one of the most significant trends in theme park development over the past decade has been the increasing focus on intellectual properties as sources of theming. While theme parks in China have also participated in this trend, cultural history in general and Chinese cultural history and heritage in particular have continued to be popular sources of theming. Chinese theme parks, whether public or private enterprises, have thus contributed to the state-led ‘heritage turn’ in China, which from the 1980s onwards has used cultural history and heritage to foster cultural nationalism. The articles gathered here examine the specific motifs and strategies of the commercial, ‘unauthorized’ heritage turn in Chinese theme parks and, by bridging the gap between English- and Chinese-language research on theme parks, seek to foster interdisciplinary and intercultural scholarly exchange in the field of theme park studies.
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Wardęga, Joanna. "Chinese Heritage with European Characteristics: International and Domestic Dimensions of the China’s Cultural Heritage Politics." Politeja 18, no. 4(73) (November 29, 2021): 7–28. http://dx.doi.org/10.12797/politeja.18.2021.73.01.
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The discussion on Chinese cultural heritage started to emerge as a result of inspiration coming from foreign travels of Chinese scholars-officials and as protective measures against looting of artifacts in the 19th and 20th centuries. The most spectacular robberies were carried out by Anglo-French forces in the Old Summer Palace (Yuanming Yuan) during the Second Opium War in 1860. That event became one of the cornerstones of the “century of humiliation” (bainian guochi) in the Chinese historical narrative. Even though the Communist Revolution classified historical sites as remnants of feudalism, today the Communist Party of China has assumed the role of a defender of the Chinese heritage. In contemporary China, its cultural heritage is a phenomenon of both domestic and international significance. The Chinese emphasize the antiquity of the Chinese nation, pointing to the origins of Chinese civilization as early as five thousand years ago. In contemporary China, recovering cultural treasures is important for the political legitimacy of a government and for erasing the national humiliation.
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Sari, Florensita Melly Muspita, and Naimatul Aufa. "KAWASAN TUNGKU NAGA DI SAKKOK, SINGKAWANG DRAGON KILN HERITAGE SITE." LANTING JOURNAL OF ARCHITECTURE 10, no. 1 (February 28, 2021): 14–25. http://dx.doi.org/10.20527/lanting.v10i1.533.
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Sakkok area in Singkawang is notorious for its traditional Chinese ceramics industry. These ceramics are produced through a wood-firing process in a closed kiln called Dragon Kiln. Dragon Kiln is the product between culture and technology, which was brought by the Southern Chinese immigrants. The only remaining Dragon Kilns, that are still being used and fired now, are in Singapore and Sakkok, Singkawang. Singkawang city is enlisted as Indonesia’s heritage city, therefore, the city is suggested to empower its heritages. This is supported by the people of Singkawang city, in which some of them are the crafters in the Dragon Kiln area. The highlighted architectural problem in this study is “How the architectural design of Dragon Kiln will maximize its Cultural Heritage potential in order to preserve the Dragon Kiln and Traditional Chinese Ceramics Industry?” The applied method for this study is Revitalization Thinking. Revitalization Thinking is a problem solving method based on revitalizing, done in stages, to maximize the design planning. The concept that is implied is an educative, recreational, and sustainable Cultural Heritage Tourism in order to maximize the Cultural Heritage potential of Dragon Kiln through the development of tourism in preserving the Dragon Kiln and Traditional Chinese Ceramics Industry in Singkawang, Indonesia and South-east Asia.
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Song, Zhaozhen, and Jing Lu. "Innovative Research on the Protection and Inheritance of Folk Cultural Heritage under the Background of Poverty Alleviation." Lifelong Education 9, no. 6 (September 28, 2020): 39. http://dx.doi.org/10.18282/le.v9i6.1291.
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Chinese traditional culture is the root and soul of the Chinese nation, the soft power of the national culture, and the source to strengthen cultural confidence. As an important part of traditional Chinese culture, folk culture is the basis for telling Chinese stories well. Folk cultural heritage is the golden name card of national culture going to the world, and protecting and inheriting it is an important mission given by the new era. The important discussion on cultural heritage protection is not only a scientific inquiry into the practice of cultural heritage protection, but also points out the direction for cultural tourism to help poverty alleviation work.
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Qingkang, Yu. "The Chinese cultural heritage and modern urban development." Habitat International 15, no. 3 (January 1991): 73–79. http://dx.doi.org/10.1016/0197-3975(91)90030-o.
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Leung, Genevieve Y., and Ming-Hsuan Wu. "Linguistic landscape and heritage language literacy education." Written Language and Literacy 15, no. 1 (January 30, 2012): 114–40. http://dx.doi.org/10.1075/wll.15.1.06leu.
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This paper investigates the ways languages are used in Philadelphia Chinatown through qualitative content analysis of 330 photos. Examining the linguistic landscape of public spaces exposes issues of linguistic tensions, language vitality, and language shift in multilingual settings. While Chinese in the form of Mandarin is highly publicized, thereby placing disproportionate emphasis upon one language over others, Philadelphia Chinatown shows diversity, coexistence, and creative uses of multiple Chinese languages alongside English. The signage suggests linguistic rescaling connecting real and imagined audiences, conforming to broader ‘Chinese’ linguistic norms while localized to connect to a range of Chineses. We show how linguistic and cultural pluralism of ‘Chinese’ have always existed – and continue to exist – and the importance of developing socially sensitive literacy pedagogy, especially when there is a mismatch between the informal, community-level signage and what is formally taught in ‘Chinese’ language classrooms in the U.S. Keywords: linguistic landscape; Chinatown; Chinese languages; literacy education; heritage language; education
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Yan, Wen-Jie, and Shang-Chia Chiou. "The Safeguarding of Intangible Cultural Heritage from the Perspective of Civic Participation: The Informal Education of Chinese Embroidery Handicrafts." Sustainability 13, no. 9 (April 28, 2021): 4958. http://dx.doi.org/10.3390/su13094958.
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Heritage education can enable social empowerment. Within the broader goal of social empowerment, a current challenge is to establish principles that promote social participation in traditional education. The practice of protecting intangible cultural heritage in China has developed its own unique working model based on the basic theoretical level of UNESCO. This research used cultural citizenship as a theoretical guide, focused on the traditional embroidery craftsmanship of China’s intangible cultural heritage, and conducted exploratory research on the learning intention and value influence indicators of citizens participating in intangible cultural heritage. The research design of this study was divided into two phases: the first phase was designed to collect evaluation indicators that affect the learning of intangible cultural heritage skills, and to support these data using semi-structured in-depth interviews. In the second phase, the convergence of the value indicators that affect the learning of intangible cultural heritage techniques was completed using questionnaire surveys and statistical analyses. Factor analysis was performed using SPSS software. SEM (structural equation modeling) confirmatory analysis was performed using Amos software. Through a two-stage hybrid study, a value recognition scale for the informal educational inheritance of intangible cultural heritage handicrafts was obtained within the local context of China. The scale contains four first-level indicators (ICH’s authenticity, cultural identity, performed value, and social recognition) and 17 second-level indicators. The research results were based on UNESCO’s education indicators for SDG 4, and put forward principles for practices aimed at protecting China’s intangible cultural heritage’s local informal education. Reflecting on the Chinese tradition of citizen participation in protecting intangible cultural heritage could provide references for the practice of intangible cultural heritage protection in other fields and regions. This is consistent with the UN’s SDG 4.7 (ensure all learners acquire knowledge and skills needed to promote sustainable development).
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Februandari, Asmarani. "Authenticity in cultural built heritage: learning from Chinese Indonesians’ houses." International Journal of Building Pathology and Adaptation 38, no. 2 (May 29, 2019): 262–78. http://dx.doi.org/10.1108/ijbpa-02-2019-0017.
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Purpose The purpose of this paper is to explore authenticity conception of cultural built heritage. As a core of heritage management, authenticity is often seen as a validation of certain identity. In the cultural built heritage context, authenticity is vital for the community, particularly the ethnic minority community, because it can be viewed as a tool to tackle discrimination and misrecognition issues. Design/methodology/approach This research was conducted in two Indonesian Chinatowns, namely, Lasem and Semarang Chinatowns. An ethnography method was employed to address the research aim. Four techniques to carry out data collection were used in this research; they were life story interview, participant observation, documentary research and physical observation through house tour. Two theories were used to analyse the data, and they were Technologies of the Self from Foucault and Habitus from Bourdieu. Findings Result shows that authenticity conception in cultural built heritage is not fixed because it lies on the immaterial aspect (the community’s cultural values) that is continuously reinvented. This research also reveals that the immaterial aspect of cultural built heritage, the community’s cultural values, becomes the core of the conception of authenticity. These cultural values become the foundation for the community to create their cultural built environment. Social implications This research brings an important perspective on authenticity to be applied in heritage management. Interestingly, by adopting this perspective, heritage management could become a tool to create an inclusive society. Originality/value This research offers a unique perspective on heritage authenticity, which was constructed through sociological and materiality approach.
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Cao, Zheng, Heng Xu, and Brian Sheng-Xian Teo. "Sentiment of Chinese Tourists towards Malaysia Cultural Heritage Based on Online Travel Reviews." Sustainability 15, no. 4 (February 14, 2023): 3478. http://dx.doi.org/10.3390/su15043478.
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Analyzing the perception differences and influencing factors of cross-cultural groups in heritage tourism can help heritage sites to formulate differentiated service and improve tourist satisfaction. This research adopted the BERT model to undertake sentiment analysis of 17,555 Chinese online reviews for nine scenic spots in Melaka. Using vocabulary filtering, co-occurrence analysis, and semantic clustering technology, the emotional characteristics of Chinese outbound tourists when they visited heritage sites in Melaka were analyzed, which revealed the factors influencing their positive and negative emotions. Results showed that: 1. The BERT-based deep learning approach can obtain improved sentiment predictive performance. 2. Chinese tourists’ general emotional perceptions of Melaka were positive and they were very interested in heritage sites. 3. The most important reason for the negative emotions of Chinese tourists was a lack of cultural experience in Melaka. This research expands the application of deep learning in the field of tourism, and it helps heritage tourism destinations to improve their marketing plans for Chinese tourists and achieve long-term sustainable development of the destination.
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Zhao, Jianping. "Integrating Intangible Cultural Heritage into Ideological and Political Courses in Colleges and Universities." Journal of Contemporary Educational Research 5, no. 7 (July 29, 2021): 40–44. http://dx.doi.org/10.26689/jcer.v5i7.2310.
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China’s intangible cultural heritage as an important part and the soul of the traditional Chinese culture is the cultural treasure of China and even the world. As the concept of cultural protection is deeply rooted in the minds of people, the state attaches increasing importance to intangible cultural heritage. The unique forms of cultural expressions and the special places of these expressions are deeply rooted in the Chinese culture and they should also be an important content in China’s efficient ideological and political education. This article mainly explores the significance of intangible cultural heritage in ideological and political teaching as well as the strategies to effectively integrate intangible cultural heritage into ideological and political teaching in order to achieve the educational purposes of condensing the consensus of traditional Chinese culture, enhancing the cultural consciousness among teachers and students in colleges and universities, and enhancing the patriotic enthusiasm and cultural confidence.
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Yunxi, Yang, and Chow Ow Wei. "Study on 24 Jieling Drums as Urban Cultural Landscape in Malaysia." ASIAN-EUROPEAN MUSIC RESEARCH JOURNAL 8 (December 9, 2021): 47–64. http://dx.doi.org/10.30819/aemr.8-6.
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The 24 solar terms, a knowledge system incorporated in the East Asian lunisolar calendar, reflect a typical agricultural life shaped by the astronomical and phenological nature in ancient China. The UNESCO’s Intangible Cultural Heritage embodies this Chinese tradition and culture. It is also commonly observed among Chinese diasporas in other parts of the world. Since 1988 when Tan Chai Puan and Tan Hooi Song established 24 Jieling Drums (二十四节令鼓) in Johor Bahru, Malaysia by exploring this Chinese traditional heritage, artistic performances of this vibrant music genre have effectively transmitted drumming aesthetics in Malaysian urban landscape into the Chinese cultural sphere for over three decades. This study explores a characterised link between this millennia-old Chinese cultural heritage and 24 Jieling Drums as an urban cultural landscape in Malaysia, and discusses several issues on the cultural elements applied in a diversified land through the narrative.
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Wang, Yinfei, and Honglei Mo. "Strategies for Thai Translation of Guangxi Intangible Cultural Heritage List in the Context of Belt and Road Initiative." Frontiers in Humanities and Social Sciences 2, no. 10 (October 23, 2022): 129–34. http://dx.doi.org/10.54691/fhss.v2i10.2407.
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In the context of the Belt and Road, Guangxi is an important gateway to Southeast Asian countries. Thailand is an important country along the Belt and Road, while Guangxi has many ethnic minorities and a rich historical and cultural heritage. To date, there are 49 national intangible cultural heritage items in Guangxi, which cover a wide range of cultural contents and have a strong ethnic and cultural flavour of Guangxi. The translation of these items will help Thailand to better understand Guangxi's culture and help "Chinese culture to go out". This paper discusses the principles and methods of Thai translation of the list of intangible cultural heritage of Guangxi to help the research of Thai translation of intangible cultural heritage and the foreign promotion of Chinese intangible heritage.
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Choi, Chang Won. "Thorough Analysis of Chinese Cultural Heritage Based on Pyohaerok." Industry Promotion Research 1, no. 2 (July 31, 2016): 121–28. http://dx.doi.org/10.21186/ipr.2016.1.2.121.
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Jiang, Lili, Qizhang Liang, Qingwen Qi, Yanjun Ye, and Xun Liang. "The heritage and cultural values of ancient Chinese maps." Journal of Geographical Sciences 27, no. 12 (September 26, 2017): 1521–40. http://dx.doi.org/10.1007/s11442-017-1450-0.
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Schroeder, Jonathan, Janet Borgerson, and Zhiyan Wu. "A brand culture approach to Chinese cultural heritage brands." Journal of Brand Management 22, no. 3 (April 2015): 261–79. http://dx.doi.org/10.1057/bm.2015.12.
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Zhiyong, Zhao. "The Human Body in the Regime of Chinese Cultural Heritage Law." Santander Art and Culture Law Review, no. 2 (6) (2020): 339–54. http://dx.doi.org/10.4467/2450050xsnr.20.023.13026.
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For a long time, the concept of the human body has been governed by civil law. Today, this way of treating it is no longer certain. The human body can also be understood as an integral part of cultural heritage. On one hand, this is a question of the holder of the element of the intangible cultural heritage (ICH). On the other hand, it concerns the human body beyond the living person, protected as tangible heritage or cultural property. This article analyses these diverse dimensions of the human body under Chinese legislation on the protection of cultural relics and for the safeguarding of intangible cultural heritage, taking into consideration the respect for human dignity. In this regard, it offers a cross-cutting overview of the ethical and legal challenges surrounding the management and regulation of human remains.
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Wen, Xiaohong. "Chinese Language Learning Motivation: A Comparative Study of Heritage and Non-heritage Learners." Heritage Language Journal 8, no. 3 (November 15, 2011): 333–58. http://dx.doi.org/10.46538/hlj.8.3.3.
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This study investigates attitudes and motivation that influence heritage and non-heritage students’ learning of Chinese as a second language, examining the similarities and differences among three subgroups: bilingual, heritage motivated, and non-heritage learners. The study uses the socio-educational model by Gardner (1985), the internal structure model (Csizér & Dörnyei, 2005), and the attribution theory (Weiner, 1985) for the investigation. Participants were 317 students enrolled in Chinese courses at three state universities in the U.S. The results demonstrated that positive learning attitudes and experience was the factor most predictive of motivational magnitude (intended learning efforts in the present) and direction (intended continuation of study in future). Instrumentality, rated very highly across the three subgroups, appeared as the second significant predictor for intended continuation of study in future) with both groups of heritage learners. Although the bilinguals and heritage motivated learners did not differ significantly in most motivational factors, significant differences were observed between the heritage and non-heritage learners on most other factors. Heritage learners, especially Chinese bilinguals, seemed to be more likely to attribute their success in the course to uncontrollable and/or external factors and failure to internal factors. Heritage learners may desire to learn their heritage language (HL) instead of other foreign languages due to socio-cultural influences. Studies of Chinese heritage learners (Chao, 1997; He, 2008) have demonstrated that learners may study Chinese to search for their ethnic identities and recover the roots of neglected cultural heritage. Research (Fishman, 2001; Valdés, 2001; Li & Duff, 2008; Wiley, 2001) also has shown that heritage and non-heritage learners may differ not only in linguistic and cultural backgrounds but also in socio-psychological and affective dimensions. Considerable work has been done comparing the linguistic similarities and differences between HL and non-HL learners of the same language (see Comanaru and Noels, 2009, for a comprehensive account), but much less has examined learners’ motivational and affective factors in their second language (L2) learning. The present study investigates attitudes and motivation of heritage and non-heritage learners in learning Chinese as a L2 at the university level in the U.S.
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Matusiak, Krystyna K., Ling Meng, Ewa Barczyk, and Chia-Jung Shih. "Multilingual metadata for cultural heritage materials." Electronic Library 33, no. 1 (February 2, 2015): 136–51. http://dx.doi.org/10.1108/el-08-2013-0141.
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Purpose – The purpose of this paper is to explore multilingual access in digital libraries and to present a case study of creating bilingual metadata records for the Tse-Tsung Chow Collection of Chinese Scrolls and Fan Paintings. The project, undertaken at the University of Wisconsin-Milwaukee Libraries, provides access to digital copies of calligraphic and painted Chinese scrolls and fans from the collection donated by Prof Tse-Tsung Chow (Cezong Zhou). Design/methodology/approach – This paper examines the current approaches to multilingual indexing and retrieval in digital collections and presents a model of creating bilingual parallel records that combines translation with controlled vocabulary mapping. Findings – Creating multilingual metadata records for cultural heritage materials is in an early phase of development. Bilingual metadata created through human translation and controlled vocabulary mapping represents one of the approaches to multilingual access in digital libraries. Multilingual indexing of collections of international origin addresses the linguistic needs of the target audience, connects the digitized objects to their respective cultures and contributes to richer descriptive records. The approach that relies on human translation and research can be undertaken in small-scale digitization projects of rare cultural heritage materials. Language and subject expertise are required to create bilingual metadata records. Research limitations/implications – This paper presents the results of a case study. The approach to multilingual access that involves research, and it relies on human translation that can only be undertaken in small-scale projects. Practical implications – This case study of creating parallel records with a combination of translation and vocabulary mapping can be useful for designing similar bilingual digital collections. Social implications – This paper also discusses the obligations of holding institutions in undertaking digital conversion of the cultural heritage materials that originated in other countries, especially in regard to providing metadata records that reflect the language of the originating community. Originality/value – The research and practice in multilingual indexing of cultural heritage materials are very limited. There are no standardized models of how to approach building multilingual digital collections. This case study presents a model of providing bilingual access and enhancing the intellectual control of cultural heritage collections.
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Chan, Ying-kit. "Cultural Heritage on China’s 21st-century Maritime Silk Road." China Report 54, no. 2 (March 20, 2018): 159–74. http://dx.doi.org/10.1177/0009445518761078.
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This article suggests that Chinese scholars in Guangdong, through historical work endorsed or sponsored by their government, justify the inclusion of Southeast Asian nations in the 21st-century Maritime Silk Road (MSR) initiative. In doing so, they seek to add the MSR to the United Nations Educational, Scientific and Cultural Organization’s (UNESCO) World Heritage List. By exploring how historians and officials adhere to the expectations of the Chinese state and UNESCO in highlighting Guangdong’s role in the 21st-century MSR initiative, the article examines the production of cultural heritage at the local level in contemporary China.
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Chen, Jie, Bruce Judd, and Scott Hawken. "Adaptive reuse of industrial heritage for cultural purposes in Beijing, Shanghai and Chongqing." Structural Survey 34, no. 4/5 (August 8, 2016): 331–50. http://dx.doi.org/10.1108/ss-11-2015-0052.
Повний текст джерелаАнотація:
Purpose With the dramatic transformation of China’s industrial landscape, since the late 1990s, adaptive reuse of industrial heritage for cultural purposes has become a widely occurring phenomenon in major Chinese cities. The existing literature mainly focusses on specific cases, yet sees heritage conservation similarly at both national and regional scale and rarely identifies the main factors behind the production of China’s industrial-heritage reuse. The purpose of this paper is to examine the differences in heritage reuse outcomes among three Chinese mega-cities and explore the driving factors influencing the differences. Design/methodology/approach This paper compares selected industrial-heritage cultural precincts in Beijing, Shanghai and Chongqing, and explores the local intervening factors influencing differences in their reuse patterns, including the history of industrial development, the availability of the nineteenth and/or twentieth century industrial buildings, the existence of cultural capital and the prevalence of supportive regional government policy. Findings The industrial-heritage reuse in the three cities is highly regional. In Beijing, the adaptation of industrial heritage has resulted from the activities of large-scale artist communities and the local government’s promotion of the city’s cultural influence; while in Shanghai, successful and more commercially oriented “sea culture” artists, private developers in creative industries and the “creative industry cluster” policy make important contributions. Chongqing in contrast, is still at the early stage of heritage conservation, as demonstrated by its adaptive reuse outcomes. Considering its less-developed local cultural economy, Chongqing needs to adopt a broader range of development strategies. Originality/value The paper contributes to knowledge by revealing that the production of industrial-heritage cultural precincts in Chinese mega-cities is influenced by regional level factors, including the types of industrial heritage, the spontaneous participation of artist communities and the encouragement of cultural policy.
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Kurniawan, Budi, and Setefanus Suprajitno. "Chinese as a Cultural Capital: The Case Study of Chinese Heritage Language Learners." k@ta 21, no. 1 (June 21, 2019): 1–9. http://dx.doi.org/10.9744/kata.21.1.1-9.
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Chinese language education in Indonesia is closely related to the social, political, and cultural dimensions of the country. The change of power in the country in 1998 affected the development of Chinese language. Since the ban imposed on Chinese language and culture since 1965 was lifted, there have been an increasing number of Chinese language schools. Under the theoretical frameworks of Gardner’s motivational orientations and Bourdieu’s cultural capital, this study explored varied motivations of Chinese Indonesians to learn Chinese, and how their perception of China influenced their efforts in learning the language. Data were obtained through focus group discussions and interviews. The findings showed that integrative and instrumental orientations were found among participants, but due to the learners’ social milieu, instrumentality of Chinese dominated their orientations. The instrumentality of Chinese and the positive perception of China worked together to make Chinese language as a cultural capital for these CHL learners.
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Song, Xiao, Kee-Cheok Cheong, Qianyi Wang, and Yurui Li. "Developmental Sustainability through Heritage Preservation: Two Chinese Case Studies." Sustainability 12, no. 9 (May 3, 2020): 3705. http://dx.doi.org/10.3390/su12093705.
Повний текст джерелаАнотація:
Cultural heritage is a vital part of a society’s existence. This role has particular relevance for China, with arguably one of the largest stocks of cultural assets, tangible and intangible, in the world. Recognizing the tension between cultural preservation and economic development as a general context, this paper examines the specific additional challenges China faces in its rush towards economic development. In providing both generic and China-specific contexts, this paper has as its objective to understand how Chinese policy-makers, both central and local, attempt to resolve the contest between cultural preservation and economic development, specifically rural rejuvenation. Through two case studies—of Lijiang in Yunnan province and Rizhao in Shandong province—this paper shows contrasting strategies to leverage local intangible cultural assets. Comparing these strategies reveals both the advantages and challenges inherent in each. A successful strategy captures the benefits of cultural tourism while minimizing its costs.
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Huang, Zhaoyan, and Tao Xu. "Research on Knowledge Management of Intangible Cultural Heritage Based on Linked Data." Mobile Information Systems 2022 (August 27, 2022): 1–14. http://dx.doi.org/10.1155/2022/3384391.
Повний текст джерелаАнотація:
At present, the protection of intangible cultural heritage has received more and more attention from all levels of society. Intangible cultural heritage is a treasure of national culture. It is an indispensable part of Chinese civilization, the crystallization of the wisdom of Chinese civilization, and represents the country’s soft power. The effective organization and management of intangible cultural heritage knowledge is the premise and foundation for the protection, dissemination, and inheritance of intangible cultural heritage. Ontology and linked data technology provide a new method and realization path for the organization and management of intangible cultural heritage knowledge. In this paper, the intangible cultural heritage knowledge is organized reasonably semantically based on the method of linked data, and the purpose is to use the structure of linked data to express the resource data of different structures in a structured manner. This paper first introduces the meaning and background of the research and analyzes the relevant research at home and abroad. Second, it introduces the related knowledge of linked data, analyzes and sorts out the elements and semantic relationship of knowledge in the field of intangible cultural heritage, and designs and constructs the ontology model of intangible cultural heritage knowledge, Finally, based on linked data technology, the process of intangible cultural heritage knowledge organization and linked data set construction is studied, including key steps such as entity to RDF, entity association, linked data storage, and publication. The application of linked data technology in the field of intangible cultural heritage knowledge organization and management can promote the standardization and standardization of intangible cultural heritage knowledge management and is of great significance to the protection and inheritance of my country’s intangible cultural heritage culture.
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Xu, Jingjing, Baotao Li, Zhikang Hu, Xingyu Ye, and Qijun Ding. "Analysis of Fiscal and Tax Support Policies based on Nvivo's Intangible Cultural Heritage for Rural Revitalization." Frontiers in Humanities and Social Sciences 2, no. 11 (November 21, 2022): 172–81. http://dx.doi.org/10.54691/fhss.v2i11.2802.
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Anhui Province is one of the cradles of Chinese civilization, and its intangible cultural heritage resources are very rich. It is very important to inherit and protect intangible cultural heritage to help the development of rural revitalization in Anhui Province. Since 2006, Anhui Province has made continuous efforts in the inheritance of intangible cultural heritage, actively responded to national policies, and implemented the implementation rules of intangible cultural heritage protection, but the development of intangible cultural heritage is still not optimistic. This paper mainly analyzes the problems of intangible cultural heritage analyzed by NVivo software, the policies given by the national government, the interaction between rural revitalization and intangible cultural heritage, and the financial situation of the country for intangible cultural heritage, and puts forward suggestions for fiscal and tax support policies that help promote rural revitalization for the inheritance and development of intangible cultural heritage.
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Kuo, Mei-fen. "Confucian Heritage, Public Narratives and Community Politics of Chinese Australians at the Beginning of the Twentieth Century." Journal of Chinese Overseas 9, no. 2 (2013): 212–44. http://dx.doi.org/10.1163/17932548-12341260.
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Abstract This paper focuses on the meanings of Confucian heritage for the Chinese ethnic community at the time Australia became a Federation. It will argue that public narratives about Confucian heritage provided a new agency for mobilizing urban Chinese Australian communities. These narratives politicized culture, helped to shape Chinese ethnic identity and diasporic nationalism over time. The appearance of narratives on Confucian heritage in the late 19th century reflected the Chinese community’s attempt to differentiate and redefine itself in an increasingly inimical racist environment. The fact that Chinese intellectuals interpreted Confucian heritage as symbolic of their distinctiveness does not necessarily mean that the Chinese community as a whole aligned themselves with the Confucianism revival movement. By interpreting Confucian heritage as a national symbol, Chinese Australian public narratives reflected a national history in which the Chinese community blended Confucian heritage into a nationalist discourse. This paper argues that this interpretation of Confucian heritage reflects the Chinese community’s attempts to redefine their relationship with the non-Chinese culture, they were a part of, in ways which did not draw on colour or race.
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Pasaribu, Yosua Adrian, Agni Malagina, Nadia Purwestri, Feri Latief, and Hakam Kurniawan. "PARTISIPASI MASYARAKAT KOTA LASEM LAMA DALAM PENETAPAN KAWASAN CAGAR BUDAYA PERINGKAT NASIONAL." AMERTA 40, no. 1 (June 26, 2022): 57–72. http://dx.doi.org/10.55981/amt.2022.20.
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Abstrak. Kawasan Kota Lasem Lama direkomendasikan untuk ditetapkan sebagai kawasan cagar budaya peringkat Nasional. Pekerjaan penting dalam proses tersebut antara lain pemetaan kawasan cagar budaya. Partisipasi masyarakat Kota Lasem Lama dalam pemetaan cagar budaya ideal untuk dilakukan karena hampir seluruh objek kajian berupa tempat publik dan rumah-rumah pribadi. Artikel ini menguraikan proses pemetaan cagar budaya Kota Lasem Lama yang dilakukan bersama masyarakat kawasan tersebut. Pemetaan ini menghasilkan gambaran kondisi saat ini pada warisan budaya bendawi yang terdiri atas 235 bangunan berarsitektur Indis, Cina-Indis, Cina, dan Cina-Jawa yang mewakili kejayaan Kota Lasem pada peralihan Abad 18–19 M. Terdapat juga rumah-rumah yang mencirikan arsitektur Cina yang mewakili masa yang lebih tua di Lasem. Selain 235 bangunan dan jaringan jalan yang membentuk ruang kota tersebut, juga terdapat sodetan Sungai Babagan dan beberapa artefak dan fitur di Masjid Jami Lasem, antara lain prasasti yang menunjukkan pendirian Masjid pada abad ke-16, memolo kuno yang berhiaskan stilir figur Kala, serta makam tokoh-tokoh ulama dan penguasa Lasem pada abad ke-16. Melalui partisipasi masyarakat dalam pemetaan cagar budaya Kota Lasem Lama, aspirasi masyarakat tentang pelestarian kawasan tersebut sebagai cagar budaya juga dikumpulkan sehingga menghasilkan embrio badan pengelola kawasan cagar budaya Kota Lasem Lama.
Kata kunci: Arkeologi Publik, Lasem, Peranakan
Abstract. Old Lasem City’s Community Participation in The Designation of a National Cultural Heritage Preservation Area. The Old City of Lasem is designated to be National Cultural Heritage Area. Important work in the process includes mapping the cultural heritage area. The participation of the Old City people in the mapping project is ideal because almost all heritages are public places and private houses. This article describes mapping the cultural heritage area, which was carried out with the people of the Old City. This mapping produces a description of the existing condition of material cultural heritage, which consists of 235 buildings with Indies, Chinese-Indies, Chinese, and Chinese-Javanese architecture that represents the glory of Lasem City in the 18–19 AD. Some houses characterize Chinese architecture depicting an older era in Lasem. In addition to the 235 buildings and road network that make up the city’s space, there is also a canal of the Babagan River and several artifacts and features at the Jami Lasem Mosque, including the inscription that determined the establishment of the ancient mosque in the 16th century, ancient “Memolo” which was decorated with the stylized figure of Kala, as well as the tombs of scholars and rulers of Lasem in the 16th Century. Through community participation in mapping the cultural heritage of the Old City, aspirations about the Old City’s heritage preservation are also compiled, resulting in the embryo of a management body for the cultural heritage area of Old Lasem City.
Keywords: Public Archaeology, Lasem, Peranakan
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Furmanik-Kowalska, Magdalena. "Which tradition is mine? Chinese women artists and cultural identity." Journal of Contemporary Chinese Art 6, no. 2 (September 1, 2019): 305–19. http://dx.doi.org/10.1386/jcca_00009_1.
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Abstract References to native culture are frequently in the foreground of works by Chinese women artists. When they make contact with different cultures, although not necessarily connected with leaving their place of birth thanks to the transfer of information and cultural heritage that has developed extremely efficiently in the era of globalization (Gordon Mathews), they see their own entanglement in the cultural tradition. In the process of constructing their identity they try to find answers to the following question: which part of the cultural tradition is mine? Which one do I identify with? In the case of Chinese women artists, is it the legacy of literati? Classic ink painting and calligraphy? Or perhaps women's crafts that bear no name? Or perhaps a mixture of inspirations? Such questions about material heritage might also be augmented by others that consider aspects of the immaterial heritage of China. This article explores how Chinese women artists such as Chen Qingqing, Qin Yufen, Shi Hui, Wang Xiaohui, Cheng Caroline, Lin Tianmiao, Zhang Yanzi, Man Fung-yi, Liu Liyun, Peng Wei, Chen Lingyang, Chen Qiulin, Zhang Ou and Liu Ren refer to their cultural tradition.
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Ong, Teresa Wai See, and Robert A. Troyer. "The Double-Edged Sword of Mandarin: Language Shift and Cultural Maintenance among Middle-Aged Chinese-Malaysians." MANUSYA: Journal of Humanities 25, no. 1 (June 9, 2022): 63–82. http://dx.doi.org/10.1163/26659077-25010005.
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Abstract Previous research has demonstrated that the increasing importance of Mandarin in education and public life has led many younger Chinese-Malaysians to regard Mandarin as their mother tongue and part of their cultural identity rather than a heritage language. Fewer studies have documented the language repertoires of middle-aged and older Chinese-Malaysians. This paper presents a qualitative study of Mandarin use conducted with six Chinese-Malaysians aged 40 and older. The participants reported extensive use of Mandarin in the domains of home, work, religion and cultural maintenance, which were served by a heritage language in the past. This indicates that the use of Mandarin by the older generation Chinese-Malaysians to engage with the contemporary linguistic world is influenced by hegemonic local and global factors. This study therefore highlights the significance of Mandarin as both an element of cultural identity and an instrument of heritage language loss.
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Zheng, Shaohui. "A Study of the Chinese-English Translation of Culture-specific Items in Publicity Texts of Guangzhou’s Intangible Cultural Heritage." Theory and Practice in Language Studies 11, no. 6 (June 1, 2021): 749–55. http://dx.doi.org/10.17507/tpls.1106.21.
Повний текст джерелаАнотація:
Intangible cultural heritage is the core of Guangzhou’s cultural “soft power”. The Chinese-English translation of intangible cultural heritage is an important way to promote Guangzhou’s culture and to arouse the awareness of protecting intangible cultural heritage in the whole society. The culture-specific items in the publicity texts of intangible cultural heritage reflect the charm and heterogeneity of Guangzhou’s culture. This paper proposes that while translating cultural-specific items of Guangzhou’s intangible cultural heritage, in order to ensure that the translation can retain the cultural characteristics of the source language and be understood and accepted by the target language readers, translators should combine the translation strategies of Domestication and Foreignization and flexibly adopt seven methods, i.e., literal translation, literal translation plus transliteration, literal translation plus explanation, transliteration plus explanation, transliteration plus category words, transliteration plus intra-text explanation and transliteration plus free translation. Suggestions are also given aiming to provide reference for the researches and practice of the translation of intangible cultural heritage in Guangzhou and other cities. It is also hoped that this study can provide some implications for pedagogical application and be helpful for those who follow closely the translation of intangible cultural heritage.
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Balmer, John M. T., and Weifeng Chen. "Corporate heritage tourism brand attractiveness and national identity." Journal of Product & Brand Management 25, no. 3 (May 16, 2016): 223–38. http://dx.doi.org/10.1108/jpbm-08-2015-0959.
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Purpose This paper aims to examine the attractiveness of the Tong Ren Tang (TRT) as a Chinese corporate heritage tourism brand and consider the significance of TRT for Chinese national identity. The study considers the saliency of Balmer’s augmented role identity notion vis-à-vis corporate heritage institutions/corporate brands. Insights are made from and for corporate heritage, heritage tourism and national identity literature. Design/methodology/approach A conceptual model comprising five hypotheses was developed and this informed a survey-based questionnaire administered to domestic tourists/customers visiting Tong Ren Tang’s flagship shop in Beijing. Findings The attractiveness to domestic Chinese tourists/customers of the TRT corporate heritage tourism brand was found to be attributable to its multiple role identities: national, corporate, temporal, familial and imperial. As such, this study lends credence to Balmer’s augmented role identity notion. Chinese domestic tourists/customers – as members of an ethnic Chinese community – in visiting TRT not only consume an extant corporate heritage by tangible and intangible means but can also be seen to express, and reaffirm, their sense of Chinese national identity. Practical implications For TRT’s managers, there should be an appreciation that the attractiveness of TRT as a corporate heritage tourism brand rests not only on what it sells but also in what it symbolises in national and cultural terms. This finding is applicable to the managers of many other corporate heritage/corporate heritage tourism brands. Social implications Adopting a primordial perspective, the TRT pharmacy was found to be of singular significance to China’s national identity. Traditional Chinese Medicine, Confucian and Daoist religious/philosophical and China’s erstwhile Imperial polity are significant and enduring precepts of Chinese national identity. As such the TRT flagship shop/brand is of singular importance, as China has eviscerated much of its cultural heritage – particularly in relation to its corporate heritage brands. Originality/value This is the first empirical study to focus on corporate heritage tourism brands and one of the first studies to examine a Chinese corporate heritage/corporate heritage tourism brand. Also significant in focussing on the TRT corporate heritage brand. Established in 1669, TRT’s history spans five centuries: a corporate provenance which is exceptional within the People’s Republic of China. The study links the corporate brand notion with the nascent corporate heritage brand domain and the established area of heritage tourism.
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Pilkevych, Viktoriia. "Cultural and Natural Sites in China on the UNESCO World Heritage List." Ethnic History of European Nations, no. 68 (2022): 119–24. http://dx.doi.org/10.17721/2518-1270.2022.68.13.
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The protection and popularization of culture becomes actual because there are danger of wars, armed interventions, natural disasters, large tourist flows, active reconstruction of cities. The preservation of the world heritage is one of the main directions of UNESCO’s activity. Organization adopted Convention Concerning the Protection of the World Cultural and Natural Heritage in 1972. According this Convention the World Heritage Committee was founded which compiles updates and publishes World Heritage List. China has joined the cooperation work to protect the world heritage of humanity. The state adopted Convention in 1985. The country was a member of the World Heritage Committee (1991–1997, 1999–2005, 2007–2011, 2017–2021). Special attention was given Chinese cultural and natural sites in the UNESCO World Heritage List in article. Today there are 56. They are included in the UNESCO World Heritage List according to criteria. Chinese cultural and natural sites are unique, special, beautiful cultural, natural and mixed sites. Heritage represents the history, philosophy, religion, identity of country. Chine introduces the world to its own culture, draws attention to the problems of heritage protection. The author studies the cooperation between China and UNESCO in the direction of world heritage preservation, which includes different projects, activities, exchange of experience with other countries. Protection, conservation, authenticity, integrity, principles and process of preservation, cultural diversity, reconstruction, management, presentation, tourism management, and training are important problems in relationship between China and UNESCO. Author outlines China’s contribution to the preservation of cultural and natural heritage, measures to improve the protection of sites, activities with other countries to protect world heritage. The perspectives of cooperation between the China and UNESCO of the nomination of new objects to the World Heritage List have been determined.
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Chiang, Bo-wei. "Landscapes of Memories: A Study of Representation for Translocal Chinese Cultural Heritage in Kaiping, Guangdong, China." Translocal Chinese: East Asian Perspectives 15, no. 1 (July 1, 2021): 5–37. http://dx.doi.org/10.1163/24522015-15010002.
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Abstract Beginning in the mid-nineteenth century, many young people emigrated from Guangdong to the American West in search of a better living, mainly through building the Pacific Railroad and panning for gold in California. Some of these overseas Chinese who eventually accumulated wealth sent remittances back to their hometowns to provide their families with a better life, or they built mansions for their own retirement. They also used their wealth to renovate ancestral halls, establish schools, get involved in local politics and issues of local public security, public hygiene, etc. The overseas Chinese were one of the important new rising social strata in modern China before the 1960s. This paper will focus on translocal Chinese cultural heritage in Guangdong and try to discuss how people memorize, narrate, preserve, and represent their migration history in these hometowns. Meanwhile, the meaning of the tangible cultural heritage as a landscape of memories in local society in China will also be discussed. Firstly, I think that there are three types of overseas Chinese memories: the memory of suffering, the memory of making fortunes, and the memory of a philanthropic image; secondly, I will deal with the narrative and representation of the collective memories since the 1990s and check how the collective memory became the cultural heritage beneath the state’s discourse; and finally, I will analyze how the overseas Chinese cultural heritage became resources for cultural tourism and local economic development, and show a process of commercialization of those landscapes.
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Ma, Xiaoming, Wanqi Li, and Awang Bianba. "The Chess Theory and Cultural Characteristics of Chinese Intangible Cultural Heritage “Jiu” Chess." Advances in Physical Education 11, no. 01 (2021): 82–88. http://dx.doi.org/10.4236/ape.2021.111006.
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Yakushenkova, O. S. "Between nature and civilization: cultural heritage and cultural security of the Chinese park." CASPIAN REGION: Politics, Economics, Culture 45, no. 4 (2015): 282–86. http://dx.doi.org/10.21672/1818-510x-2015-45-4-282-286.
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Baker, Carissa. "A Chinese ‘High-Tech Theme Park Full of Stories’: Exploring Fantawild Oriental Heritage." Cultural History 11, no. 2 (October 2022): 199–218. http://dx.doi.org/10.3366/cult.2022.0268.
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Among the Chinese companies that run the great majority of theme parks in China, Fantawild is the quickest-expanding one, with more than two dozen full-fledged theme parks and many in development. The newest of their three primary theme park models, Oriental Heritage, employs traditional Chinese cultural material and specifically Chinese folklore and legends for its attractions and shows. The park thus differentiates itself not only from Fangte's previous park models, Adventure and Dreamland, which have often been derivative of other, Western park themes and ride systems, but also from the glocalizing approaches of such Western companies as Disney or Universal. Combining Chinese stories and heritage with new and innovative ride systems, Oriental Heritage also differs markedly from the ‘ethnic culture parks’ whose performative open-air displays dominated the first boom phase of the theme park in China during the mid-1990s. With its traditional Chinese architectural style, Chinese intellectual property or cultural traditions, and technically ambitious ride systems, the ‘high-tech theme park full of stories’, as it refers to itself, marks the culmination of Fangte's brand evolution from the imitative Adventure and Dreamland models to the confidently Chinese Oriental Heritage concept, making Fangte a particularly interesting and potentially representative model of where the Chinese theme park industry could be headed.
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Liang, Lisi. "Subtitling History Cultural and Temporal Transfer in a Heritage Film Oliver Twist (2005)." Journal of Audiovisual Translation 2, no. 1 (October 14, 2020): 26–49. http://dx.doi.org/10.47476/jat.v2i1.2020.27.
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The paper will focus on how history is reshaped in a case study: the film adaptation of Oliver Twist (2005). It is of significance as its Chinese authorised subtitles mediate nineteenth-century British history for a contemporary Chinese audience. But this adaptation creates various problems of translation as it negotiates the cultural and linguistic transfer between early Victorian England and twenty-first-century China. To illustrate the challenge that translators and audiences face, examples drawn from the subtitles are grouped under Eva Wai-Yee Hung’s (1980) suggested aspects of Dickens’s world: “religious beliefs, social conventions, biblical and literary allusions and the dress and hairstyle of the Victorian era”. Moreover, Andrew Higson’s “heritage” theory (1996a), William Morris’s (Bassnett, 2013) views of historical translation and Nathalie Ramière’s (2010) cultural references specific to Audiovisual Translation are adopted to read the Chinese subtitles. They are used to bring back the audiences to an impossible, inaccessible past. The historical features shown in this modern version of a British heritage film make it possible for the subtitles to interact with Chinese culture to transfer meaning via a complex combination of translation strategies. Therefore, in order to rejuvenate Chinese cultural heritage, the subtitles of the cultural and temporal specificities and complexities involved are reinterpreted and redirected to the receiving culture
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Liu, Min, Nobuo Aoki, and Su Bin Xu. "Study on the Architectural Heritage Value from the View of Cultural Economics." Advanced Materials Research 243-249 (May 2011): 6489–93. http://dx.doi.org/10.4028/www.scientific.net/amr.243-249.6489.
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At present, in terms of the architectural heritage protection, the rapid development of Chinese economics and the accelerating urbanization process have caused a great deal of "constructive destructions" to the architectural heritage and have accelerated its demise. In order to change the situation and to deepen the people's understanding to the value of the architectural heritage, the paper will make further analysis and research on the culture value and economics value from the view of cultural economics and then give the architectural heritage the third-largest value -- social value. The ultimate goal is to establish the architectural heritage value system so as to promote the protection and the sustainable development of the architectural heritage.
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Jia, Shizhen, Yi Liao, Yuqing Xiao, Bo Zhang, Xiangbin Meng, and Ke Qin. "Methods of Conserving and Managing Cultural Heritage in Classical Chinese Royal Gardens Based on 3D Digitalization." Sustainability 14, no. 7 (March 30, 2022): 4108. http://dx.doi.org/10.3390/su14074108.
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In this study, we aimed to implement information obtained and refined from garden elements in heritage conservation, monitoring, and management to precisely construct an information model of classical Chinese gardens, including information on the garden entity, garden space, and garden attributes, etc., and to improve the management efficiency of classical Chinese royal gardens. Three-dimensional laser scanning technology and point cloud information were used to accurately collect and process digital information from classical Chinese royal gardens. After classifying and processing the point cloud data, correlations therein could be further assessed and used to greatly improve the accuracy and management efficiency of spatial information. To provide a more convenient solution for the subsequent conservation and management of landscape heritage, a method for establishing a three-dimensional digital information database and a full life-cycle application management platform for classical Chinese royal gardens is proposed in this research. This method has broad applications for the digital conservation and management of cultural heritage.
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Grigoryeva, Elena. "heritage without alternatives." проект байкал 19, no. 74 (January 5, 2023): 155. http://dx.doi.org/10.51461/pb.74.25.
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There are subjects for which there should be no alternatives. It is not a question whether it is necessary to protect and study cultural and historical heritage. There should not be any alternatives.We continue to publish materials on the heritage of different periods of history and different parts of the world. The Russian-Chinese theme is consistently studied in the works of Pacific University scholars. Even when careless officials remove cultural monuments from the lists, the public and the professional community speak up. This time, an entire historic quarter in Irkutsk is under threat. Students and professionals stood up to defend two old stone buildings. They backed up their position with the development of the ensemble and the creation of a new system of public spaces inlaid in the historic centre of the city.
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Towoliu, Benny Irwan, Dimas Ero Permana, and Fonny Sangari. "Can the Chinese Cultural Attraction Become an Icon of Tourism Cultural Heritage? (A Case in China Village, Manado)." Jurnal Ilmiah Peuradeun 8, no. 3 (September 30, 2020): 601. http://dx.doi.org/10.26811/peuradeun.v8i3.382.
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The purpose of this study was to analyze the residents’ perception towards the Chinese cultural attraction as an icon of cultural heritage tourism in Manado city. Manado is a predominantly Christian community and dominated by indigenous Minahasa tribes. But, now the city is populated by various inhabitants such as Sangir, Gorontalo, Maluku, and even foreign immigrants such as China and Arab migrating since the Dutch colonial era. Of the various communities that exist, practically only the Chinese community that still maintains its rituals amid strong advances in the tourism industry, this cultural practice can become an icon for cultural tourism. However, can the cultural ritual be accepted as an icon of Manado cultural tourism? This research was in the form of a descriptive qualitative approach. The instruments of data collection were questionnaires and field observations. Questionnaires were distributed to 325 respondents spread in Manado. Empirical results showed that every ritual attraction of Chinese Culture had always been awaited and an interesting spectacle for the people of Manado since the people of Chinese descent domiciled in Manado City. These findings could also provide recommendations for policymakers in setting annual tourist agendas as well as providing legal certainty for this region of Chinatown with various attractions as a cultural heritage area.
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Tang, Yi, Lihong Zhou, Jing Cao, Jiangnan Li, and Xiaofei Nie. "Integration of Digital Cultural Heritage Resources in China: Understanding Public Expectations." Libri 68, no. 1 (March 26, 2018): 59–70. http://dx.doi.org/10.1515/libri-2017-0027.
Повний текст джерелаАнотація:
Abstract This paper focuses on the recent development of the National Cultural Information Resources Sharing Project in China. This is a national scale project that was initiated by the Chinese central government and has stimulated immense academic attention. Specifically, this paper attempts to understand people’s expectations and requirements on the project. Moreover, this paper aims to articulate and provide specific and useful suggestions for relevant politicians and project operators so that public expectations and requirements can be carefully met. A survey was used to sample a very large and widely distributed population in China, with a questionnaire designed and disseminated through an online survey service platform. A total of 1,076 usable responses were returned and 29 invalid response cases were discarded, yielding an effective response rate of 97.3 percent. An evident public expectation has emerged from the data collected which shows that the Chinese public primarily expects a comprehensive, convenient and unified one stop online access portal to all types of Chinese digital cultural heritage. This paper is of interest to Chinese government officials as well as professionals working at libraries, museums, archives and other cultural institutions in China. Furthermore, although the context of this study is China, the research findings, insights and experiences gained in this study can be shared across international borders.
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Zhang, Yan, and Long Di Cheng. "The Origin and Heritage of Kesi Technique." Advanced Materials Research 821-822 (September 2013): 382–86. http://dx.doi.org/10.4028/www.scientific.net/amr.821-822.382.
Повний текст джерелаАнотація:
Although Chinese Kesiorigin is being recognized in various ways at present, yet its history of textual research lasts at least more than two thousand years. Moreover, a change occurred in Song Dynasty that high-grade works of art of Kesi paintings and calligraphies emerged, which formed the peak of Chinese Kesi art. In Ming and Qing Dynasties, the Kesi in the south region of Yangtze River inherited the skill of that in the Southern Song Dynasty, but it gradually declined after the Republican Period. After new China was founded, Kesi developed vigorously in Suzhou, and it had already been enrolled to the National Non-material Cultural Heritage list. This paper aims to explain the origin, the mutation, and the inheritance carrying of Chinese Kesi, then make a summary concerning the regulation. Not only will a clear cognition be made based on the previous research, but also it might be usible for reference about the protection of non-material cultural heritage in the future.