Статті в журналах: "Chikamatsuza"

1

แก้วฤทธิเดช, ลัดดา. "Chikamatsu กับทฤษฎีศิลปะการละคร (Chikamatsu and His Dramatic Theory)". Journal of Letters 28, № 2 (вересень 1999): 34–44. http://dx.doi.org/10.58837/chula.jletters.28.2.2.

Повний текст джерела

Стилі APA, Harvard, Vancouver, ISO та ін.

2

Gerstle, C. Andrew. "Hero as Murderer in Chikamatsu." Monumenta Nipponica 51, no. 3 (1996): 317. http://dx.doi.org/10.2307/2385613.

Повний текст джерела

Стилі APA, Harvard, Vancouver, ISO та ін.

3

Saltzman-Li, Katherine. "Chikamatsu: Five Late Plays (review)." Asian Theatre Journal 19, no. 2 (2002): 357–59. http://dx.doi.org/10.1353/atj.2002.0038.

Повний текст джерела

Стилі APA, Harvard, Vancouver, ISO та ін.

4

Dewi, Putu Mia Sintya, Ni Luh Putu Ari Sulatri, and I. Made Sendra. "Shinju Dalam Cerpen Sonezaki Shinju dan Cerpen Shinju Ten No Amijima Karya Chikamatsu Monzaemon." Humanis 24, no. 2 (May 28, 2020): 159. http://dx.doi.org/10.24843/jh.2020.v24.i02.p07.

Повний текст джерела

Анотація:

The title of this research is “Shinju in Sonezaki Shinju and Shinju Ten no Amijima, Short Stories by Chikamatsu Monzaemon”. This research aims to examine the background factors of shinju and the author's view of shinju in the Sonezaki Shinju short story and Chikamatsu Monzaemon's Shinju Ten no Amijima short story. The method used in this research is a descriptive analysis method by Ratna (2015). The theory used in this research are the sociological theory of literature proposed by Wellek & Werren (1990), the author's worldview theory proposed by Goldmann in Faruk (2010) and suicide theory proposed by Emile Durkheim (1897). Based on the results of the analysis found three factors underlying the occurrence of the shinju phenomenon in the Sonezaki Shinju short story, such as 1) shinju as a form of rejection of custom marriage, 2) shinju as a way out of conflict between on, giri, and ninjo, and 3) shinju is a form of proof of love, while in Chikamatsu Monzaemon's Shinju Ten no Amijima short story there are three factors underlying the shinju phenomenon, such as 1) shinju as a form of implementation of giri, 2) shinju as a form of shame, and 3) shinju as a form of proof of love. From these factors there are also three authors' views about shinju itself, such as 1)shinju restores self-esteem, 2) shinju to remove shame, and 3) shinju as a union of love.

Стилі APA, Harvard, Vancouver, ISO та ін.

5

Coats, Karen. "Somewhere Among by Annie Donwerth-Chikamatsu." Bulletin of the Center for Children's Books 69, no. 9 (2016): 462–63. http://dx.doi.org/10.1353/bcc.2016.0406.

Повний текст джерела

Стилі APA, Harvard, Vancouver, ISO та ін.

6

Gerstle, C. Andrew. "Heroic Honor: Chikamatsu and The Samurai Ideal." Harvard Journal of Asiatic Studies 57, no. 2 (December 1997): 307. http://dx.doi.org/10.2307/2719482.

Повний текст джерела

Стилі APA, Harvard, Vancouver, ISO та ін.

7

Lee, Su-Hyang. "The Use of “Beshi” in Chikamatsu Sewamonozyoururi." Korean Journal of Japanese Education 54 (February 28, 2021): 217–30. http://dx.doi.org/10.21808/kjje.54.13.

Повний текст джерела

Стилі APA, Harvard, Vancouver, ISO та ін.

8

Mollard, Nicolas. "Chikamatsu Hanji, Imoseyama ou l’éducation des femmes." Cipango, no. 18 (June 1, 2011): 263–64. http://dx.doi.org/10.4000/cipango.1609.

Повний текст джерела

Стилі APA, Harvard, Vancouver, ISO та ін.

9

Oyler, Elyzabeth. ""Shunkan on Devil Island": Domesticating Political Exile in the Japanese Puppet Play “Heike nōgyo no shima”." AOQU (Achilles Orlando Quixote Ulysses). Rivista di epica 4, no. 2 (December 30, 2023): 205–26. http://dx.doi.org/10.54103/2724-3346/22207.

Повний текст джерела

Анотація:

This essay discusses the scene entitled Shunkan on Devil Island from Chikamatsu Monzaemon’s early modern puppet play The Heike on the Island of Women as a commentary on social and political strictures of the early modern Tokugawa shogunate, which increasingly regulated social and commercial life as it sought to maintain control of the burgeoning cities of Edo and Osaka in the early 1700s. The play is loosely based on the medieval epic war tale Tale of the Heike (Heike monogatari), a beloved and foundational text that has found numerous afterlives in Japan’s theatrical, narrative and cinematic traditions. Shunkan on Devil Island refashions the Heike’s story of the Buddhist prelate Shunkan (banished to Devil Island following a botched coup attempt) as a specifically early modern tale by introducing a female character, Chidori, who becomes the wife of one of Shunkan’s two fellow male exiles and therefore a member of the "family" that they, as aristocrats banished to a distant island, create. Through exploring the idea of family relations on the remote Kigaigashima, Chikamatsu recasts the well-known tale of Shunkan on Devil Island to create a utopic staged space that comments on the oppressiveness of the early modern polity experienced acutely by the urban audiences of the early 18th century.

Стилі APA, Harvard, Vancouver, ISO та ін.

10

Kominz, Laurence Richard. "Ganjiro III and Chikamatsu's "Lost" Kabuki Masterpiece." Asian Theatre Journal 17, no. 1 (2000): 51–77. http://dx.doi.org/10.1353/atj.2000.0004.

Повний текст джерела

Стилі APA, Harvard, Vancouver, ISO та ін.

11

Tanaka, Motoko. "Class Structure and Ethics in Shinjū Ten no Amijima." Asian Culture and History 8, no. 1 (August 17, 2015): 28. http://dx.doi.org/10.5539/ach.v8n1p28.

Повний текст джерела

Анотація:

In Chikamatsu’s sewamono genre, there are very complex social and ethical structures which derive from differences of status within the social structure. It is abundantly clear that jōruri plays depict the merchants’ indirect defiance of the military class, but the people who fell below the four-class structure—like eta/hinin—also suffer from their contradictory roles in society. Both merchants and eta/hinin were indispensable to the ruling class, yet their roles were despised and they were excluded from political power. The social structure was inherently unequal, but at the same time there were contradictions and conflicts within social classes as well. Chikamatsu’s masterpiece Shinjū Ten no Amijima reflects complex social and ethical conflicts within the merchant class: all the characters are bound not in a simple dichotomy between giri and ninjō but in conflicting and overlapping obligations of giri, on, jō and ichibun. Shinjū Ten no Amijima succeeds in depicting the rich humanity of the merchant class by illustrating its ethics of obligation, human relations, sympathy, and pride.

Стилі APA, Harvard, Vancouver, ISO та ін.

12

Brandon, James R., and C. Andrew Gerstle. "Circles of Fantasy: Convention in the Plays of Chikamatsu." Journal of Japanese Studies 14, no. 2 (1988): 538. http://dx.doi.org/10.2307/132631.

Повний текст джерела

Стилі APA, Harvard, Vancouver, ISO та ін.

13

Beichman, Janine, and C. Andrew Gerstle. "Circles of Fantasy: Convention in The Plays of Chikamatsu." Harvard Journal of Asiatic Studies 48, no. 1 (June 1988): 239. http://dx.doi.org/10.2307/2719277.

Повний текст джерела

Стилі APA, Harvard, Vancouver, ISO та ін.

14

Heinrich, Amy Vladeck, and C. Andrew Gerstle. "Circles of Fantasy: Convention in the Plays of Chikamatsu." Journal of the American Oriental Society 107, no. 4 (October 1987): 817. http://dx.doi.org/10.2307/603350.

Повний текст джерела

Стилі APA, Harvard, Vancouver, ISO та ін.

15

Jones, Stanleigh H., and C. Andrew Gerstle. "Circles of Fantasy: Convention in the Plays of Chikamatsu." Monumenta Nipponica 42, no. 1 (1987): 101. http://dx.doi.org/10.2307/2385043.

Повний текст джерела

Стилі APA, Harvard, Vancouver, ISO та ін.

16

Kamrowska, Agnieszka. "Teatr bunraku w filmie „Lalki” Takeshiego Kitano." Kwartalnik Filmowy, no. 87-88 (December 31, 2014): 171–78. http://dx.doi.org/10.36744/kf.2392.

Повний текст джерела

Анотація:

Film Lalki (Dōruzu, 2002) Takeshiego Kitano na wielu poziomach wykorzystuje motywy japońskiego teatru lalkowego bunraku. Punktem wyjścia analizy motywów teatru bunraku w filmie japońskiego twórcy jest sztuka Posłaniec do piekieł autorstwa największego dramatopisarza bunraku – Monzaemona Chikamatsu. Prócz fragmentu przedstawienia tego dramatu oraz jego motywów fabularnych reżyser umieścił w swoim dziele także inne elementy formalne teatru lalkowego, jak konstrukcja postaci, wygląd i kostiumy aktorów czy wreszcie michiyuki (przejście drogą) jako podstawę struktury narracyjnej całego filmu. W efekcie powstał obraz niezwykle hermetyczny, zanurzony w specyficznej estetyce teatru lalkowego dla dorosłych, który w Japonii stopniowo popada w zapomnienie.

Стилі APA, Harvard, Vancouver, ISO та ін.

17

이응수, 홍선영, 명진숙, and Kyoungkook Choi. "The Feedback of Korean Theatrical People on CHIKAMATSUZA's Performance in Korea." Journal of japanese Language and Culture ll, no. 12 (April 2008): 343–62. http://dx.doi.org/10.17314/jjlc.2008..12.015.

Повний текст джерела

Стилі APA, Harvard, Vancouver, ISO та ін.

18

한경자. "The nationalism which was expressed in the joruri of Chikamatsu." Journal of Japanese Studies ll, no. 40 (June 2009): 197–214. http://dx.doi.org/10.15733/jast.2009..40.197.

Повний текст джерела

Стилі APA, Harvard, Vancouver, ISO та ін.

19

Browne, Jyana S. "Yūjo in the Off Hours: Female Intimacy in Chikamatsu's Contemporary Life Plays." Japanese Language and Literature 57, no. 1 (March 23, 2023): 1–25. http://dx.doi.org/10.5195/jll.2023.264.

Повний текст джерела

Стилі APA, Harvard, Vancouver, ISO та ін.

20

Kyoungja Han. "Lights-Based Theatrical Performance and Its Effect in Chikamatsu Monzaemon’s Jōruri." Journal of Japanese Language and Literature 99, no. 2 (November 2016): 199–224. http://dx.doi.org/10.17003/jllak.2016.99.2.199.

Повний текст джерела

Стилі APA, Harvard, Vancouver, ISO та ін.

21

Reed, Barbara Mito. "Chikamatsu Shuko: An Inquiry into Narrative Modes in Modern Japanese Fiction." Journal of Japanese Studies 14, no. 1 (1988): 59. http://dx.doi.org/10.2307/132531.

Повний текст джерела

Стилі APA, Harvard, Vancouver, ISO та ін.

22

Heine, Steven. "Tragedy and Salvation in the Floating World: Chikamatsu's Double Suicide Drama as Millenarian Discourse." Journal of Asian Studies 53, no. 2 (May 1994): 367–93. http://dx.doi.org/10.2307/2059839.

Повний текст джерела

Анотація:

A distinctive feature of japanese society is its apparent eagerness to embrace various forms of voluntary death or suicide as legitimate, even positive, behavior with a potentially redemptive value. These forms include the samurai's ritualistic disembowelment (seppuku or harakiri), remonstration suicide (kanshi) in protest against a corrupt superior, and suicide out of devotion to a lord or superior (junsbi), all of which are surrounded by “a heroic, romantic, aesthetic, and moral aura” (Lebra 1976:190). Suicide is, of course, an extraordinary act in Japan as elsewhere in the world (Lifton 1979:24). Though it is not common, it is widely revered by Japanese if committed on the basis of authentic moral intentions in relation to societal pressure—that is, to exorcise shame (haji) and to highlight honor, dignity, and integrity. In a culture that esteems the tragic hero who embodies the “nobility of failure” (Morris 1975), and which regards voluntary death as an experiential transcendence for participants and observers alike, perhaps the most extreme and intriguing example of taking one's own life is the double suicide or love suicide (shinjū).

Стилі APA, Harvard, Vancouver, ISO та ін.

23

Brownstein, Michael. "Sedge-Hat Madness: A Translation of Chikamatsu Monzaemon’s Onatsu Seijūrō Gojūnenki Uta Nenbutsu." Monumenta Nipponica 71, no. 1 (2016): 43–82. http://dx.doi.org/10.1353/mni.2016.0001.

Повний текст джерела

Стилі APA, Harvard, Vancouver, ISO та ін.

24

Mueller, Jacqueline. "A Chronicle of Great Peace Played Out on a Chessboard: Chikamatsu Monzaemon's Goban Taiheiki." Harvard Journal of Asiatic Studies 46, no. 1 (June 1986): 221. http://dx.doi.org/10.2307/2719081.

Повний текст джерела

Стилі APA, Harvard, Vancouver, ISO та ін.

25

이응수, 사카베 유미코, 홍선영, 명진숙, and Kyoungkook Choi. "The Survey of Audience Feed-Back for CHIKAMATSUZA's Performance in KoreaⅠ - On Objective type of Questionnaire -." Journal of japanese Language and Culture ll, no. 10 (April 2007): 295–317. http://dx.doi.org/10.17314/jjlc.2007..10.016.

Повний текст джерела

Стилі APA, Harvard, Vancouver, ISO та ін.

26

이응수, 사카베 유미코, 홍선영, Kyoungkook Choi, and 명진숙. "The Survey of Korean Audience Feed-Back for CHIKAMATSUZA's Korean PerformanceⅡ － On Descriptive type of Questionnaire －." Journal of japanese Language and Culture ll, no. 11 (October 2007): 267–86. http://dx.doi.org/10.17314/jjlc.2007..11.014.

Повний текст джерела

Стилі APA, Harvard, Vancouver, ISO та ін.

27

Richards, Ken. "Chikamatsu, trans. Donald Keene The Major Plays of ChikamatsuNew York; London: Columbia University Press, 1990. 487 p." New Theatre Quarterly 9, no. 33 (February 1993): 104. http://dx.doi.org/10.1017/s0266464x0000765x.

Повний текст джерела

Стилі APA, Harvard, Vancouver, ISO та ін.

28

Pazó Espinosa, José. "Donald Keene: una vida dedicada a la literatura japonesa." Mirai. Estudios Japoneses 3 (June 19, 2019): 1–21. http://dx.doi.org/10.5209/mira.64774.

Повний текст джерела

Анотація:

Donald Keene ha sido seguramente el estudioso de la literatura japonesa más importante de la segunda mitad del siglo XX. Neoyorquino por origen, se formó en la Universidad de Columbia y en la escuela de lenguas del ejército de los EE.UU. La segunda guerra mundial, lo llevó a Hawai primero, y de allí pasó a Japón. Continuó su formación en Cambridge (UK), y tras dos años en Japón se convirtió en el mayor especialista occidental en literatura japonesa, y uno de sus mejores traductores. En su obra destacan las traducciones de Chikamatsu, Matsuo Basho, Osamu Dazai o Yukio Mishima, por citar algunos ejemplos. Al pasar gran parte de su vida profesional entre Nueva York y Japón, contribuyó en gran medida a dar a conocer la literatura japonesa en los círculos intelectuales y editoriales estadounidenses e internacionales en general. En este artículo efectuamos un repaso de su vida y su obra y argumentamos que el reconocimiento del lugar de la literatura japonesa en el canon universal se debe en gran parte a su aportación como estudioso y divulgador. De forma paralela, se convirtió en un referente para el mundo literario japonés y en uno de los puentes de la cultura nipona con el exterior.

Стилі APA, Harvard, Vancouver, ISO та ін.

29

Toyosawa, Nobuko. "Japan and the Contested Center of Eighteenth-Century East Asia." Archiv orientální. Supplementa. 12 (December 4, 2020): 27–58. http://dx.doi.org/10.47979/aror.s.2020.xii.27.

Повний текст джерела

Анотація:

Eighteenth-century Japan is known for the rise of the publishing industry and the spread of sociability through popular media. Reading against this broader historical context, this paper analyzes texts from different literary genres—namely, a guidebook series called The Illustrated Scenic Beauty of Japan (Fusō meishōzu, 1713–28) and The Battles of Coxinga (Kokusen’ya kassen, 1715), followed by its sequel, The Battles of Coxinga in Later Days (Kokusen’ya gonichi kassen). The paper explores what representative qualities and characteristics were considered Japanese in these texts, especially in contrast to the dominant other at that time, China. For example, drawing from a real historical figure, Zheng Chenggong (1624–1662), otherwise known as Coxinga, the playwright Chikamatsu Monzaemon (1653–1725) produced a tale about the revival of Ming dynastic rule in collaboration with Tokugawa Japan. Given that certain virtues and values held a particular importance in these texts, they can be read analogously with a rise in ambivalence toward the moral and political authority of the shogunate. The changing visions of ideal leadership suggest that the reading public was partaking in the debate about political legitimacy, albeit in the space of popular culture, adding a renewed significance of popular participation to the production of communal identity during the era known as the “Great Peace under heaven” (tenka taihei).

Стилі APA, Harvard, Vancouver, ISO та ін.

30

Brazhnikova Tsybizova, Violetta. "El Teatro Bunraku:." Revista Kaylla, no. 1 (November 2, 2022): 167–82. http://dx.doi.org/10.18800/kaylla.202201.009.

Повний текст джерела

Анотація:

El objeto del presente trabajo es uno de los tres grandes géneros tradicionales del teatro japonés, el teatro de marionetas Bunraku. A lo largo de esta investigación se presenta cómo y dónde surgió el teatro de marionetas en Japón y se observan las razones por las cuáles cambió su estructura de manera sustancial en el siglo XVIII. También se analizan las circunstancias que rodean el cambio del nombre de este género teatral en el siglo XIX. Debido a que entre los estudiosos este género teatral se considera una de las fuentes de las cuales ha bebido el teatro Kabuki, entre otras, en este artículo se observa el desarrollo paralelo del teatro de marionetas Bunraku y el teatro de los intérpretes humanos Kabuki durante los siglos XVII y XVIII. Por ello, además, se mencionan ambos géneros teatrales y se examinan sus similitudes y las diferencias más destacadas entre ambos. Asimismo, se presenta de manera concisa la figura de Chikamatsu Monzaemon, uno de los dramaturgos más importantes de la escena nipona, y se profundiza sobre su influencia en el establecimiento de los valores estéticos que siguen rigiendo el teatro de marionetas todavía en el siglo XXI. También se consideran algunas de las manifestaciones similares en el ámbito de las artes escénicas en España y se indaga en la influencia que ha ejercido el teatro Bunraku en las mismas.

Стилі APA, Harvard, Vancouver, ISO та ін.

31

김희경. "A Study on the Movie Chikamatsu Monogatari in Mizoguchi Kenji´s works -Focusing on the "Goshoku Goninonna", "Diekyoji Mukashikoyomi" Comparison-." Japanese Language and Literature Association of Daehan ll, no. 66 (May 2015): 313–30. http://dx.doi.org/10.18631/jalali.2015..66.017.

Повний текст джерела

Стилі APA, Harvard, Vancouver, ISO та ін.

32

KAMIKAJI, AI. "C. ANDREW GERSTLE (ed. and trans.): Chikamatsu: five late plays. (Translations from the Asian Classics.) 534 pp. New York: Columbia University Press, 2001. £28.50." Bulletin of the School of Oriental and African Studies 66, no. 3 (October 2003): 520–22. http://dx.doi.org/10.1017/s0041977x0332035x.

Повний текст джерела

Стилі APA, Harvard, Vancouver, ISO та ін.

33

Ortolani, Benito. "Circles of Fantasy: Convention in the Plays of Chikamatsu. By C. Andrew Gerstle. Cambridge (Massachusetts) and London: Harvard University Press, 1986. Pp. xvii + 284 + illus." Theatre Research International 13, no. 2 (1988): 159–60. http://dx.doi.org/10.1017/s0307883300014486.

Повний текст джерела

Стилі APA, Harvard, Vancouver, ISO та ін.

34

Ariefa, Nina Alia. "Women’s Voices and Patriarchal Hegemony of the Edo Period in Shinju Tenno Amijima (1720)." IZUMI 10, no. 2 (November 11, 2021): 338–49. http://dx.doi.org/10.14710/izumi.10.2.338-349.

Повний текст джерела

Анотація:

The Edo Period (1603-1868), known as the feudal era, lasted for nearly three centuries in Japan. Confucian teachings applied in all sectors of life had a great influence on the expansion of the patriarchal system in Japanese society at this time. Under the strict control of the Tokugawa shogunate government, the implementation of social class stratification was firmly established, including in the hierarchical relationship between men and women. The period of peace that occurred throughout the Edo period had contributed to a conducive situation for the rapid development of Japanese culture. Male artists were very dominant in the development of Japanese culture, and they were centred in big cities during this period. On the other hand, this era had become a dark age for women who did not get the opportunity to speak and create as men did. The female figures of the Edo period were presented in the works of male writers. This study focuses on examining women’s voices in the works of these male writers in the period. After exploring research on this period’s literary works, we found that these studies have various focuses related to the disclosure of women during the period, starting from the representation of women, their relationship with a male and other female characters, to their roles and positions. This research will contribute to discussions on gender, history, and literature, as well as on the way women's voices in this work serve a purpose in supporting the patriarchal hegemony that occurred in the period. We aim to reveal women’s voices in a male writer's play Shinju Tenno Amijima (1720) by Chikamatsu Monzaemon (1653-1725) through a feminist critique approach. To explain women's voice and patriarchal hegemony, we apply the concepts of silence from Olsen (2003) and hegemony from Antonio Gramsci. The results of this study indicate that women’s voices raised in this play are the ones who support men's interests and are subject to patriarchal values. This play consistently displays the exclusion of women's voices of opposition and defiance. This work also shows its existence as a locus for the dominant values emphasized for women in the Edo period.

Стилі APA, Harvard, Vancouver, ISO та ін.

35

Horie-Webber, A. "C. Andrew Gerstle: Circles of fantasy: convention in the plays of Chikamatsu. (Harvard East Asian Monographs, 116.) xvi, 248 pp. Cambridge, Mass.: Council on East Asian Studies, Harvard University, 1986. £16.95." Bulletin of the School of Oriental and African Studies 51, no. 2 (June 1988): 380–81. http://dx.doi.org/10.1017/s0041977x00115186.

Повний текст джерела

Стилі APA, Harvard, Vancouver, ISO та ін.

36

Tada, Hiroe, and Kazuaki Chikamatsu. "Abstract 4463: Prognostic significance of systemic inflammatory markers in recurrent or metastatic head and neck cancer patients treated with nivolumab." Cancer Research 83, no. 7_Supplement (April 4, 2023): 4463. http://dx.doi.org/10.1158/1538-7445.am2023-4463.

Повний текст джерела

Анотація:

Abstract Treatment strategies for head and neck cancer has been improved with the contribution of immunotherapy. In spite of the fact, the mechanisms underlying the response to immune checkpoint inhibitors (ICIs) remain unclear, and discovery of the biomarker predicting therapeutic efficacy of ICIs is urgently required. Our previous study indicated that in patients with recurrent or metastatic head and neck squamous cell carcinoma treated with nivolumab, circulating T cells showed dynamic alterations depending on treatment efficacy using flow cytometry and mass cytometry. However, these analyses are somewhat complicated to apply each patient in clinical setting. In this study, we focused on systemic inflammatory markers, including inflammatory makers such as blood cell fractions and C-reactive protein(CRP) in peripheral blood. Firstly, we assessed the pretreatment systemic inflammatory markers in 61 recurrent or metastatic head and neck cancer patients treated with nivolumab, and determined whether these markers were associated with treatment responses by Kaplan-Meier method, multivariate analysis, regression analysis and classification and regression trees(CART). Next, we investigated circulating T cell subsets in 36 recurrent or metastatic head and neck cancer patients using flow cytometry. High neutrophil to lymphocyte ratio(NLR), platelet to lymphocyte ratio(PLR), and systemic immune-inflammation index(SII) significantly associated with poor prognosis in overall survival (NLR: p=0.0047, PLR: p=0.0357, SII: p=0.0011). Furthermore, high albumin, lymphocyte to monocyte ratio(LMR), and prognostic nutritional index(PNI) were significant good prognostic markers of overall survival (albumin: p=0.0037, LMR: p=0.0088, PNI: p=0.037). Overall survival time were estimated the values that were defined systemic inflammatory markers by multivariate analysis. These systemic inflammatory markers were assigned importance by each coefficient. Notably, the number of monocyte and lymphocyte have a strong influence on overall survival time. In addition, the index that were depending on the number of white blood cells and monocyte, the percentage of lymphocyte, platelet count, albumin, and PNI were useful prognostic tools in analyzing regression analysis. Furthermore, the evaluation of PNI were contributed to the predict treatment efficacy in analyzing CART. Moreover, NLR, PLR, and SII were positively correlated with the proportion of Treg (NLR: R2=0.3622/p=0.0001, PLR: R2=0.4198/p<0.0001, SII: R2=0.3654/p<0.0001). We concluded that in recurrent or metastatic head and neck cancer patients treated with nivolumab, systemic inflammatory markers could provide new insight into rational therapeutic strategies in cancer immunotherapy for head and neck cancer. Citation Format: Hiroe Tada, Kazuaki Chikamatsu. Prognostic significance of systemic inflammatory markers in recurrent or metastatic head and neck cancer patients treated with nivolumab. [abstract]. In: Proceedings of the American Association for Cancer Research Annual Meeting 2023; Part 1 (Regular and Invited Abstracts); 2023 Apr 14-19; Orlando, FL. Philadelphia (PA): AACR; Cancer Res 2023;83(7_Suppl):Abstract nr 4463.

Стилі APA, Harvard, Vancouver, ISO та ін.

37

Takahashi, Hideyuki, Shota Ida, Hiroe Tada, and Kazuaki Chikamatsu. "Abstract 2685: Activated phenotype of intraepithelial type 1 innate lymphoid cells is enriched in HPV-positive head and neck cancers." Cancer Research 84, no. 6_Supplement (March 22, 2024): 2685. http://dx.doi.org/10.1158/1538-7445.am2024-2685.

Повний текст джерела

Анотація:

Abstract Innate lymphoid cells (ILCs) and natural killer (NK) cells are a heterogeneous family of innate immune cells that regulate inflammation, immune tolerance and tissue homeostasis in infection, chronic inflammation, metabolic diseases and cancer. The ILC family lacks the expression of antigen-specific receptors and demonstrate effector function by generating cytokines and secreted proteins. In tumor microenvironment, ILCs play a dual role including both tumor regression and tumor promotion, suggesting their diverse phenotypes and functional states. Among the ILC family, ILC1s and NK cells share some features, including the expression of the transcription factor T-bet and the ability to produce IFN-γ. In the present study, we analyzed single-cell RNA sequencing (scRNAseq) data to investigate the landscape and functional status of ILC families in patients with head and neck squamous cell carcinoma (HNSCC). The GSE164690 dataset, including pre-processed scRNAseq data and clinical data, was obtained from Gene Expression Omnibus. A total of 17 pairs of tumor-derived CD45-positive cells and peripheral blood lymphocytes, consisting of 6 HPV-positive HNSCCs and 11 HPV-negative HNSCCs, were analyzed using the Seurat v4 R package. After quality control, a total of 95,809 cells were obtained and clustered into 16 immune cell clusters. Next, a total of 7,278 NK cells were extracted and sub-clustered into 11 clusters. To characterize the 11 clusters, the abundances of NK subsets were estimated by CIBERSORTx. This approach identified eight NK cell clusters, two intraepithelial ILC1 (ieILC1) clusters, and one ieILC1-NK-intermediate (ieILC1-NK-int) cluster. Single-sample GSEA (ssGSEA) analysis was performed to further characterize each subset. ieILC1 clusters expressed tissue-resident markers ITGA1, CD69, and CXCR6, whereas ieILC1-NK-int cluster expressed ILC1 markers CCR7, IL7R, and SELL. Principle component analysis (PCA) based on ssGSEA indicated that ieILC1 clusters and ieILC1-NK-int showed the different PCA distribution from NK clusters. Inflammation and effector function-related pathways, including inflammatory response, interferon-gamma response, and interferon-alpha response, were enriched in ieILC1 clusters compared with the others. Among ieILC1 clusters, several pathways, including hypoxia, TNFA signaling via NFKB, allograft rejection, TGF beta signaling, were more enriched in ieILC1-1 than in ieILC1-2, suggesting that ieILC1-1 is the most immunologically active phenotype among NK subclusters. Of note, ieILC1-2 mainly comprised cells isolated from HPV-negative tumors, whereas ieILC1-1 mainly comprised cells isolated from HPV-positive tumors. In conclusion, we have demonstrated the diverse landscape of NK and ieILC1 cells in patients with HNSCC. Further characterization of the ILC family would lead to a novel therapeutic approach against HNSCC. Citation Format: Hideyuki Takahashi, Shota Ida, Hiroe Tada, Kazuaki Chikamatsu. Activated phenotype of intraepithelial type 1 innate lymphoid cells is enriched in HPV-positive head and neck cancers [abstract]. In: Proceedings of the American Association for Cancer Research Annual Meeting 2024; Part 1 (Regular Abstracts); 2024 Apr 5-10; San Diego, CA. Philadelphia (PA): AACR; Cancer Res 2024;84(6_Suppl):Abstract nr 2685.

Стилі APA, Harvard, Vancouver, ISO та ін.

38

Takaya, Ted T. "Circles of Fantasy: Convention in the Plays of Chikamatsu. By C. Andrew Gerstle. Cambridge, Mass.: Harvard University, Council on East Asian Studies, 1986. (Harvard East Asian Monographs 116) xx, 248 pp. Illustrations, Appendixes, Notes, Glossaries, Bibliography, Index. $25." Journal of Asian Studies 46, no. 1 (February 1987): 149–50. http://dx.doi.org/10.2307/2056691.

Повний текст джерела

Стилі APA, Harvard, Vancouver, ISO та ін.

39

Dunn, Charles. "Circles of fantasy: convention in the plays of Chikamatsu. By C. Andrew Gerstle. (Harvard East Asian Monographs No. 116.) pp. xvii, 248, front., 21 illus. Cambridgre, Mass. and London, Council on East Asian Studies, Harvard University. Distrib. by Harvard University Press, 1986.£16.95." Journal of the Royal Asiatic Society of Great Britain & Ireland 119, no. 2 (April 1987): 410–11. http://dx.doi.org/10.1017/s0035869x00141450.

Повний текст джерела

Стилі APA, Harvard, Vancouver, ISO та ін.

40

Таїчі Ямашіта and Гсіао Гсуан Гунґ. "The Investigation of Learning Strategies of American Learners of Chinese and Japanese for Character Learning." East European Journal of Psycholinguistics 3, no. 1 (June 30, 2016): 140–49. http://dx.doi.org/10.29038/eejpl.2016.3.1.tai.

Повний текст джерела

Анотація:

It has been widely recognized that Chinese and Japanese languages are exceptionally difficult to learn. One of the reasons is their logographic characters (i.e. hanzi in Chinese, kanji in Japanese) that are extremely different from alphabet-based orthography (Tong & Yip, 2015; Xu & Padilla, 2013). Accordingly, there have been research investigating how L2 learners of Chinese and Japanese deal with the difficulty by exploring learners’ strategy (Gamage, 2003; Shen, 2005). However, learning strategies for a certain aspect of characters (i.e. shape, sound) have not been investigated as much as learning strategies in general (but see Shen, 2005). In addition, there are limited longitudinal research exploring how learners change their strategies. Therefore, the researchers investigate strategies that L2 learners of American university students are using most frequently for Chinese and Japanese character learning. The study had 66 L2 learners taking either Chinese or Japanese course at an American university. They took a questionnaire at the beginning and at the end of a semester. It was found that reading, context, decomposition, rote-writing, and listening were the most frequently used strategies. Moreover, the results indicated that strategies vary depending on which aspect of characters they learn. Furthermore, learners did not change their learning strategies over three months to a notable extent. References Chikamatsu, N. (1996). The effects of L1 orthography on L2 word recognition: A study ofAmerican and Chinese learners of Japanese. Studies in Second Language Acquisition, 18,403–432. Everson, M. E. (1998). Word recognition among learners of Chinese as a foreign language:Investigating the relationship between naming and knowing. The Modern LanguageJournal, 82, 194–204. Everson, M. E. (2011). Best practices in teaching logographic and non-Roman writingsystems to L2 learners. Annual Review of Applied Linguistics, 31, 249–274. Haththotuwa Gamage, G. (2003). Perceptions of kanji learning strategies: Do they differamong Chinese character and alphabetic background learners? Hayes, E. B. (1988). Encoding strategies used by native and non‐native readers ofChinese Mandarin. The Modern Language Journal, 72, 188–195. Ke, C. (1998). Effects of language background on the learning of Chinese charactersamong foreign language students. Foreign Language Annals, 31, 91–102. Liskin-Gasparro, J. (1982). ETS Oral Proficiency Testing Manual. Educational TestingService, Princeton, NJ. McGinnis, S. (1999). Student goals and approaches. Mapping the course of the Chineselanguage field, 151–188. Mori, Y., Sato, K., & Shimizu, H. (2007). Japanese language students' perceptions on kanjilearning and their relationship to novel kanji word learning ability. LanguageLearning, 57, 57–85. Packard, J. L. (1990). Effects of time lag in the introduction of characters into the Chineselanguage curriculum. The Modern Language Journal, 74, 167–175. Rose, H. (2013). L2 learners' attitudes toward, and use of, mnemonic strategies whenlearning Japanese kanji. The Modern Language Journal, 97, 981–992. Shen, H. H. (2005). An investigation of Chinese-character learning strategies among nonnative speakers of Chinese. System, 33, 49–68. Tong, X., & Yip, J. H. Y. (2015). Cracking the Chinese character: radical sensitivity inlearners of Chinese as a foreign language and its relationship to Chinese wordreading. Reading and Writing, 28, 159–181. Yuki, M. (2009). Kanji Learning Strategies: From the Viewpoint of Learners with Nonkanji Background. 関西外国語大学留学生別科日本語教育論集, 19, 143–150. Xu, Y., Chang, L. Y., & Perfetti, C. A. (2014). The Effect of Radical‐Based Grouping inCharacter Learning in Chinese as a Foreign Language. The Modern Language Journal, 98,773–793. Xu, X., & Padilla, A. M. (2013). Using meaningful interpretation and chunking to enhancememory: The case of Chinese character learning. Foreign Language Annals, 46, 402–422.

Стилі APA, Harvard, Vancouver, ISO та ін.

41

"Intertextuality and Corporality in Chikamatsu Monzaemon’s Shutendōji makurakotoba." Studies in Japanese Literature and Culture 5 (March 28, 2022): 1–25. http://dx.doi.org/10.7221/sjlc05.001.0.

Повний текст джерела

Стилі APA, Harvard, Vancouver, ISO та ін.

42

Brownstein, Michael C. "Weak old men, strong old women in Chikamatsu's domestic plays." Proceedings of the Association for Japanese Literary Studies 13 (November 4, 2015). http://dx.doi.org/10.26812/pajls.v13i.1447.

Повний текст джерела

Стилі APA, Harvard, Vancouver, ISO та ін.

43

MacDorman, Karl F. "La critique théâtrale de Chikamatsu Monzaemon et sa relation à la Vallée de l’étrange." e-Phaïstos, no. IX-1 (April 27, 2021). http://dx.doi.org/10.4000/ephaistos.8706.

Повний текст джерела

Стилі APA, Harvard, Vancouver, ISO та ін.

44

Повний текст джерела

Стилі APA, Harvard, Vancouver, ISO та ін.

Статті в журналах з теми "Chikamatsuza"

Оформте джерело за APA, MLA, Chicago, Harvard та іншими стилями