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1
Radovanović, Milica. "The characteristics of male and female characters in children's literature." Nastava i vaspitanje 71, no. 2 (2022): 233–48. http://dx.doi.org/10.5937/nasvas2202233r.
Повний текст джерелаАнотація:
This paper presents the findings of research carried out with the aim of gaining an understanding of the characteristics of male and female child characters in children's literature. "Characteristics" in our research refers to the representation, role and description of male and female characters. The sample consisted of 32 literary texts with child characters in readers used in the first and second grades of primary school. Using the descriptive method and the technique of content analysis, it was established that male characters are almost twice as represented as female characters and that they are more frequently the main characters in a text. With regard to character description, inquisitiveness, imaginativeness and resourcefulness are the most common traits of male characters, while kindness and sensibility are characteristics ascribed only to female characters. It is surprising that the female characters did not have negative traits, leading to the conclusion that their characteristics are more positively rated than the characteristics and actions of male characters. Based on our data, we can conclude that gender stereotypes are present in the descriptions of male and female characters, and we therefore invite readers to take part in further discussions and a more comprehensive analysis of the representation of child characters both in literary works and in other cultural products.
2
A, Palaniammal. "Hanuman’s Characteristics among the characters of Kambar." International Research Journal of Tamil 4, no. 1 (November 29, 2021): 17–24. http://dx.doi.org/10.34256/irjt2213.
Повний текст джерелаАнотація:
Kambar was a star of Tamil Literature Ramayanam Written by Valmiki was translated from Sanskrit Languages to Tamil by the great Poet Kambar. Eventhough is was a translated one, it seems to be a new epic written on his own with some added flavours that is why Ramayana was called to the Kambaramayanam along with the name of the poet which has been a fame till to day. Hanuman the son of Vayu is one of the unparalled fables created by kamber in the Kambaramayanam. In the Myth stories characters plays a vital role the characters are being seen as the one who give life to the story. According to S. Balachandran, “Each and every word spoken by the character has to show the special characteristics of the character”. This article Hanuman is shown as a connectivity bridge between the character, the one who has good characteristics, the one who with good speaking skills and the one who gave life and emotions to the story.
3
Noviani, Syafika Salsa, and Anik Cahyaning Rahayu. "DIMENSIONS OF YOUNG ADULT LITERATURE: THE READING ON FIVE FEET APART." 3rd Annual International Conferences on Language, Literature, and Media 4 (September 19, 2022): 124. http://dx.doi.org/10.18860/aicollim.v4i1.1930.
Повний текст джерелаАнотація:
This study aims to describe the characteristics of Young Adult Literature genre found in the novel. Young Adult Literature’s characteristics relate to the novel’s intrinsic elements which consists of character, theme, plot, and point of view. The approach used in analysing the novel is structuralism approach. This research uses descriptive qualitative method. The result of the analysis states that Five Feet Apart is categorized into young adult literature since it conforms the genre’s characteristics. The characters of the novel have a physical appearance and the way they behave as well as interact with each other. Moreover, the characters in the novel have a change in attitude and way of thinking. Seen from the analysis, the plot is going fast and the storyline is written in the present. Theme in the novel is about romance because the novel tells the love story of the two young adult people who suffer from lungs illness, named Stella and Will. There are two points of view from young adult protagonists as the main characters in the novel. The point of view changes in every chapter because the story is sometimes told by Stella and sometimes by Will. Finally, it can be concluded that characteristics of Young Adult Literature genre are found in the novel Five Feet Apart.
4
Jamaliddinovich, Yadgarov. "LINGUOPOETIC CHARACTERISTICS OF INTERJECTION WORDS." ANGLISTICUM. Journal of the Association-Institute for English Language and American Studies 12, no. 11 (November 20, 2023): 34–41. http://dx.doi.org/10.58885/ijllis.v12i11.34yj.
Повний текст джерелаАнотація:
Interjection words have a great role in expressing feelings, mental impulses, mental-dynamic states in the artistic text. Interjections are actively used in both poetic and prose types of speech, and can be a linguopoetic tool in both types of text, in expressing the speech in which it is part with strong emotions and in a strong tone. Uzbek writers widely use interjections to create contrasting speech features that give the reader an idea of the character traits of different characters. The generalization of certain specific features of speech, the choice of different types of interjections, as well as the frequency of their repetition in characteristic speech are subject to the author's general creative intention. It also helps him create a true image of the characters depicted in the literary work.
Keywords: literature, image, translation, influence, tradition, creativity, poetry, ghazal, skill.
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Anam, Ahmad Khoiril, and Yogi Purnama. "The Characteristics of Ahmad Tohari's Smile Short Story by Ahmad Tohari." Hortatori : Jurnal Pendidikan Bahasa dan Sastra Indonesia 5, no. 1 (June 30, 2021): 8–13. http://dx.doi.org/10.30998/jh.v5i1.650.
Повний текст джерелаАнотація:
The purpose of this study is to describe the characters contained in the collection of short stories Senyum Karyamin by Ahmad Tohari. The method used in this research is qualitative descriptive research. The research technique used is the analysis of the contents of collection of short stories and literature studies to find and collect library data in the form of books relating to research sebjects. Research on the characterization of the main characters in a collection of short stories with the use of analytical and dramatic aspects of the story of thirteen sub-chapters. The results found the chacarterization of the main characters in a short stories with use of analytical aspects of 53 findings (51%) and dramatic 51 findings (49%) that appear in the story of thirteen sub-chapters that exist. Short collection of Senyum Karyamin depicts the character of rural communities that reflect daily life.Keywords: Main Character, Analytical Aspects, Dramatic Aspects, Short Stories Senyum Karyamin.
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Ratchatakorntrakoon, Ratchaneekorn. "Taleng Phai: A Chakrabhand Puppet Play: Characteristics of Performance Literature." MANUSYA: Journal of Humanities 25, no. 1 (December 26, 2022): 1–22. http://dx.doi.org/10.1163/26659077-25010017.
Повний текст джерелаАнотація:
Abstract This research examines literary techniques used in the adaptation of Lilit Taleng Phai to a Chakrabhand puppet play and analyzes characteristics of Taleng Phai: A Chakrabhand Puppet Play as performance literature. The study reveals that four literary techniques were used to make this adaptation: 1) adaptation of the content; 2) the characters; 3) the pattern; and 4) the presentation. These adaptations contribute to the characteristics of puppet play as performance literature through five conventions: 1) use of an invocation for puppet performance; 2) inclusion of puppet songs; 3) insertion of jokes; 4) method of delivery of puppets to the stage; and 5) not ending with the death of a character. Importantly, the play includes three innovations of puppet performance: 1) the creation of a puppet play from historical literature; 2) the creation of an atmosphere in a puppet performance; and 3) the creation of songs and a singing format.
7
Zhang, Yuling. "Literature Review of Onegin and Zhou Ping in Thunderstorm." Communications in Humanities Research 17, no. 1 (November 28, 2023): 59–62. http://dx.doi.org/10.54254/2753-7064/17/20230818.
Повний текст джерелаАнотація:
This paper focuses on the study of the characters in the plays of Eugene Onegin and Thunderstorm, Using the literature approach, the author sorts out the research results on the image of Onegin and Zhou Ping. By means of a literature review, the author summarizes the research perspectives, viewpoints and conclusions of relevant scholars from the three aspects of literature, drama and history. Nowadays domestic and foreign research in this field on the analysis of the common characteristics of a character in the image of "Superfluous people", but the exploration of the causes of the "Superfluous" character is not in place. In particular, the personality characteristics of "Superfluous people" are more neglected. Finally, the author believes that should start from the specific plot, classify the similarities and differences in the time background of the image of "Superfluous people" at home and abroad, and more attention should be paid to their character and differentiated expression.
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Doğan Güldenoğlu, Bilge Nur. "Examination of adult and child characters in children's literature booksÇocuk edebiyatı kitaplarındaki yetişkin ve çocuk karakterlerin incelenmesi." Journal of Human Sciences 14, no. 4 (January 1, 2018): 4768. http://dx.doi.org/10.14687/jhs.v14i4.5083.
Повний текст джерелаАнотація:
It is emphasized in the literature that the quality of children's literature books need to be brought together with children, starting from early childhood. It is also known in these books how important it is for children to acquire models and meet the characters they can identify with. In this context, it is aimed to examine the characteristics of adult and child characters in children's literature books. Content analysis of fourteen books in which adult and child characters are the main characters from children 's novels in the last decade (2007-2017), which can be reached by criterion sampling method, were made. Four different tables developed by the researcher in order to determine the way of development, general and personality characteristics of the adult and child characters analyzed in this process were used and these tables were presented in the findings section. In general, results showed that adult and child characters were developed in five different character development paths and in detail, adult characters are not treated as much as child characters. Results also suggested that both adult and child characters are constructed with more positively perceived personality traits. In the discussion section, these findings have been discussed in the light of the basic characteristics of characters in children's literature books.Extended English abstract is in the end of Full Text PDF (TURKISH) file.ÖzetNitelikli çocuk edebiyatı yapıtlarının erken çocukluk döneminden başlayarak çocuklarla buluşturulmasının gerekliliği alanyazında vurgulanmaktadır. Bu kitaplarda çocukların kendilerine model alabilecekleri ve özdeşim kurabilecekleri karakterlerle karşılaşmalarının da ne denli önemli olduğu bilinmektedir. Bu önem bağlamında çalışmada çocuk edebiyatı yapıtlarındaki yetişkin ve çocuk karakterlerin çeşitli özellikler açısından incelenmesi amaçlanmıştır. Belirtilen amaç doğrultusunda ölçüt örnekleme yöntemiyle ulaşılabilen basımları son on yıl (2007-2017) içinde olan çocuk romanlarından, yetişkin ve çocuk karakterlerin ana karakter olarak yer aldığı on dört kitabın içerik çözümlemesi yapılmıştır. Bu süreçte çözümlenen kitaplardaki yetişkin ve çocuk karakterlerin geliştirilme yolları, genel özellikleri ve kişilik özelliklerinin belirlenmesi amacıyla araştırmacı tarafından geliştirilen 4 farklı çizelge kullanılmış ve bu çizelgeler bulgular bölümünde sunulmuştur. Çalışma sonuçları alanyazında belirtilen beş farklı karakter geliştirme yolunun ve dört genel özelliğin de incelenen kitaplarda yer aldığını gösterirken yetişkin karakterlerin çocuk karakterler kadar ele alınmadığını da ortaya çıkarmıştır. Ayrıca karakterlerin daha çok olumlu algılanan kişilik özellikleriyle kurgulandığının belirlenmesi de önemli sonuçlardan biridir. Tartışma bölümünde elde edilen bu bulgular alanyazında çocuk edebiyatı kitaplarındaki karakterlere ilişkin temel özellikler doğrultusunda tartışılmıştır.
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Narimawati, Umi, Titin Nurhayatin, and Rani Siti Fitriani. "Analysis of Characters and Characteristics in The Novel "Perempuan di Titik Nol" By Nawal El Saadawi Using A Feminism Approach." Jurnal Pendidikan Bahasa dan Sastra 23, no. 2 (April 9, 2024): 273–78. http://dx.doi.org/10.17509/bs_jpbsp.v23i2.68695.
Повний текст джерелаАнотація:
This article analyzes the characters and characterization in the novel "Women at Zero Point" by Nawal El Saadawi using a feminist approach. This novel depicts women's struggle in facing oppression, violence and gender injustice in a patriarchal society. A feminist approach is used to analyze how the female characters in this novel face these problems and struggle to find freedom. This analysis uses a literature review method by referring to the novel "Perempuan di Titik Zero" and relevant feminist literature studies. Focus is given to the main character, Firdaus, as well as other female characters in this novel. The results of the analysis show that the female characters in this novel face oppression and violence carried out by the patriarchal system. Firdaus, as the main character, faces various forms of sexual exploitation, domestic violence, and objectification by the surrounding community. However, this novel also highlights women's solidarity as a source of strength and support in their struggle against gender injustice. A feminist approach helps in seeing how the author criticizes patriarchal norms that limit women. Firdaus and other female characters challenge narrow social expectations and attempt to shape their identities outside these constraints. In conclusion, This analysis confirms that the novel "Women at Point Zero" is a reflection of women's struggle to seek freedom and overcome gender injustice in a patriarchal society. Women's solidarity and criticism of patriarchal norms are important themes in this novel, inviting readers to consider the role and influence of patriarchy in women's lives.
10
Chung, Nguyễn Quang, and Quách Phan Phương Nhân. "Developing the Capacity in Learning Sino - Nom for Students in Vietnamese Language and Literature Teacher Education at Hung Vuong University through Calliry Writing Activities." Scholars International Journal of Linguistics and Literature 7, no. 04 (April 29, 2024): 109–13. http://dx.doi.org/10.36348/sijll.2024.v07i04.002.
Повний текст джерелаАнотація:
Practicing calligraphy helps learners master the art of writing Chinese characters. By practicing calligraphy, students will better understand the characteristics of Chinese characters and how to arrange those strokes into messages in text. This will help develop the ability to write Chinese characters more fluently and beautifully. Improving creativity and aesthetics, calligraphy is an art that combines art and technique. When practicing calligraphy, you will have to cultivate your creativity, find balance and aesthetics in each line. This can help improve the ability to organize ideas and express meaning in writing Sino-Nom texts. Originating from the need to study Nom character at Hung Vuong University. In the framework of the article, we focus on: Calligraphy in the practice of writing Nom character texts of students majoring in Literature pedagogy at Hung Vuong University.
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El-Menshawy, Sherine. "Notes on the Human Characteristics of Ancient Egyptian Kings." Archiv orientální 82, no. 3 (December 13, 2014): 411–30. http://dx.doi.org/10.47979/aror.j.82.3.411-430.
Повний текст джерелаАнотація:
Egyptian texts and monuments neither embody nor allow us immediate access to the individual characters and personalities of the kings. The aim of this article is to cast light on the “manners of behavior” of some of the Ancient Egyptian kings based on written documents and archeological evidence.Egyptian literature has focused on kings as Khufu, Pepi II, Nebkaure, Amasis, as special personalities with individual character, such as cruelty, homosexuality, injustice and excess in drinking. Evidence for these human characteristics will be discussed, followed by analytical argument.
12
Park, Youngsoon. "Poetry Writing and Sentiment of the Adherents at the Beginning of Yuan Dynasty and the End of Song Dynasty: Centering Sround “Gu Yin” by Du Ben." Korean Society of Culture and Convergence 45, no. 6 (June 30, 2023): 827–41. http://dx.doi.org/10.33645/cnc.2023.06.45.06.827.
Повний текст джерелаАнотація:
In this thesis, we would study on “Gu Yin” written by Du Ben. This thesis is intended to classify the characters in “Gu Yin” in the terms of “Character-Work-Meaning” and make appropriate analysis with this work as a case, further to get the characteristics of “Gu Yin”, its value as literature and its meanings. The analysis of this study is roughly divided into three parts: the structure and characters of Duben and “Gu Yin”, poetry creation in “Gu Yin”, and evaluation and meaning of it. Through this course, we would consider the life and feelings of the poets as adherets, Du Ben and the writers of “Gu Yin”, characteristics in the work creation, their value in the meaning of non official history, and the meaning as literature of adherents.
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Greyling, S. F., and H. Du Plessis. "Karakters vir jeugdige lesers." Literator 21, no. 2 (April 26, 2000): 145–62. http://dx.doi.org/10.4102/lit.v21i2.479.
Повний текст джерелаАнотація:
Characters for young readers In discussions on the nature of children and youth literature, various aspects occur repeatedly. The presumption that these aspects are also factors that exert a meaningful influence on the characters in the genre is largely confirmed by research. Based on developmental characteristics, 11-14 year-olds are identifiable as a group with a unique profile. From this it follows that a relationship between the reader profile en genre conventions can be indicated and that it can be applied specifically to character as an element of the narrative. Characteristic genres and genre conventions establish a framework of expectations within the reader, which co-determines the selection, creation and portrayal of characters. The social cognitive development of the young reader appears to be of special importance in character portrayal. Reader identification with characters largely contributes to reader involvement and to the pleasure a young reader derives from the reading of stories. As a result of the educational situatedness of the young reader, ideology plays an important role in literature for the young. Successful characters have always been regarded as important in ensuring the success of a story. Through selection and the equipping of characters, and by means of portrayal, the writer can work towards this aim.
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Hadi, Rosewitha Anggraeni Privieshanti, Elly Tuti Winarni, Dian Bhagawati, and Agus Nuryanto. "Morphological Differences between Chaetodon auriga and Chaetodon vagabundus based on Truss Morphometric Characters." Biosaintifika: Journal of Biology & Biology Education 13, no. 3 (December 10, 2021): 297–304. http://dx.doi.org/10.15294/biosaintifika.v13i3.31466.
Повний текст джерелаАнотація:
Chaetodon auriga and Chaetodon vagabundus are popular marine aquaria fish from Cahetodontidae family. Both species show subtle morphological variations, especially in juvenile stages, which might lead to misidentification. Additional morphological characteristics, such as truss morphometric, are valuable characters for species identification in Chaetodontidae. This study aimed to evaluate morphological differences between Chaetodon auriga and C. vagabundus based on truss morphometric characters. The study is expected to provide new morphometric characters for Chaetodon auriga and C. vagabundus differentiation on the southern coast of West Java, Indonesia. Fish samples were collected from Ujunggenteng and Taman Manalusu Beach. The specimens were identified based on morphological characteristics and referred to the characters available in the literature. Truss morphometric characters were measured using callipers with an accuracy of 0.01mm and convert to ratio values to obtain constant value. The data were analyzed statistically using the Mann-Whitney test in SPSS software packages. The result showed that five truss morphometric characters were significantly different between C. auriga and C.vagabundus. This study concluded that C. auriga and C. vagabundus could be differentiated using truss morphometric character. This study provides five new morphometric characters for species differentiation in fish species, especially between C. auriga and C. vagabundus.
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Jaffe, Audrey. "Characters and Creatures." Victorian Literature and Culture 48, no. 4 (2020): 773–81. http://dx.doi.org/10.1017/s1060150320000297.
Повний текст джерелаАнотація:
Humans not only err, they often err willingly and explicitly, for both pleasure and edification. We accordingly “find” faces everywhere . . . most frequently, in the “faces” in paintings. And if we look at stars, clouds, and shadows we can find anything we want to find, so great is the indeterminacy of such finding places and so willing are we, for certain purposes, to accept the most minimal likenesses as “like.”Adena Rosmarin, The Power of Genre (1985)Adena Rosmarin's comment is part of a wider discussion of E. H. Gombrich's idea of the role of “schema” in perceptions of art—a concept he uses to explain, among other things, how it is that observers can perceive a face in a collection of lines and dots, and, more generally, why it makes sense to say that all art begins not with nothing but with something. A snowman starts with the schema that is snow, for example, and we “work the snow and balance the shapes till we recognize a man.” And not only do we work the snow to achieve some approximation of human faces and bodies, but we find human characteristics in—or, more accurately, make characters out of—all sorts of things, living and not. Certainly, we project character onto living nonhumans, such as cats, dogs, birds, and plants, imagining that they share our feelings of love, loneliness, and desire, but we also assign character and characteristics to inanimate objects and assorted phenomena: ships, cars, and hurricanes all get names; we may talk to the toaster, or grumble at a shoelace that, we imagine, stubbornly refuses—refuses!—to untie. Thus it is hardly surprising that literary characters, intended expressly as vehicles for imaginative occupation, take on a similarly outsize quality in our psyches. Words on a page, constructions of language, they invite us to consider them as soulmates and doppelgängers; nightmare—or perhaps ideal—versions of parents, brothers, sisters, friends, and selves: the families we might have chosen if we could; the me (or not me) nobody knows.
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Renga, Ian Parker, and Mark A. Lewis. "Wisdom, Mystery, and Dangerous Knowledge: Exploring Depictions of the Archetypal Sage in Young Adult Literature." Study and Scrutiny: Research on Young Adult Literature 3, no. 1 (May 25, 2018): 25–50. http://dx.doi.org/10.15763/issn.2376-5275.2018.3.1.25-50.
Повний текст джерелаАнотація:
The archetypal sage character is a common, though relatively unexplored character, in young adult literature (YAL). Employing a sociocultural, constructivist understanding of archetypes, we unpack features of the sage through an examination of three sagacious characters: the Receiver of Memory in The Giver, Haymitch Abernathy in The Hunger Games, and Anatov in Akata Witch. Our analysis reveals how these characters are each marked with physical or behavioral abnormalities, are isolated from society and its institutions, and possess dangerous knowledge of eros (The Giver), power (The Hunger Games), and identity (Akata Witch). They are also depicted as standing in sharp contrast to other, more typical teachers in the intimate relationships they form with students and degree of vulnerability they display. All of these characteristics, we argue, might explain the appeal of the sagecharacter in YAL, as well as its curious absence from our common understanding of K-12 teachers and curriculum. Indeed, we see these characterizations of fictional teachers as raising interesting questions about sagacious mentorship and wisdom in schools.
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Siswanto, Ibnu, Mingchang Wu, Hongbo Ma, Zainal Arifin, Moch Solikin, and Agus Widyianto. "The characteristics of efficacious leader in higher education: A literature review." Journal of Education and Learning (EduLearn) 17, no. 1 (February 1, 2023): 145–56. http://dx.doi.org/10.11591/edulearn.v17i1.20486.
Повний текст джерелаАнотація:
University is a remarkable institution which is always expected to change the world through its constantly innovative technology and science advancement and civilization promotion. Academic institution relies on its efficacious leader with vision and implementation to fully accomplish its missions. However, limited attention goes to this crucial leader’s requirements and characteristics, even faculty members in the higher education institutions studiously conduct research for external organizations. This paper presents a comprehensive analysis addressing innovative academic leader’s characteristics based on the current global situation, university mission, and unique culture. Finally, this article concluds the competencies and characteristics of efficacious academic leader demands in this changing era: envisioning the institutional future, integrating social resources with reciprocity, modeling the way with morality and integrity, executing university missions with professions and humanity, empowering team members with full support, and inspiring students with humanity. Those integrated characters could effectively guide faculty members for their future self-development, and contribute to achieving university mission on science development, producing high-quality human resources, and contributing of the human civilization promotion. This conclusion retrospectively raises further suggestions for future study, how faculty members build these characters considering the unique and complex situation of interpersonal and external factors within the university.
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Purtanto, Chika Azizah, Ananda Da'watus Solikhah, and Wahyu Indah Mala Rohmana. "Feminist Character Irene Adler in Sherlock Holmes: A Scandal in Bohemia." Wanastra : Jurnal Bahasa dan Sastra 16, no. 1 (March 31, 2024): 17–23. http://dx.doi.org/10.31294/wanastra.v16i1.20447.
Повний текст джерелаАнотація:
The issue of feminism has been a topic of discussion for many years, transforming several fields, including literature. As feminist issues have emerged, many literary works have begun to portray feminist characteristics. One of them is Sir Arthur Conan Doyle's A Scandal in Bohemia, which has the feminist character of Irene Adler. Irene Adler is an interesting central character in this classic Sherlock Holmes story. Sherlock Holmes. Known for her intelligence and independence, Adler is feminist in the detective narrative. Irene Adler's character challenges existing ideas about women in literature at the time. The author used a qualitative method with a feminist literary criticism approach based on the theory of modern feminism, which states that everyone has the right to determine their own path of life, regardless of the influence of their environment. After analyzing the story of A Scandal in Bohemia, the author found seven characters of Irene Adler that represent feminist characters, such as strong-willed, assertive, independent, freedom of expression, self-confidence, strategic intelligence, and the ability to challenge and change stereotypes and male views of women. The implication of this research is that readers can gain a better understanding of how feminist characters contribute to the development of plots and themes in certain literary works or media.
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Cho, Jae-hyun. "The Excavation and Narrative Characteristics of Jeonghyobujeon." Korean Language and Literature 123 (March 30, 2023): 125–53. http://dx.doi.org/10.21793/koreall.2023.123.125.
Повний текст джерелаАнотація:
Jeonghyobujeon was recorded in Hangeul in 1914 and distributed mainly in Jeonju, Jeolla-do, and is a classic novel first introduced to academia. Jeonghyobujeon has the character of an ethical novel in the theme aspect and a novel with a trial in the composition aspect. The most influential thing in forming the narrative of Jeonghyobujeon is the story of “Ukong(于公)and DonghaeHyobu(東海孝婦)” contained in HanSeo(漢書)71, ｢WuCengkwook(于定國)｣. Comparing the spatio-temporal backgrounds, characters, and major narratives of the two works, Jeonghyobujeon was created under the influence of ｢WuCengkwook(于定國)｣. Jeonghyobujeon composed a novel by featuring Kim Cheol-soo as a villain and inserting a story of suffering in hell under God's punishment. In addition, Wukong of Jeonghyobujeon is embodied in the form of a much more insightful official than Wukong recorded in ｢WuCengkwook(于定國)｣. Woo Gong of ｢WuCengkwook(于定國)｣ is only in a position to persuade the fact that DonghaeHyobu(東海孝婦) is innocent. However, WuGong in Jeonghyobujeon, made a dramatic character by consoling Mrs. Jeong's ghost by making a direct ruling and later bringing her back to the real world. Jeonghyobujeon was novelized based on Chinese records, but in the process, it was meaningful in that it was newly created and novelized by actively expanding the role of characters and inserting the heroine's fantasy experience. I think it will be a major work that can examine the relationship between acceptance and influence of Chinese literature in the study of novels in the late Joseon Dynasty.
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Mahmud, Salami, Sri Rahmi Sri Rahmi, Nufiar Nufiar, Nurbayani Nurbayani та Realita Nurdin. "Building Students’ Character Based on Maqāṣid al-Sharī'ah: Perspectives of Parents, Teachers, and Community Members in Banda Aceh". Samarah: Jurnal Hukum Keluarga dan Hukum Islam 7, № 3 (30 листопада 2023): 1803. http://dx.doi.org/10.22373/sjhk.v7i3.17708.
Повний текст джерелаАнотація:
To build students' character, the Indonesian government has made various efforts, one of which is updating the curriculum to make it in line with the demands of the current times. Given the importance of character building since the school age, the Curriculum 2013 (K-13) was developed and it contains 18 national characters that must be promoted and developed during the learning process. However, until now the curriculum seems to have not been able to shape the character of students as expected. Therefore, this study aims to present alternative approaches in building student character. The approach is to form character at home, some are formed in school, and some are formed in society. This study provides concrete examples of character development contained in K-13 with an Islamic approach. This study is a qualitative study analyzed using Islamic education theory and maqāṣid al-sharī'ah. Data is collected in two ways, namely; in-depth interviews with informants and literature studies related to the discussion. The results show that religious characters such as honesty, discipline, independence, and responsibility are easier to build at home using the Islamic approach. Furthermore, the characters of tolerance, hard work, creativity, democracy, curiosity, nationalism, patriotism, respect for achievement, and fondness for reading are easier to develop at schools with an Islamic approach as well. Finally, it is easier to develop characters such as friendly/communicative, peace-loving, environmental awareness, and social characteristics within society. In addition, the 18 characters are related to the purpose of maqāṣid al-sharī'ah as well as Islamic education.
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Aris, Qori Islami, and Essy Syam. "Anthropomorphism in Upin dan Ipin: A Study of Children’s Literature." Kawanua International Journal of Multicultural Studies 4, no. 1 (June 29, 2023): 52–58. http://dx.doi.org/10.30984/kijms.v4i1.593.
Повний текст джерелаАнотація:
This study discusses the use of anthropomorphism in two episodes of Upin and Ipin entitled Aku Sebatang Pensel and Aku Sebuah Jam. Through observation and note-taking techniques, data were obtained to analyze how the two episodes humanize pencils and clocks. The results of the analysis show the presence of anthropomorphic elements in both episodes, including human characters, emotions, and human behavior given to pencils and clocks. The pencils in the episode Aku Sebatang Pensel behave like humans with the ability to speak, interact, and show emotions such as worry, anger, pride, sadness, and joy. Meanwhile, the clock characters in the episode Aku Sebuah Jam also show human behavior with the ability to speak, share experiences, show concern, and dance. Sad emotions are also displayed by the clock characters. The characteristics of pencil and clock characters include helpful, encouraging, caring, argumentative, passionate, optimistic, cheerful, curious, obedient, and expressive. This study uncovers the use of anthropomorphism in Upin and Ipin animations, shedding light on its contribution to children's imagination, understanding of complex issues, and story appeal. Through this technique, young audiences can connect with the characters and develop empathy. The findings are relevant for the development of children's films and learning media, as an effective strategy to convey moral values. The study also encourages animation and creative producers to produce creative and diverse content, in line with the demands of complex audiences.
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qizi, Maksutbaeva Nigora Rashid. "CHARACTERISTICS OF EXPRESSION OF LITERARY ELEMENTS IN THE ANALYSIS OF ISAJON SULTON'S WORKS." European International Journal of Pedagogics 4, no. 4 (April 1, 2024): 34–36. http://dx.doi.org/10.55640/eijp-04-04-07.
Повний текст джерелаАнотація:
This article discusses the role of literary elements and tools in the analysis of Isajon Sultan's prose works. In the work, the analysis of epic works and the methodical requirements that should be analyzed from them are directly revealed in novels, short stories, and narratives. The uniqueness of the theme in the stories is revealed by the small number of characters, the attention ofthe writers or the decision made regarding the first characters. The mood and psychological images of Isajon Sultan's works are different from the works of other artists listed in literature textbooks. In their analysis, there are similarities in the content of the stories and stories, the disclosure of their natural and artificial features, and the determination of the theory of commonality or singularity of the idea and pathos in the components.
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Guarneri, Cristina. "Exploring the Mechanical Life in Literature through Marxist Theory." Journal of English Language and Literature 10, no. 1 (August 31, 2018): 932–39. http://dx.doi.org/10.17722/jell.v10i1.378.
Повний текст джерелаАнотація:
The Victorian Era of writings of works such as Charles Dickens Hard Times used the social and environmental setting by which the characters live in; it is created by a philosophy that adds fuel to sustain the advancement of industrialization. The philosophy mirrors the mechanical characteristics of industrialization and how they are expressed is of great importance to the mechanical perceptions, such as objective utilitarianism. The mechanization that is found in the lives of the characters has an evil presence of depriving them of human dignity by living a mechanical lifestyle. It was the mechanical lifestyle that can be explained through Marxist theory to explain the key characteristics of the Industrial Era and its importance to materialism, as it represented political power. Marxism provides a theory for requiring the working class to concentrate on working in factories in Coketown and the “bourgeois” to separate themselves as competing agents of self-interest. It is a goal of the wealthy social class to maximize utility as a consumer and profit as a producer within the mechanical world.
Keywords: Victorian Era; Mechanical Thinking; Marxist Theory
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Feng, Shengjun, and Mengxin Yu. "Some Issues Concerning the Phenomenon of Ancient Script Forms Being Preserved in Warring States Bamboo Manuscripts." Bamboo and Silk 7, no. 1 (February 20, 2024): 53–74. http://dx.doi.org/10.1163/24689246-20240002.
Повний текст джерелаАнотація:
Abstract The phenomenon of preserving ancient character forms (wenzi cungu xianxiang 文字存古現象) can be observed in certain recently unearthed bamboo slip manuscripts from the Warring States. These characters have preserved early character structures or word usage habits, thus reflecting an interactive relationship between the copyist and the source text. Based on the number of early characters observed in a copied manuscript, Warring States bamboo manuscripts can largely be divided into three categories. One category containing relatively more words with early word forms can be dubbed as “transcripts containing characteristics of ancient text preservation,” with the Tsinghua manuscripts *Xinian 繫年, *Hou fu 厚父, *Sheming 攝命, and *Si gao 四告 being the most emblematic of this category. The value of research into ancient character forms preserved in Warring States bamboo-slip manuscripts is important in many ways, such as providing evidence for character identification; helping to determine the origins of ancient manuscript source texts and their time of transcription; and demonstrating how documents may have been transmitted. All these aspects are evident in the relevant Tsinghua manuscripts. However, in assessing whether ancient character forms were indeed preserved in Warring States manuscripts, two problems must be accounted for: first, some characters that have previously been identified as having characteristics of different scripts may have earlier origins or lack any obvious script-specific features; second, some ancient-looking characters cannot necessarily be used as a standard to determine the occurrence of ancient script forms.
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Zakharova, N. V. "Romanticism in Works of Su Manshu and Yu Dafu: National Characteristics." Nauchnyi dialog 12, no. 6 (September 1, 2023): 213–27. http://dx.doi.org/10.24224/2227-1295-2023-12-6-213-227.
Повний текст джерелаАнотація:
The article examines the literary movement of romanticism as a creative method employed by Su Manshu and Yu Dafu, two Chinese writers of the first half of the 20th century. The novelty of the research lies in the comparative analysis of the works of these two popular literati, whose prose had a significant influence on the formation of modern Chinese literature. It is reported that the interest of Chinese writers in romantic sentiments was fueled by their exposure to European literature through translations into Japanese and Chinese. Both writers referred to themselves as romantics, but their reasons for being drawn to this artistic method were different. Su Manshu was captivated by the new genre features, such as biographies written from the author’s perspective rather than focusing solely on historical figures, which was sanctioned by traditional literature. Yu Dafu was attracted to the romantic artistic style for its ability to employ unconventional expressive means in Chinese literature. At the same time, the romantic compositions of both writers carry markers of national identity. For Su Manshu, this is evident in the portrayal of female characters, while for Yu Dafu, it is manifested in the use of nature imagery to convey the mood of the characters. The article highlights that the development of romanticism in Chinese literature has been insufficiently studied by Russian sinologists and holds prospects for further research.
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Vaage, Margrethe Bruun. "On Punishment and Why We Enjoy It in Fiction." Poetics Today 40, no. 3 (September 1, 2019): 543–57. http://dx.doi.org/10.1215/03335372-7558136.
Повний текст джерелаАнотація:
The article proposes an explanation for why spectators may enjoy excessive punishment when watching fiction, even in Scandinavia where harsh punishment is roundly condemned. Excessive punishment is typically carried out by a vigilante avenger, and in fiction this character is often a fantastic character (e.g., not realistic, taking on superhuman and/or supernatural characteristics). We allow ourselves to enjoy punishment more readily when the character who punishes is clearly fictional. In The Girl with the Dragon Tattoo and Let the Right One In, fantastic elements seep into an otherwise realistic setting and allow the spectator to fully enjoy the main characters’ vigilante revenge. The theory of fictional reliefs posited here holds that this mixture of modes facilitates one of two paths to moral judgment.
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Anggraeni, Diana, Herland Franley Manalu, and Desty Anggraini. "The esteem needs in the main character of ‘Me Before You’ movie." Studies in English Language and Education 8, no. 3 (September 16, 2021): 1285–98. http://dx.doi.org/10.24815/siele.v8i3.18878.
Повний текст джерелаАнотація:
Humans have gone through many incidents, both good and bad experiences, and sometimes these experiences are shared with others in the form of stories. The stories, as one of the forms of literary works, would be nothing without the created characters within them because they provide the viewers with a purpose and a reason for us to learn about what happens in the story. Besides, they act as one important element in the movie with various psychological effects. This research aims to analyze the characteristics and the hierarchy of human needs, especially esteem needs, that appear in the main character named Will Traynor in the ‘Me Before You’ movie directed by Thea Sharrock. This study uses descriptive data analysis which describes a phenomenon and the main character in the movie. The results revealed seven characters comprising the esteem needs hierarchy: sensitive, open-minded, friendly, kind, confident, humble, and stubborn. The esteem needs hierarchy is the desire to have the need to be approved, valued, and recognized to have some self-esteem. This is striking in the movie because of the status of the character, Will Traynor as a lord, and Louisa Clark who is only a maid and has no superiority over Will in her life. The findings imply the personality of humans differ in their characters and psychology as shown from the esteem needs hierarchy in Will’s personality expressing the different types of characteristics.
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Qadir Shah. "گل خندان نا قصہ غا تیٹی غیر انسانی کردارآتا جاچ اس". Al-Burz 11, № 1 (25 грудня 2019): 66–70. http://dx.doi.org/10.54781/abz.v11i1.46.
Повний текст джерелаАнотація:
Folktales are stories that grew out of the lives and imaginations of the people, or folk. They have always been children’s favorite type of folk literature. Their popularity springs from their imaginative characters, their supernatural elements, Folktales employ certain characteristics or conventions common to virtually all tales. Brahui literature is rich in folktales. Mr. Afzal Mengal has played very important role in collecting of these folktales. In this article we will discuss the imaginative characters which have been presented in his folktales collection book “Gul E Khindan”. This paper concluded with the kinds of folk characters, especially the animals, the reptiles and pets.
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Jain, Nidhi, and Jyotsna Harlalka Kamra. "MRKH syndrome: a review of literature." International Journal of Reproduction, Contraception, Obstetrics and Gynecology 7, no. 12 (November 26, 2018): 5219. http://dx.doi.org/10.18203/2320-1770.ijrcog20184999.
Повний текст джерелаАнотація:
Primary amenorrhea is defined as failure to achieve menarche till age of 14 years in absence of normal secondary sexual characters or till 16 years irrespective of secondary sexual characters. The most common cause of primary amenorrhea is gonadal pathology followed by Mayer-Rokitansky-Küster-Hauser syndrome (MRKH syndrome). MRKH syndrome is a rare congenital disorder characterised by uterine and vaginal aplasia. It occurs due to failure of development of Müllerian duct. Its incidence is 1 per 4500 female births. Mostly girls present with primary amenorrhea. It is characterised by presence of normal secondary sexual characteristics, normal 46 XX genotype, normal ovarian function in most of the cases and absent or underdeveloped uterus and upper part (2/3) of vagina. It is of two types: type A is isolated type while type B is associated with other renal/skeletal/cardiac anomalies. Treatment includes psychological counselling and vaginoplasty. Vaginoplasty can be done by various non-surgical and surgical techniques. The authors hereby review the literature of MRKH syndrome regarding its embryology, etiopathogenesis, approach to work up and management.
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Nurhaeni, Ismi D. A., Asbiyal Nurdin, Prama Wiratama, and Yusuf Kurniawan. "Gendered-Perspective Agile Leadership in the VUCA Era During the Covid-19 Pandemic." Jurnal Ilmu Sosial dan Ilmu Politik 26, no. 2 (October 19, 2022): 119. http://dx.doi.org/10.22146/jsp.70490.
Повний текст джерелаАнотація:
This study was to formulate a gender-responsive agile leadership model during the Covid-19 pandemic. A systematic literature review using PRISMA methods and field research on 18 purposely selected mid-level managers was conducted. The research discovers that first, agile leadership characteristics can be classified into individual and organizational dimensions. Individual characteristics include the personal values of agile leaders with good personalities. Organizational characteristics are characteristics to maintain and bring the organization to face a fast-changing and uncertain world. Second, the characteristics of gender-perspective leadership in the Covid-19 era are the commitment to change the management system, organizational culture, and the quality of leadership to promote gender equity. Finally, the Gendered-Perspective Agile Leadership model in the VUCA era during the Covid-19 pandemic is a leadership model that can quickly respond to gender issues through management system change, organizational culture, and character development of leaders oriented to individual and organizational characteristics. Individually trained leader characters are supposed to be intelligent, optimistic, communicative, accountable and compassionate, while organizationally oriented leader characters are adaptive, responsive, innovative, flexible, and transparent. This paper uses thematic analysis to fill the gap of the gendered-perspective agile leadership model by exploring the characteristics of gendered- perspective agile leadership in the COVID- 19 era.
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Sinaga, Ayu Syahrina. "Analisis Penokohan dalam Film Little Mom Sutradara Guntur Soeharjanto." Sintaks: Jurnal Bahasa & Sastra Indonesia 3, no. 1 (January 25, 2023): 1–6. http://dx.doi.org/10.57251/sin.v3i1.557.
Повний текст джерелаАнотація:
Literature is an art in which there are many elements of humanity in literary works, which involve the expression of the human person in the form of experiences, thoughts, ideas, desires, and beliefs in the form of a picture of life. In addition to novels, poetry, short stories and dramas, there are also films, dramas and films are imaginative literary works because films are literary works that reveal stories through the dialogues of their characters. The title of the film taken as the object of research is Little Mom, director Guntur Soeharjanto. The purpose of this study is to identify and analyze the characters and characterizations contained in this film. This study also uses qualitative methods, qualitative methods are methods that use descriptive methods in the form of words or writing in explaining the results of the research. The results of this study indicate that the characters and characterizations in a film are one of the important intrinsic elements in the film, allowing the audience to feel the feelings of the character. The author finds a variety of characters who have different characteristics in the Little Mom movie, there are some characters who have protagonists and some have antagonists.
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Chatton, Barbara. "Children’s Literature Reviews: No Child Left Behind: Literature That Captures What Standardized Tests Can’t Measure." Language Arts 84, no. 5 (May 1, 2007): 490–97. http://dx.doi.org/10.58680/la20075663.
Повний текст джерелаАнотація:
Because young people are the protagonists in their stories, and because they are written to give a sense of hope and inspiration for the possibilities life holds, children’s literature challenges the prevailing idea that it is success on reading tests that will determine success in life. The books that are reviewed in this section are selected because they focus on characters, young and grown, human and fantastic, who exhibit characteristics that cannot be measured on tests: courage, humanity, ingenuity, a sense of humor, and kindness. They tell readers of the power of family, of friendship, of most especially, of story, in their lives.
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Степанова, С. Є. "STATUS SPEECH CHARACTERISTICS OF ART CHARACTERS IN RUSSIAN LITERATURE OF THE BEGINNING OF 20th CENTURY." Мова, no. 32 (December 17, 2019): 37–45. http://dx.doi.org/10.18524/2307-4558.2019.32.187802.
Повний текст джерела
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Шахова, Марина Андреевна. "VOICES OF PEOPLE WITH TURKISH BACKGROUND IN GERMAN LITERATURE: LINGUISTIC CHARACTERISTICS." Вестник Тверского государственного университета. Серия: Филология, no. 4(71) (December 3, 2021): 218–23. http://dx.doi.org/10.26456/vtfilol/2021.4.218.
Повний текст джерелаАнотація:
В статье раскрывается специфика языка жителей Германии турецкого происхождения на материале художественных текстов «Берлин, город птиц» Э.С. Оздамар, «Канак шпрак» Ф. Займоглу, «Страница знакомств в Хюрриет» И. Аяты. Обнаруживаются соответствия между выявленными лексико-грамматическими и стилистическими особенностями языкового портрета говорящих и определяющими чертами языковых вариантов, порождаемых в среде мигрантов: немецкий язык гастарбайтеров (Gastarbeiterdeutsch), немецко-турецкий этнолект (Deutsch-Türkisch) и кицдойч (Kiezdeutsch). The article presents the specifics of the language of German residents with Turkish background based on the matter of the following literary texts: «Berlin, City of Birds» by E.S. Özdamar, «Kanak Sprak» by F. Zaimoglu, «Hürriyet Love Express» by I. Ayata. Parallels between identified lexico-grammatical and stylistical specifics of the characters’ linguistic portrait and characteristics of language varieties spoken among the population with migrant background (Gastarbeiter German, German-Turkish, Kiezdeutsch) are found.
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Bich Thuy, Le Thi. "SIMILARITIES AND DIFFERENCES BETWEEN VIETNAMESE CULTURE AND LAO CULTURE THROUGH THE MOTIF OF BUILDING ORPHAN CHARACTERS IN THE MAGICAL FAIRY TALES OF TAM AND CAM AND THE GOLDEN TURTLE." Revista de Investigaciones Universidad del Quindío 32, no. 2 (December 31, 2020): 102–14. http://dx.doi.org/10.33975/riuq.vol32n2.460.
Повний текст джерелаАнотація:
Sharing the sources of Southeast Asian folklore and folk literature, magical fairy tales of Vietnam and Laos have many similarities in a motif of building orphan characters. Applying structural theory in fairy tales with immutability and changes, the structure of the story is described by a series of events “signs help to make a schematic comparison of the structure of various tales,” (Propp, 1968, p.25) the article studies the magical fairy tale Tam and Cam of Vietnam and the Golden Turtle of Laos to see the similarities and differences in the motif of building orphan characters. The similarities in the motif of building orphan characters such as: story structure, character system, incarnation motif, unique object motif, magical force motif show the common cultural space of the region. However, the difference in the situation of the story and the use of magical forces and elements in the story show the customs, belief characteristics, artistic tastes and cultural identity of each nation.
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He, Huazhen, Yu Li, and Linwei Lu. "A study on the variant characters in the stele inscriptions in the Later Lê Dynasty in Vietnam." Journal of Chinese Writing Systems 7, no. 1 (March 2023): 35–45. http://dx.doi.org/10.1177/25138502221150941.
Повний текст джерелаАнотація:
The study of the variant characters in the stele inscriptions in the Later Lê Dynasty (1428 CE–1789 CE) is not only a study of the dynastic history of the inheritance and variation of Sino-annamite characters, but also an essential part of the study of their spreading and history. Chinese characters in the stele inscriptions were very rich in figure. They contained many variant characters inherited from Chinese literature and those modified with Vietnamese regional characteristics. This article systematically sorts out these variant characters from a diachronic perspective to investigate their structure categories and time distribution. It also reveals the historical track of the inheritance and variation of Chinese characters at that time. Summarizing the characteristics of these variant characters is conducive to comprehensively sorting out the historical context of inheritance and variation of Chinese characters in Vietnam, showing the far-reaching influence of ancient Chinese culture on Vietnam, and systematically build all the information of the stele inscriptions in Vietnam into a searchable database for easy query and research the stele inscriptions in Vietnam.
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Krasnova, Olga. "Associates «Character» and «Nature»: Text Links with Deep Artistic and Psychological Characteristics of the Narrator’s Image in «Poor Lisa» by N.M. Karamzin." Izvestia of Smolensk State University, no. 4 (56) (January 26, 2022): 14–23. http://dx.doi.org/10.35785/2072-9464-2021-56-4-14-23.
Повний текст джерелаАнотація:
The study material in the article is the story «Poor Liza» by N.M. Karamzin. The subject includes the key word «character» and the key concept «nature» acting as the narrator’s explicated associates. The research purpose is to establish and analyze textual links (text signs) of the associative level with deep artistic psychological characteristics of the narrator’s image in the aspect of artistic-psychological sense generation, as well as to identify methods of activating the reader’s attention and creating an emotional response. The interdisciplinary research has been carried out at the junction of the psychological direction of literary criticism, communicative stylistics and psy-
chology. The mechanism of representation of the narrator’s value ideas, attitudes and beliefs is traced through 1) «multi-layered» associations concerning the system of his views. They are revealed through the artistic-psychological intercon-
nectedness and interdependence of the story characters; 2) a supporting element of the associative chain, as well as polysemy of the word-associate, superposition of meanings, semantic pulsation, inclusion in various artistic-psychological con-
texts implemented in the course of associative explication; 3) a dominant content of the associates, which is different for the characters and serves as an artisticpsychological basis for the formation of the narrator’s associations between them and their text fragments; 4) a structural-semantic construction of an associative chain related to one character, but containing representatives related to another character, which reveals the narrator’s perception of both characters. The results of the study carried out in this article can be used in research and teaching activities, 18th century literature courses, textbooks, special course programs.
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Muis, Abdul. "The Nature of Educators and Students: The Study of Islamic Education Philosophy towards Character Establishment." Progresiva : Jurnal Pemikiran dan Pendidikan Islam 10, no. 1 (June 22, 2021): 12–23. http://dx.doi.org/10.22219/progresiva.v10i1.17545.
Повний текст джерелаАнотація:
Teachers are referred to as educators who have expertise and experience in education, which must have a good personality and good speech. Educators have a huge responsibility because educators must guide and direct students to become individuals of good character. Students have varied characteristics who need guidance from an educator so that their potential can develop appropriately by the characters developed in the educational environment. The purpose of this study is to find out and apply the nature of educators and students according to Islam and how strategies shape students' character. The scientific approach used is the study of the philosophy of Islamic education in character building. The research method is qualitative - literature study or library research by reviewing the literature on character deepening. The focus of the discussion of this paper is on the nature of educators and students, the duties and roles of educators, and the character of an educator and student from the perspective of Islamic philosophy.
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Berezhna, Marharyta. "Linguistic Personality of the Marvel Cinematic Universe Character Nebula: Narrative and LIWC Analyses." World Journal of English Language 14, no. 3 (March 7, 2024): 253. http://dx.doi.org/10.5430/wjel.v14n3p253.
Повний текст джерелаАнотація:
Blockbuster films intended for an international audience often depict universally recognisable psychological motivations and limitations, presenting characters whose verbal expressions create distinct psychological impressions. This paper focused on the relationship between language use, including narratives and psychological categories of words, and the psychological traits of cinematic personalities. The study aimed to investigate how a character's language usage exposed their personality, psychological attributes, and transformations throughout their story arc and archetype. To achieve this, in the research a connection between Maslow's hierarchy of human needs, Jung's concept of archetypes, and Schmidt's typology of master characters in fiction was drawn, which expanded the understanding of the heroine Nebula from Guardians of the Galaxy verbal behavior. The research further defined the character's psychological image and arc by analysing their speech patterns. It identified the character's archetypes, namely the Backstabber and the Father's Daughter, and explored the progression between these archetypes. Additionally, the article employed the narrative analysis to construct the character's story. The narrative analysis was concluded with the implementation of the LIWC-22 psycholinguistic analysis in order to validate the findings derived from the psycholinguistics and cinematic studies. This method allowed for a comprehensive examination of the language used by cinematic characters, providing insights into their psychological traits and development. Ultimately, this research has contributed to the comprehension of how people's psychological characteristics are depicted and communicated through language in mass cinematography.
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Shalimova, Nadezhda S. "‘A frightening, scary book about children…’: the Poetics of the Novel ‘The Little Friend’ by D. Tartt." Вестник Пермского университета. Российская и зарубежная филология 14, no. 4 (2022): 134–43. http://dx.doi.org/10.17072/2073-6681-2022-4-134-143.
Повний текст джерелаАнотація:
The article is devoted to comprehensive research on the novel The Little Friend by D. Tartt. It investigates the narrative features and genre characteristics of the literary work. The immanent method was used in research to study the narrative model: the symbolic meaning of the title, the specifics of the settings and plot structure, means of characterization, the theme of racial inequality, intertextuality, and photographic ekphrasis in the novel. The contextual method allowed us to identify the features of the ‘southern noir’ in the novel, as well as to consider the traditional and innovative manifestations of the characteristics of young adult literature. The theme of growing up in the novel is associated with traditional motives of loss, experiencing death, illness, mental pain, disappointment, and self-attainment. The Little Friend is third-person narration, this is the only work by D. Tartt where it is used, opposite to the retrospective confessional narration of the novels The Secret History and The Goldfinch. The story is told by the omniscient author who enters the mind of his character. It gives the writer the possibility to focus not only on the inner world of the main characters but also to present the historical and cultural background, as well as to create expressive psychological portraits of the minor characters and their families. The tone of the novel is quite conversational; the narrator is very exact in describing the characters and places. The paper concludes that the novel simultaneously contains the features of young adult fiction – the theme of growing up through overcoming trials (loneliness, loss, fighting the evil / awareness of the illusory nature of ideas about it), and the characteristics of the literature of the American South, the contexts of which play a crucial role for D. Tartt as a writer and a person.
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Sukalenko, Tetiana. "Verbalization of evaluation in prose and dramatic genres." 89, no. 89 (December 13, 2021): 59–65. http://dx.doi.org/10.26565/2227-1864-2021-89-10.
Повний текст джерелаАнотація:
The article deals with the study of the peculiarities of linguistic expression of the category of assessment, which as a universal language category operating at different language levels, plays an important role in the choice of native speakers and, consequently, culture, language means of information and is equally important for mental processes of perception, comprehension and acceptance or non-acceptance of this information. The publications in the scientific literature on various aspects of the study of the category of evaluation in terms of language have been reviewed. The analysis of the peculiarities of verbalization of the category of evaluation is carried out on the material of fictional and dramatic discourse, which is a productive language environment for studying the category of evaluation, because through verbalized national-cultural ideas and stereotypes are reflected the conceptual and linguistic pictures of the world. First of all, this category is manifested in the language and characteristics of the characters. Special attention is paid to the characters of a (chynovnyk, pan, a pani, a panna and a cossack, verbalized in the fictional and dramatic discourse of the XIX century. Evaluative characteristics, which are the elements of language modeling of fictional images, served as a basis for distinguishing the following types of evaluation: positive and negative evaluation in the structure of the text narrative, neutral evaluation, hidden positive evaluation, author's evaluation, evaluation by other characters. A positive evaluation in the language of fiction is shown by the linguistic means of creating the character of a cossack. Negative assessment was found in the linguistic means of creating the image of the pan (landlord), the images of the pani and panna are ambivalent. Evaluation is present both in the language of the characters and in the author's characteristics or comments. The object of evaluation in the fictional and dramatic genres can be both internal and external characteristics of the characters, and external characteristics are often marked by positive evaluation, while internal features have either negative or ambivalent evaluation characteristics. It was found that the ways of realization of positive or negative evaluation in the language of fiction are quite diverse. They depend on the literary and fictional methods, the creative manner of the writer and reflect his worldview.
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Smith, Lindsey Claire. "Transcending the ‘Tragic Mulatto’: The Intersection of Black and Indian Heritage in Contemporary literature." Ethnic Studies Review 26, no. 1 (January 1, 2003): 45–66. http://dx.doi.org/10.1525/esr.2003.26.1.45.
Повний текст джерелаАнотація:
The supposed plight of multi-racial persons is widely depicted in modern American literature, including the works of William Faulkner, whose stories follow the lives of multi-racial characters such as Joe Christmas and Sam Fathers, who, reflecting characteristics of “tragic mulatto” figures, search for acceptance in a racially polarized Mississippi society. Yet more contemporary literature, including works by Michael Dorris, Leslie Marmon Silko, Toni Morrison, and Clarence Major, reference the historical relationship between African Americans and American Indians, featuring multi-racial characters that more successfully fit the fabric of current American culture than do more “traditional” works such as Faulkner's. While an outdated black-white binary still lingers in American perceptions of race, increasingly, racial identity is now informed by self-identification, community recognition, and acculturation. As a result, black and Indian characters, as well as multi-racial authors, provide varied and insightful glimpses into the complexity of America's racial landscape.
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Sriyabhaya, Warawat. "Epithets Referring to Characters in Thai Poetic Works." MANUSYA 16, no. 2 (2013): 68–77. http://dx.doi.org/10.1163/26659077-01602004.
Повний текст джерелаАнотація:
This article is a study to classify the epithets referring to the characters in four Thai poetic works. The study results revealed that there are two groups of epithets to be found. The first one is epithets to praise characters by referring to their valuable entities, their dignity and their beauty. The second one is epithets to inveigh against characters. These epithets focus on the characters’ ethnicity, negative characteristics, ugly physical appearance, and worthless elements. The use of epithets is the poet’s strategy to express meaning and emotion in their poetic works. Moreover, the use of epithets through various words makes the literature more colorful and enhances emotional feelings in the readers.
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Li, Jiatong, Ziyan Liu, and Runfei Zhou. "On the Characterization of Li Xiangjun in The Peach Blossom Fan." Communications in Humanities Research 5, no. 1 (September 14, 2023): 127–33. http://dx.doi.org/10.54254/2753-7064/5/20230128.
Повний текст джерелаАнотація:
The Peach Blossom Fans is a significant literary work of the Ming and Qing dynasties in China, and there are numerous studies of its plot, characters and main themes, as well as a large number of studies surrounding the heroine Li Xiangjun. This study discusses the characteristics of the character Li Xiangjun and the way she is portrayed through the analysis of the text of The Peach Blossom Fans. The study concluded the following main features characterize Li Xiangjun: Firstly, it is distinguished from the specificity of the female figure in ancient literature, especially in the literature of the Ming and Qing dynasties; secondly, it is constrained by the limitations of traditional Chinese culture, especially the traditional Confucian culture; and finally, it is based on the complexity of the first two characteristics. The characterization of Li Xiangjun is both progressive and fails to transcend the limitations of the time.
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JINWAN, XUAN, and QI JING. "STRANGE STORIES FROM CHINESE STUDIOS AND GOTHIC LITERATURE." INTERNATIONAL JOURNAL OF RESEARCH IN EDUCATION HUMANITIES AND COMMERCE 04, no. 04 (2023): 10–16. http://dx.doi.org/10.37602/ijrehc.2023.4402.
Повний текст джерелаАнотація:
The ancient Chinese horror novel Strange Stories from Chinese Strange Studio vividly shows Chinese horror in front of the readers, which is a typical representative of Chinese horror literature. Gothic literature is a crucial literary genre of Western literature. Western research on Gothic literature is rich and detailed, and Gothic literature significantly impacts British and American literature. By studying their social and historical backgrounds, this paper will analyze their similarities and differences in scenes, characters, and writing characteristics and their development and influence on the Chinese and English academic circles.
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Milenković, Slađana M. "EMOTIONAL DISCOURSE IN ANIMAL PROSE FOR CHILDREN OF BRANKO V. RADIČEVIĆ." Detinjstvo L, no. 1 (2024): 163–71. http://dx.doi.org/10.46793/childhood24.1.163m.
Повний текст джерелаАнотація:
Animals as characters have been present in literature from its very beginning, from ancient fables, stories about animals, through the biblical motif in the story of Adam and Eve to contemporary literary works, especially in works intended for children. Starting from the approach of animal studies as a discipline that deals with the analysis of the depiction of animals in literature, focusing on children’s literature, the anthropomorphic aspect of the analysis was singled out. Branko V. Radičević (1925–2001) sculpted figures of animals in his works intended for children. The aim of the paper is to analyze the emotional discourse in Branko V. Radičević’s animalistic prose for children. The focus will be on the work The Learned Cat (Učeni mačak), the tasks are to observe the characteristics and way of building the characters of animals, especially the cat, then the dog, and to analyze the mutual communication of literary characters. With a brilliant storytelling style, linguistic expression, with the full support of imagination, Radičević created the novel The Learned Cat. It is a truly beautiful and imaginatively spun story about a cat who, after becoming a high school graduate, experiences unusual adventures in search of a vocation. He represented animals as heroes in almost all forms of prose for children – from stories, poetry, all the way to novels. While in his poetry animals appear less, mostly as an integral part of nature and serve to better describe it, in his prose works, especially in the analyzed work The Learned Cat, animals are the main characters who go through various events or whose function is to help the main character (in human form), but also pose a threat to the main character. This novel also shows the importance of emotions in people’s lives in general, how positive ones such as neighbourly love, empathy, compassion bring them pleasure, but how it is necessary to face the negative ones, such as fear, and overcome them.
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Durupinar, Funda, Kuan Wang, Ani Nenkova, and Norman Badler. "An Environment for Transforming Game Character Animations Based on Nationality and Profession Personality Stereotypes." Proceedings of the AAAI Conference on Artificial Intelligence and Interactive Digital Entertainment 12, no. 1 (June 25, 2021): 155–61. http://dx.doi.org/10.1609/aiide.v12i1.12874.
Повний текст джерелаАнотація:
A vast body of literature has dealt with the challenges of creating the impression of human appearance and human-like motion in the animation of game characters. In this paper, we further refine these efforts by creating a flexible environment for animating game characters endowed with personality, which is a core descriptor of stable characteristics of human behavior and which is often expressed in human movement. We base our work on the Big Five personality traits, also known as OCEAN (Openness, Conscientiousness, Extroversion, Agreeableness, Neuroticism). Our environment incorporates a procedural mapping from OCEAN personality traits to movement modifiers that alter existing motions in ways compatible with a desired personality. Using Amazon Mechanical Turk, we collected stereotypical personality profiles for 135 nationalities and 100 professions. We integrated these stereotypical personality expectations into an interactive interface in Unity3D. Users can linearly blend the nationality and profession OCEAN parameters and individually adjust them for specific characters or groups. The results are validated using Amazon Mechanical Turk pairwise judgments on character types based on movements.
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Asst. Prof. Ali Mohammed Segar. "Characteristics of Tragi-Comedy in Charles Dickens's Novel Oliver Twist." journal of the college of basic education 26, no. 106 (March 1, 2020): 1–19. http://dx.doi.org/10.35950/cbej.v26i106.4879.
Повний текст джерелаАнотація:
The English novelist Charles John Hoffman Dickens (1812-1870) is well known for scholars and students of English literature. His name is always accompanied to some( classics) in the history of the English novel such as: ( Oliver Twist( 1839), David Copperfield (1850), Hard Times ( 1854 ), The Tale of Two Cities ( 1859 )Great Expectations (1860) and other novels. He is one of the most professional novelists of the Victorian age; rather, he is regarded by many critics as the father of the realistic trend and the greatest novelist of his age.
In his fiction, Dickens created some of the world's best-known fictional characters that became prototypes not only in English but in world literature as well. Oliver Twist presents a unique depiction of evil and good characters in English society through a highly serious and powerful conflict full of dramatic events like a traditional tragedy, but the line of action turns to satisfaction and happy end just like a work of comedy. This paper claims that the novelist employs the dramatic genre: Tragi-comedy into a novel by mixing elements of both tragedy and comedy. Although the action in the novel is highly tragic and full of miseries and evil plots, the novel ends happily.
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Nur Fadillah. "INNER CONFLICT OF CHARACTERS IN EDWARD ALBEE’S THREE TALL WOMEN: AN OVERVIEW OF WOMEN’S LIFE IN MODERN LITERATURE." JOEL: Journal of Educational and Language Research 1, no. 2 (September 30, 2021): 61–72. http://dx.doi.org/10.53625/joel.v1i2.360.
Повний текст джерелаАнотація:
This study aims to analyze the inner conflict faced by the three women of the play where the characters feel regret with their past life and also tries to reveal the women’s life that describe the characteristics of modern literature. The study focuses on intrinsic elements of the play, especially the characters’ conversation. To explain the regret of the characters, the writer uses psychoanalysis of Sigmund Freud and analyzes the symptoms of regret and despair. This analysis also relates the play of Three Tall Women with the characteristics of modernist literary that presented the condition of society and women’s life. The primary data is taken from the script of Edward Albee’s Three Tall Women itself. After the analysis is done, the writer found that each woman in Three Tall Woman faces the inner conflict that makes them questioning what was they did wrong. The three of them feels regret to what happen with their life in the past and wish that the other women not to face it in their future life. In addition, the characteristics of modern literature is reflects the condition of the society where the story was written. The play Three Tall Women reflects the condition of people at the time until nowadays because people have done many things but still regret and wish to come back to their life in the past before the death come to them
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Sampepadang, Sarah, Trianti Nugraheni, and Putri Lilis Dyani. "The Characteristic Analysis of Characters in Gatotkaca Gandrung Dance by R. Ono Lesmana Kartadikoesoemah." Jurnal Seni Tari 12, no. 2 (November 30, 2023): 134–44. http://dx.doi.org/10.15294/jst.v12i2.74407.
Повний текст джерелаАнотація:
It started with the appreciation of a dance artist from Sumedang, R. Ono, for the Gatotkaca Gandrung dance in the Solo style. Then, he attracted his attention to create a Gatotkaca Gandrung dance piece in the Kasumedangan style. Different from the Solo style, the dance created by R. Ono is played by four dancers, namely Gatotkaca, Pergiwa, Pergiwati, and Cakil, with their distinctive characters full of meaning in life. The purpose of this research is to analyze the characteristics of the characters in the Gatotkaca Gandrung dance by R. Ono through the study of choreography, makeup, and costume. This study used a descriptive analysis research method using a qualitative approach. The researchers collected data using observation, interviews, documentation, and literature study. The data obtained is analyzed by reducing the data, presenting the data in narrative form, and drawing conclusions. The results obtained are Gatotkaca, as the main character, has the character of monggawa lungguh from his hiber movement, makeup, and costumes reflecting his independence, strength, toughness, responsible, courage, sacrifice, agility, and calmness in dealing with problems. Pergiwa and Pergiwati, as supporting characters, have the character of putri lungguh who reflects a graceful and cheerful nature. In addition, Cakil is a symbol of the lust of human anger. As a supporting actor, he also reflects the nature of cunning, mischievous, crotchety, agile, and brave. This character research can be used as an artistic reference in formal and informal learning that can be applied in life.