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Дисертації з теми "Céramique – Technique – Iran"
Aarab, Ali. "Technological and Archaeological studies of the Middle-Elamite and Neo-Elamite colord glazed ceramics (1500-540 BCE)." Electronic Thesis or Diss., Sorbonne université, 2022. https://accesdistant.sorbonne-universite.fr/login?url=https://theses-intra.sorbonne-universite.fr/2022SORUS579.pdf.
Повний текст джерелаIran has always been an important place in the history of studying glaze on ceramic bodies. According to some scholars, the glazes on ceramic bodies from the Chogha Zanbil site (1250 BCE) can be considered as the first glazes on ceramics in the ancient world. However, the present research has shown that the beginning of making glaze on ceramic bodies in Iran should be known a little earlier. Indeed, we have proposed that the process of making glazes on ceramic bodies in Iran should be considered from the Haft Tepe site (1500 BCE). In addition, to investigate ancient glazes, what can be helpful as the most important research prerequisite are ancient texts that concern the methods of making glazes. In this regard, it should be said that there is no pre-Islamic text about making glazes. However, the Islamic texts in Iran have dealt with the production of glaze in the pre-modern era in details and we have compiled and studied these different sources dealing with elaboration of traditional glazes. An important topic provided by the investigation of manuscripts and ancient texts concerns the terminology of colors during the Elamite period. Indeed, without a doubt, the color will be one of the main factors in the study of Elamite glazes. In our research we have seen that Elamites do not have special words to express different colors and the colors used on glazes. Alternatively, they use known color materials to express colors.During this dissertation, analyses such as XRD, EPMA, and petrography were performed on glazed ceramic bodies, which led to the identification of the firing temperature of the samples. We have classified the samples based on their ceramic compositions. In this way, it was determined that the variety of ceramic bodies in the Neo-Elamite period is more important than during the Middle-Elamite period. It is also possible to consider the possibility of the variety of firing conditions in the Neo-Elamite period. Finally, various analyses, such as LA-ICP-MS, Raman, UV-Visible, and SEM-EDS, were performed on Elamite glazes. By performing these analyses, the coloring agents in the glazes were determined, and the opacifiers were also identified. In addition, we did not observed nanoparticles in the glazes of Middle-Elam, while nanoparticles can be identified in the glazes of the Iron Age from Qalaichi site and the neo-Elamite glazes from Jubaji site. These nanoparticles can be related to the firing atmosphere of the glazes
Pacheco, Claire. "Etude des films d'or sur matière vitreuse : application à la céramique glaçurée islamique médiévale : Asie centrale XIVe-XVe s. - Iran XIIe-XIIIe s." Bordeaux 3, 2007. http://www.theses.fr/2007BOR30053.
Повний текст джерелаFrom the point of view of the science of materials, this original and innovative study focused on the history of techniques of gold-leaf decorations on medieval Islamic glazed ceramics. 2 corpuses were studied independently: tile shreds from Timurid architecture (14th-15th c. ) from the Amir Timur Museum in Shakhrisabz (Uzbekistan) and fragments of Iranian vessel (12th-13th c. ) taken from the collections of the Department of Islamic Arts in the Louvre Museum. Especially elaborated, the methodology aims at favoring non-destructive analysis methods and consists in observing the shreds at different scales in order to understand the organization of the decorations and to estimate their surface state. The roughness of the surface is measured by white light interferometry and the chemical compositions are determined by SEM-EDS and/or PIXE. Thanks to the RBS, the thickness of the gold leaves can be estimated in a non-destructive way and one can apprehend the structure of the interface as roughness and/or diffusion of gold in the glass substratum. The XRD enables to study the crystallographic texture of the gold leaf by determining the pole figures, giving significant information about the mechanical and thermal treatments it underwent. Following these methods, the study of both corpuses proves that the glazed ceramic from the Timurid architecture is undoubtedly of Persian tradition. The Iranian ceramics prove to be very sophisticated; the gold leaves are very thin and shaped by beating, implying a real openness of the craft societies of gold beaters and potters. The Timurid gold leaves turn out to be thicker and were obtained by one-direction plastic distortion
Zhai, Yi. "Échanges artistiques entre l'Iran et la Chine (13e-14e siècle) : textiles et céramiques." Thesis, Aix-Marseille, 2015. http://www.theses.fr/2015AIXM3080/document.
Повний текст джерелаThis paper presents studies on the artistic exchanges between Iran and China observed on textiles and ceramics from the 13th to 14th century. It presents detailed analysis of three important characteristics of the artistic transfers : namely the existence of potential technique transfer, the relation between the two materials (textile and ceramic) during the artistic exchange, and the intention of the Mongols, based on existing corpus The first part of paper is devoted to textile corpus, particularly the textile with golden thread, featuring a catalog of textile samples. The second part presents in depth discussions of the ceramic corpus and questions the potential technical exchange of pottery , followed by comparisons based on actual data. The third part presents comparisons of the patterns observed in both textiles and ceramics specimens, suggesting that the transfer of the concrete motifs reveals the essential cultural relations between the non-sedentary peoples (the Khitan, the Jurchen, the Mongols) of northern Asia. The conclusions of the studies are threefold. First, the technical transfer can be only confirmed in the textile domain. Second, the differences of the artistic exchanges between the textile and the ceramic are closely related to the natural characteristics and the social value of each material, which challenges the previous idea that the textile would be considered as the mediator for the Il-khan ceramic during the artistic transfer. The last but not the least, the cultural relationship between the non-sedentary peoples is clearly represented by the artistic exchanges under the domination of the Mongols
M'Mbogori, Freda Nkirote Joy. "Population and Ceramic Traditions : Revisiting the Tana Ware of Coastal Kenya (7th-14th Century AD)." Thesis, Paris 10, 2011. http://www.theses.fr/2011PA100185/document.
Повний текст джерелаThis thesis is a departure from the traditional archaeological pottery analysis in Kenya, where emphasis has been on decorations and forms. It uses a technological approach to offer additional information on Bantu pottery whose social boundary has been a cause of disagreement between different researchers. Pottery decorations and forms have been/are still powerful instruments in defining archaeological spatial and temporal distribution of prehistoric populations, but the ability of these attributes as social boundary markers is limited by their overt visibility on the finished product. Whilst this explicit visibility is an advantage for archaeologists who seek to explore temporal and spatial distributions of different wares, it is also disadvantageous since it makes it possible for communities which are socially, ethnically, and linguistically distinct to copy from each other hence making these two salient pottery features unreliable indicators of social boundaries. Therefore, this study puts emphasis on the forming stage, which is not obvious on the finished product and must be learnt by apprenticeship only through kinship, as demonstrated by numerous ethnographic studies. Using chaîne opératoire as an analytical tool for archaeological material and ethnographic, experimental and ethno-historical data as reference and interpretive tools, this study sought to establish the social boundaries of makers of Tana ware which is a disputed Iron Age pottery of Bantu speakers. Some archaeologists attribute its origins to Bantu speakers whilst others attribute it to Cushitic speakers. Archaeological data was collected from Manda and Ungwana sites assemblages and ethnographic reference data was collected from Cushitic and Bantuspeakers from the Coastal and Highland regions of Kenya. Ethno-historical data was derived from library resources while experimental data were obtained from the field. This study demonstrated that due to the nature of archaeological peopling and interactions which exposed different ethnolinguistic groups to material cultures of the other, borrowing of cultural traits took place causing distinct populations to have pottery of similar decorations and forms. It has also demonstrated that pottery chaîne opératoire can show population continuity or discontinuity from archaeological to modern times. Most importantly, this thesis has demonstrated that Tana ware has its origins from Bantu speakers, and that its decorations have their origins from Cushitic speakers. It has also confirmed the movement of Meru ethnic group from the Coast of Kenya to Mt. Kenya region, by providing tangible data to linguistic, historical and oral evidences. The last part of this work gives directions of future research on pottery analysis in Kenya, and outlines some questions pertaining to Bantu and Cushitic speakers which remain to be answered
Frerebeau, Nicolas. "Choix et trajectoires techniques dans le domaine ibérique à la fin de l'Âge du Fer : la cuisson des matériaux céramiques dans la vallée de l'Èbre (IIIe-Ier s. av. J.-C.)." Thesis, Bordeaux 3, 2015. http://www.theses.fr/2015BOR30032.
Повний текст джерелаThis work aims to understand the technological history of Iron Age Iberia, particularly by focusing on Iberian ceramic firing practices. By highlighting feedbacks and interconnections, main objectives of this thesis are the investigation of the links between the pathways of row material, knowhow and products evolution in the Ebro valley. Details investigations were conducted on the potter workshop of the Mas de Moreno (Foz-Calanda, Teruel, Spain; 3rd-1st c. BC). Here the examination of the variety of defects and failures during the production process allowed a specification of the ideal process. The overall complexity of the production process was evaluated by chemical and mineralogical material analysis. Thermal details of ceramic firing and peculiar properties of the used clayey material enabled us, for the first time, to propose a hypothesis on the production risk management. It appears that the acceptance of risk was the driving force for innovation, allowing for a gradual and steady evolution of the firing practices and the adoption of new techniques
Wu, Hsiu-Chi. "Peuplement et dynamique culturelle à l’âge du Fer Ancien et Récent dans le Nord-Est et le Nord de Taïwan : approche technologique des assemblages céramiques du site de Chiwulan (Ilan, Nord-Est de Taïwan, 650-1850 EC )." Thesis, Paris 10, 2012. http://www.theses.fr/2012PA100003.
Повний текст джерелаSituated at the junction of historic times, Taiwan’s Iron Age is considered the key to understanding the origin and history of the island’s aboriginal peoples. With this perspective, this thesis focuses on the Iron Age in Northeast and North Taiwan through a research into the affiliations among ceramic traditions from different periods and areas. To investigate the ceramic traditions of northeastern Taiwan, we used artifacts unearthed at the Chiwulan site in the Ilan Plain. This site, excavated during 2001-2003, includes two culture layers: the bottom layer dated from 650 to 1150 A.D. and the top layer from 1350 to 1850 A.D. Study of the ceramic assemblages was guided by the principles of the technological approach. In accordance with the concept of « chaîne opératoire », artifacts were identified and classified sequentially according to their technical, petrographic, and morpho-stylistique characteristics. Our results show that there is a remarkable affinity between early and late Iron-Age ceramics, implying a continued occupation by the same culture group. We then compared the Chiwulan data with regional data (from other sites in the Ilan Plain) and macroregional ones (from sites in North Coast and the Taipei Basin). What we found seems to support the idea that, in the early Iron Age, culture groups in the North and Northeast shared a common origin. Early settlers in the North seem to have advanced into the Northeast. Then in the late Iron Age, a reverse movement could have occurred with settlers from the Ilan Plain expanding upwards to the North. There also existed in the late Iron Age a similarity in the material culture of the northern and northeastern aborigines, whose recent descendants, though ethnically and linguistically diverse and distinct from each other, again demonstrated such an affinity in their material culture, suggesting filiation and continuation of Iron-Age culture. There was also a phenomenon of ethnogenesis. The evolution of new ethnic groups later on might have been related to the introduction of metallurgy
Lauranson-Rosaz, Romain. "Céramologie d’un oppidum arverne : chronologie et fonction de la vaisselle céramique du site de Corent (63) : IIe s av.-IIe s. apr.J.C." Thesis, Lyon, 2019. http://www.theses.fr/2019LYSE2120.
Повний текст джерелаMajor site of the territory of the Arverne people, one of the most powerful of Central Gaul before the conquest of Julius Caesar, the Corent Plateau is continuously occupied at the end of the Iron Age and during the High Empire. This thesis concerns a documentation of ceramic ((ware)) of more than a hundred thousand remains ((sherds ?)), taking advantage of the extension of excavations over several hectares in different districts surrounding his sanctuary. A selection of well-dated sets makes it possible to establish a chronological series in twelve horizons, validated by statistical analysis methods, which contributes to the phasing of the site and to the description of the evolution of regional ceramics as well as the supply of imports. This documentation is then approached from the perspective of its function, through the definition of six functional classes whose distribution in space and according to the nature of the contexts is analysed. The synthesis includes an assessment of knowledge on the chronology of the site's occupation, put into perspective with its integration into the trade networks as perceived through import ceramics, which betray the importance of the link routes with the South through the Cévennes and the Val d'Allier. A discussion is then devoted to the cultural and economic factors of the evolution of ceramic ((ware)), which highlights the changes that took place before the Roman conquest and provides a problematic framework for archaeometric and experimental approaches. Finally, the functional variations of ceramic furniture in an urban context are compared with data from funeral contexts or with other types of furniture. The second volume of the thesis develops in detail the typology of regional productions and presents the corpus of imported tableware, among other analytical repertoires (sets, stamps, graffiti, etc..). The third volume is the compilation of all the ensemble ((?)) records of the corpus currently being studied at Corent for the period under review, to which other sites included in the analyses are appended
Тези доповідей конференцій з теми "Céramique – Technique – Iran"
Philippe, Marie. "Les techniques de production céramique comme marqueurs d’échanges: premières observations dans la vallée du Rhin supérieur à la veille du premier âge du Fer (IXe s. av. J.-C.)." In Interdisciplinarité et nouvelles approches dans les recherches sur l'âge du Fer. Interdisciplinarity and New Approaches in the Research of the Iron Age. Brno: Masarykova univerzita, 2017. http://dx.doi.org/10.5817/cz.muni.p210-8822-2017-9.
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