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Статті в журналах з теми "Catalogna medievale"

Автор: Grafiati

Опубліковано: 11 березня 2023

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1

FOLKERTS, MENSO, MICHAEL SEGRE, and ANDREAS KÜHNE. "ISTITUZIONI E FONTI." Nuncius 7, no. 1 (1992): 167–71. http://dx.doi.org/10.1163/182539192x00082.

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Abstract<title> RIASSUNTO </title>L'articolo illustra l'International Computer Catalog of Medieval Scientific Manuscripts. Tale catalogo è stato preparato presso l'Istituto di storia della scienza dell'Università di Monaco di Baviera. Si tratta di un database che raccoglie informazioni sui manoscritti medievali del periodo 500-1500 dedicati a argomenti matematici.

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2

Maden, Nafiz. "Historical aurora borealis catalog for Anatolia and Constantinople (hABcAC) during the Eastern Roman Empire period: implications for past solar activity." Annales Geophysicae 38, no. 4 (July 28, 2020): 889–99. http://dx.doi.org/10.5194/angeo-38-889-2020.

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Abstract. Herein, Anatolian aurorae are reviewed based on the existing catalogs to establish a relationship between the aurora observations and past solar activity during the Medieval period. For this purpose, historical aurora catalogs for Constantinople and Anatolia are compiled based on the existing catalogs and compared with those in the Middle East region. The available catalogs in the literature are mostly related to the records observed in Europe, Japan, China, Russia, and the Middle East. There is no study dealing only with the historical aurora observations recorded in Anatolia and Constantinople. The data of the catalog show that there is a considerable relationship between the aurora activity and past strong solar activity. High auroral activity around the extreme solar particle storm in 774/775 and the Medieval grand maximum in the 1100s in Anatolia and the Middle East is quite consistent with the past solar variability reported in other scientific literature.

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3

Colomo Castro, Koldo. "La imagen del crismón en las estelas discoidales." Cuadernos de Etnología y Etnografía de Navarra, no. 93 (May 5, 2020): 109–42. http://dx.doi.org/10.35462/ceen.93.3.

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RESUMEN La relación del crismón con el arte funerario tiene una dilatada trayectoria en el tiempo. En este artículo se catalogan y estudian nueve estelas discoidales de cronología medieval que presentan la imagen del crismón en su iconografía y se ofrece información sobre sus características materiales, geográficas, cronológicas e ideológicas. LABURPENA Aspalditik dator krismoiaren harremana hil artearekin. Artikulu honetan krismoia duten bederatzi hilarri diskodun katalogatu eta aztertu dira, guztiak erdi arokoak, eta haien ezaugarri material, geografiko, kronologiko eta ideologikoen inguruan hainbat datu ematen dira. ABSTRACT The relation of the chrismon in the funeral art presents a dilated trajectory in the time. In this article nine discoidal stelae of full chronology and medieval bass are cataloged and studied. They present the image of the chrismon in their iconography and offer information about its material, geographical, chronological and ideological characteristics.

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4

Iborra, Joan. "Entre la coronació de Ramon Berenguer IV i la dotalia de Catalunya. Edició crítica del ms. 280 de la Biblioteca de Catalunya." SCRIPTA. Revista Internacional de Literatura i Cultura Medieval i Moderna 5, no. 5 (June 12, 2015): 105. http://dx.doi.org/10.7203/scripta.5.6379.

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Resum: Aquest còdex del segle xvi és un aplec de sis textos de procedència diversa ordenats aleatòriament sense cap criteri cronològic. Es tracta d’uns fragments copiats d’altres cròniques medievals que presenta uns interessants punts de contacte amb la Crònica i dietari del capellà d’Alfons el Magnànim, el ms. d.III.2 del Escorial de Martí de Viciana el Vell, avi de l’historiador i el Sumari d’Espanya de Berenguer de Puigpardines. Paraules clau: Història de Catalunya, historiografia, llegendari medieval, cròniques catalanes Abstract: This XVI century codec gathers six texts from varied sources without any chronological criterion. The document consists of extracts copied from other medieval chronicles that links interesting contact points with the Crònica i dietari del capellà d’Alfons el Magnànim, the ms. d.III.2 of El Escorial by Martí de Viciana el Vell – grandparent of the historian – and the Sumari d’Espanya by Berenguer de Puigpardines.Keywords: History of Catalonia, historiography, medieval legendary, Catalan chronicles

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5

Escobar, Ángel. "Hacia una caracterización de la transmisión aristotélica en la Cataluña medieval." Anuario de Estudios Medievales 45, no. 1 (June 30, 2015): 299–330. http://dx.doi.org/10.3989/aem.2015.45.1.10.

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6

Chastang, Pierre. "La langue, l’écriture et l’histoire. La singulière Catalogne de Michel Zimmermann." Médiévales, no. 52 (June 1, 2007): 171–80. http://dx.doi.org/10.4000/medievales.2693.

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7

Ferrer Godoy, Joan. "El Cançoner trobadoresc de Sant Joan de les Abadesses: estat de la qüestió, història arxivística i context de producció." Mot so razo 18 (February 19, 2021): 55. http://dx.doi.org/10.33115/udg_bib/msr.v18i0.22594.

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<p>Abstract: In 1917, Josep Masdeu, the monastery archivist of Sant Joan de les Abadesses, identified four songs written down in some blank spaces of a paper-based notarial book of the village. In 1935, Higini Anglès, a musicologist of recognized prestige, made them public and since then, they comprise the songbook of Sant Joan de les Abadesses, the unique troubadour catalogue in Catalonia including both the text of the songs and their equivalent musical notation to be performed. From that moment on, the manuscript has been studied in many occasions from a linguistic and musical point of view. The manuscript, currently preserved at the National Library of Catalonia, includes some other text passages of legal topics which we analyse in depth because they delimit the exact chronological period of the song writings. Our study, therefore, has been focused on three main purposes. In the first place, we revise the contributions made so far regarding the description of the document. Next, we build up the archivistic history of the manuscript, from the moment it was discovered until it was deposited in the library mentioned above. Finally, we frame the overall context of the songbook production based on the extraliterary and extramusical texts.</p><p><br />Keywords: Troubadour songs, Medieval manuscripts, Medieval songbook, Sant Joan de les Abadesses Archive, Court books, Notarial -<br />History.</p>

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8

Smet, Joachim. "Carmel in Medieval Catalonia (review)." Catholic Historical Review 86, no. 3 (2000): 500–501. http://dx.doi.org/10.1353/cat.2000.0042.

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9

Tomczak, Robert T. "Średniowieczne polonica i silesiaca ze zbiorów Archiwum Uniwersytetu Karola w Pradze." Historia Slavorum Occidentis 33, no. 2 (2022): 69–89. http://dx.doi.org/10.15804/hso220203.

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The article presents a brief history of the medieval manuscript collections of the Charles University Archives in Prague which includes a catalogue of 13 medieval (1345– –1508) Polish and Silesian charters stored there

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10

Guthrie, Lawrence S. "An Overview of Medieval Library Cataloging." Cataloging & Classification Quarterly 15, no. 3 (December 1992): 93–100. http://dx.doi.org/10.1300/j104v15n03_07.

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11

Kelly, Joseph F. "A Catalogue of Early Medieval Hiberno-Latin Biblical Commentaries (II)." Traditio 45 (1990): 393–434. http://dx.doi.org/10.1017/s0362152900012824.

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12

Fernández Conde, Francisco Javier, and Raquel Alonso Álvarez. "LOS CATÁLOGOS DE LAS RELIQUIAS DE LA CATEDRAL DE OVIEDO. The catalogs of relics of the cathedral of Oviedo." Territorio, Sociedad y Poder 12, no. 12 (May 17, 2018): 55. http://dx.doi.org/10.17811/tsp.12.2017.55-81.

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Las reliquias de la catedral de Oviedo se describen y enumeran en dos conjuntos de fuentes medievales. La primera corresponde a finales del siglo XI y comprende el Acta de Apertura de 1075, la inscripción en el relicario conocido como Arca Santa y la epístola dirigida por el obispo Osmundus de Astorga a Ida de Boulogne. La segunda procede del scriptorium organizado en Oviedo por el obispo Pelayo, en el siglo XII. En este artículo se intenta analizar la secuencia de los diferentes relatos y cómo se relacionan entre sí.The relics of the Cathedral of Oviedo are described and listed in two sets of medieval sources. The first corresponds to the end of the 11th century and includes the Opening Act of 1075, the inscription in the reliquary known as the Arca Santa and the epistle written by Bishop Osmundus of Astorga to Ide de Boulogne. The second comes from the scriptorium organized in Oviedo by Bishop Pelayo, in the 12th century. In this article we try to analyze the sequence of the different stories and how they relate to each other.

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13

Kosto, Adam Joshua. "Making and keeping agreements in medieval Catalonia, 1000-1200." Medievalia 13 (November 1, 1997): 35. http://dx.doi.org/10.5565/rev/medievalia.343.

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14

Turley, Thomas. "Carmel in Medieval Catalonia. Jill R. Webster." Speculum 76, no. 4 (October 2001): 1119–20. http://dx.doi.org/10.2307/2903694.

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15

Cashion, Debra Taylor. "Cataloging Medieval Manuscripts, from Beasts to Bytes." Digital Philology: A Journal of Medieval Cultures 5, no. 2 (2016): 135–59. http://dx.doi.org/10.1353/dph.2016.0009.

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16

Baum, Ilil. "Hebrew-Catalan Medieval Wedding Songs: Satirical Functions of the Hebrew Component and Other Linguistic Aspects." Journal of Jewish Languages 4, no. 2 (August 16, 2016): 166–202. http://dx.doi.org/10.1163/22134638-12340071.

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The Hebrew-Catalan documents of the Jews of medieval Catalonia have not been thoroughly analyzed thus far. The present article analyzes five unique wedding songs of the fourteenth–fifteenth centuries written in Catalan using Hebrew characters (edited in 1970 and 1974). In this study special attention is given to the humorous and satirical functions of the Hebrew component. This sophisticated use of the Hebrew component may imply more widespread oral traditions of parodic character related to the wedding ceremony among the Jews of Catalonia and the Iberian Peninsula. The notion of “Judeo-Catalan” is discussed in the framework of linguistic repertoire while demonstrating undocumented or rarely documented phonetic, semantic, and lexical features of medieval Catalan. The use of a different orthographic system allows for a written representation of the pronunciation of medieval Catalan, whereby the boundaries between the spoken and the written are blurred, creating a sort of a “written-spoken language.”

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17

Torre Sevilla-Quiñones de León, Margarita. "Los fondos silográficos medievales del monasterio de Nuestra Señora de la Asunción de Carrizo de la Ribera (León)." Estudios humanísticos. Geografía, historia y arte, no. 21 (February 10, 2021): 69. http://dx.doi.org/10.18002/ehgha.v0i21.6799.

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18

Badamo, Heather. "Locating Medieval Armenia at the Metropolitan Museum of Art." Journal of Medieval Worlds 1, no. 2 (June 2019): 77–82. http://dx.doi.org/10.1525/jmw.2019.120005.

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Spanning 13 centuries, the exhibition “Armenia!” brings together some 140 objects to present the medieval art and culture of the Armenian peoples in a global context. Armenia has often existed at the borders of medieval art in contemporary scholarship, due to its complex history and continuously shifting borders, which undermine basic understandings of empires and polities. This exhibition seeks to “locate” Armenia through the twin themes of religion and trade, documenting the myriad ways in which Armenians employed visual culture to construct images of the self and community. The works on display demonstrate the distinctive qualities of the Armenian artistic and religious culture, while also documenting contact with an ever-shifting and expanding group of neighbors and trading partners. At once complimenting and extending the reach of the exhibition, the catalog provides scholars with a trove of insightful essays and catalog entries that are, characteristically, deeply researched and will serve as a touchstone in the field for decades to come. Together, this exhibition and catalog calls on medievalists to rethink the way we study and teach medieval art, recognizing the inner diversities, interlocking histories, and extraordinary artistic achievements of Christian communities in the east.

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19

Farmer, Thomas. "Thomas W. Barton et al., eds. Boundaries in the Medieval and Wider World: Essays in Honour of Paul Freedman. Europa Sacra 22. Turnhout: Brepols, 2017, 346 pp., 7 figs., 3 tables." Mediaevistik 31, no. 1 (January 1, 2018): 260. http://dx.doi.org/10.3726/med012018_260.

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Paul Freedman is an outstanding medieval historian with wide-ranging interests. I first encountered his work through Out of the East: Spices and the Medieval Imagination (2008), and was surprised to realize later that he was also the author of Images of the Medieval Peasant (1999). These two works by no means exhaust the full range of Freedman’s erudition: Over the past forty years he has published on topics ranging from papal privileges in Catalonia to medieval historiography—and as this book’s co-editors observe, not only have his interests ramified over the years, he has continued to publish in each of his many areas of expertise, gaining new interests while retaining old ones.

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20

Horsley, G. H. R. "Classical Manuscripts in Australia and New Zealand, and the Early History of the Codex." Antichthon 27 (November 1993): 60–85. http://dx.doi.org/10.1017/s0066477400000794.

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A generation ago K.V. Sinclair published what is still the standard guide to medieval manuscripts held in Australia. The title defines the scope: Descriptive Catalogue of the Medieval Western Manuscripts in Australian Collections. The parameters are further delimited by date: included are MSS of the Xlth-XVIth centuries. Brim full with technical information, and perhaps as a result rather austere in presentation, this book is a testimony to Sinclair's perseverance: the completed manuscript was lost at the end of the 1950s, and he started again. One consequence of this setback is that the addenda to the main catalogue update a work that was largely finished over thirty years ago; yet even these additions were not able to take account of some items which came to Australia at the end of the 1950s.

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21

Tostes, Rogerio R. "Os Usatici Barchinonae: algumas recapitulações de uma tradição textual." Medievalia 53, no. 1 (May 19, 2021): 25–63. http://dx.doi.org/10.19130/medievalia.2021.53.1.25622.

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The present article recovers the historiographic and critical-textual discussion about the beginning of the Usatges de Barcelona. This literature review includes an examination about the dating hypotheses, interpretations on the code compilations, in addition to exploring the relationships of codes sources, with some notes on its typology, and the historical context of its formation and diffusion between the 12th-13th Centuries. It also aims to consider the role played by Usatgesas the foundation (be it true or idealized) of a publicist tradition that started in medieval Catalonia. With this approach it is possible to link all these elements assuming that many of the interpretative matrices found in its historiography are going beyond to the mere description of the sources. Finally, the paper it also deals with the institutionalist narratives that emphasize the formation of public power and the modern State.

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22

Meyerson, Mark D., and Paul Freedman. "The Origins of Peasant Servitude in Medieval Catalonia." Journal of Interdisciplinary History 24, no. 2 (1993): 343. http://dx.doi.org/10.2307/205383.

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23

Brodman, James W., and Paul Freedman. "The Origins of Peasant Servitude in Medieval Catalonia." American Historical Review 97, no. 4 (October 1992): 1197. http://dx.doi.org/10.2307/2165544.

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24

New, Elizabeth. "Seals in Medieval London 1050–1300: A Catalogue." London Journal 42, no. 1 (January 2, 2017): 100–101. http://dx.doi.org/10.1080/03058034.2017.1282131.

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25

Dryburgh, Paul R. "Seals in medieval London 1050-1300: a catalogue." Archives and Records 38, no. 1 (January 2, 2017): 167–70. http://dx.doi.org/10.1080/23257962.2017.1283597.

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26

Goodier, John. "Seals in Medieval London 1050-1300: A Catalogue." Reference Reviews 30, no. 6 (August 15, 2016): 39–40. http://dx.doi.org/10.1108/rr-04-2016-0111.

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27

Bull, M. G. "The origins of peasant servitude in Medieval Catalonia." History of European Ideas 18, no. 1 (January 1994): 123–24. http://dx.doi.org/10.1016/0191-6599(94)90165-1.

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28

Evans, Elizabeth Staley. "Medieval Manuscripts at Saint Louis Univeristy: A Catalogue." Manuscripta 47-48 (January 2004): 43–106. http://dx.doi.org/10.1484/j.mss.2.300289.

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29

Barton, Thomas W. "Lords, settlers and shifting frontiers in medieval Catalonia." Journal of Medieval History 36, no. 3 (September 2010): 204–52. http://dx.doi.org/10.1016/j.jmedhist.2010.07.002.

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30

Amelang, James S., and Paul Freedman. "The Origins of Peasant Servitude in Medieval Catalonia." Hispanic American Historical Review 72, no. 4 (November 1992): 609. http://dx.doi.org/10.2307/2516677.

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31

Amelang, James S. "The Origins of Peasant Servitude in Medieval Catalonia." Hispanic American Historical Review 72, no. 4 (November 1, 1992): 609–10. http://dx.doi.org/10.1215/00182168-72.4.609.

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32

ΚΙΑΠΙΔΟΥ, Ειρήνη Σοφία. "Βιβλιοκρισία:D. KRALLIS, Michael Attaleiates and the Politics of Imperial Decline in Eleventh Century Byzantium, [Medieval and Renaissance Texts and Studies 422, Medieval Confluences Series 2], Tempe, Arizona 2012". BYZANTINA SYMMEIKTA 24, № 1 (27 березня 2015): 359. http://dx.doi.org/10.12681/byzsym.1189.

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Βιβλιοκρισία:<p>D. Krallis, <a href="http://acmrs.org/publications/catalog/michael-attaleiates-and-politics-imperial-decline-eleventh-century-byzantium" target="_blank"><em>Michael Attaleiates and the Politics of Imperial Decline in Eleventh Century Byzantium</em></a><em>, </em>[Medieval and Renaissance Texts and Studies 422, Medieval Confluences Series 2], Tempe, Arizona 2012</p>

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33

Kuzina, N. A. "The Origin and Formation of the National Symbols of Catalonia within the Framework of the Renaixença and their Visual Representation in the 19th Century." Concept: philosophy, religion, culture 5, no. 4 (December 22, 2021): 114–30. http://dx.doi.org/10.24833/2541-8831-2021-4-20-114-130.

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The article presents the study of national symbols of Catalonia: their emergence and visual representation in the art of the 19th century. National symbolic system of Catalonia date back to the Renaixença movement in literature that initiated the formation of the Catalan language and literature. The scope and purpose of the article included an investigation of the works of the most prominent representatives of the Catalan national renaissance in order to identify the origins of the symbols they deploy. Consideration of symbols serves the purpose of defining the way national aspects get their visual representation. The method of historical typology was used to systematize the sources. Memoirs and publications in the press were analyzed with the textual method, and visual materials – with stylistic and iconic methods. Detailed research of the works of Renaixença has shown that Catalan cultural code initially emerged in poetry. In the second half of the 19th century, the symbols acquired visuality in fine art, namely paintings and visual design of the front pages of Catalan newspapers and magazines. The article provides a detailed account of selected examples of such visuals. At that time, Catalan intellectuals created works devoted to the history of Catalan-speaking lands, seeking to find roots that would picture the ancient nature of their motherland. They searched the archives and looked into medieval literature and folklore to prove the continuity of prosperous medieval Catalonia, part of the Kingdom of Aragon, and nineteenth-century Catalonia. Thinking over national history gave birth to national identity. At the same time history acquired a visual dimension. Churches, monasteries, memorable dates, leaders and thinkers that bore distinct national identity were visualized. Medieval plots penetrated art that tapped into heroic deeds of the past for inspiration. The spread of visual images helped bridge the gap between past and present. The newly acquired continuity of tradition strengthened the national narrative. The process enabled the national unity of the Catalan people with the central idea of an imaginary community of a nation-state.

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34

Cook, Alan. "Éditions du Comité des Travaux Historiques et Scientifiques." Notes and Records of the Royal Society of London 55, no. 2 (May 22, 2001): 347. http://dx.doi.org/10.1098/rsnr.2001.0149.

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The Committee was founded in 1834 to publish Documents inédits sur l'histoire de France, such as medieval charters; it subsequently extended its interests far more widely and now includes the history of science. The catalogue of its publications, available in 2001, has just been issued from the rue Descartes.

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35

Bakanova, Anna Valentinovna. "“Danse Macabre” in Catalonia: historical-philological aspect." Litera, no. 6 (June 2020): 132–42. http://dx.doi.org/10.25136/2409-8698.2020.6.33183.

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The object of this research is the theatricalizes “Danse Macabre” in the Catalonian city Verges is the only extant in La Bisbal province testimony of the popular in Medieval Western Europe traditions of Macabre. “Danse Macabre” in Verges takes place on a Maundy Thursday: five actors-skeletons with the symbolic inventory in their hands – scythe, colors, urns with ash and hourglass – move to the sounds of drums and remind spectators on the brevity of life and implacable approach of death. The presence of Macabre images in the Medieval art and literature is substantiated by crisis mentality caused by the Black Death and military conflicts. The conclusions on the archetypical features and authentic elements in Catalonian “Danse Macabre” are based on the research of historical-literary context, examination of the main scientific hypothesis regarding the Iberian trace in the emergence of this synthetic genre form, analysis of the circle beginning of Catalonian “Dance Macabre” under the influence of oriental presence on the peninsula. The author assesses modern approaches towards “Danse Macabre” with their sad procession of the representatives of all social classes to mass manifestations of democratic spirit of irreconcilability and resistance, democratic satire that is fighting for social equality facing death and acting against impunity of the powers that be.

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36

Tostes, Rogerio R. "Death penalty in late-medieval Catalonia. Evidence and significations." Comparative Legal History 9, no. 1 (January 2, 2021): 111–16. http://dx.doi.org/10.1080/2049677x.2021.1908937.

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37

Brodman, James. "Unequal in Charity? Women and Hospitals in Medieval Catalonia." Medieval Encounters 12, no. 1 (2006): 26–36. http://dx.doi.org/10.1163/157006706777502550.

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AbstractThis study asks whether charity in Catalonia had, in fact, any basis in gender, how treatment here compared with what historians have found in Italy, and what all of this says about the role that gender played within Catalan society. Late medieval Catalan charities assisted both men and women, but in different ways. Orphans, the sick, and the homeless of both genders received shelter and care, but, to some degree, males in these categories received more benefits than females. Other charity, such as assistance to poor, single women and to prostitutes, targeted females specifically and had no male counterpart. Gender considerations in the calculation of Catalan authorities seem to reflect an interest in promoting and preserving families and a social consciousness that privileged the so-called deserving poor over their marginalized sisters and brothers.

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38

Fleming, P. "A Catalogue of the Medieval Muniments at Berkeley Castle." English Historical Review CXXI, no. 492 (June 1, 2006): 915–16. http://dx.doi.org/10.1093/ehr/cel158.

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39

Rogers, Nrcola. "Salisbury Museum Medieval Catalogue, Part 3. Edited by PeterSaunders." Archaeological Journal 159, no. 1 (January 2002): 342–43. http://dx.doi.org/10.1080/00665983.2002.11020556.

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40

Perry, Micha J. "Hatpasah– Jewishtranslatadocuments from medieval Catalonia: formulae, law and society." Journal of Medieval Iberian Studies 10, no. 2 (October 2, 2017): 167–94. http://dx.doi.org/10.1080/17546559.2017.1378822.

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41

Bodden, Mary Catherine. "Evidence for knowledge of Greek in Anglo-Saxon England." Anglo-Saxon England 17 (December 1988): 217–46. http://dx.doi.org/10.1017/s0263675100004087.

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More than half of the extant manuscripts from Anglo-Saxon England, both vernacular and Latin, contain Greek. How much Greek did the early English know? M. L. W. Laistner accepted only a handful of early authors, Bede among them, as ‘competent Hellenists’. Bernhard Bischoff, too, noted that among the numerous witnesses to Greek writing in the medieval West, only a few show knowledge of the language itself, and the majority in their corrupt state suggest just the opposite; moreover, he points out, their function is very often liturgical. By the same token, a recent survey of the rich Greek materials from Sankt Gallen makes the general observation that ‘few medievals possessed an ability to read Greek prose, an ability based on, at least, an acquaintance with the elementary principles of grammar’. For a number of years, I have been compiling a catalogue of Anglo-Saxon manuscripts containing Greek, and on the basis of what I have seen, these various assumptions – that much of the Greek was badly copied, that its vocabulary was largely ecclesiastical or liturgical, that such a vocabulary would necessarily repeat itself, yielding therefore perhaps no more than some 500 to 800 Greek words, and that knowledge of Greek grammer (declensions, inflexions and so forth) was minimal – need major modification. In what follows, I shall examine these various assumptions in turn.

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42

Rubio Sadía, Juan Pablo, and Santiago Ruiz Torres. "A Catalogue of the Liturgical-Musical Fragments of the Bishopric Of Sigüenza (11th-16th Centuries)." Medievalia 20, no. 1 (December 19, 2017): 225. http://dx.doi.org/10.5565/rev/medievalia.453.

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43

Usatchev, A. S. "Dated Russian Manuscript Books of XVI Century in the Collections of the Russian State Library." Bibliotekovedenie [Library and Information Science (Russia)], no. 1 (February 28, 2015): 60–65. http://dx.doi.org/10.25281/0869-608x-2015-0-1-60-65.

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For the first time in historiography there is considered the composition of manuscript books of XVI century, being preserved at the Manuscript Department of the Russian State Library. The author focuses on the dated books which have special records, including the date and place of book production, scribes and customers. These records are the main source for studying the process of book production in the medieval Russia. The aim of this article is to give the information about 111 dated books written in 1500-1600 from 22 collections of manuscripts of the Russian State Library. The work includes the catalogue of dated manuscript books, which contains data on the name, size, pressmark, date and the place of book production, scribes and customers. The scientific importance of this catalogue is connected with the new data on the books from the uncharacterized collections (such as E. Egorov’s and P. Ovchinnikov’s collections). These materials are the important addition to the amount of known data on book culture of the medieval Russia.

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44

Panyella, Vinyet. "The Biblioteca de Catalunya – National Library of Catalonia." Alexandria: The Journal of National and International Library and Information Issues 5, no. 2 (August 1993): 127–42. http://dx.doi.org/10.1177/095574909300500205.

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Like all national libraries, the Biblioteca de Catalunya is being affected by change. Founded in 1907, it had a difficult time from the mid-1930s until constitutional government was restored, but received full recognition of its status and role as the national library of Catalonia in 1981; this was reinforced in 1993. It receives Catalan material on legal deposit, is responsible for the Catalan national bibliography and union catalogue, and acquires additional material by purchase, donation and exchange. Its collections, mainly of printed books and music, manuscripts and prints, number over 2 million items and include many rare and valuable documents. It also has an accepted leadership role among Catalan libraries. The changes afoot are mainly in the automation of acquisitions and cataloguing, where the library was a late starter but where much progress has already been made; in the progressive introduction of managerial methods into all procedures; and most conspicuously in a radical rebuilding programme which reflects the revised functions and redesigned procedures. The present medieval building is being reorganized internally to provide better reading and working areas, and previous additions to it are being removed and replaced with larger purpose-built storage areas. Some of the work is now completed, without any disruption to the library's operations, but the whole programme is not due to finish until 1996.

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45

Fortuna, Stefania. "Hippocrates’ Law in the Middle Ages with the Edition of the Latin Translation and the Revision." Early Science and Medicine 23, no. 4 (October 29, 2018): 299–329. http://dx.doi.org/10.1163/15733823-00234p01.

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Abstract The present article examines the medieval tradition of Hippocrates’ Law and shows that only one Latin translation of Hippocrates’ Law and a revised version are extant, although three medieval translations are listed in Pearl Kibre’s catalogue Hippocrates Latinus: one anonymous, the other two by Niccolò da Reggio and Arnold of Villanova. Moreover, this article (i) attributes the medieval translation of Hippocrates’ Law to Bartolomeo da Messina (fl. 1260), who was active at the court of Manfred, King of Sicily between 1258 and 1266, on the basis of the text’s tradition, its sources, and above all its style; and (ii) proves that the revision seems to follow the same style as Niccolò’s translations, but it was probably not carried out by him. Finally, the article provides an edition of the translation of Hippocrates’ Law and its revision, with double indexes.

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Farmer, Thomas. "Christopher de Hamel, The Medieval World at Our Fingertips: Manuscript Illuminations from the Collection of Sandra Hindman. London: Harvey Miller Publishers, 2018, 264 pp., 270 color illus." Mediaevistik 31, no. 1 (January 1, 2018): 453–54. http://dx.doi.org/10.3726/med012018_453.

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Sandra Hindman has enjoyed a distinguished career as an art historian: She taught at Northwestern University (1984–2002), published numerous books and articles, served on the Board of Trustees of the Newberry Library (2003–14), and founded the gallery Les Enluminures, which purchases medieval manuscripts and miniatures. To honor her scholarship, from January 27 to May 28, 2018, the Art Institute of Chicago mounted an exhibition of thirty manuscript miniatures from Hindman’s personal collection, seven of which she had donated to the Art Institute. The Medieval World at Our Fingertips is the catalogue accompanying this exhibition, and it is a delightful tribute to Hindman’s career.

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Russell, Beth M. "Hidden Wisdom and Unseen Treasure: Revisiting Cataloging in Medieval Libraries." Cataloging & Classification Quarterly 26, no. 3 (November 30, 1998): 21–30. http://dx.doi.org/10.1300/j104v26n03_03.

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Berger, David. "Nahmanides in Medieval Catalonia: History, Community, and Messianism. Nina Caputo." Speculum 84, no. 3 (January 2009): 678–80. http://dx.doi.org/10.1017/s0038713400209469.

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Kagay, Donald J. "Medieval Frontier History in New Catalonia by Lawrence J. McCrank." Catholic Historical Review 85, no. 3 (1999): 448–49. http://dx.doi.org/10.1353/cat.1999.0179.

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Kelly, Joseph F. "A Catalogue of Early Medieval Hiberno-Latin Biblical Commentaries (I)." Traditio 44 (1988): 537–71. http://dx.doi.org/10.1017/s0362152900007169.

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The study of Hiberno-Latin exegesis is a young medieval discipline. As the name suggests, it deals with the exegesis of the Bible by Irishmen writing in Latin. In practice, this discipline is confined to the period from the coming of Christianity to Ireland in the fifth century to the Carolingian Renaissance in the ninth. Furthermore, it deals almost exclusively with texts from Irish circles on the continent because so few texts survive from Ireland itself. Scholars had long known of Irish exegetes like Sedulius Scottus and Aileran the Wise who were usually well-known or at least unquestionably Irish. The works of many Hiberno-Latin exegetes simply languished in anonymity — until 1954.

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