Дисертації з теми "Brahms violin sonatas"
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Cho, Jung Yoon. "Re-interpreting Brahms' violin sonatas : understanding the composer's expectations." Thesis, University of Leeds, 2017. http://etheses.whiterose.ac.uk/17924/.
Повний текст джерелаDanijel, Nikolic. "Brahms F-moll sonat op. 120." Thesis, Kungl. Musikhögskolan, Institutionen för klassisk musik, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-2474.
Повний текст джерелаLEE, KYUNGJU. "AN ANALYSIS AND COMPARISON OF THE CLARINET AND VIOLA VERSIONS OF THE TWO SONATAS FOR CLARINET (OR VIOLA) AND PIANO OP 120 BY JOHANNES BRAHMS." University of Cincinnati / OhioLINK, 2004. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1100760484.
Повний текст джерелаLee, Kyungju. "An analysis and comparison of the clarinet and viola version of the two sonatas for clarinet (or viola) and piano OP. 120 by Johannes Brahms." Cincinnati, Ohio : University of Cincinnati, 2004. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=ucin1100760484.
Повний текст джерелаPetersdotter, Eriksson Karin. "Johannes Brahms sonat i F-moll op. 120 no. 1 : ett verk för viola eller klarinett?" Thesis, Kungl. Musikhögskolan, Institutionen för klassisk musik, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-1898.
Повний текст джерелаExamination:
J.S Bach, prelude ur svit no. 3 i C-dur för solo violaJ. Brahms, Allegro Appassionata ur sonat i F-moll op. 120 no. 1W. Walton, andante comodo ur konsert för viola och orkesterVid flygeln, Erik Lanninger
le, Clercq Astrid. "Variation av interpretation : Olika utgångspunkter för tolkning av Brahms sonat i Ess dur för klarinett och piano." Thesis, Kungl. Musikhögskolan, Institutionen för klassisk musik, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-3506.
Повний текст джерелаŽeželj-Gualdi, Danijela. "Leoš Janáček's violin sonata and how it compares to the violin sonatas of Brahms and Debussy." 2006. http://purl.galileo.usg.edu/uga%5Fetd/zezelj-gualdi%5Fdanijela%5F200605%5Fdma.
Повний текст джерелаHeike, Alison Maree. "Performing Brahms: Rediscovering expressive devices in the sonatas for violin and piano." Thesis, 2018. http://hdl.handle.net/2440/118122.
Повний текст джерелаPerforming Brahms: Rediscovering expressive devices in the sonatas for violin and piano This submission for the degree of Master of Philosophy in musical performance at the Elder Conservatorium of Music, University of Adelaide, consists ofa portfolio of two CDs containing recorded performances of the complete Sonatas for Violin and Piano of Johannes Brahms (1833-1897) accompanied by an explanatory exegesis. These works are some of the most performed and recorded in the repertoire, however modem performance practice has been influenced by over a century of changing styles and tastes in violin playing. This project is an investigation into how a modem-day performance can reflect Brahms' original intentions for these works, drawing from the recently published Barenreiter Edition (2015/16) by Clive Brown and Neal Peres Da Costa. Nineteenth-century expressive devices used by Brahms and his circle have been identified including tone and bowing, vibrato, portamento, rhythmic flexibility and tempo modification and these techniques have been attempted to be integrated into the recorded performances. Discussion outlining Brahms' musical notation and its performance implications has been included, as well as a commentary describing the challenges of assimilating these devices and the resulting effectiveness in performance. The recorded performances contain the three Sonatas for Violin and Piano, the Sonata Movement in C minor from the F.A.E. Sonata, and the two neglected Violin Sonatas op. 120 originally for clarinet/viola, rewritten by Brahms, which are seldom performed today.
Thesis (MPhil) -- University of Adelaide, Elder Conservatorium of Music, 2018
Rosado, Sara Yong. "From Brahms to the second Viennese school." 2005. http://hdl.handle.net/1903/9749.
Повний текст джерелаWatkins, Marlene Jeanette. "The pianist and the Brahms sonata for piano and violin, opus 108 in D minor." Thesis, 1989. http://hdl.handle.net/10413/8934.
Повний текст джерелаThesis (M.Mus)-University of Natal, Durban, 1989.
Hsu, Wei-Ying, and 許偉瑛. "Brahms Violin Sonata No.3 Op.108 D minor." Thesis, 2003. http://ndltd.ncl.edu.tw/handle/15081789512614413721.
Повний текст джерелаMin-yu, Hsieh, and 謝敏玉. "Brahms Viola Sonata op.120, no.2." Thesis, 2002. http://ndltd.ncl.edu.tw/handle/54268097075271545315.
Повний текст джерелаHan, Lin Hsin, and 林欣翰. "An Analysis and Interpretation of Johannes Brahms Violin Sonata Op.78 No.1." Thesis, 2009. http://ndltd.ncl.edu.tw/handle/59819503456930770327.
Повний текст джерелаI-Chen, Miao, and 繆宜珍. "An analysis of lyricism, composition process, and violin techniques of sonata for violin and piano op.78 by Brahms." Thesis, 1998. http://ndltd.ncl.edu.tw/handle/86701247482086110459.
Повний текст джерела國立中山大學
音樂研究所
86
The music style of Brahms is full of diversity. As a composer in late Romanticism period, he also advocates the traditional style of German music, while at the same time he adopts folksong or his songs as composing materials. In addition to the characteristics of Romanticism, his possesses unique style which is demonstrated in the rhythm and theme development. These facts make his music difficult for some performers and music learners. Accordingly, this thesis attempts to adopt document research and comparison analysis to study and analyze Brahms' Violin Sonata No.1. This thesis contains six chapters. The first chapter is a preface, which mainly states the motivation, methodology and scope of the research. The second chapter is a brief introduction to Brahms' chamber music in chronological order. Chapter Three serves as a linkage between Violin Sonata No.1 and a Lied. This chapter analyzes the connection between these two pieces of work. Chapter Four explores the composing techniques of Violin Sonata No.1, with a focus on rhythm alternation and variation development. Chapter Five interprets Violin Sonata No.1 and looks into its violin performing techniques. This chapter studies the performing techniques of both right and left hands. Suggestions are made as well. Through the analysis and research on Brahms' chamber music, lieder, composing techniques and interpretations, it is concluded that a composer's music can be better expressed with the understanding of the background, characteristics and spirit of the music.
Chih-I, Chiang, and 姜智譯. "Musical Analysis On Johannes Brahms Violin Sonata No.3 in d minor Op.108." Thesis, 2005. http://ndltd.ncl.edu.tw/handle/bz4er8.
Повний текст джерелаChiang, Chih-I., and 姜智譯. "Musical Analysis On Johannes Brahms Violin Sonata No.3 in d minor Op.108." Thesis, 2005. http://ndltd.ncl.edu.tw/handle/25428723921346479026.
Повний текст джерелаHuang, Yujyun, and 黃鈺鈞. "Research for Brahms's Violin Sonata in G major,Op.78." Thesis, 2011. http://ndltd.ncl.edu.tw/handle/68036335428459859419.
Повний текст джерела國立臺中教育大學
音樂學系碩士班
99
The violin sonata was composed by the German composer Johannes Brahms (1833-1897) in 1877-1879. This music was composed in his later period, and it was also one of his representative chamber music. The violin sonata had three movements. The Construction of Musical form was very clear, and its character was shown by the rich harmonies, colorful voices, and continuously cantabile melodies. This violin sonata is one of the classical works which violin performers must learn, and I will discuss on the challenges and varieties for the performers to face and to make between music analysis and interpretation experiment on this dissertation, in order to express its unique value of the arts through analysis, to match the composer’s thoughts in interpretation, and also to express my personal style in performance.
Yang-Chin, Chen, and 陳泱瑾. "An Analysis and Interpretation of Violin Sonata No. 1 in G Major by Johannes Brahms." Thesis, 2014. http://ndltd.ncl.edu.tw/handle/73556087643077134438.
Повний текст джерела國立臺南藝術大學
音樂學系碩士班
102
Johannes Brahms was one of the most prominent composers in Romantic period, had unique style in his works. The author aims to look for the Brahms’s life and his compositional analytics to make a deep comprehensive of "Violin Sonata No.1 in G Major", realize the style find out to appropriate interpretation. The article consists of six chapters：Chapter one describes the purpose. Chapter two includes composer’s background and categorize them in chronological order. Chapter three inference the composition background and style. Chapter four provides a detail analysis of "Violin Sonata No.1 in G Major". Chapter five through the compositional style look for the technique in performance. Chapter six in a summary of this research.
Huang, Hsiao-Chien, and 黃筱茜. "The Interpretation in Performance of the Violin Sonata in G major op.78 by Johannes Brahms / Huang, Hsiao-Chien Violin Recital." Thesis, 2015. http://ndltd.ncl.edu.tw/handle/18319888229261445657.
Повний текст джерела東吳大學
音樂學系
103
By researching the background, structure of Violin Sonata in G major op.78, and the connection between it and the Lieder, which are Regenlied and Nachklang, this thesis shows more proper interpretation in performance. This article includes three chapters. In first one, the brief introduction of Johannes Brahms and the creation background of this work are described. In chapter two, this thesis reveals performance of this work by analyzing composing method, including leading motive and so on. As mention in previous chapters, this sonata is derived from his lieder. Therefore, in final chapter, the comparison of techniques and interpretation between vocal and instrumental vision is shown. O. Messiaen (1908-1992) : Theme and Variations J. S. Bach (1685-1750) : Violin Sonata No.1 in G minor, BWV 1001 W. A. Mozart (1756-1791) : Violin Sonata in C major, K. 296 J. Brahms(1833-1897) : Violin Sonata No. 1 in G major, Op. 78
Wu, Tsai-Chen, and 吳采臻. "The Analysis and Interpretation of Johannes Brahms'《Violin Sonata No.1 in G Major, Op. 78》." Thesis, 2012. http://ndltd.ncl.edu.tw/handle/02585182671828150850.
Повний текст джерела臺北市立教育大學
音樂學系碩士班
100
The purpose of this research is to make a comprehensive analysis of Brahms’ Violin Sonata No.1 in G Major, Op. 78. By investigating Brahms’s background and compositional methods, the author is able to gain further insights of techniques and interpretation of the performing art. Moreover, according to the research findings, this thesis can provide assistance to people interested in Brahms’ works. This thesis includes five chapters: In the first chapter, the author describes the introduction, motives, purposes, methods and steps of the study; the second chapter introduces Brahms’ background and the motive of his composition; the third chapter discusses the compositional characteristics of the sonata from five different aspects: form, thematic development, melody, rhythm, harmony and texture. In the fourth chapter, the author analyzes the techniques and collaboration of Brahms’ music language. The last part, The article ends with a summary of the research.
Cheng-Jung, Wu, and 吳承蓉. "The Study of Brahms' Compositional Techniques through Sonata for Violin and Piano in G Major, Opus 78." Thesis, 2007. http://ndltd.ncl.edu.tw/handle/48764020740069800932.
Повний текст джерелаTseng, Yen-Wei, and 曾彥惟. "Research and Interpretation of Johannes Brahms’s Violin Sonata in G Major, Op. 78." Thesis, 2015. http://ndltd.ncl.edu.tw/handle/37626248029922651238.
Повний текст джерела國立臺灣藝術大學
音樂學系
103
This article aims at giving a complete analysis of the work Violin Sonata in G Major, Op. 78, by Johannes Brahms. Using the stories of Brahms and his compositional techniques, the writer gives a more in depth analysis of the composer’s style and form, in additional to suggest a more suitable rendition of the sonata, expecting to perform with the intention that matches composer’s. There are five chapters. The first chapter includes the writer’s motives, purpose, of studying the composition and the research methods. The second chapter introduces Brahms life, compositional style, and his string compositions in particular. The third chapter delves into the analysis of the work, including its form, tonality, harmonies, rhythms, and the composer’s motives and ways to compose it. The forth chapter is about performance rendition, discussing the use of the appropriate techniques and how the performers should establish chemistry with each other. In addition, based on Brahms compositional style the writer provides suggestions about appropriate techniques and rendition of the pirece. The fifth chapter gives a summary of the reseach process and talks about how he gains from the experience.
Huang, Po-Hung, and 黃博鴻. "The Study of Piano and Violin Sonata No.3 Op.108 in D Minor by Johannes Brahms/Po-Hung Huang Violin Master Graduation concert." Thesis, 2010. http://ndltd.ncl.edu.tw/handle/09326120114564444168.
Повний текст джерела東吳大學
音樂學系
98
There are only three violin sonatas recorded and published in Brahm's life. This these is trying to discuss about the latese of three violin sonatas but the composition of the music is the most gigantic –namely, the Piano and Violin Sonata No. 3 Op. 108 in D Minor. In order to realize the background of this sonata and know the composition stle of Brahms intially, the writer especially wrote chapter two to explore. Via comparing and analyzing three violin sonatas, you could find that the Brahm's composition style is classicism actually, however, he was the person in romanticism. Concerned the work annotation, except for the chapter three, the writer also made comparison of partial sound data and version of Bram's music in chapter four, too. Based on the above data and combined the writer impression of the melody, and therefore the writer arrived a conclusion to made the work annotation eventually.
Chiu, Chiung-Yi, and 邱瓊儀. "An Analysis and Interpretation of Brahms’ Sonata for Piano and Violin No.2 in A Major, Op.100." Thesis, 2017. http://ndltd.ncl.edu.tw/handle/r24tsy.
Повний текст джерелаDeng, Cheng-Ko, and 鄧丞格. "An Analysis and Interpretation of Brahms' Sonata for Piano and Violin No.2 in A Major, Op.100." Thesis, 2011. http://ndltd.ncl.edu.tw/handle/87098616997968914828.
Повний текст джерелаTsai, Shao-Chun, and è¡åå. "A Research and Interpretation on Brahms Sonata for Violin and Piano No.2 in A Major, Op.100." Thesis, 2006. http://ndltd.ncl.edu.tw/handle/66250280217281377329.
Повний текст джерела國立臺北教育大學
音樂教育學系碩士班
95
The purpose of this article is to make a deep and thorough research of Brahms’ Violin Sonata No.2 in A Major, Op.100. Five chapters are contained in this article. The first chapter describes the purpose, content, methods and steps of this study. The second chapter includes the introduction of Brahms’ life, the characteristics of his production,and his composition for violin. The third chapter is the analysis of Brahms’ Violin Sonata No.2 in A Major, Op.100. The author analyzed the music form, harmony, tonality and rhythm, as well as the methods of Brahms’ arrangement of the motives in order to obtain a comprehensive understanding of the structure of this work. In the fourth chapter, the author provides a suggestion of how to interpret in accordance with the style of Brahms’ composition and the analysis of this work. The author also analyzes the technique in performing this piece. The last chapter is the acquaintance and conclusion of the author.
Chen, Tzu-Wen, and 陳姿汶. "J. Brahms : Violin Sonata No.1 in G Major Op.78 --- Musical Expressions and Interpretative Thoughts on Performance." Thesis, 2005. http://ndltd.ncl.edu.tw/handle/53008459045172414418.
Повний текст джерелаHSIN-YI, LEE, and 李欣怡. "Johannes Brahms Sonata in E-flat Major for Viola and Piano, No.2." Thesis, 2004. http://ndltd.ncl.edu.tw/handle/epmeen.
Повний текст джерелаHsu, Chung Fung, and 許郡芳. "A Study of Motive and Interpretation on Brahms Violin Sonata No.3 Op.108 in D Minor, First Movement." Thesis, 2005. http://ndltd.ncl.edu.tw/handle/57506614268715525788.
Повний текст джерелаYu, Shan Shan, and 游姍珊. "Musical Analysis On Viola Sonata in F minor op. 120 by Johannes Brahms/Shan Shan Yu Viola Recital." Thesis, 2014. http://ndltd.ncl.edu.tw/handle/26112470477841760983.
Повний текст джерела東吳大學
音樂學系
102
Compared with the previous romantic Viennese classical music music, focusing on the emotional and expressive and less formality and structure requirements, in the early 19th century, the gradual rise of romanticism, many composers and music-based title focus on individualism, but Brahms (Johannes Brahms, 1833-1897) with the dedication of classical traditional style, the works of bits used in musical form and technique on the use of the classical period of music, rich harmonies in the song development and rhythmic dislocation intertwined, making this piece develops romantic feelings in the classical form, and with Beethoven and Bach par, became famous in the history of music "3B", his work is full of emotion and plenty of unique content, although lack of work looks gorgeous, but hidden in the emotion and energy of the music which is quite intriguing and worth savoring.
Su, Yu-Ying, and 蘇育映. "The Analysis and Interpretation of Sonata No.3 for Violin and Piano in D Minor, Op.108 by Johannes Brahms." Thesis, 2014. http://ndltd.ncl.edu.tw/handle/24859417594223849007.
Повний текст джерела國立臺南藝術大學
音樂學系碩士班
102
The purpose of this thesis is to obtain an in-depth view on Johannes Brahms ‘Sonata No. 3 for Violin and Piano in D Minor, Op. 108’. By aggregating the literatures related to the composer’s musical background, the characteristics of his compositional style and other information, the author can comprehend the style and the form of this piece better. This thesis consists of five chapters. The first chapter is an introduction of the author’s research goal and motive, the content of this thesis, and the methods of doing this research. The second chapter is about Brahms’s background and his compositional style and characteristics. Also, this chapter involves the research of the distinguishing feature and historical backgound of his three violin sonatas. Chapter three is the analysis of the work, the author discusses ‘Sonata No. 3 for Violin and Piano in D Minor, Op. 108’ in detail. Important elements such as stucture, harmonic progression, rythm, motives, phrases…etc. are examined. The fourth chapter is about interpretation and technique related to performance. The author provides her interepretation perspective according to Brahms’s compositional style and the analysis of this piece. In addition, the author talks about techniques when playing the piece. The last chapter is the summary of this thesis.
Lin, Hungchuan, and 林宏娟. "An Analysis and Interpretation of Brahms Viola Sonata no.1 in f minor, op.120." Thesis, 2012. http://ndltd.ncl.edu.tw/handle/26667795398146451823.
Повний текст джерела輔仁大學
音樂研究所
100
German composer Johannes Brahms (1833-1897) is one the most important Romantic composers. Influenced by the clarinettist Richard Mühlfeld (1856-1907), his Viola Sonata in F minor, Op. 120, No. 1 was adapted from his late work Clarinet Sonata in F minor, Op. 120, No. 1, and later became important in viola repertoire. Written in 1894, the two Op. 120 Sonatas, in F minor and E Flat major respectively, were premiered by the clarinettist Richard Mühlfeld in Vienna in 1895. My impressions of the work are passionate feelings and pastoral atmosphere. I’m especially interested in the fluent dialogues between solo and piano and the richness of Brahms’ use of harmony and counterpoint. Based on the historical background and the structure of music, I attempt in-depth analysis of this work in order to gain enough knowledge for optimal interpretation.
Tu, Yunghsin, and 涂詠欣. "The Analysis and Interpretation of Johannes Brahms's 《Violin Sonata No.1 in G Major, Op. 78》." Thesis, 2011. http://ndltd.ncl.edu.tw/handle/53565189899158318690.
Повний текст джерела國立臺北教育大學
音樂學系碩士班
99
The purpose of this article is to make a deep and comprehensive of Brahms’s Violin Sonata No.1 in G Major, Op. 78. The article includes five chapters. In first chapter, the author describes the purpose, content, methods and steps of this studying. Second chapter introduces Brahms’s life and his compositional characteristics. Third chapter , the author provides his interpretation perspective according to Brahms’s compositional style and the analysis of this piece. The author also mentions the technique in performing this piece. The article ends in a summary of the studying of this piece.
Liu, Hsiang-Yu, and 劉翔宇. "The Analysis and Practice of Johannes Brahms’s《Violin Sonata No.3 in d minor, Op.108》." Thesis, 2012. http://ndltd.ncl.edu.tw/handle/23169410839639893183.
Повний текст джерела國立臺北教育大學
音樂學系碩士班
100
The purpose of this paper is to make a complete and in-depth research of “ Brahms violin sonata No.3 in d minor , Op.108 ” .This paper consists of five chapters. Chapter I is introduction. The author describe the purpose of choose the piece for the motive, and to establish research and methods. Chapter II introduces Brahms, includes Brahms's life, music and writing style. This chapter also contain the Brahms’s other violin works and the author have a simple introduction. Chapter III is analysis, the author introduce the piece of harmony, musical form, dynamic, phrases and structural. Chapter IV is Interpretation of music. By Chapter III, The author mentions the technique and performing this piece. Chapter V is Conclusion.
huang, Yen-Lin, and 黃彥霖. "A Study of Johannes Brahms’ Sonata for Piano and Viola Op. 120, No. 1, Mvt. I." Thesis, 2013. http://ndltd.ncl.edu.tw/handle/58261022365662277425.
Повний текст джерела國立臺南藝術大學
音樂學系碩士班
101
The research topic of this thesis is based on the Brahms Sonata for Piano and Viola Op.120 No.1, Mvt. I. As Brahms’ personality, the music structure of this sonata is exceedingly rigorous. In the composition, we can perceive the composer’s introverted character from his favorite tone color. Firstly, the research starts with Brahms’ background and his life. By analyzing and interpreting the sonata, we can learn how Brahms used a strict music form to express the thoughts in his inner world. In the third chapter, there is an analysis of the theme, motivation and musical form of this composition. Besides, there is a study probing into the playing expression, tension, interpretation and musical skills. Furthermore, being a player, the author in-depth does a research on playing skills of Brahms Sonata for Piano and Viola Op.120 No.1, expecting to perform the closest interpretation of Brahms’ emotions. Therefore, when playing Brahms’ works, in addition to knowing very well about the creative approaches and overcoming the playing skills, it is more important for a player to present the musical content. Last but not the least, this thesis concludes various studies and summarizes all aspects of information, consolidating this research.
YU, YU-SHAN, and 游育姍. "An Analytical and Interpretational Study of Johannes Brahms’s Violin Sonata No.2 in A major op.100." Thesis, 2019. http://ndltd.ncl.edu.tw/handle/7bdbq9.
Повний текст джерела中國文化大學
音樂學系
107
The German composer Johannes Brahms (1833-1897) wrote a brand new composing concept, Violin Sonata No.2 in A major op. 100, in 1886. His work is deeply influenced and inspired by J.S. Bach (1685-1750) and L.V. Beethoven (1770-1827), with a rigorous classical structure, combined with the romantic feelings of the 19th century. This paper explores the uniqueness of Brahms' composition techniques. This thesis is divided into five chapters. The first chapter is an introduction, which contains research motives, methods, and purposes. The second chapter is an evaluation of Brahms, which contains a basic overview of Brahms' significant violin works and the explanation on the background of Violin Sonata No.2 in A major op.100. The third chapter analyzes the music, which details the basic structure of the whole work with the theme of the music and the harmony structure. The fourth chapter is the performance technique and the interpretation of the music, along with the three movements and focuses on the method and interpretation and performing part . The fifth and final chapter is the conclusion, which is an integration and induction of the research.
Hu, Ting-Hsuan, and 胡庭瑄. "Rhythmic Analysis of Brahms’s Sonata for Piano and Violin in A Major, Op. 100, No. 2, First Movement." Thesis, 2014. http://ndltd.ncl.edu.tw/handle/60346045889297856145.
Повний текст джерела國立臺南藝術大學
鋼琴合作藝術研究所
102
Johannes Brahms was one of the most prominent German composers in the nineteenth-century. He often innovated the ideas from the classical era in his music. Although he followed the seventeenth-century's counterpoint technique and eighteenth-century's rigorous structure of musical form, he also integrated the harmonic color and texture from the nineteenth-century. He wrote symphonies, piano work, vocal work and chamber music at various stages of his life, only chamber music was written throughout his life. He was an excellent pianist, so the piano in his music occupies an important role. Besides the harmonic texture, rhythmic is also an important element in his work, therefore this paper would like to look into the rhythmic structure of the first movement from his Sonata for Piano and Violin in A Major, Op. 100, No. 2 from different aspects.
Cheng, Yi-wen, and 鄭怡雯. "A Study of Johannes Brahms’ Sonata for Viola and Piano Op. 120 No. 2 in E flat Major." Thesis, 2014. http://ndltd.ncl.edu.tw/handle/55006036630461142604.
Повний текст джерела實踐大學
音樂學系碩士班
102
Johannes Brahms (1833-1897) is one of the outstanding German composers in 19th century. Symphonies, songs, piano pieces and chamber works are the most representative works in his creations. The Sonata, Opus 120, No.2 is the last chamber music work in his life. It is for clarinet and piano originally. Brahms later revised it into viola and piano version by himself, and left the piano part untouched. Later he arranged for violin version, and modified some tones at the piano part for violin’s register. This thesis will discuss the following topics: the background and historical introduction of 19th century, the features of Brahms’ chamber music style and his life, the creation background and interpretation discussion of the Sonata, Opus 120, No.2, and the discussion of score versions comparison according to Simrock’s three instruments editions. Through the process of writing this thesis, and with further study, I hope it could benefit for performing and interpreting this remarkable work.
Huang, Yuchia, and 黃禹嘉. "An Analysis and Interpretation of Brahms' Sonata for Piano and Viola No. 2 in Eb Major, Op. 120." Thesis, 2011. http://ndltd.ncl.edu.tw/handle/60857050514072641895.
Повний текст джерелаChen, Hsuan-Fu, and 陳炫甫. "From A Collaborative Pianist’s Perspectives：The Comparison of Clarinet and Viola Versions on Brahms Sonata Op.120 No.1 First Movement." Thesis, 2006. http://ndltd.ncl.edu.tw/handle/07469438414067128318.
Повний текст джерела"Rhythmic, phrase-structural and formal ambiguities in Brahms's violin sonata no. 3, 1st movement: a case study in analysis and performance." 2013. http://library.cuhk.edu.hk/record=b5884322.
Повний текст джерелаThesis (M.Phil.)--Chinese University of Hong Kong, 2013.
Includes bibliographical references.
Electronic reproduction. Hong Kong : Chinese University of Hong Kong, [2012] System requirements: Adobe Acrobat Reader. Available via World Wide Web.
Abstracts also in Chinese.
Chang, Chia-Yu, and 張家瑜. "The Analysis and Performance Practices of Brahms's Sonata for Viola and Piano,Op.120 No.2." Thesis, 2013. http://ndltd.ncl.edu.tw/handle/18868654149026341571.
Повний текст джерела國立臺北教育大學
音樂學系碩士班
101
The main purpose of this research thesis is to present an analysis on the Sonata for Viola and Piano, Op. 120 No.2 by Johannes Brahms (1833-1897), written in 1894. Originally written as sonata for clarinet and piano, Brahms wrote a transcription himself for viola and piano later. Although this is a work of the Late Romantic Period, its neat structure and conservative style show Brahms’ persistence of the tradition. There are five chapters in this study. The first chapter is an introduction that explains the motive, the purpose, the content, as well as the methods of the study. The second chapter is a brief statement about the biography and musical style of Brahms, and the background of the sonata. Chapter three and four include the explicit analysis of the piece, and provide the opinion and suggestion of the interpretation. The final chapter is the conclusion of the study.