Дисертації з теми "BIZANTINO"
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Fernández, Jiménez Francisco María. "El humanismo bizantino en san Simeón el nuevo teólogo : la renovación de la mística bizantina /." Madrid : Consejo superior de investigaciones científicas, 1999. http://catalogue.bnf.fr/ark:/12148/cb388498691.
Повний текст джерелаGINNASI, A. G. C. M. TORNO. "L'INCORONAZIONE IMPERIALE NEL MONDO BIZANTINO. TESTIMONIANZE STORICHE, ARTISTICHE E NUMISMATICHE." Doctoral thesis, Università degli Studi di Milano, 2013. http://hdl.handle.net/2434/218952.
Повний текст джерелаRezende, Regina Helena. "Formas arquitetônicas clássicas em edifícios religiosos do Período Bizantino." Universidade de São Paulo, 2007. http://www.teses.usp.br/teses/disponiveis/71/71131/tde-09052007-122147/.
Повний текст джерелаThe goal of this dissertation is the identification and study of Graeco-roman architectural forms - classical forms - that were preserved in early Christian churches built in the Palestinian area. The chronological scope is from the first half of the IVth. century, under Constantine\'s rule, to the end of the VIth. century AD. Studying these three centuries, we tried to recognize which basic architectural shapes had been part of early Christian churches and which classical shapes were preserved. We tried to go beyond the building materials, looking for ancient ideas and values still in use in this age of transformation, called Byzantine Period, when the new concepts of an arising culture were starting to achieve material forms.
Moosburger, Théo de Borba. "Tradução comentada dos versos 1-609 do épico bizantino Vasileios Digenis Akritis." Florianópolis, SC, 2008. http://repositorio.ufsc.br/xmlui/handle/123456789/91651.
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A presente dissertação de mestrado consiste numa tradução comentada da primeira parte do épico grego medieval Digenis Akritis na versão de Escorial (versos 1-609), texto anônimo. Parte de um estudo da obra e seu contexto histórico e literário. Com base em formulações teóricas acerca da tradução literária, fundamentadas principalmente nas teorias de Antoine Berman e Lawrence Venuti, ela propõe uma tradução que possa simultaneamente apresentar a pouco conhecida literatura grega medieval e oferecer uma nova imagem da cultura grega ao público-leitor brasileiro. O texto traduzido constitui capítulo à parte e o original grego é fornecido em apêndice. This master thesis consists of a commented translation of the first part (vv. 1-609) of the anonymous Medieval Greek epic Digenis Akritis, in the Escorial version. First an analysis of the work and its literary and historical context is made. Based upon theoretical formulations concerning literary translation, which is mainly grounded on Antoine Berman's and Lawrence Venuti's theories, it proposes a translation that can both present the little known medieval Greek literature and offer a new image of the Greek culture to Brazilian readers. The translated text constitutes a separate chapter within the work, and the Greek original is given in the appendix.
Biasin, Sara <1992>. "Tra lessico e florilegio: un inedito bizantino nel codice Marc. Gr. X 3." Master's Degree Thesis, Università Ca' Foscari Venezia, 2017. http://hdl.handle.net/10579/9690.
Повний текст джерелаMarchetti, Francesca <1974>. "Le illustrazioni di uno Iatrosophion bizantino del XV secolo, cod. 3632 della Biblioteca Universitaria di Bologna." Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2011. http://amsdottorato.unibo.it/4170/1/marchetti_francesca_tesi.pdf.
Повний текст джерелаMarchetti, Francesca <1974>. "Le illustrazioni di uno Iatrosophion bizantino del XV secolo, cod. 3632 della Biblioteca Universitaria di Bologna." Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2011. http://amsdottorato.unibo.it/4170/.
Повний текст джерелаDias, João Vicente de Medeiros Publio. "Das fronteiras para Constantinopla." reponame:Repositório Institucional da UFPR, 2010. http://hdl.handle.net/1884/23823.
Повний текст джерелаAguirre, Romero Federico. "El giro hermenéutico del ícono en el contexto de Grecia moderna: de «ícono bizantino» a «imagen eclesial»." Doctoral thesis, Universitat de Barcelona, 2016. http://hdl.handle.net/10803/392673.
Повний текст джерелаNowadays there is a real passion for the Byzantine icon, demonstrated by the increasing amount of workshops around the world, where icons are painted according to the traditional techniques, as well as by conferences and university courses on Byzantine art and Orthodox theology. In countries with Orthodox tradition, icon painting has even become again the official art of the Church and monumental mural paintings are created. Nevertheless, the passion of our age for the icon raises certain questions which have not yet been dealt with by current research. For example, the discovery of the pictorial value of the icon itself and its direct relationship with the emergence of Russian Suprematism is an issue that has not been sufficiently discussed by the history of art. On the other hand, the attempts to use the icon painting tradition as a vehicle of the current Christian experience underlines the need to link the theological perspective of the icon with the quests of contemporary civilisation, especially if one is to see the icon as a pictorial language able to express the contemporary man's faith experience. As pointed out by several authors, the modern history of the icon is an outstanding issue. Not only because we lack in studies on it, but foremost because of the abscense of a suitable methodological frame for dealing with the question which is hovering over our contemporary passion for the icons: it is possible that a tradition of the past comes back to life leading to a poetics of the present time or is it about a nostalgic mirage? This study focuses on the process of recovery of the icon painting tradition in the context of modern Greece and the hermeneutic issues it entails. Its aim is not a detailed analysis but the creation of a methodological framework for addressing the above question. In order to perform this task, we analyse the work of three contemporary Greek authors: Photis Kontoglou, Giorgos Kordis and Christos Giannaras. In their work, one can see in a paradigmatic way the three stages that constitute the "hermeneutict turn" of the icon in the context of modern Greek civilisation, i.e. the turn in the interpretation of Byzantine pictorial tradition, which does no longer present itself as a fact of the past but as an essential driving force for the development of modern Greek culture.
Sopracasa, Alessio <1975>. "La percezione della malattia e della guarigione nel mondo bizantino fra il IV e il XV secolo." Doctoral thesis, Università Ca' Foscari Venezia, 2008. http://hdl.handle.net/10579/822.
Повний текст джерелаGatto, Giulia <1992>. "L'estasi dell'oro e il profumo della decadenza. La riscoperta dello splendore bizantino fra estetica, letteratura e arte." Master's Degree Thesis, Università Ca' Foscari Venezia, 2017. http://hdl.handle.net/10579/9937.
Повний текст джерелаGhor, Lucy Cavallini Bajjani. "Os libri carolini: um estudo das relações entre Bizâncio, Roma e reino Franco a partir dos debates de imagens." Universidade de São Paulo, 2015. http://www.teses.usp.br/teses/disponiveis/8/8138/tde-07062017-092832/.
Повний текст джерелаThe Byzantine Iconoclastic struggle of the eight century has been considered the greatest crisis of this period and had as a consequence the legitimation of icons as part of the churchs traditions. The phenomenon was not restricted to the Oriental world, and unleashed reactions from the papacy, who was opposed to the imperial Iconoclasm from its beginning, as much as from the carolingians, a new element between the Christian powers. The reunion of the second council of Nicaea, in 787, where the cult of icons was established for the first as a Tradition of the church, was not well received by the Frankish court, which disagreed with the procedures and the decisions of the assembly. The Carolingian opposition to the reunion originated a treatise known as libri carolini. This work is with no doubt one of the most important theological writings composed under Charlemagne\'s rule, but also a stand taking of the king who not only revindicates the participation on church matters as presents himself as superior to the Greeks, who are pictured as arrogant and bad interpreters of the Gospels and the Fathers. The LC are, therefore, not only a testimony of the Carolingian theology of images, but a register of the position of the future emperor of the Occident.
Ramos, Marcus Vinicius. "O livro siríaco de Daniel : texto, tradução e comentário." reponame:Repositório Institucional da UnB, 2014. http://repositorio.unb.br/handle/10482/17754.
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Tradicionalmente associados a uma “literatura de resistência”, os apocalipses vêm sendo tratados nas últimas décadas como um gênero exclusivamente literário e sob essa óptica têm sido predominantemente colocadas as questões textuais e exegéticas, isolados os modos de pensamento e identificados os contextos sociais desses textos. Tal enquadramento nem sempre se ajusta, no entanto, aos apocalipses escritos nos primeiros séculos da era comum, especialmente no caso daqueles atribuídos a Daniel. Compostos em diversas línguas e em sua maioria, sem sinais de dependência mútua, muitos desses textos recorrem a tradições diferentes, como a vinda do Anticristo e a revolta dos “povos do norte” ao final dos tempos, liderada por Gog e Magog. O Apocalipse Siríaco de Daniel, virtualmente desconhecido até o início deste século, corresponde a um desses exemplos: seu texto é utilizada nesta tese como uma ferramenta de pesquisa para um melhor entendimento da história da cristandade siríaca do século VII. Os seguintes aspectos são aqui considerados: (1) – A recepção do texto canônico de Daniel na cristandade dos primeiros séculos; (2) – As origens e associações de Gog, Magog e o Anticristo; (3) – O texto original do Apocalipse Siríaco de Daniel e sua tradução para o português; e (4) – Considerações críticas sobre o Apocalipse Siríaco de Daniel. Os achados indicam que o Apocalipse Siríaco de Daniel, focado no fim iminente da História, não oferecia a esperança necessária, definida em termos políticos, para a sobrevivência do Império Bizantino. _____________________________________________________________________________________ ABSTRACT
Traditionally considered a “literature of resistance”, the apocalypses have been treated over the past decades as a purely literary genre. Under this understanding, those studying these texts foregrounded textual and exegetical issues, isolated the modes of thought, and identified their social contexts. This framework does not always suit, however, many apocalypses written in the early centuries of the Common Era, especially those assigned to Daniel. Composed in various languages and mostly without signs of mutual dependence, many of these texts are supported by different traditions, such as the coming of Antichrist or the “revolt of the peoples of the north” at the end of times, led by Gog and Magog. The Syriac Apocalypse of Daniel, virtually unknown until early this century, seems to be one of them: its text is used in this thesis as a research tool for better understanding the history of the Syriac Christianity in the seventh century. The following issues are considered here: (1) The reception of the Book of Daniel in the early church; (2) The origins and associations of Gog, Magog and Antichrist; (3) The original text of the Syriac Apocalypse of Daniel and its translation into Portuguese; and (4) A critical commentary on the Syriac Apocalypse of Daniel. The findings indicate that the Syriac Apocalypse of Daniel, focused on the imminent end of history, did not provide the necessary hope, defined in political terms, for the survival of the Byzantine Empire.
Baptista, Lyvia Vasconcelos. "O Logos da Guerra pérsica : uma análise da perspectiva histórica da obra de Procópio de Cesareia (VI d.c.)." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2013. http://hdl.handle.net/10183/69805.
Повний текст джерелаIn about 530 AD, an educated citizen began writing a contemporary history of the Emperor Justinian´s wars against the barbarians. The man was Procopius of Caesarea and his book – written in Greek – was titled as Logos. Justinian´s deeds earned the empire prestige but involved it in constant conflicts. The achievements brought prosperity and many difficulties to the capital. Constantinople had to deal with an empire whose borders included a variety of peoples and territories. Although little studied in Brazil, Procopius is one of the most important witnesses of the political, religious and cultural phenomena of his time, and thus a subject for historiography. Due to the importance of his books within Byzantine literature, constant analysis of the elements of his writing is required. The aim of this research is to analyze the conception of history in the Persian war guided by four criteria: 1) how the author presents the subject in terms of magnitude and specificity; 2) how personal and biographical statements are displayed in the narrative and how subject and author are related; 3) what kind of methodological concern with the presentation of logos and treatment of data can be glimpsed in the work; and 4) how the religious issue appear in the narrative of events and in the perception of history.
Gramaticopolo, Andrea <1989>. "L'evoluzione della cavalleria nella scienza militare romana, dal modello tardo-antico a quello bizantino: la trattatistica e l’uso concreto." Master's Degree Thesis, Università Ca' Foscari Venezia, 2014. http://hdl.handle.net/10579/3996.
Повний текст джерелаCalia, Anna. "Meglio il turbante del sultano della tiara latina : Giovanni Dokeianos e la transizione bizantino-ottomana a Costantinopoli nel secondo Quattrocento." Thesis, Paris, EPHE, 2016. http://www.theses.fr/2016EPHE4059.
Повний текст джерелаUnlike the XVth century diaspora of Byzantine intellectuals and Greek manuscripts to the West, the role played by Byzantine scholars in Constantinople in the aftermath of the Ottoman conquest in 1453 is still a little-explored subject. In the first chapter of my dissertation I provide an overview of the conditions of Constantinople before and after the conquest, discussing the emergence of an Ottoman imperial ideology and the importance of Greek merchant networks and Greek archons as intermediators between the Ottoman court and the Patriarchate. The second chapter focuses on the Greek presence in the Ottoman court during Mehmed II’s reign. In particular, I address cultural cosmopolitism in the sultan’s court by looking at the Ottoman interest for the Byzantine cultural legacy, which is also attested by the circulation of Byzantine scholars and by a number of Greek manuscripts in the Ottoman court. The second part of the dissertation is devoted to the rhetorician and copyist John Dokeianos, a representative figure of the Byzantine-Ottoman transition. I provide a commented edition of his unedited rhetorical works written for members of the Byzantine court of Mistra. Formerly close to Pletho, he became close to the anti-Unionist circle of Gennadios Scholarios when he moved to Constantinople around 1460, where he worked for both the Patriarchate and the Ottoman court. In the last chapter I discuss Dokeianos’ eclectic book collection and his copying activities in Mistra and Constantinople, proposing new manuscripts identifications. In the appendix I provide an edition of some unedited XVth century Byzantine works written by authors connected in various degrees to Dokeianos
Bianchi, D. "UN PARADIGMA DEVOZIONALE NEL PERIODO BIZANTINO E PRIMO ISLAMICO: RIVALUTANDO IL COMPLESSO MONASTICO DEL MEMORIALE DI MOSÈ SUL MONTE NEBO." Doctoral thesis, Università degli Studi di Milano, 2017. http://hdl.handle.net/2434/489224.
Повний текст джерелаBAPTISTA, Lyvia Vasconcelos. "Procópio e a reapropriação do modelo Tucidideano: a representação da peste na narrativa histórica (VI século d.C.)." Universidade Federal de Goiás, 2008. http://repositorio.bc.ufg.br/tede/handle/tde/2351.
Повний текст джерелаProfundamente marcada pelos elementos da Antiguidade clássica, a literatura bizantina apresenta-se como um curioso crisol de influências e condutas, o que reflete a própria situação do Império. O tema desta dissertação resume-se na percepção dos elementos que aproximam a obra Guerras Persas construída por Procópio de Cesaréa, no VI século d.C. e a História da Guerra do Peloponeso, elaborada por Tucídides, no V século a.C.. Num primeiro momento apresentaremos os historiadores ateniense e bizantino, inseridos nos seus contextos de produção e discorreremos sobre a forma como a historiografia trabalhou e utilizou suas imagens. Em seguida analisaremos os seus relatos num movimento relacional, lançando olhares a seus projetos historiográficos, a partir de dois princípios específicos: o metodológico e o teleológico. Nesse movimento, os relatos epidêmicos presentes em suas obras são abordados como um momento vantajoso para a percepção daquilo que movia e fundamentava a escrita da história nas obras destes historiadores, e da atitude classicista existente no interior do Império Bizantino.
Causin, Silvia <1990>. "L'antico Oriente incontra il nuovo Oriente. Rapporti e scambi culturali tra i mondi bizantino, sasanide ed islamico nella The David Collection di Copenaghen." Master's Degree Thesis, Università Ca' Foscari Venezia, 2017. http://hdl.handle.net/10579/10433.
Повний текст джерелаLossio, Junior Walter Oliveira. "O conceito de civilização na Antiguidade Tardia Romano-Oriental." reponame:Repositório Institucional da UFPR, 2010. http://hdl.handle.net/1884/24939.
Повний текст джерелаBoy, Renato Viana. "Procópio de Cesareia e as disputas entre romanos e bárbaros na Guerra Gótica: da \"Queda de Roma\" ao período de Justiniano." Universidade de São Paulo, 2013. http://www.teses.usp.br/teses/disponiveis/8/8138/tde-28082013-145418/.
Повний текст джерелаThe Gothic War is a narrative composed in three books, which are part of the collection History of the Wars written by Procopius (490-562). These books contain accounts of the campaigns sent by the Byzantine Emperor Justinian (527-565), with the goal of regaining for the Empire the dominion over its former territories in Persia and the Mediterranean World, then under the authority of barbarian governments. These wars are historiographically known as the wars of \"Reconquest\". The narratives of Procopius begin with the description of the gradual loss of imperial power in Italy in favor of the barbarians in 476, which the historiography has consecrated as \"Fall of Rome\". However, Procopius did not describe this process as the \"fall\" of the Empire, neither wrote about the wars of Justinian as a fight for the \"Reconquest\". Even so, his texts were widely used to structure and consolidate these concepts. Our proposal is to analyze how the historian has interpreted the struggle for power in Italy, fought between romans and barbarians in the period of the deposition of Rômulo Augusto and the government of Justinian, thus contributing to the discussion of historiographical problems as mentioned above.
Prates, Katia Maria Kariya. "A imagem rarefeita : entre o vazio e o infinito." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2011. http://hdl.handle.net/10183/40408.
Повний текст джерелаThis study is based on my photographic work the Paredes series and investigates the representation of white walls, relating the images to the work of the contemporary art theorists Hanneke Grootenboer and Georges Didi-Huberman, the former reflecting on the backgrounds of 17th-century Dutch still-life painting and the latter considering the representation of walls in some of Fra Angelico’s frescos. Their interpretations indicate how such images of walls usually found in the backgrounds of paintings might be considered as areas where something occurs that goes beyond representation. The Paredes series proposes an analysis of images that we consider neutral or less dense, with the aim of testing whether they present or evoke something other than the photographic scene, such as the void proposed by Grootenboer or the divine infinity suggested by Didi-Huberman in similar images. By employing Roland Barthes’s concept of the “neutral” we might, due to their being representations of inexpressive surfaces of no importance, situate these images in a field of fluctuation, in which they adopt no fixed position in terms of definition of content. The condition of drift – inherent to the neutral – contained in the images of walls, gives them potential to support any idea, including contrasting and exceptional ones such as the void and infinity.
Vianello, Denise <1991>. "Memorie dell'Italia bizantina." Master's Degree Thesis, Università Ca' Foscari Venezia, 2018. http://hdl.handle.net/10579/12107.
Повний текст джерелаSouza, Guilherme Queiroz de [UNESP]. "A recepção do mito de Heráclio por Gautier d’Arras." Universidade Estadual Paulista (UNESP), 2014. http://hdl.handle.net/11449/114020.
Повний текст джерелаCoordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)
Esta tese analisa a recepção do mito do basileus Heráclio (c. 575-641) pelo clérigo francês Gautier d’Arras. Em Eracle (fim do século XII), romance octossilábico tripartite (6570 versos), Gautier adaptou a trajetória biográfica do soberano bizantino, do nascimento à morte. Especialmente na terceira parte da obra, o autor baseou-se na Reversio Sanctae Crucis, texto litúrgico que popularizou o mito heracliano no imaginário cristão ocidental. Na Reversio, cuja autoria era atribuída ao carolíngio Rábano Mauro, celebram-se o triunfo de Heráclio contra os persas e a recuperação da relíquia da Santa Cruz e de Jerusalém. Inicialmente analisamos o nascimento do mito em três autores da Alta Idade Média ocidental: dois da “tradição histórica” (Fredegário e o Cronista Moçárabe) e um da “tradição lendária” (Pseudo-Rábano). Depois, entramos no cerne da tese, com o exame da recepção e “literarização” da figura mítica de Heráclio por Gautier. Influenciado por uma linguagem simbólica, o clérigo introduziu as etapas da infância/juventude do herói (1ª parte do romance) e adaptou a narrativa da Reversio (3ª parte do romance). Com seu talento literário e liberdade imaginativa, Gautier potencializou determinadas características do basileus e originalmente inseriu outras, o que resultou num personagem singular. Da mesma forma, a “atualização” do conteúdo da Reversio tornou o governante bizantino um homem mais familiar ao público do século XII
This thesis analyzes the reception of the myth of the basileus Heraclius (ca. 575-641) by the French cleric Gautier d’Arras. In Eracle (late 12th century), tripartite octosyllabic romance (6570 verses), Gautier adapted the biographical trajectory of the Byzantine ruler, from his birth to his death. Especially in the third part of the work, the author was based in the Reversio Sanctae Crucis, liturgical text that popularized the Heraclian myth in the Western Christian imaginary. In Reversio, whose authorship was attributed to the Carolingian Rabanus Maurus, are celebrated the triumph of Heraclius against the Persians and the recovery of the relic of the Holy Cross and of Jerusalem. Initially we analyze the origin of the myth in three authors of the Western Early Middle Ages: two from “historical tradition” (Fredegar and Mozarabic Chronicler) and one from “legendary tradition” (Pseudo-Rabanus). Then, we enter into the core of the thesis, with the exam of the reception and “literarization” of the mythical figure of Heraclius by Gautier d’Arras. Influenced by a symbolic language, the cleric introduced the stages of the hero’s childhood/youth (1st part of the romance) and adapted the narrative of the Reversio (3rd part of the romance). With his literary talent and imaginative freedom, Gautier potentiated certain characteristics of the basileus and originally introduced others, which resulted in a singular character. In the same way, the “update” of Reversio content became the Byzantine ruler a more familiar man to the public of the 12th century
Illgen, Izquierdo Arantxa. "Formes del Logos en la novel·la grega bizantina. Estudi narratològic de les Διηγήσεις bizantines de l´època Comnena (s. XII) i Paleòloga (s. XIII-XV)". Doctoral thesis, Universitat de Barcelona, 2016. http://hdl.handle.net/10803/393735.
Повний текст джерелаThe main purpose of this dissertation is described by his title himself: this is the study of the particular narrative and linguistic uses (Logos) in the textual tradition of the “bizantine roman”, as well the forms that characterizes this kind of literary product in the context of medieval greek literature throught the Comnenian and Palaiologan periods (s. XII- XIV). The present thesis makes a revision of the historical context and the cultural situation of this textual tradition; then, tries to explain the main terminology that bizantine world had to define this kind of titles, and takes a look on the problematic of modern literary theories. Then, taking account of the complexity of this narrative, as well as the difficulties of the greek language on a period of multicultural contacts between Greece and the rest of the occidental world, we propose the analisis of the “Forms of Logos” as the main basis and structural network that conforms theses narrative materials. We take a look to specific images of “Logos” (representations of the “word”) that are concreted by four forms: monologue, the form of one´s voice expression, and his developments and variations as a complex poetical voice; dialogue, as a form of conversation between two subects acting and performing; the song, probably as the most lirical way to comunicate the speech of the main characters (taking a look previously to the background of the traditional greek folk songs); and finally, the complexity of letters, inscriptions and messages, as forms of the writed “Logos” on comunication. In relation to the argumental and narrative context, we try to define how is this kind of lirism between characters and speeches in order to give expression to a view of love throught the adventure of separation and new meeting and reunion of the protagonist couple. The present thesis tries to fill the gap on the general studies about fiction and fictional narratives in Bizantium, and to define, throught new terms and the theory of language and narratology, the role, for all the novels, of these forms of Logos.
Cecchi, Andrea <1989>. "Lo spazio femminile nella monetazione bizantina." Master's Degree Thesis, Università Ca' Foscari Venezia, 2018. http://hdl.handle.net/10579/12952.
Повний текст джерелаDel, Pup Luca <1993>. "Archeologia e storia della Venezia bizantina." Master's Degree Thesis, Università Ca' Foscari Venezia, 2020. http://hdl.handle.net/10579/16798.
Повний текст джерелаLulaj, Violeta <1984>. "Bizantini e Ostrogoti: Tecniche militari a confronto." Master's Degree Thesis, Università Ca' Foscari Venezia, 2020. http://hdl.handle.net/10579/17121.
Повний текст джерелаPomero, Margherita Elena <1980>. "L’iconografia dell’imperatore alato nel contesto della teologia politica bizantina." Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2012. http://amsdottorato.unibo.it/5043/1/Pomero_MargheritaElena_tesi.pdf.
Повний текст джерелаThe aim of the present PhD research is to analyze the byzantine political theology evolution and its effects on the imperial propaganda in the period between the XIII and XIV centuries through the study of the ideology’s evidences in iconography and numismatics during the examined period. The interdisciplinary connection of these fields of research - iconography and numismatics - with an innovative methodology, whose achievements are extremely satisfactory, allows to understand the specific characters, and perhaps the most recondite ones, of the political ideology and imperial propaganda development in the Byzantine Empire, now reduced into a constellation of different powers of limited extension. The specific topic of this study is about some iconographies considered unusual in the byzantine numismatic context and they are the subject of peculiar coins struck in the mint of Thessaloniki between the XIII and XIV century. In this study they are analyzed in the light of the imperial image’s evolution. Among them, the peculiar iconography of the winged emperor stands out for its semantic symbolism of interchangeability with the image of the archangel Michael. The study’s main aim is to find iconological elements shared between all the iconographic subjects studied, by analyzing the ideological and propagandistic base subtended to the iconology of each numismatic type examined.
Pomero, Margherita Elena <1980>. "L’iconografia dell’imperatore alato nel contesto della teologia politica bizantina." Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2012. http://amsdottorato.unibo.it/5043/.
Повний текст джерелаThe aim of the present PhD research is to analyze the byzantine political theology evolution and its effects on the imperial propaganda in the period between the XIII and XIV centuries through the study of the ideology’s evidences in iconography and numismatics during the examined period. The interdisciplinary connection of these fields of research - iconography and numismatics - with an innovative methodology, whose achievements are extremely satisfactory, allows to understand the specific characters, and perhaps the most recondite ones, of the political ideology and imperial propaganda development in the Byzantine Empire, now reduced into a constellation of different powers of limited extension. The specific topic of this study is about some iconographies considered unusual in the byzantine numismatic context and they are the subject of peculiar coins struck in the mint of Thessaloniki between the XIII and XIV century. In this study they are analyzed in the light of the imperial image’s evolution. Among them, the peculiar iconography of the winged emperor stands out for its semantic symbolism of interchangeability with the image of the archangel Michael. The study’s main aim is to find iconological elements shared between all the iconographic subjects studied, by analyzing the ideological and propagandistic base subtended to the iconology of each numismatic type examined.
Zambelli, Valentina <1966>. "Yarmuk, Kleidion, Mantzikert: analisi storica di tre battaglie bizantine." Master's Degree Thesis, Università Ca' Foscari Venezia, 2017. http://hdl.handle.net/10579/9423.
Повний текст джерелаBessani, Alysson Neves. "Coordenação desacoplada tolerante a faltas bizantinas." Florianópolis, SC, 2006. http://repositorio.ufsc.br/xmlui/handle/123456789/88816.
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Sistemas distribuídos abertos são tipicamente compostos por um número desconhecido e variável de processos executando em um ambiente heterogêneo, onde as comunicações muitas vezes requerem desconexões temporárias e segurança contra ações maliciosas. A coordenação por espaço de tuplas é um modelo de comunicação bastante conhecido para estes ambientes pois provê comunicação desacoplada tanto no tempo (os processos não precisam estar ativos ao mesmo tempo para interagirem) quanto no espaço (os processos não necessitam saber os endereços uns dos outros). Vários trabalhos têm tentado melhorar a segurança de funcionamento dos espaços de tuplas através do uso de replicação e transações para tolerância a faltas ou controle de acesso e criptografia para segurança. Entretanto, muitas aplicações práticas na Internet requerem ambas estas dimensões. Nesta tese, o modelo de coordenação por espaços de tuplas é usado para resolver o problema da coordenação desacoplada em ambientes não confiáveis, i.e., onde os processos estão sujeitos a falhas bizantinas (podem desviar-se arbitrariamente de suas especificações). Os resultados aqui apresentados atacam dois problemas básicos: (1) como construir espaços de tuplas com segurança de funcionamento (seguros e tolerantes a faltas bizantinas), e (2) como usar estes espaços para resolução de problemas fundamentais em computação distribuída. Os resultados referentes a (1) são uma arquitetura para espaço de tuplas com segurança de funcionamento que integra mecanismos de segurança e tolerância a faltas, duas construções eficientes para espaços de tuplas tolerantes a faltas bizantinas baseadas em uma nova filosofia de replicação, e um esquema de confidencialidade para espaços de tuplas replicados. Com relação á (2), é mostrado que um espaço de tuplas aumentado protegido por políticas de granularidade fina pode ser usado para resolver eficientemente vários problemas em computação distribuída mesmo com processos sujeitos a faltas
Mazrimas, Svajūnas. "Lotynų ir bizantinio rito apeigų diakonato ypatumai Katalikų Bažnyčios teisėje." Master's thesis, Lithuanian Academic Libraries Network (LABT), 2011. http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2011~D_20110622_151750-55504.
Повний текст джерелаDeaconship has been present in the history of Church from the time The Acts of Apostles were written, therefore, it is regarded a very old service. The essence of this service is helping bishops and priests during liturgy, pastoration, and in caritative activities. The work The Peculiarities of Latin and Byzantine Rite Deaconships in the Law of Catholic Church addresses some historical aspects resulting in the differences between the legal rights awarded to deacons serving in Eastern and Western Churches. This became an internal issue of Catholic Church when a part of Eastern Church has unified with The Holy See. Respecting these Churches, The Holy See had not initiated changes are following their own law. The differences between this law and the law of Western Church is n outcome of historical processes having taken place in Eastern and Western Christianity, therefore, the major focus in this work is put on the development of deaconship, especially in the Greek Catholic Church of Belarus and Greek Catholic Church of Ukraine. As distinct from other Eastern Churches, both these Churches are historically closely related with Lithuania and Catholic Church in Lithuania.
Salamino, Domenico <1978>. "Dominio, città, cattedrale : Terra d'Otranto tra età bizantina ed età normanna." Doctoral thesis, Università Ca' Foscari Venezia, 2011. http://hdl.handle.net/10579/1105.
Повний текст джерелаThe main purpose of this research is the Terra d'Otranto and its settlement seen from an historical, social and architectural point of view throught the study of the latest scientific investigations and the comparison of written sources and archaeological evidences but also on field analysis of unpublished and little known data from archives and in situ investigations. The aim was to understand some strategies for success of the domain of the Italo-Greek component, its continuity and permanence into the Byzantine tradition, and then the indigenous cultural potentiality. The study - aimed to stress the value of urban settlements - has not neglected the chora, here meant as a living space related to the centre of control - "the city" - the feud or more generally the Administration - which was the place of continuity of Byzantine cultur also during the Norman Age.
Vaz, João. "Tolerância a faltas bizantinas em servidores RMI." Master's thesis, Faculdade de Ciências e Tecnologia, 2011. http://hdl.handle.net/10362/7606.
Повний текст джерелаOs avanços registados recentemente ao nível do hardware tornaram possível melhorar a performance e eficiência da aplicações em geral através da computação paralela. Com este aumento dos recursos disponíveis, os sistemas computacionais evoluíram no sentido de exigir uma maior fiabilidade, disponibilidade e tolerância a falhas arbitrárias (bizantinas). Um componente que exiba comportamentos bizantinos, continua a responder aos pedidos, mas a produzir valores incorrectos. A detecção deste tipo de falhas é um processo complexo, uma vez que estas podem permanecer dormentes durante longos períodos de tempo. A solução passa por implementar algoritmos de tolerância a falhas bizantinas (BFT) robustos, baseados em replicação e em protocolos de consenso que, no entanto, têm um impacto negativo no desempenho. De entre as técnicas que podemos aplicar para limitar esta perda, existem duas que queremos salientar: a introdução de operações concorrentes nos servidores e a utilização de execução especulativa. O mecanismo de invocações remotas da linguagem Java (RMI) permite transportar para as aplicações distribuídas o modelo de programação das aplicações não distribuí- das. Este mecanismo é suportado por uma arquitectura cliente/servidor que, apesar de apresentar uma boa performance, torna estas aplicações pouco tolerantes a falhas. Assim, o nosso objectivo é introduzir tolerância a falhas bizantinas em aplicações RMI, através de um mecanismo de replicação implícito. Para testar o nosso trabalho, efectuámos testes utilizando o JNFS, um sistema de ficheiros distribuído implementado sobre RMI. Os resultados permitem concluir que o uso de execução especulativa minimiza o impacto dos algoritmos de tolerância a falhas bizantinas.
Fundação para a Ciênciafe Tecnologia (FCT/MCTES)- projecto Byzantium (PTDC/EIA/74325/2006)e projecto RepComp (PTDC/EIA-EIA/108963/2008)
Mainetti, Nicola. "Le simmetrie nell'arte bizantina: progettazione, realizzazione e ridefinizione di un'uscita didattica." Master's thesis, Alma Mater Studiorum - Università di Bologna, 2019. http://amslaurea.unibo.it/18509/.
Повний текст джерелаDantas, Wagner Saback. "Um arcabouço de avaliação de algoritmos de Sistemas de Quóruns Bizantinos." Florianópolis, SC, 2006. http://repositorio.ufsc.br/xmlui/handle/123456789/88981.
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A manutenção da disponibilidade e da integridade das informações é um requisito fundamental em sistemas de armazenamento de dados. Muitos destes sistemas devem manter estas propriedades mesmo em face à ocorrência de faltas acidentais ou intencionais (maliciosas), sendo que estas últimas são particularmente preocupantes uma vez que se originam de ataques bem sucedidos que levam a intrusões no sistema de armazenamento. A fim de prover armazenamento que tolere faltas acidentais e maliciosas, podemos considerar que o sistema está sujeito a faltas bizantinas (a classe mais abrangente de faltas) e, então, empregar técnicas de tolerância a faltas bizantinas em sua concretização. Duas abordagens podem ser utilizadas para implementar sistemas de armazenamento tolerantes a faltas bizantinas: a Replicação Máquina de Estados e os Sistemas de Quóruns Bizantinos. Sistemas de Quóruns Bizantinos (BQS) têm sido apresentados como uma boa abordagem para se construir armazenamento confiável distribuído, havendo muitas propostas para sua implementa\-ção. Escolher a melhor abordagem que satisfaça os requisitos de um ambiente de execução esperado exige uma avaliação minuciosa, que compreende o uso de ferramentas adequadas para modelagem e prototipação tanto do sistema de quóruns como do seu ambiente de execução. Apesar da boa quantidade de trabalhos sobre algoritmos de BQS, não existe uma ferramenta apropriada que viabilize um ambiente de testes para facilmente realizar tal tarefa de análise; ademais, não existem trabalhos que contemplem comparações e discussões entre os algoritmos propostos. Esta dissertação tem como objetivo principal a implementação de um arcabouço de avaliação de algoritmos de Sistemas de Quóruns Bizantinos, denominado BQSNeko. Para mostrar como este arcabouço pode ser usado para avaliação desta classe de algoritmos, o presente trabalho ainda apresenta e analisa casos de experimentos envolvendo algoritmos de BQS usando o próprio BQSNeko, sobretudo em um ambiente de rede local. Estas análises, ao mesmo tempo em que comprovam a utilidade do BQSNeko, servem como meio para discussão e um melhor entendimento dos algoritmos experimentados. Availability and consistency are essencial requirements of data storage systems. Most of such systems must maintain reliable and safe storage despite arbitrary faults (accidental or malicious faults). Malicious faults are particulary most critical than arbitrary ones since successful atacks may appear and cause intrusions on the storage system. In these scenario of faults it is tipical to considerate systems subjected to Byzantine Faults (a broader class of faults) and to employ techniques of byzantine fault-tolerance. Two techniques can be used for implementing data storage systems with byzantine fault tolerate: the Replication State-Machine and the Byzantine Quorum Systems. Byzantine Quorum Systems (BQS) have been presented like a good choice to build reliable distributed storage systems, existing many approaches for implementing them. Choosing the best approach that satisfies the requirements of an expected execution environment requires a careful evaluation which involves the use of adequate tools for modeling and prototyping both the Byzantine quorum system and its associated environment. However, to the best of our knowledge, there is no tool in which these task of analysis can be easily perfomed. In addiction there is no work that presents comparisons or that discusses the existing algorithms. This dissertation mainly aims to present BQSNeko, an useful framework for evaluating algorithms for Byzantine Quorum Systems. To show how BQSNeko can be used for evaluating Byzantine quorum protocols, it will be described results of some experiments envolving algorithms for BQS using the BQSNeko, especially as an execution environment of local network is regarded. At the moment such analyses show how useful the BQSNeko is, they enable also discussions and a better understanding of the experimented algorithms.
Rizzo, Marcello <1973>. "La cultura architettonica del periodo normanno e l'influenza bizantina in Sicilia." Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2011. http://amsdottorato.unibo.it/4140/1/Rizzo_Marcello_TESI.pdf.
Повний текст джерелаRizzo, Marcello <1973>. "La cultura architettonica del periodo normanno e l'influenza bizantina in Sicilia." Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2011. http://amsdottorato.unibo.it/4140/.
Повний текст джерелаLacchin, Luca <1987>. "L'evoluzione bizantina dell'iconografia paleocristiana: influenze orientali nell'arte musiva veneziana del '200." Master's Degree Thesis, Università Ca' Foscari Venezia, 2014. http://hdl.handle.net/10579/4457.
Повний текст джерелаGiudetti, Anna <1996>. "Il rapporto tra Bizantini e Normanni tra XI e XII secolo." Master's Degree Thesis, Università Ca' Foscari Venezia, 2021. http://hdl.handle.net/10579/19480.
Повний текст джерелаDi, Bartolo Francesco <1980>. "Abitati rupestri e citta' fortificate nella Sicilia occidentale dai bizantini ai normanni." Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2015. http://amsdottorato.unibo.it/6785/1/Di_Bartolo_Francesco_Tesi.pdf.
Повний текст джерелаThe presented research analyses in a factual and contemporaneously coherent way the dynamic of colonization which characterized the landscape of Sicily’s west beginning with the occupation by the Byzantine and ending with the dominion of the Normans (535-1194 A.D. ca.). The volume presents a precise collection of documents and literary sources, which regards the rural inhabitants and the fortified villages of Sicily’s west and puts the interest both for the material culture and for the administration and organization of the territory. By the results of the documental attestation, related to all archaeological researches (which were made in the reviewed territory both in the past and in the last years) emerges an edited catalogue of the archeological sites and monumental rests (updated to 2013/14) for the purpose of the protection, conservation and enhancement of the landscape. Based on the consulted documents and various reviewed sources ( literary, archaeological, monumental, toponymy ) several considerations are concluded about the spread colonization, about the founding of fortified villages, and about the institution and the formation of the cities.The conducted survey, whereby the documents and the sources were found out, includes also a partial topographical reconstruction of the main researched inhabited centers. For various sporadical medieval structures, occasionally figured on casual prints of the 16th-17th century, it was possible to perform an architectural emphasis in the attachment. The description of the rural area and the fortified sites is finally completed by a series of pages in which are illustrated the archaeological sites, the monumental rests and the most interesting discoveries of the byzantine, arabic and norman-swabian period of Sicily’s west.
Di, Bartolo Francesco <1980>. "Abitati rupestri e citta' fortificate nella Sicilia occidentale dai bizantini ai normanni." Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2015. http://amsdottorato.unibo.it/6785/.
Повний текст джерелаThe presented research analyses in a factual and contemporaneously coherent way the dynamic of colonization which characterized the landscape of Sicily’s west beginning with the occupation by the Byzantine and ending with the dominion of the Normans (535-1194 A.D. ca.). The volume presents a precise collection of documents and literary sources, which regards the rural inhabitants and the fortified villages of Sicily’s west and puts the interest both for the material culture and for the administration and organization of the territory. By the results of the documental attestation, related to all archaeological researches (which were made in the reviewed territory both in the past and in the last years) emerges an edited catalogue of the archeological sites and monumental rests (updated to 2013/14) for the purpose of the protection, conservation and enhancement of the landscape. Based on the consulted documents and various reviewed sources ( literary, archaeological, monumental, toponymy ) several considerations are concluded about the spread colonization, about the founding of fortified villages, and about the institution and the formation of the cities.The conducted survey, whereby the documents and the sources were found out, includes also a partial topographical reconstruction of the main researched inhabited centers. For various sporadical medieval structures, occasionally figured on casual prints of the 16th-17th century, it was possible to perform an architectural emphasis in the attachment. The description of the rural area and the fortified sites is finally completed by a series of pages in which are illustrated the archaeological sites, the monumental rests and the most interesting discoveries of the byzantine, arabic and norman-swabian period of Sicily’s west.
SGANDURRA, MARIAFRANCESCA. "Per la storia di un libro liturgico della Chiesa bizantina: il Pentecostarion." Doctoral thesis, Università degli Studi di Roma "Tor Vergata", 2014. http://hdl.handle.net/2108/201770.
Повний текст джерелаMalaguti, Barbara <1985>. "Imperatrici di Costantinopoli e influenza bizantina nelle corti straniere. Secoli X-XIV." Master's Degree Thesis, Università Ca' Foscari Venezia, 2012. http://hdl.handle.net/10579/1721.
Повний текст джерелаPellizzon, Maddalena <1987>. "I TESSUTI BIZANTINI CON MOTIVO DECORATIVO A "ROTAE". ANALISI E SVILUPPO STORICO-ICONOGRAFICO." Master's Degree Thesis, Università Ca' Foscari Venezia, 2012. http://hdl.handle.net/10579/1917.
Повний текст джерелаCescon, Fabio <1993>. "Le traduzioni in greco dell'Ordo Missae romano e domenicano in età tardo-bizantina." Master's Degree Thesis, Università Ca' Foscari Venezia, 2018. http://hdl.handle.net/10579/13502.
Повний текст джерелаCAMPANINI, MONICA. "Filippo, Alessandro e i Macedoni nel lessico Suda: dall'immagine classica alla visione bizantina." Doctoral thesis, Università degli studi di Genova, 2019. http://hdl.handle.net/11567/946303.
Повний текст джерелаMASSARA, Francesca Paola. "MAZARA DEL VALLO. CITTA’ E TERRITORIO IDENTITA’ STORICO-ARTISTICA NELL’ETA’ BIZANTINA E MEDIEVALE." Doctoral thesis, Università degli Studi di Palermo, 2014. http://hdl.handle.net/10447/90603.
Повний текст джерелаFLAMINE, MARCO. "OPERE D¿ARTE BIZANTINA IN LOMBARDIA. LINEAMENTI PER UN CATALOGO (SECOLI IV-XV)." Doctoral thesis, Università degli Studi di Milano, 2015. http://hdl.handle.net/2434/266830.
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