Дисертації з теми "Billy Al"
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Thomas, Kathleen. "Bill Talen and Reverend Billy: A Shared Journey." Thesis, University of Oregon, 2013. http://hdl.handle.net/1794/13011.
Повний текст джерелаHowell, Wayne S. Sr. "Directing Billy Shaw." University of Akron / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=akron1363290827.
Повний текст джерелаKincaid, Ry Kincaid Ry Londré Felicia Hardison. "Billy and the two clefs." Diss., UMK access, 2008.
Знайти повний текст джерела"A family musical"--p. 1. "A thesis in theatre." Advisor: Felicia Londré. Typescript. Includes music to the song Keep on playing your song, music and lyrics by Ry Kincaid. Vita. Title from "catalog record" of the print edition Description based on contents viewed Apr. 14, 2009. Includes bibliographical references (leaf 59). Online version of the print edition.
Champion, Laurie. "Billy and Me and Other Stories." Thesis, University of North Texas, 1992. https://digital.library.unt.edu/ark:/67531/metadc500830/.
Повний текст джерелаSperlich, Billy [Verfasser]. "Das spirografische Arbeits-O 2-Defizit / Billy Sperlich." Köln : Deutsche Sporthochschule Köln, 2007. http://d-nb.info/107054261X/34.
Повний текст джерелаLibeg, Nicholas R. "Thus Spoke Billy Pilgrim: Kurt Vonnegut's Nietzschean Thought." Youngstown State University / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=ysu1391773726.
Повний текст джерелаPage, Deborah. "Billy Wilder's Experiential Film Education: Experiences, Reflection and Experimentation." University of Cincinnati / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=ucin153537899211635.
Повний текст джерелаKimblad, Niclas. "Slaughterhouse-Five: An Analysis of Billy Pilgrim's Mental Trauma." Thesis, Karlstads universitet, Institutionen för språk, litteratur och interkultur, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-62699.
Повний текст джерелаKurt Vonneguts Slakthus 5 fokuserar på Billy Pilgrims resor genom tiden och hans upplevelser under andra världskriget. Ännu mer än det så är det en berättelse om resan av en helt klart besvärad huvudperson vars mentala tillstånd, som bäst kan beskrivas som brutet, aldrig riktigt förklaras i romanen. Syftet med denna uppsats är att skapa en klarhet till förvecklingarna av Billys besynnerliga mentala tillstånd, och att undersöka teorin att utomjordingarna såväl som resorna genom tiden som han upplever är resultat av posttraumatisk stressyndrom som Billy lider av. Detta utförs genom att analysera Billys upplevelser av tidsresor, emotionellt bedövande och Tralfamadorer och ansluta dem till symtomer och orsaker till PTSD. Resultaten visar att Billy visar tydliga tecken på PTSD, som troligen orsakades av en kombination av barndomsupplevelser och trauma under sin tid som soldat. Denna PTSD manifisterar sig genom Billys tidsresor och möten med utomjordingar, som används som en coping mekanism.
Hayat, Cyrus. "Billy Sunday and the masculinization of American Protestantism : 1896-1935 /." Connect to resource online, 2008. http://hdl.handle.net/1805/1860.
Повний текст джерелаDepartment of History, Indiana University-Purdue University Indianapolis (IUPUI). Advisor(s): Kevin C. Robbins. Includes vita. Includes bibliographical references (leaves 130-137).
Jalkanen, Pekka. "Alaska, Bombay ja Billy Boy : jazzkulttuurin murros Helsingissä 1920-Iuvulla /." Helsinki : Hakapaino Oy, 1989. http://catalogue.bnf.fr/ark:/12148/cb35070671p.
Повний текст джерелаVermeulen, Karen. "Musikale karakterisering in Benjamin Britten se opera Billy Budd / Karen Vermeulen." Thesis, North-West University, 2006. http://hdl.handle.net/10394/927.
Повний текст джерелаThesis (M.Mus.)--North-West University, Potchefstroom Campus, 2006.
Gustafsson, Sara. "Billy Fagerström & 20-åringen : En tidnings gestaltning av två mördare." Thesis, Högskolan i Gävle, Avdelningen för humaniora, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:hig:diva-27191.
Повний текст джерелаIn less than six months three people are murdered in the county of Hudiksvall, Sweden. The homicides were described as brutal and received a lot of media attention. A 20-year-old man was later convicted for the murder of Vanja Nilsson and Kjell List and a 22-year-old man are later convicted for the murder of Tova Moberg. The ambition with this paper has been to examine how Hudiksvalls newspaper, with the help of framing and dramaturgy creates a media image of a person. In this case, an image of two men, from the moment they were arrested, until penalty was given by the district court. Another ambition was to investigate how the same newspaper handled the media coverage in relation with the [Swedish] press ethical framework, both in its reporting about the perpetrators and its victims.Theoretical framework relevant to this essay has been framing theory and dramaturgy. These show how and with which means you make and portray events and individuals in the media. Media and crime were also a big theoretical asset since its main focus is on the relation between media and crimes. The [Swedish] press ethical framework was necessary as a theoretical approach since one of the essays main issues were to see how Hudiksvalls newspaper handled the media coverage in relation to the press ethical guidelines. The essay is mainly qualitative but has been strengthened by quantitative method.The analysis showed that Hudiksvalls newspaper portrayed the perpetrators based on abnormalities in their personality and backgrounds. The image of the 20-year-old man was shaded by the his psychological problems, while the image of the 22-year-old was influenced by his background with drugs and crimes. The analysis also showed that the newspaper revealed the identity of one of the perpetrators’, while the other offender remained anonymous.In the analysis focusing on the perpetrators' victims, the result showed that names and images were published off all three victims. In the case of Tova Moberg, I found that to some extent there was a public interest since she initially was reported as a missing person. However, in the case of Vanja Nilsson and Kjell List I found no obvious public interest in revealing their identity, all though the fact that Hudiksvalls newspaper is a local newspaper, proved to be of importance in the matter.
Read-Fisher, Kathryn. "Billy the Elephant: Life In Captivity Is No Life At All." Scholarship @ Claremont, 2017. http://scholarship.claremont.edu/scripps_theses/905.
Повний текст джерелаRipley, David L. "Developing an outreach to international students through a Billy Graham crusade." Theological Research Exchange Network (TREN), 2005. http://www.tren.com.
Повний текст джерелаÅström, Melanie, and Rebecca Sahlsten. ""Leif och Billy är dumkåta byfånar" : En kvalitativ studie om hur män hemmahörande i Norrbotten upplever gestaltningen av maskulinitet och Norrbotten i tv-serien Leif och Billy." Thesis, Luleå tekniska universitet, Institutionen för ekonomi, teknik, konst och samhälle, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:ltu:diva-83672.
Повний текст джерелаSetianegara, Billy Som-Arch Wongkhomthong. "Assessment of knowledge, attitude and communication practice of the health personnel in health card programme /." abstract, 1988. http://mulinet3.li.mahidol.ac.th/thesis/2531/31E-Billy-S.pdf.
Повний текст джерелаEdwards, Kurt Alexander. "Billy Graham, Elmer Gantry, and the Performance of a New American Revivalism." Bowling Green State University / OhioLINK, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1212785421.
Повний текст джерелаEngström, Lisa. "Marketing BILLY to ethnic subcultures : A explorative study of ethnic subcultural consumption behaviour." Thesis, Linnéuniversitetet, Ekonomihögskolan, ELNU, 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-11273.
Повний текст джерелаJansson, Anna. "Stratigraphy, Landscape Evolution, and Past Environments at the Billy Big Spring Site, Montana." Thesis, The University of Arizona, 2018. http://pqdtopen.proquest.com/#viewpdf?dispub=10643050.
Повний текст джерелаThis thesis reconstructs the landscape evolution of the Billy Big Spring site (24GL304, Glacier County, north-central Montana) from the last glacial maximum to present through the analysis of sediment and soil samples collected from a transect of auger tests that bisected the site and surrounding landforms. Interpretations were drawn from stratigraphy, pedologic data, sedimentologic analysis and radiocarbon dating. The site landscape came into being in the late-Pleistocene, after Wisconsin-age glaciers retreated. Glacial retreat left a meltdown depression on the land that filled with water to form a pond, which persisted through the early-Holocene. The onset of the mid-Holocene (Altithermal) occurred before ~8,415 cal. yrs. BP, when increasingly arid conditions caused the water level to drop. The first radiocarbon dated human occupation of this site occurred during the Altithermal, ~7,030 cal. yrs. BP, after the eruption of Mount Mazama (~7,633 cal. yrs. BP). Arid conditions continued until ~7,000 cal. yrs. BP, when pond water re-expanded across the basin, marking the transition to the cooler late-Holocene. Sometime before 2,100 cal. yrs. BP, dry conditions returned, and the extent of the pond water decreased again. Since this time, overland alluvial processes have deposited sediments in the basin. Many hypotheses on how the Altithermal impacted the people of the Northwestern Plains have been proposed since the 1950s, but little agreement has been reached. This is due to the fact that there was great variation in how the Altithermal expressed itself throughout the Northwestern Plains. The human reactions to this phenomena cannot be explained simplistically for the region as a whole. This study shows that the Billy Big Spring site experienced drying during the Altithermal, but despite this, people continued to occupy this site. This evidence adds to the argument that the Altithermal climate of the Northwestern Plains did not have severe enough impacts to impose much hardship on its occupants.
Jansson, Anna Maria, and Anna Maria Jansson. "Stratigraphy, Landscape Evolution, and Past Environments at the Billy Big Spring Site, Montana." Thesis, The University of Arizona, 2017. http://hdl.handle.net/10150/626384.
Повний текст джерелаCruz, Susana Maria dos Santos R. da. "(Des)encontros com Adão : Alusões Bíblicas em Billy Budd, Sailor de Herman Melville." Master's thesis, Porto : [Edição do Autor], 1996. http://hdl.handle.net/10216/53814.
Повний текст джерелаCruz, Susana Maria dos Santos R. da. "(Des)encontros com Adão : Alusões Bíblicas em Billy Budd, Sailor de Herman Melville." Dissertação, Porto : [Edição do Autor], 1996. http://aleph.letras.up.pt/F?func=find-b&find_code=SYS&request=000046188.
Повний текст джерелаFlaherty, John Martin. "Curse Keepers." OpenSIUC, 2008. https://opensiuc.lib.siu.edu/theses/440.
Повний текст джерелаBernstein, Amy Daunis. "Jacques de Billy de Prunay : the sonnets spirituels : an edition with introduction and commentary." Thesis, University of Oxford, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.410906.
Повний текст джерелаKrämer, Kristin [Verfasser], Billy [Gutachter] Sperlich, Irene [Gutachter] Lopez, and Harald [Gutachter] Lange. "Organisationskultur und Gesundheit im Hochschulkontext / Kristin Krämer ; Gutachter: Billy Sperlich, Irene Lopez, Harald Lange." Würzburg : Universität Würzburg, 2021. http://d-nb.info/1233602691/34.
Повний текст джерелаWiewelhofe, Thimo Verfasser], Alexander [Gutachter] [Ferrauti, and Billy [Gutachter] Sperlich. "Belastungs- und Erholungssteuerung im High-Intensity Ausdauertraining / Thimo Wiewelhofe. Gutachter: Alexander Ferrauti ; Billy Sperlich." Bochum : Ruhr-Universität Bochum, 2016. http://d-nb.info/110252543X/34.
Повний текст джерелаKristanto, Billy [Verfasser]. "Sola Dei Gloria : The Glory of God in the Thought of John Calvin / Billy Kristanto." Frankfurt : Peter Lang GmbH, Internationaler Verlag der Wissenschaften, 2012. http://d-nb.info/1042413223/34.
Повний текст джерелаSaad, Sheila Maria Ribeiro. "Driblando a censura: o macarthismo e a figuração do trabalho em Sunset Boulevard, de Billy Wilder." Universidade de São Paulo, 2014. http://www.teses.usp.br/teses/disponiveis/8/8147/tde-17102014-151849/.
Повний текст джерелаSunset Boulevard (USA) was co-written and directed by Billy Wilder (1906-2002), being released in 1950 a period well-known for the ascension of McCarthyism in the United States. In order to fool the censorship imposed by the Red Scare, the movie presents several layers of interpretation which will be pursued during the analysis. Among them, there is a typical Hollywood melodrama; a panorama of the silent film transition to the talkies (and its implications); a mapping of the labor force in the North-American cinematographic industry; the proposal of a collaborative work organization (in opposition to a hierarchic and alienated one, established by fordism); and the censorship imposed by the Red Scare itself, which appears through its absence. Two forms of work are presented to the spectator (and to the main character) the alienated work and the collaborative work and strategies are used in order to expose and counter them through the articulation of a plethora of devices (such as point of view, narrative instances, props etc.). Therefore, it is possible to map the options presented to the protagonist. Thus, not only which possibilities presented were adopted (or abandoned) by the main character and which narrative strategies were used to support them will be demonstrated, but also the implications and historical consequences of his choices
Larson, Paul Harris. "The struggle for control of American military aviation." Diss., Kansas State University, 2016. http://hdl.handle.net/2097/34567.
Повний текст джерелаDepartment of History
Donald J. Mrozek
The United States Army activated the Aeronautical Division, United States Signal Corps, on August 1, 1907. The men of the Aeronautical Division faced hardships and challenges from the very beginning as they tried to build the nation’s first air force prior to World War I. The U.S. Army, the War Department, Congress, and even the American people, really did not know what aircraft could do beyond simple flight. American airmen tried to demonstrate what air power was capable of, but the response to their achievements never met their expectations. Using an abundance of primary and secondary sources on American air power, this dissertation demonstrates that airmen’s struggle for a separate service was not something that developed slowly over the course of decades. Instead, this dissertation shows that airmen wanted independence from the U.S. Army from the start. From their point of view, the U.S. Army, the War Department, and Congress never really appreciated or understood air power. As a result, airmen became more and more alienated with each passing year until they achieve want they wanted -- independence.
Webb, M. Rodney. "Church planting as a method of assimilating new converts from the Tampa Bay area Billy Graham Crusade." Online full text .pdf document, available to Fuller patrons only, 2001. http://www.tren.com.
Повний текст джерелаYoung, F. Lionel. "To the right of Billy Graham John R. Rice's 1957 crusade against new evangelicalism and the end of the fundamentalist-evangelical coalition /." Theological Research Exchange Network (TREN) Access this title online, 2005. http://www.tren.com.
Повний текст джерелаBaker, Rodney. "The impact of prayer on the ministries of D.L. Moody, C.H. Spurgeon, and Billy Graham : a descriptive study /." Lynchburg, Va. : Liberty University, 1999. http://digitalcommons.liberty.edu.
Повний текст джерелаWolgast, Johannes Valentin Boy Billy-Rubin [Verfasser]. "Die Auswirkungen des selektiven Androgenrezeptor-Modulators Enobosarm auf die Skelettmuskulatur der orchiektomierten Ratte / Johannes Valentin Boy Billy-Rubin Wolgast." Göttingen : Niedersächsische Staats- und Universitätsbibliothek Göttingen, 2020. http://d-nb.info/1224352947/34.
Повний текст джерелаAbinader, Bernardo Ale. "A representação da decadência em Doce pássaro da juventude, de Tennessee Williams, e Crepúsculo dos deuses, de Billy Wilder." Universidade Federal do Amazonas, 2017. http://tede.ufam.edu.br/handle/tede/5622.
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This study has the purpose of analyzing comparatively the play Sweet bird of youth, of 1959, by the playwright Tennessee Williams, and the movie Sunset Boulevard, of 1950, by the filmmaker Billy Wilder, focusing on the decadence, observing how this aspect was represented and what purpose it has in the text and in the film. In both study objects, there are characters who were famous movie stars in the past, but now are relegated to ostracism by Hollywood. There are male characters in the play and the movie who want, but cannot achieve fame in the American film industry and they establish a prostitution relationship with the actresses. These are people presented as decadent, narcissistic, materialistic and have tragic endings. Furthermore, there are other characters and aspects of the selected works that expose decadent facets of American society at the time, as the representation of religious conservatism in Sweet bird of youth and the working relationship in the film Sunset Boulevard. By analyzing the characters in the works and how they relate with each other and with the society which surrounds them, it is possible to verify a commentary done by the authors about the negative consequences of capitalism, of the film industry and of the conservatism in the American society.
O presente estudo tem como objetivo analisar comparativamente a peça Doce pássaro da juventude, de 1959, do dramaturgo Tennessee Williams, e o filme Crepúsculo dos deuses, de 1950, do cineasta Billy Wilder, com foco na decadência, observando como este aspecto foi representado e qual função desempenha no texto dramático e no filme. Nos dois objetos de estudo figuram personagens atrizes que, no passado, foram famosas estrelas de cinema, mas que agora se encontram relegadas ao ostracismo por Hollywood. Há personagens masculinas na peça e no filme que desejam, mas não conseguem alcançar a fama na indústria cinematográfica americana e estabelecem uma relação de prostituição com as atrizes. São figuras apresentadas como decadentes, narcisistas, materialistas e que têm finais trágicos. Também há, além dessas, outras personagens e aspectos nas obras selecionadas que expõem facetas decadentes da sociedade americana da época, como a representação do conservadorismo religioso em Doce pássaro da juventude e das relações de trabalho no cinema em Crepúsculo dos deuses. Por meio das personagens nas obras e no modo como elas se relacionam entre si e com a sociedade que as cercam, é possível verificar uma análise feita pelos autores das consequências negativas do capitalismo, da indústria cinematográfica e do puritanismo da sociedade americana.
Leckie, Barbara. "That ancient darkness : madness and implosion in Michael Ondaatje's The collected works of Billy the Kid and Coming through slaughter." Thesis, McGill University, 1985. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=65982.
Повний текст джерелаSipière, Dominique. "Le Statut des objets dans des films américains : (Alfred Hitchcock, Michaël Curtiz, Raoul Walsh, Orson Welles, Billy Wilder, Wim Wenders." Amiens, 1991. http://www.theses.fr/1991AMIE0001.
Повний текст джерелаIn this study, the approach of the status of objects in narrative films made in hollywood is mainly hedonistic and centered on the spectator, but it pleads for the idea that the pleasure taken stems from a thorough study of meaning. The two parts of the thesis deal with : a) the way objects are made to appear on films; b) the meaning they assume. The first part (the profilmic) describes, after etienne souriau, the presence of objects on the screen : a) special effects and films as a "written" text; b) objects as a mental reference affording a basic material within a maze of correspondences; c) the migration of objects between their sources and films (examples : citizen kane, the maltese falcon, the birds). The second part analyses the main significant functions of objects a reading of the first minutes of some hithchock's films make quite clear : a) the three main diegetic functions which create the filmic world : space, time and character building; b) narrative and plot exemplified through a study of hitchcock's use of the objects of communication; c) meaning and the symbolism of objects (textual readings; interpretation; thematic readings; "reveries"). The general conclusion, after a survey of the objects used as metaphors of film, considers the ambiguous outcome of a hypermetropic vision afforded by film and tv as it is best seen through hitchcock's
Madeiro, Soraya Rodrigues. "Os matizes entre o dito e o nÃo-dito: mistÃrio silencioso em Bartleby, Billy Budd e Benito Cereno, de Herman Melville." Universidade Federal do CearÃ, 2011. http://www.teses.ufc.br/tde_busca/arquivo.php?codArquivo=13681.
Повний текст джерелаLâÃcriture de Melville, mÃme aprÃs tout le temps passà et avec diverses interprÃtations, alaissà inquiets les lecteurs et la critique. Pour cela, afin de prÃserver ce qui la permet survivre, nous nâavons pas comme but Ãpuiser les visions possibles de lâoeuvre, bien au contraire, on prÃtend contribuer à lâoverture des possibilitÃs et des vÃritÃs à propos du dit e du non-dit prÃsent chez lâoeuvre de lâÃcrivain amÃricain, en ce que concerne les livres Bartleby, lâÃcrivain, Benito Cereno et Billy Budd. Dans notre Ãtude, le but central est penser les trois Ãcritures de Herman Melville à partir de leurs personnages-titres, mais qui ne sont pas les narrateurs de lâhistoire, de faÃon à perdre le pouvoir de dominer le destin de lâÃcriture. De telle faÃon, les personnages donnent plutÃt des indices que des paroles concrÃtes et sont entre le dit et le non-dit
A escrita de Melville, mesmo com o passar do tempo e apesar de tantas anÃlises de suas obras, ainda nÃo deixou de inquietar leitores e estudiosos. Por essa razÃo, para preservar o que na obra literÃria faz dela sobrevivente, o objetivo de nosso estudo nÃo à de forma alguma esgotar as visÃes que as obras permitem; pelo contrÃrio, pretendemos contribuir para a abertura de mais possibilidades de questionamentos e de verdades acerca do dito e do nÃo-dito intrÃnseco Ãs obras do escritor estadunidense, no que concerne ao estudo de Bartleby, o escrivÃo, Benito Cereno e Billy Budd. Objetivamos em nossa dissertaÃÃo investigar na escrita de Herman Melville os aspectos relacionados Ãs personagens, as quais possuem destaque no tÃtulo de cada obra, mas nunca sÃo narradoras de sua histÃria, de modo que sÃo incapazes de ter domÃnio sobre ela. Nesse sentido, as personagens mais insinuam do que realmente dizem, estÃo no limite entre o dito e o nÃo-dito.
Halén, Veronica. "Konsten att regissera barn : Att arbeta med barnskådespelare i professionella teaterproduktioner." Thesis, Stockholms universitet, Institutionen för kultur och estetik, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-144996.
Повний текст джерелаMadeiro, Soraya Rodrigues. "Os matizes entre o dito e o não-dito: mistério silencioso em Bartleby, Billy Budd e Benito Cereno, de Herman Melville." www.teses.ufc.br, 2011. http://www.repositorio.ufc.br/handle/riufc/11172.
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A escrita de Melville, mesmo com o passar do tempo e apesar de tantas análises de suas obras, ainda não deixou de inquietar leitores e estudiosos. Por essa razão, para preservar o que na obra literária faz dela sobrevivente, o objetivo de nosso estudo não é de forma alguma esgotar as visões que as obras permitem; pelo contrário, pretendemos contribuir para a abertura de mais possibilidades de questionamentos e de verdades acerca do dito e do não-dito intrínseco às obras do escritor estadunidense, no que concerne ao estudo de Bartleby, o escrivão, Benito Cereno e Billy Budd. Objetivamos em nossa dissertação investigar na escrita de Herman Melville os aspectos relacionados às personagens, as quais possuem destaque no título de cada obra, mas nunca são narradoras de sua história, de modo que são incapazes de ter domínio sobre ela. Nesse sentido, as personagens mais insinuam do que realmente dizem, estão no limite entre o dito e o não-dito.
L’écriture de Melville, même après tout le temps passé et avec diverses interprétations, alaissé inquiets les lecteurs et la critique. Pour cela, afin de préserver ce qui la permet survivre, nous n’avons pas comme but épuiser les visions possibles de l’oeuvre, bien au contraire, on prétend contribuer à l’overture des possibilités et des vérités à propos du dit e du non-dit présent chez l’oeuvre de l’écrivain américain, en ce que concerne les livres Bartleby, l’écrivain, Benito Cereno et Billy Budd. Dans notre étude, le but central est penser les trois écritures de Herman Melville à partir de leurs personnages-titres, mais qui ne sont pas les narrateurs de l’histoire, de façon à perdre le pouvoir de dominer le destin de l’écriture. De telle façon, les personnages donnent plutôt des indices que des paroles concrètes et sont entre le dit et le non-dit
Saari, Juhani. "Power and Resistance in Herman Melville’s Three B’s." Thesis, Stockholms universitet, Engelska institutionen, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-91131.
Повний текст джерелаJung, Christian Billy [Verfasser], Karl-Ludwig [Akademischer Betreuer] Laugwitz, Franz [Akademischer Betreuer] Hofmann, and Steffen [Akademischer Betreuer] Massberg. "Patient-Specific Induced Pluripotent Stem-Cell Models of Cardiac Disease / Christian Billy Jung. Gutachter: Franz Hofmann ; Steffen Massberg. Betreuer: Karl-Ludwig Laugwitz." München : Universitätsbibliothek der TU München, 2012. http://d-nb.info/1021219193/34.
Повний текст джерелаDavis, Aaron K. "American Protestants and U.S. Foreign Policy toward the Soviet Union during the Eisenhower Administration: Billy Graham, Reinhold Niebuhr, and G. Bromley Oxnam." Diss., Kansas State University, 2017. http://hdl.handle.net/2097/35407.
Повний текст джерелаDepartment of History
Robert D. Linder
This dissertation considers American Protestant perceptions of U.S. foreign policy directed toward Soviet Union during the Dwight D. Eisenhower presidency (1953-1961). The question of what a culture dominated by Protestant denominations thought of its global adversary has not yet been sufficiently explored by scholars of either American religious history or diplomatic history. Most scholars who deal with the intersection of religion and foreign policy during the Eisenhower Administration tend to accentuate the close relationship that existed between government policy and general religious attitudes. That is to say, a general, widespread Protestant support of foreign policy objectives stands as the prevailing interpretation. Most historians conclude that America’s Protestant church leaders—preachers, pastors, and bishops—either actively supported government foreign policy objectives or sought to insert their own stances into existing policy. More recently, historians have published monographs that further explore Protestant Christianity with regard to foreign policy in the 1950s. By acknowledging the different strands of Protestant Christianity, scholars have raised significant questions that have heretofore gone unanswered. The primary question is the one that this dissertation seeks to answer—how widespread was American Protestant denunciation of communism and, simultaneously, how broad was American Protestant support for foreign policy objectives? Billy Graham, Reinhold Niebuhr, and Garfield Bromley Oxnam represent the three most prominent representatives of Protestant Christianity’s three major strands. These three acknowledged opinion makers that serve as the focus of this dissertation were not uniform in their perspectives of U.S. foreign policy, yet they all denounced communism and—to a degree—supported America’s efforts to combat the Soviet Union’s sphere of influence throughout the course of the Eisenhower Administration (1953-1961). This conclusion helps explain the tremendous perseverance of containment as a strategy by attributing its success, in part, to the large, Protestant body of supporters that continued to sustain and encourage Washington’s policies directed toward the Soviet Union.
Wikström, Johan. "John Hedlund och den moderna staten : Ett komparativt studie av John Hedlund och Billy Grahams förkunnelse av kristendomen i det moderna samhället." Thesis, Enskilda Högskolan Stockholm, Teologiska högskolan Stockholm, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:ths:diva-140.
Повний текст джерелаTaoni, Lucas Jurado [UNESP]. "Rio de Janeiro que eu sempre hei de amar (1954): cidade e música." Universidade Estadual Paulista (UNESP), 2017. http://hdl.handle.net/11449/152553.
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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)
A música, desde pelo menos meados do século XIX, cumpriu um importante papel para a organização simbólica da cidade de São Sebastião do Rio de Janeiro, qual seja, ajudar a construir sua identidade, sua versão comunitária a ser consagrada. Nesse sentido, é sintomático observar que o rótulo histórico de “Cidade Maravilhosa” é, na verdade, trecho de uma marchinha carnavalesca, de autoria de André Filho (1934). Assim, esta dissertação de mestrado aborda uma continuidade desta tradição identitária, a partir de análises da fonte “Sinfonia do Rio de Janeiro” (1954), autoria de Billy Blanco e Tom Jobim, no sentido de entendê-la no seu contexto e refletir sobre suas mensagens.
The music, since at least the mid-nineteenth century, has played an important role in the symbolic organization of the city of São Sebastião do Rio de Janeiro, which is to help build its identity, its community version to be consecrated. In this sense, it is symptomatic to observe that the historical label of "Cidade Maravilhosa" is, in fact, an excerpt from a carnival music, by André Filho (1934). So, this master's thesis addresses a continuity of this identity tradition, based on the analysis of the source "Sinfonia do Rio de Janeiro" (1954), written by Billy Blanco and Tom Jobim, in order to understand it in its context and to reflect on your messages.
Müller, Wolfgang. "Recht und Literatur als friedlose Konstellation eine Arbeit zu Herman Melvilles Bartleby und Billy Budd und zu William Dean Howells' An imperative duty /." [S.l. : s.n.], 2002. http://www.diss.fu-berlin.de/2002/219/index.html.
Повний текст джерелаKim, Chris. "Some contemporary theologies of regeneration in the USA, UK and Korea, 1966-2003, with special reference to Billy Graham and Martyn Lloyd-Jones." Thesis, University of Wales Trinity Saint David, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.683036.
Повний текст джерелаDüking, Peter [Verfasser], Billy [Gutachter] Sperlich, Harald [Gutachter] Lange, and Christoph [Gutachter] Raschka. "Monitoring von Belastungs- und Beanspruchungsmarkern zur individualisierten Steuerung von Trainingsprozessen mithilfe tragbarer Sensorik (Wearable Technology) / Peter Düking ; Gutachter: Billy Sperlich, Harald Lange, Christoph Raschka." Würzburg : Universität Würzburg, 2021. http://d-nb.info/1233602721/34.
Повний текст джерелаBorn, Dennis Peter [Verfasser], Billy [Gutachter] Sperlich, Harald [Gutachter] Lange, and Thorsten [Gutachter] Schiffer. "Effekte von Kompressionsbekleidung in Training und Wettkampf – Analyse zugrunde liegender physiologischer und biomechanischer Mechanismen / Dennis Peter Born. Gutachter: Billy Sperlich ; Harald Lange ; Thorsten Schiffer." Würzburg : Universität Würzburg, 2015. http://d-nb.info/1111887209/34.
Повний текст джерелаCoutinho, Thais Souza. "O caipira Chico Bento e a preserva??o do nacional na obra de Mauricio de Sousa." Universidade Federal Rural do Rio de Janeiro, 2007. https://tede.ufrrj.br/jspui/handle/tede/630.
Повний текст джерелаThis dissertation focuses on how rural world and the caipira are portrayed in Mauricio de Sousa's work. Through the analysis of the comics about the character named Chico Bento that are published in magazines, the work shows how the rural world is connected with the sense of the national , and how Chuck Billy's stories are characterized by the idea of conservation and by a prescriptive logic.
A presente disserta??o aborda como o mundo rural e o caipira s?o vistos na obra de Mauricio de Sousa. Atrav?s da an?lise dos quadrinhos de Chico Bento veiculados em revistas, o trabalho destaca como o mundo rural relaciona-se com o nacional, e como as hist?rias deste personagem s?o marcadas pela id?ia de preserva??o e por uma l?gica normatizadora.
Rocha, Cristiane Lima. "Luz, c?mera e a??o: homofobia, heteronormatividade e resist?ncia no curr?culo dos filmes "Billy Elliot", "Carol", "C.R.A.Z.Y. - Loucos de Amor" e "Madame Sat?"." UFVJM, 2017. http://acervo.ufvjm.edu.br/jspui/handle/1/1468.
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A presente disserta??o analisa como os discursos homof?bicos que circulam nos curr?culos dos filmes "Billy Elliot (Inglaterra, 2000)", "Carol (Reino Unido/Estados Unidos, 2015)", "C.R.A.Z.Y. - Loucos de Amor (Canad?, 2005)" e "Madame Sat?" (Brasil, 2002), demandam corpos normalizados em um padr?o heteronormativo e que efeitos t?m sobre as personagens. Tomo como metodologia a an?lise do discurso, de inspira??o foucaultiana. As an?lises ser?o realizadas por meio das falas, as cenas, dos sons, das imagens, nas coisas expl?citas e silenciadas. Bem como, os conceitos de curr?culo, g?nero, homofobia, heteronormatividade, norma, discurso, rela??es de saber-poder e processos de subjetiva??o e posi??es de sujeito foram eleitos como ferramentas te?rico-conceituais para essa pesquisa. Em termos te?ricos, esta disserta??o se inscreveu no campo dos Estudos Culturais, na vers?o dos estudos p?s-cr?ticos de curr?culo. Assim, o conceito central da investiga??o ? curr?culo, compreendendo-se que ele ensina modos de ser, pensar e agir ?s pessoas, bem como produz determinados tipos de sujeitos e corpos. Igualmente, o conceito de discurso tem espa?o importante, sendo entendido como "pr?ticas que formam sistematicamente os objetos de que falam" (FOUCAULT, 1986, p. 56). Destaco que o discurso da homofobia circula nos mais diversos espa?os produzindo efeitos sobre os corpos, demandando posi??es de sujeito, seja nos filmes, nas novelas, na escola, na fam?lia, na religi?o, na roda de amig@s. O problema central desta investiga??o ?: como os discursos sobre g?nero, por meio de discursos homof?bicos, t?m demandado corpos normalizados em um padr?o heteronormativo nos filmes em an?lise? Para isso, trago como objetivos espec?ficos: verificar os processos de constru??o de pr?ticas ditas femininas e masculinas nos filmes investigados; registrar quais marcas s?o nomeadas e classificadas como "normais" ?s posi??es de g?nero; identificar quais posi??es de sujeito generificados s?o demandadas e produzidas em atividades cotidianas nos filmes em quest?o; investigar como se expressam as desigualdades de g?nero nos longa-metragens pesquisados; analisar quais mecanismos, t?cnicas e estrat?gias de poder s?o utilizadas no refor?o ? homofobia nessas obras cinematogr?ficas; identificar e analisar poss?veis tentativas de apagamento de marcas homossexuais ou escapes nas personagens dos filmes. O argumento central ? de que h? uma reitera??o do padr?o heteronormativo no curr?culo dos filmes investigados mesmo quando se percebe uma suposta tentativa de romper com padr?es tidos como ideais e normais. Desse modo, soma-se ao discurso homof?bico e heteronormativo, por exemplo, discursos biologicistas, religiosos, psicol?gicos e moralistas, demandando posi??es de sujeito heterossexuais.
Disserta??o (Mestrado Profissional) ? Programa de P?s-Gradua??o em Educa??o, Universidade Federal dos Vales do Jequitinhonha e Mucuri, 2017.
The present dissertation analyzes how the homophobic discourses circulating in the curricula of the films "Billy Elliot (England, 2000)", "Carol (United Kingdom / United States, 2015)", "C.R.A.Z.Y. - Madras de Amor (Canada, 2005)" and "Madame Sat? (Brazil, 2002)", demand normalized bodies in a heteronormative pattern and what effects they have on the characters. I take as a methodology the analysis of the discourse, inspired by Foucauld. The analyzes will be carried out through the speeches, the scenes, the sounds, the images, the explicit and silenced things. As well as some concepts ? curriculum, gender, homophobia, heteronormativity, norm, discourse, knowledge-power relations and subjectivation processes and subject positions ? were chosen as theoretical-conceptual tools for this research. In theoretical terms, this dissertation was inscribed in the field of Cultural Studies, in the version of post-critical curriculum studies. Thus, the central concept of research is curriculum, it is understood that it teaches ways of being, thinking and acting to people, as well as producing certain types of subjects and bodies. Likewise, the concept of discourse has important space, being understood as "practices that systematically form the objects of which they speak" (Foucault 1986: 56). I emphasize that the discourse of homophobia circulates in the most diverse spaces producing effects on the bodies, demanding positions of subject, be it in the movies, novels, school, family, religion, the wheel of friends. The central problem of this research is: how have gender discourses, through homophobic discourses, demanded normalized bodies in a heteronormative pattern in the films under analysis? For that, I have as specific objectives: to verify the processes of construction of so-called feminine and masculine practices in the investigated films; Register which brands are named and classified as "normal" to gender positions; Identify which generalized subject positions are demanded and produced in daily activities in the films in question; To investigate how gender inequalities are expressed in the studied films; To analyze which mechanisms, techniques and strategies of power are used to reinforce homophobia in these cinematographic works; Identify and analyze possible attempts to erase homosexual marks or escapes in the characters of the films. The central argument is that there is a reiteration of the heteronormative pattern in the curriculum of the investigated films even when one perceives an alleged attempt to break with patterns considered as ideal and normal. In this way, it adds up to the homophobic and heteronormative discourse, for example, biological, religious, psychological and moral discourses, demanding heterosexual subject positions.