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Статті в журналах з теми "Bel canto Analysis, appreciation"
Ke, Feng. "Research on Machine Semantic Recognition in Different Bel Canto Music Backgrounds." Advances in Multimedia 2022 (July 12, 2022): 1–10. http://dx.doi.org/10.1155/2022/9509672.
Повний текст джерелаTang, Zhangcheng. "Music Sense Analysis of Bel Canto Audio and Bel Canto Teaching Based on LSTM Mixed Model." Mobile Information Systems 2022 (June 22, 2022): 1–8. http://dx.doi.org/10.1155/2022/1875815.
Повний текст джерелаSeo, Jeong Hwan. "A Comparing and Analysis of Bel canto and Seth Riggs vocalization methods." Journal of the Korea Academia-Industrial cooperation Society 17, no. 6 (June 30, 2016): 262–68. http://dx.doi.org/10.5762/kais.2016.17.6.262.
Повний текст джерелаZhou, Yi. "“Vocal style” in Western European and Chinese art history: a comparative analysis." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 57, no. 57 (March 10, 2020): 286–96. http://dx.doi.org/10.34064/khnum1-57.18.
Повний текст джерелаSimionescu, Cristina. "9. An Analysis of the Vocal Ensembles from the Opera “I Puritani” by Vincenzo Bellini." Review of Artistic Education 15, no. 1 (March 1, 2018): 84–97. http://dx.doi.org/10.2478/rae-2018-0009.
Повний текст джерелаLyan, Tszitao. "The image of Andrea from the opera “Andrea Chenier” by U. Giordano: the history of vocal interpretations." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 50, no. 50 (October 3, 2018): 29–42. http://dx.doi.org/10.34064/khnum1-50.03.
Повний текст джерелаSmart, Mary Ann. "In Praise of Convention: Formula and Experiment in Bellini's Self-Borrowings." Journal of the American Musicological Society 53, no. 1 (2000): 25–68. http://dx.doi.org/10.2307/831869.
Повний текст джерелаMykhailo, Markovych. "Creative principles of Mykola Manoilo’s vocal pedagogy." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 60, no. 60 (October 3, 2021): 200–215. http://dx.doi.org/10.34064/khnum1-60.11.
Повний текст джерелаBuroni, Edoardo. "IL BELCANTO E LA CANZONE NELL’INSEGNAMENTO DELL’ITALIANO L1 E L2. CONSIDERAZIONI GENERALI ED ESPERIENZE DIDATTICHE." Italiano LinguaDue 14, no. 2 (January 17, 2023): 191–219. http://dx.doi.org/10.54103/2037-3597/19657.
Повний текст джерелаKodenko, I. I. "Specificity of performance of Еarly Music: historical aspect". Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 56, № 56 (10 липня 2020): 93–105. http://dx.doi.org/10.34064/khnum1-56.06.
Повний текст джерелаДисертації з теми "Bel canto Analysis, appreciation"
Mota, Maier Regina Helena Cunha 1963. "Percepção corporal do cantor : um estudo etnográfico sobre a performance vocal." [s.n.], 2013. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284488.
Повний текст джерелаDissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes
Made available in DSpace on 2018-08-23T23:02:01Z (GMT). No. of bitstreams: 1 MotaMaier_ReginaHelenaCunha_M.pdf: 2269037 bytes, checksum: 050b989b94ea1add4165330c31806262 (MD5) Previous issue date: 2013
Resumo: A presente dissertação investiga a corporalidade do cantor em cena. O trabalho estuda possibilidades expressivas do canto e sua relação com a pedagogia da voz. O eixo que direciona o trabalho é a constituição da pesquisadora enquanto cantora e professora de canto e a (im)possível relação dialógica entre essas duas posições. Partindo de uma retrospectiva das referencias musicais da pesquisadora, a discussão do arcabouço bibliográfico e teórico contrapõe-se à problematização empreendida no segundo capítulo quanto à performance. Desse modo, intenta-se ressaltar os efeitos do entendimento da performance sob a perspectiva conceitual de Zumthor, o que resultou na ressignificação da experiência da pesquisadora como cantora e professora. A vivência da preparação vocal de um grupo de 11 cantores indicia tais efeitos. As considerações que fecham o trabalho partem da certeza de que não há respostas prontas, porém reelaboram algumas das idéias que podem permitir uma continuidade nas investigações, apontando para a indissociabilidade entre corpo e voz
Abstract: The present dissertation investigates the singer's body on stage. The work studies expressive possibilities in singing, and their connection with vocal pedagogy. The axis which orients the work is the researcher's constitution as a singer and teacher, and the (im)possible dialogical relationship between these two. Starting from a retrospective of the researcher's musical references, the discussion of the theoretical and bibliographic structures are collated with the performance as problematized in the second chapter. Thus, this study intends to stress an understanding of performance according to Zumthor's perspective, which resulted in a re-signification of the researcher's experience as a singer and teacher. An experience with the vocal coaching of a group of 11 singers, indicate such effects. The final considerations which close the work, though implying there are no ready answers, elaborate some ideas which might allow continuity for this research, pointing to the indivisibility between body and voice
Mestrado
Artes Cenicas
Mestra em Artes
Kirkham, Airlie Jane. "An aural analysis of bel canto: traditions and interpretaitons as preserved through selected sound recordings." Thesis, 2010. http://hdl.handle.net/2440/65016.
Повний текст джерелаThesis (M.Mus.) -- University of Adelaide, Elder Conservatorium of Music, 2010
Wan-ju, Liao, and 廖婉如. "The Analysis and interpretation of Bellini's Bel Canto Operas According to three Arias from I Capuleti e i Montecchi and La Sonnambula." Thesis, 2008. http://ndltd.ncl.edu.tw/handle/13604674874948012717.
Повний текст джерела國立臺北教育大學
音樂學系碩士班
98
This literary work covers five chapters. The first chapter is the introduction, which contains the research motivation as well as the range of study. The second chapter talks about 19th century Italian Bel Canto Opera's characteristic, and discusses the composer’s life, the creation course and music work characteristic. The third chapter then introduces the opera "I Capuleti e i Montecchi" and how the script originates, how the actors performed in the play, the plot content, and analyzes the classical romanza song which Juliet sings, “Oh! Quante volte, Oh! Quante”, in view of the music structure, harmony, and interpretation. The fourth chapter inquired into "La Sonnambula" and how the script originates, the actor’s roles, the plot content, and chooses to discuss the songs, “Come per me sereno” and “Ah! Non credea mirarti”, to make the music analysis with interpretation. The fifth chapter is the conclusion, does compared with two operas and to present paper's research makes uniform.
Chen, Ying-Fang, and 陳盈方. "A Research of the Compositional Analysis and Performance Practice of The Bel Canto Opera─According to Gioachino Rossisi, Gaetano Donezetti and Vincenzo Bellini’s Arias." Thesis, 2008. http://ndltd.ncl.edu.tw/handle/85192478560618138536.
Повний текст джерелаТези доповідей конференцій з теми "Bel canto Analysis, appreciation"
"A Tentative Discussion on Analysis Methods of Bel Canto." In 2018 International Conference on Culture, Literature, Arts & Humanities. Francis Academic Press, 2018. http://dx.doi.org/10.25236/icclah.18.071.
Повний текст джерелаUm, Eunkyung, and Yunfei Zheng. "Misunderstanding Analysis and Countermeasure Research in Vocal Music Teaching of Bel Canto." In Proceedings of the 2018 International Workshop on Education Reform and Social Sciences (ERSS 2018). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/erss-18.2019.153.
Повний текст джерелаYueqian, Xu. "The Research Process and Prospect of Chinese Bel Canto Theory in the 21st Century—Visual Big Data Analysis Based on CNKI Periodical Literature." In 2020 International Conference on Big Data & Artificial Intelligence & Software Engineering (ICBASE). IEEE, 2020. http://dx.doi.org/10.1109/icbase51474.2020.00025.
Повний текст джерела