Дисертації з теми "Beauty and art"
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Palmer, Christine Anne. "Beauty, Ugliness, and Meaning: A Study of Difficult Beauty." BYU ScholarsArchive, 2009. https://scholarsarchive.byu.edu/etd/2312.
Повний текст джерелаSalov, Amanda. "An absurd beauty." Diss., Columbia, Mo. : University of Missouri-Columbia, 2007. http://hdl.handle.net/10355/4982.
Повний текст джерелаThe entire dissertation/thesis text is included in the research.pdf file; the official abstract appears in the short.pdf file (which also appears in the research.pdf); a non-technical general description, or public abstract, appears in the public.pdf file. Title from title screen of research.pdf file (viewed on April 10, 2009) Includes bibliographical references.
Sandy, Heather. "Beauty and the Synthetic." Thesis, Southern Illinois University at Edwardsville, 2015. http://pqdtopen.proquest.com/#viewpdf?dispub=1591407.
Повний текст джерелаNijsse, Jennifer Jean. "Beauty: deepening an understanding of contemporary art, art practice and theory /." Burnaby B.C. : Simon Fraser University, 2005. http://ir.lib.sfu.ca/handle/1892/2100.
Повний текст джерелаBarry, Marie Porterfield. "Lesson 05: Ideal Beauty in the Ancient World." Digital Commons @ East Tennessee State University, 2020. https://dc.etsu.edu/art-appreciation-oer/6.
Повний текст джерелаSiebert, Chiung-Ling Jyan. "Beauty and Decay." BYU ScholarsArchive, 2021. https://scholarsarchive.byu.edu/etd/8982.
Повний текст джерелаChan, Brian S. "The beauty of God and the art of worship." Online full text .pdf document, available to Fuller patrons only, 2004. http://www.tren.com.
Повний текст джерелаJones, Danielle Lynise. "Perception of cuteness and beauty." Orlando, Fla. : University of Central Florida, 2009. http://purl.fcla.edu/fcla/etd/CFE0002538.
Повний текст джерелаGoldbeck, Justina. "Beauty is in the eye of she who holds it." Scholarship @ Claremont, 2018. http://scholarship.claremont.edu/scripps_theses/1173.
Повний текст джерелаKa'ili, Tēvita O. "Tauhi Vā : creating beauty through the art of sociospatial relations /." Thesis, e-Book (PDF), 2008. http://www.library.auckland.ac.nz.ezproxy.auckland.ac.nz/eproducts/ebooks/Tauhi_Va_Creating_Beauty_Final_Copy.pdf.
Повний текст джерелаMeli, Alisa A. "Eye of the beholder: Children respond to beauty in art." Thesis, University of North Texas, 2002. https://digital.library.unt.edu/ark:/67531/metadc3081/.
Повний текст джерелаLynch, Liam Joseph. "Complex truth from simple beauty: Oscar Wilde’s philosophy of art." Thesis, Curtin University, 2014. http://hdl.handle.net/20.500.11937/195.
Повний текст джерелаSeniw, Thomas. "Plotinus, the term and the way : theory of art and beauty." Thesis, McGill University, 2004. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=79978.
Повний текст джерелаAn examination of the dialogue Plotinus has with art and beauty is offered. The relationship between Plato's divine intelligibles and art is discussed in context of the treatise On Beauty. The intelligible beauty of ideas, cosmos, nature and art are examined in context of the treatise On Intellectual Beauty. Plotinian theory of art is summarized.
Plotinus advances an "iconic" dialectic that serves his theological theory of art. The more important critical issues that arise from his description of the realm of art are addressed. Plotinian mysticism, and the subject of matter and form, identity and difference, is discussed. The opposing ways of the "picture" and the "word" are briefly summarized.
The appearance of theos is an event of hierophany . The meaning of art points towards the object of our ultimate concern. A Plotinian studio program for the painter concludes the thesis.
Risser, Rita. "A broad aesthetic : beauty, truth, and goodness." Thesis, McGill University, 2003. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=84542.
Повний текст джерелаVan, der Westhuizen Cara. "Venus revisited : reflecting sights/sites of beauty and its embodiments." Master's thesis, University of Cape Town, 2006. http://hdl.handle.net/11427/12520.
Повний текст джерелаIn this project the idealised body of Venus represents an uncomfortable whole. She symbolises the richly divergent, contrasting, and often thematic concerns of female beauty that my, work has attempted to represent. She signifies arid originates the centuries of fluctuating meaning and contesting truths about women and the way in which they are represented that are at the centre of my research - in an image that resists resolution. As the title of the body of practical work implies, Venus Revisited points to a journey of return. It refers to a recurrence of ideas about the idealised female body informed by its origins in Greek myth. Venus still informs current Western visual culture - the female body remains 'the map on which we mark our meanings' (Mullins, 1985: 331).
Magnusson, Oscar. "Rebirth of the cool : to awake a sleeping beauty." Thesis, Konstfack, Industridesign, 2007. http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-857.
Повний текст джерелаMyers, Cerise. "BETWEEN THE FOLLY AND THE IMPOSSIBILITY OF SEEING: ORLAN, RECLAIMING THE GAZE." Bowling Green State University / OhioLINK, 2006. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1143500239.
Повний текст джерелаAllan, Judith Rachel. "Simonetta Cattaneo Vespucci : beauty, politics, literature and art in early Renaissance Florence." Thesis, University of Birmingham, 2015. http://etheses.bham.ac.uk//id/eprint/5616/.
Повний текст джерелаMorehouse, Dawn M. "Copley's compromise navigating the discourse of beauty and likeness in colonial Boston /." Access to citation, abstract and download form provided by ProQuest Information and Learning Company; downloadable PDF file, 58 p, 2008. http://proquest.umi.com/pqdweb?did=1597629701&sid=23&Fmt=2&clientId=8331&RQT=309&VName=PQD.
Повний текст джерелаGuarda, Chiara. "The aesthetic appreciation of art philosophical reconsiderations of the relationship between art and beauty : supported by case studies /." [S.l.] : [s.n.], 2005. http://www.zb.unibe.ch/download/eldiss/05guarda_c.pdf.
Повний текст джерелаGoldman, Saundra Louise. ""Too good lookin' to be smart" : beauty, performance, and the art of Hannah Wilke /." Digital version accessible at:, 1999. http://wwwlib.umi.com/cr/utexas/main.
Повний текст джерелаMcDonald, Deidre Ann. "Beauty and Truth: Re-defining Legal Artistry's Normative Aspirations." The University of Waikato, 2007. http://hdl.handle.net/10289/2365.
Повний текст джерелаAske, Katherine. "'It is virtue and goodness only, that make the true beauty' : understanding female beauty in the eighteenth century." Thesis, Loughborough University, 2015. https://dspace.lboro.ac.uk/2134/17624.
Повний текст джерелаAltmann, Ulrike [Verfasser]. "Beyond beauty - affective and aesthetic processes in reading and art perception / Ulrike Altmann." Berlin : Freie Universität Berlin, 2018. http://d-nb.info/1155420829/34.
Повний текст джерелаGartside, Philip Oswin. "The call of beauty across faiths : a Christian theological engagement with Japanese art." Thesis, University of Leeds, 2012. http://etheses.whiterose.ac.uk/3351/.
Повний текст джерелаCross, David Anthony. "Some kind of beautiful : the grotesque body in contemporary art." Queensland University of Technology, 2006. http://eprints.qut.edu.au/16277/.
Повний текст джерелаJones, Danielle. "Perceptions of Cuteness and Beauty." Master's thesis, University of Central Florida, 2009. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/4160.
Повний текст джерелаM.F.A.
Department of Art
Arts and Humanities
Studio Art and the Computer MFA
Jang, Se Hee. "Beauty in Imperfection: Post-hyperreal Cosmetic Containers." VCU Scholars Compass, 2019. https://scholarscompass.vcu.edu/etd/5830.
Повний текст джерелаMyers, Cerise Joelle. "Between the folly and the impossibility of seeing Orlan, reclaiming the gaze /." Connect to this title online, 2006. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=bgsu1143500239.
Повний текст джерелаCross, David Anthony. "Some kind of beautiful : the grotesque body in contemporary art." Thesis, Queensland University of Technology, 2006. https://eprints.qut.edu.au/16277/1/David_Cross_Thesis.pdf.
Повний текст джерелаHaywood, Mark. "Venus in chairs : a neo-Darwinian analysis of classical beauty in art and its subsequent passage from art to design." Thesis, Royal College of Art, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.326050.
Повний текст джерелаStoltenow, Petersen Kelsi K. "YouTube beauty vlogs: How social media blurs social boundaries." The Ohio State University, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=osu1523368597591707.
Повний текст джерелаRobinson, Hilary. "Becoming beauty : the implications of the writings of Luce Irigay for feminist art practices." Thesis, University of Leeds, 1998. http://etheses.whiterose.ac.uk/391/.
Повний текст джерелаValladares, Gisel Corina. "Maybe She's Born With It, Maybe it's Mexicanidad: Depictions of Mexican Feminine Beauty and the Body in Visual Media During the 1950s." Miami University / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=miami1493336026688153.
Повний текст джерелаHearne, Auna R. "A Fortress Where Beauty is Cherished, Protected and Cultivated: The South Side Community Art Center, 1940-1991." University of Cincinnati / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1439281557.
Повний текст джерелаFowler, Michael Anthony. "Reflections on Beauty and Ugliness: An Exceptional Archaic Greek Mirror at the Getty." Digital Commons @ East Tennessee State University, 2020. https://dc.etsu.edu/etsu-works/8906.
Повний текст джерелаSenguttuvan, Vinoad. "Shutters." Scholarly Repository, 2011. http://scholarlyrepository.miami.edu/oa_theses/290.
Повний текст джерелаBerrios, Ruben Ernesto. "Nietzsche's aesthetics." Thesis, University of Southampton, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.327365.
Повний текст джерелаWolken, Christine Chiorian. "Beauty, Power, Propaganda, and Celebration: Profiling Women in Sixteenth-Century Italian Commemorative Medals." Case Western Reserve University School of Graduate Studies / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=case1339555478.
Повний текст джерелаEccles, Tim. "Looking for beauty: a call to educators to address the need for aesthetic education in our classrooms /." Burnaby B.C. : Simon Fraser University, 2005. http://ir.lib.sfu.ca/handle/1892/2204.
Повний текст джерелаRusconi, Gloria. "Beauty Without Pity, Ambition Without Remorse: Lucrezia Borgia and Ideals of Respectable Femininity." Kent State University / OhioLINK, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=kent1619440010113221.
Повний текст джерелаGatty, Fiona K. A. "Ideal beauty in late eighteenth- and early nineteenth-century French art and art criticism with special reference to the role of drapery and costume." Thesis, University of Oxford, 2014. http://ora.ox.ac.uk/objects/uuid:9c3f5f9e-0a0c-4c1e-a7c1-62ed972cfd12.
Повний текст джерелаChapman, Gaye. "Decompose : decay + weeds = beauty : research into the visual art/painting implications of botanical biodegradation of weeds as an expression of I. The subjective, expansive and ephemeral nature of art, artist and materials. II. An incarnation of the nature of time and sublime beauty that articulates and expands perceptions of art, artist and materials as text + paintings /." View thesis, 2004. http://handle.uws.edu.au:8081/1959.7/29745.
Повний текст джерелаA thesis presented to the University of Western Sydney, College of Arts, Education and Social Sciences, School of Contemporary Arts, in fulfilment of the requirements for the degree of Doctor of Philosophy, Contemporary Arts. Includes bibliographies. Electronic version minus appendices 2, 3, 4 is also available online at: http://handle.uws.edu.au:8081/1959.7/29745.
Skelly, Julia. "No strangers to beauty : contemporary black female artists, Saartje Baartman and the Hottentot Venus body." Thesis, McGill University, 2006. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=97824.
Повний текст джерелаLotz, Felix. "A conversation between Art Nouveau and Digital design." Thesis, KTH, Arkitektur, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-193091.
Повний текст джерелаDenna studien kontrasterar Art Nouveau/ Jugendstil perioden 1880-1920 med dagens datorstödda design diskurs med fokus på den böjda linjen. Studien undersöker skillnader och likheter i kontext, metod, filosofi och form mellan de båda perioderna. Studien inkluderar en analys av den kurvatur som används inom Art Nouveau / Jugendstil och undersöker vidare byggnadskomposition, fasader och ornament i de båda tidsperioderna. Studien försöker besvara följande frågor: Fins det några signifikanta former eller geometrier i Art Nouveau / Jugendstil arkitekturen och hur skiljer dessa sig från dagens datorstödda arkitektur, Går det att på ett relevant sätt använda delar av Art Nouveau / Jugendstil arkitekturen och dess diskurrs på ett idag relevant sätt.
Crossley, Elizabeth Ellen. "Changes in the image of the feminine from Giotto to Raphael." Thesis, Rhodes University, 1985. http://hdl.handle.net/10962/d1009448.
Повний текст джерелаMcCann, Ishbel A. "Facing the World: The Unapparent Merits of Makeup." Scholarship @ Claremont, 2018. http://scholarship.claremont.edu/scripps_theses/1176.
Повний текст джерелаWolf, Bettina. "Revealing Essence." Thesis, Virginia Tech, 1997. http://hdl.handle.net/10919/36713.
Повний текст джерелаMaster of Architecture
Naoi, Nozomi. "Beyond the Modern Beauty: Takehisa Yumeji and the New Media Environment in Early Twentieth Century Japan." Thesis, Harvard University, 2014. http://dissertations.umi.com/gsas.harvard:11556.
Повний текст джерелаHistory of Art and Architecture
Rieu, Sophie. "la beauté limite ou le réveil du sublime sur les scènes contemporaines." Thesis, Montpellier 3, 2019. http://www.theses.fr/2019MON30042.
Повний текст джерелаAfter a first phase examining the traces of a the Batallian Sacred in the work of Jan Fabre, while widening the corpus to other contemporary artists (Abattoir fermé, Romeo Castellucci, Pippo Delbono, Yves-Noël Genod, Alain Platel, Gisèle Vienne and a few others), this thesis aims to highlight the manifestations, on contemporary scenes, of an unusual, amoral, and sometimes obscene beauty that we have named 'borderline beauty '.The first part of the thesis attempts to define this concept. To this end, we have moved through the many definitions of beauty developed in the history of art : divine, synonymous with harmony or truth, bizarre (Baudelaire), dislocated (Expressionism), wonderful and intense (avant-gardes), etc. Whilst it may seem surprising, borderline beauty is also sometimes close to fear and horror, or even disgust. Because it is excessive, it is uprooting. Given borderline beauty connects the viewer with such strong feelings and establishes such a sacred link, it is also related to the sublime. However, this question is not researched within the field of performing arts and we therefore had to rely on material from visual arts, aesthetics and psychoanalysis.The marvelous, dreams and tales, the carnival and the circus are elements that often form part of contemporary performing arts. Moreover, a ‘beautiful terror’ – which is often influenced by monstrous romanticism and is close to the sublime – characterizes some shows (Romeo Castellucci’s ones for instance). The contributions of poetry, dance, music, and cinematographic techniques, when combined, contribute as well to the feeling of the sublime. Central to performing arts, the body is then at the core of this signifying process. As it is strongly present and sometimes over-signifying, is it a source of the sublime as well ? Be it shown as natural, organic, amorphous, erotic, or sacrificed, the body is actually the vessel for a ‘terrible’ beauty.Although, in order to reach the sublime, as Baldine Saint Girons explains, one must accept to see reality without the eyes of reason and logic. In other words, it is not enough for the spectator to be confronted with the unlimited; it is necessary to consent to let oneself being carried away by the insecurity (and sometimes the abstraction) that characterizes certain so-called postdramatic forms. In that context, we have analyzed what may happen to the body of the spectator. ‘Iconic thinking’ – a term coined by Nicole Everaert-Desmedt from the theory of signs developed by C.S. Peirce – is particularly adapted for the analysis of disturbing spectacles which are interested in the mysterious and the invisible. Some questions remain: what are the effects of the sublime? Some directors talk about cathartic effects: can it be considered as such ? What are the advantages of provoking an ‘emotional shock’? Aren’t such shocks purely based on spectacular and theatrical effects? Or, on the contrary, could we consider that when experiencing the sublime, the spectator catches a glimpse of freeing himself from what André Breton called a “life with reluctance”?