Дисертації з теми "Battito"
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Tamburini, Giorgia. "Il biofeedback di secondo ordine per la regolazione del battito cardiaco e del respiro." Doctoral thesis, Università degli studi di Trieste, 2014. http://hdl.handle.net/10077/10076.
Повний текст джерелаIn questo elaborato viene presentato un percorso di ricerca in cui ci siamo posti l’obiettivo di andare a studiare come la presentazione di un modello acustico, rappresentativo di una determinata funzione fisiologica (nello specifico riferito al battito cardiaco o alla frequenza respiratoria) possa influenzare il sistema di autoregolazione dell’individuo a cui viene presentato andando ad agire da rinforzo. In questo percorso abbiamo sviluppato parallelamente due linee di ricerca: con la prima siamo andati ad indagare l’effetto dell’utilizzo del biofeedback cardiaco di secondo ordine sui parametri cardiaci e la differenza nella percezione del proprio battito cardiaco nelle persone con diagnosi di disturbo di panico. Con la seconda, invece, abbiamo condotto degli studi per indagare l’effetto dell’utilizzo del biofeedback respiratorio di secondo ordine sulla standardizzazione degli atti respiratori, mettendolo a confronto con un biofeedback di secondo ordine con tracce di natura artificiale e con un compito cognitivo. Dalle prime ricerche è emerso che le persone con diagnosi di disturbo di panico mostrano una miglior percezione del loro battito cardiaco sia in termini di precisione che di accuratezza, ovvero riescono con maggior facilità a riconoscere una traccia acustica rappresentativa della loro frequenza cardiaca. Nel secondo filone di ricerca, mediante l’utilizzo del biofeedback di secondo ordine, abbiamo messo a confronto suoni naturali rappresentativi della frequenza respiratoria del soggetto con suoni artificiali (ascendenti –inspirazione- e discendenti –espirazione-) basati sui suoi parametri fisiologici. I risultati mettono in evidenza come solo mediante l’utilizzo dei suoni naturali vi sia una riduzione della variabilità respiratoria e quindi una standardizzazione del respiro. Allo stesso modo la condizione che utilizza i suoni naturali è stata messa a confronto con una condizione in cui è stato chiesto al soggetto di svolgere un compito cognitivo di controllo del respiro, essendo questa una delle strategie che più spesso viene insegnata per raggiungere uno stato di rilassamento; anche in questo caso però, il biofeedback respiratorio di secondo ordine è risultato più efficace nella standardizzazione dell’attività respiratoria del soggetto. Le ricerche presentate hanno dimostrato che quando le tracce somministrate al partecipante vengono costruite sulla base di un suono naturale della funzione fisiologica da studiare, il soggetto può riconoscere la traccia presentata come self-related e come appartenente alla propria esperienza percettiva. Essendo la componente ritmica una caratteristica dei sistemi di autoregolazione, questi possono essere influenzati dalla traccia acustica presentata. In considerazione di quanto sopra possiamo dunque ipotizzare che l’utilizzo di una traccia acustica riesca influenzare le risposte fisiologiche del soggetto. Concludendo, si può affermare che è possibile migliorare la propria autoregolazione fisiologica senza alcun tipo di training poiché la tecnica presentata in questo elaborato non richiede nessun tipo di insegnamento né di monitoraggio online.
XXVI Ciclo
1984
AGOSTINELLI, ANGELA. "Estrazione non invasiva del segnale elettrocardiografico fetale da registrazioni con elettrodi posti sull’addome della gestante (Non-invasive extraction of the fetal electrocardiogram from abdominal recordings by positioning electrodes on the pregnant woman’s abdomen)." Doctoral thesis, Università Politecnica delle Marche, 2017. http://hdl.handle.net/11566/245702.
Повний текст джерелаThe heart is the first organ that develops in the fetus, particularly in the very early stages of pregnancy. Compared to the adult heart, the physiology and anatomy of the fetal heart exhibit some significant differences. These differences originate from the fact that the fetal cardiovascular circulation is different from the adult circulation. Fetal well-being evaluation may be accomplished by monitoring cardiac activity through fetal electrocardiography (fECG). Invasive fECG (acquired through scalp electrodes) is the gold standard but its invasiveness limits its clinical applicability. Instead, clinical use of non-invasive fECG (acquired through abdominal electrodes) has so far been limited by its poor signal quality. Non-invasive fECG is extracted from the abdominal recording and is corrupted by different kind of noise, among which maternal ECG is the main interference. The Segmented-Beat Modulation Method (SBMM) was recently proposed by myself as a new template-based filtering procedure able to provide a clean ECG estimation from a noisy recording by preserving physiological ECG variability of the original signal. The former feature is achieved thanks to a segmentation procedure applied to each cardiac beat in order to identify the QRS and TUP segments, followed by a modulation/demodulation process (involving stretching and compression) of the TUP segments to adaptively adjust each estimated cardiac beat to the original beat morphology and duration. SBMM was first applied to adult ECG applications, in order to demonstrate its robustness to noise, and then to fECG applications. Particularly significant are the results relative to the non-invasive applications, where SBMM provided fECG signals characterized by a signal-to-noise ratio comparable to that characterizing invasive fECG. Thus, SBMM may contribute to the spread of this noninvasive fECG technique in the clinical practice.
AMIRI, AMIR MOHAMMAD. "An intelligent diagnostic system for screening newborns." Doctoral thesis, Università degli Studi di Cagliari, 2015. http://hdl.handle.net/11584/266593.
Повний текст джерелаGehann, Ada Beate. "Giovanni Battista Sammartini : die Konzerte /." Frankfurt am Main ; Bern ; Paris : P. Lang, 1995. http://catalogue.bnf.fr/ark:/12148/cb35781059t.
Повний текст джерелаSyndikus, Candida. "Leon Battista Alberti : das Bauornament /." Münster : Rhema, 1996. http://catalogue.bnf.fr/ark:/12148/cb370972620.
Повний текст джерелаFesta, Daniela Anna. "Battiti di città : Esperienze di co-produzione dello spazio urbano." Paris 10, 2011. http://www.theses.fr/2011PA100094.
Повний текст джерелаThis research project employs a cross-scale approach to examine experiences concerning participatory budgets in two districts of Rome promulgated through regional policy. The experiences are examined in terms of both urban policy and processes of mobilisation of civil society and socio-territorial practices that form part of the fabric of daily life. The project, which draws upon theories belonging to urban political geography, is in fact closer to the debate initiated in France, and more recently in Italy, in the domain of social geography as regards the interdisciplinary methods used, the relative importance of field work, and the role of the researcher. The field of enquiry focuses on the impact of active participation by citizens in the coproduction of urban policy. In this study, the notion of coproduction refers equally to processes involving the construction of meaning that results from the exchange of views and representations, and to changes in use and expectations concerning spaces and local policy that arise following experiences of direct citizen participation in public decision-making. The enquiry deliberately encompasses an intra-urban scale on both thematic and methodological grounds: however, analysis of the experience led to numerous changes of scale, accommodating investigation of forms of spontaneous aggregation within quarters of the town, which displayed a strong interaction with the conduct of the processes in question, but also of more wide-ranging policies displaying either significant synergy or conflict with the experiences in question. The research, which was conducted by a multidisciplinary team, concentrated in particular on analysis of the modes of interaction between the various levels of knowledge and power mobilised within the two experiences. Our initial hypothesis concerns the position of the researcher. A key trait of social geography is the need to view a desire for change in favour of socio-spatial equity as a natural consequence of research. This desire may take the form of critical input, or in the long term, professional training. However, in accordance with shifts in the general framework, with increasing competition between research and the private sector, and with the urgent need for a radical change in the prevailing models for the town (in the case of Rome), we postulate the hypothesis that the research-participatory action method may constitute a mode of interaction between science and society that is of particular relevance for the themes concerning urban co-production. Regarding themes, we suggest that it is vital to develop a model (variable, adaptable and readily usable) of interaction between the various actors, their needs and their expertise, in order to ensure a democratic and sustainable urban project, in contrast with both the model based on predominantly political negotiation and the outmoded and elitist technocratic model. The proposed research-action model ranged in the field from territorial diffusion to multi-actor strategies of consultation and evaluation of citizens' proposals, with a gradual increase in consideration of the core issues of participatory democracy: from the creation of the "representative microcosm" of interests involved to guarantees of transparency and of an equal say for citizens, from the circulation of the various levels of expertise implicated in the joint decision-making process through to accompaniment towards stable forms of participation. The conclusions emerging from this study point towards a critical examination of these experiences. The creation of a technically acceptable process of coproduction of knowledge and of urban projects allows questions to be interjected into the debate as well as the assumption of local responsibility for territorial policy, although the role of local institutions continues to be uncertain and ambiguous. However, these experiences reaffirm the capacity of Roman citizens for self-organisation and the importance of territorial planning processes as a potential means of resistance to chaotic, heteronomous and highly speculative models of urban development
Kleimann, Thomas. "Lebensrealismus. Die Geschichtsphilosophie Giovanni Battista Vicos." Doctoral thesis, Universitätsbibliothek Chemnitz, 2010. http://nbn-resolving.de/urn:nbn:de:bsz:ch1-201000062.
Повний текст джерелаMorin, Pauline Marie. "Leon Battista Alberti : architect as Orator." Diss., Georgia Institute of Technology, 2002. http://hdl.handle.net/1853/22332.
Повний текст джерелаGámez, Hernández Carlos. "Le Nuove Musiche: Giovanni Battista Bovicelli?" Thesis, University of North Texas, 2010. https://digital.library.unt.edu/ark:/67531/metadc30458/.
Повний текст джерелаNoorbhai, Mohammed Habib. "The batting backlift technique in cricket." Doctoral thesis, University of Cape Town, 2017. http://hdl.handle.net/11427/24908.
Повний текст джерелаStevenson, Karl. "Representative task design in cricket batting." Thesis, University of Brighton, 2016. https://research.brighton.ac.uk/en/studentTheses/318a4c35-00df-45b2-a23d-eaeccc05f339.
Повний текст джерелаZanzani, Giulia. "La lingua di specialità del ferro battuto: traduzione del manuale Creative Blacksmithing." Bachelor's thesis, Alma Mater Studiorum - Università di Bologna, 2019. http://amslaurea.unibo.it/18323/.
Повний текст джерелаRowcroft, Victoria Jane. "The secular music of Giovanni Battista Moscaglia." Thesis, University of Southampton, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.252047.
Повний текст джерелаStolf, Serge. "Ironie et discours chez Leon Battista Alberti." Grenoble 3, 1994. http://www.theses.fr/1994GRE39033.
Повний текст джерелаThis essay considers the works of l. B. Alberti, written in latin and in "volgare". First, it looks at irony following the way of the "intertextualite". Moreover, the irony calls in question the omniscient certitudes of universal speechs (metaphysical speech and speech of the reason). Lastly, the irony, considered as dialogue, underlines the necessary and difficult confrontation of learnings, but it can also assume the dubious status, between dissimulation and cynicism, of a free speech that eludes social and political sanctions
Lauri, Laura. "L'affaire Cesare Battisti : enjeux politiques et littéraires." Thesis, Bordeaux 3, 2018. http://www.theses.fr/2018BOR30006.
Повний текст джерелаCesare Battisti’s name is indeed that of a famous hero of the Great War, but it also evokes, traumatically, the crimes imputed by the Italian judiciary to the provocative and inflexible activist born in 1954 near Latina, in the Latium, who was given a life sentence in absentia, after a trial which was contested as based on charges presented by a single ‘penitent’. There is no doubt that Cesare Battisti was only a minor figure during the Years of Lead. In France, his exceptional ‘case’ was widely mythicized. Nevertheless, Battisti is still vilified. He thus makes for an enlightening transverse study, allowing us to leave behind the invectives and move on to much needed, dispassionate research, as documented and objective as possible, into that painful era and its aftermath. The origins of this puzzling, complex, and contested individual, highly perceptive and capable of numerous metamorphoses, together with his background, allow us to understand better his drift towards violent, extremist left-wing groupuscules. A mechanism is then set in motion, leading to a ‘case’ which seems endless, in its judicial complexities in Italy, but even more so in France where the sentences of the courts are interwoven with a vast media compaign, and later on in Brazil, still today. The inflexibility of the protagonist is a major factor in this situation. It entails a torrent of articles, statements, and very committed monographs from intellectuals, reverberated in the media and subsequently in the political sphere. Why this intensive media coverage, with all its twists, when the other refugees benefitting in France from the ‘doctrine Mitterrand’ can remain largely anonymous? Certainly because of Battisti’s main tactics— becoming a writer, and therefore an intellectual, thus sacred and unimpeachable in France— which also allows him to keep up his political fight, indirectly, between the lines. His crime novels, which are carefully crafted, and fed by his adventures and observations as an exile, reach far beyond the supposed limits of the genre, and raise questions that can capture our contemporaries’ interest. The defendant becomes an accuser. He highlights the many dead ends of the modern age. Thus he reshapes his image, through fiction, by means of omission and division. Analyzing Cesare Battisti’s life in its successive stages teaches us a lot about the cogs and wheels of a historical crisis, and about what still troubles our society
Teichler, Liza S. Row Brandi. "The relationship between bat velocity, upper and lower extremity power and the rotational kinetic chain in NCAA Division II softball players /." Online version, 2010. http://content.wwu.edu/cdm4/item_viewer.php?CISOROOT=/theses&CISOPTR=362&CISOBOX=1&REC=18.
Повний текст джерелаDinis, Alfredo De Oliveira. "The cosmology of Giovanni Battista Riccioli (1598-1671)." Thesis, University of Cambridge, 1989. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.315737.
Повний текст джерелаSchaal, Susanne. "Musica scenica : die Operntheorie des Giovanni Battista Doni /." Frankfurt am Main ; Bern ; Paris : P. Lang, 1993. http://catalogue.bnf.fr/ark:/12148/cb35573999g.
Повний текст джерелаAndrews, Mark Warren. "Irrational architecture in Giovanni Battista Piranesi’s Carceri d’Invenzione." Thesis, The University of Sydney, 2016. http://hdl.handle.net/2123/17719.
Повний текст джерелаCassidy, Paul Edward. "The use of digital video pitch simulators for training expert baseball batters to improve their abilities to detect optical anticipatory pitch information /." Diss., ON-CAMPUS Access For University of Minnesota, Twin Cities Click on "Connect to Digital Dissertations", 2000. http://www.lib.umn.edu/articles/proquest.phtml.
Повний текст джерелаBianchi, Nella. "Le monde relationnel dans l'oeuvre de Leon Battista Alberti." Paris 3, 1994. http://www.theses.fr/1994PA030152.
Повний текст джерелаThs thesis aims at studying the different relationships in leon battista alberti's work. . It is therefore divided into 2 parts with 3 chapiters each. The first 3 chapters analyse the link that the author establishes with the reader and his work: his desires and aims, expressed openly or indirectly in the functioning of the dialogue. Chapters iv, v, vi examine haw alberti presents the network of relationships on wich social life is bases; by putting forth solutions wich vary depending on the points of view chosen by the author and presented by his characters
Wulfram, Hartmut. "Literarische Vitruvrezeption in Leon Battista Albertis "De re aedificatoria" /." München : K. G. Saur, 2001. http://catalogue.bnf.fr/ark:/12148/cb38963958s.
Повний текст джерелаMacneil, Georgina Sybella. "Giovannino Battista: the boy Baptist in quattrocento Italian art." Thesis, The University of Sydney, 2013. http://hdl.handle.net/2123/10299.
Повний текст джерелаAddis, Anna <1978>. "Artificio e maschera nel pensiero di Leon Battista Alberti." Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2010. http://amsdottorato.unibo.it/3218/1/Addis_Anna_tesi.pdf.
Повний текст джерелаAddis, Anna <1978>. "Artificio e maschera nel pensiero di Leon Battista Alberti." Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2010. http://amsdottorato.unibo.it/3218/.
Повний текст джерелаBenedetti, Samantha <1992>. "Edizione critica e commentata dell'Ecatonfilea di Leon Battista Alberti." Master's Degree Thesis, Università Ca' Foscari Venezia, 2020. http://hdl.handle.net/10579/17909.
Повний текст джерелаRAPELLI, GIADA. "BATTITI DEL CUORE: UNA RICERCA DIADICA SU PAZIENTI CON MALATTIE CARDIACHE E I LORO PARTNER." Doctoral thesis, Università Cattolica del Sacro Cuore, 2021. http://hdl.handle.net/10280/90822.
Повний текст джерелаThis research has a dyadic approach involving both patients with cardiovascular disease and their partner during the hospitalization. The first study investigates the effect of dyadic coping (DC) on partners’ marital satisfaction considering the moderating effect of the partners’ psychological distress. The results show that the beneficial effect of positive and common DC on marital satisfaction occurs when the partners’ psychological distress is low, on the contrary negative DC decreases marital satisfaction among those who have high levels of psychological distress. The second study aims to investigate the relationship between DC, adherence to medications and patient activation. The relationship is mediated by the patient health self-efficacy: positive and common DC increase patient health self-efficacy which in turn increases adherence to medication and patient activation; on the contrary, the negative DC is detrimental during hospitalization and also over time after discharge. The third study investigates the relationship between psychological distress and the quality of partner support (overprotection, hostility and support for patient engagement) through the moderating role of DC. The results show that high psychological distress increases worse partner support among those with low levels of positive DC and high negative DC.
RAPELLI, GIADA. "BATTITI DEL CUORE: UNA RICERCA DIADICA SU PAZIENTI CON MALATTIE CARDIACHE E I LORO PARTNER." Doctoral thesis, Università Cattolica del Sacro Cuore, 2021. http://hdl.handle.net/10280/90822.
Повний текст джерелаThis research has a dyadic approach involving both patients with cardiovascular disease and their partner during the hospitalization. The first study investigates the effect of dyadic coping (DC) on partners’ marital satisfaction considering the moderating effect of the partners’ psychological distress. The results show that the beneficial effect of positive and common DC on marital satisfaction occurs when the partners’ psychological distress is low, on the contrary negative DC decreases marital satisfaction among those who have high levels of psychological distress. The second study aims to investigate the relationship between DC, adherence to medications and patient activation. The relationship is mediated by the patient health self-efficacy: positive and common DC increase patient health self-efficacy which in turn increases adherence to medication and patient activation; on the contrary, the negative DC is detrimental during hospitalization and also over time after discharge. The third study investigates the relationship between psychological distress and the quality of partner support (overprotection, hostility and support for patient engagement) through the moderating role of DC. The results show that high psychological distress increases worse partner support among those with low levels of positive DC and high negative DC.
Biermann, Veronica. "Ornamentum : Studien zum Traktat "De re aedificatoria" des Leon Battista Alberti /." Hildesheim ; Zürich ; New York : G. Olms, 1997. http://catalogue.bnf.fr/ark:/12148/cb37000762t.
Повний текст джерелаBianchi, Bensimon Nella. "Unicité du regard et pluralité des voix : essai de lecture de Leon Battista Alberti /." Paris : Presses de la Sorbonne nouvelle, 1998. http://catalogue.bnf.fr/ark:/12148/cb36985694f.
Повний текст джерелаStorz, Otto-Hermann. "Die persische Karte venezianisch-persische Beziehungen um 1500 ; Reiseberichte venezianischer Persienreisender." Berlin Münster Lit, 2008. http://d-nb.info/994680732/04.
Повний текст джерелаDozza, Dora. ""MoVimento 5 Stelle: la comunicazione politica di Alessandro Di Battista"." Master's thesis, Alma Mater Studiorum - Università di Bologna, 2018.
Знайти повний текст джерелаMarinho, Fernanda 1982. "Eugenio Battisti e o léxico conceitual e historiográfico do antirrenascimento." [s.n.], 2013. http://repositorio.unicamp.br/jspui/handle/REPOSIP/280560.
Повний текст джерелаTese (doutorado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciências Humanas
Made available in DSpace on 2018-08-22T20:26:32Z (GMT). No. of bitstreams: 1 Marinho_Fernanda_D.pdf: 13219367 bytes, checksum: 713a6b51d616454de72391bbe1229641 (MD5) Previous issue date: 2013
Resumo: O Antirrenascimento, de Eugenio Battisti, foi publicado pela primeira vez em 1962, durante um período no qual a cultura italiana, ainda com certa dificuldade devido aos resquícios do fascismo, batalhava por uma expansão político-cultural. O livro volta-se aos estudos da cultura popular, das ilustrações científicas, da iconografia das bruxas, da arqueologia das fábulas, compondo um variado mosaico do tecido cultural quinhentista. A presente Tese de doutorado o analisa sob três perspectivas principais: a trajetória biográfica de seu autor; o léxico conceitual do termo que intitula a sua obra; e o contexto historiográfico que a abrange. Battisti nasceu em Turim, em 1924 (faleceu em Roma, em 1989), tendo testemunhado a Segunda Guerra Mundial e, quando ainda jovem, durante o pós-guerra, militado junto aos movimentos de resistência em sua cidade natal. Nesta época envolveu-se principalmente com produções teatrais, demonstrando desde já especial atenção nos assuntos de cultura. A construção de seu pensamento estrutura-se num percurso crítico cujo leitmotiv é identificado como uma muito particular inquietude que lhe instigava à incessante revisão do status quo. Um ceticismo operante que organizava seu pensamento crítico em estruturas dialéticas como as oposições entre comédia e tragédia, entre renascimento e barroco, entre clássico e anticlássico, mas também - e principalmente - incitava-lhe à constante renovação e questionamento destas classificações. O termo antirrenascimento é abarcado nesta Tese para além de suas analogias com o termo maneirismo, com a crise do Renascimento ou do áulico clássico. Mas vem compreendido, acima de tudo, como uma categoria retórica de caráter vanguardista. Battisti fez parte do cenário cultural italiano ligado à escola de Lionello Venturi, oposta à escola de Roberto Longhi. Participou ativamente de fundamentais mudanças dos rumos da historiografia, quando esta experimentava uma maior influência das escolas alemãs, estreitando os confins que separavam os papéis do historiador e do crítico de arte. O Antirrenascimento, desta maneira, é aqui abordado como uma proposta de revisão da romântica, e ainda prevalente, noção de Renascimento enquanto um período que, superando as trevas medievais, alcançou o triunfo máximo da razão. Contrário a esta tradicional interpretação do Renascimento como turning point da história, Battisti investigou as manutenções do mundo medieval na cultura renascentista, a criatividade artística enquanto livre assimilação e emulação de ulteriores culturas. Trata-se de uma proposta historiográfica cujo modus operandi é o ceticismo, de metodologia utópica e livre de resultados conclusivos. Battisti desconfiou de toda premissa teórica - nada lhe é pressuposto científico. O conhecimento deve equilibrar-se em bases móveis, deve se atualizar e temer o estanque. Pretende-se aqui, primordialmente, a apresentação deste historiador da arte e do livro O Antirrenascimento no âmbito acadêmico brasileiro. Acredita-se numa frutífera recepção de seu legado na nossa recente e ativa produção em história da arte, caracterizada pela interdisciplinaridade, pelo caráter revisional dos estudos correntes, pela alteridade como constructo definidor da identidade cultural, determinantes estas tão caras a Eugenio Battisti
Abstract: Eugenio Battisti's Antirinascimento was first published in 1962 during a period in which Italian culture, while still coping with some restraints due to remnants of fascism, battled through political and cultural expansion. The book goes through studies in popular culture, scientific illustrations, iconography of witches, archeology of fables, composing a diverse mosaic of fifteen century's cultural fabric. This doctoral thesis analyzes its three main perspectives: the author's biography; the conceptual lexicon of the term which entitles his work; and the historical context of the encompassed period. Battisti was born in Turin in 1924 (and died in Rome in 1989) thus witnessing the Second World War and, as a young man during the postwar period, militating in his hometown's resistance movements. During this period he got involved mainly with theatrical productions, showing early signs of interest in cultural matters. His thoughts' progress is structured in a critical path whose leitmotiv can be identified as a very unique concern, inciting a constant review of the status quo, an ongoing skepticism that organized his critical thinking in dialectical structures exemplified by the opposition between comedy and tragedy, renaissance and baroque, classic and anti-classic, but, especially, inciting a constant renewal and questioning of these classifications. In this thesis, the term "antirinascimento" is encompassed beyond analogies with the term "mannerism", with renaissance's or classic aulic's crisis. It is understood, above all, as a vanguardist rethoric category. Battisti was part of the Italian cultural scene related to Lionello Venturi's school, which had a difficult conflict with Roberto Longhi's school. He took part in fundamental shifts in historiography in a time tremendously influenced by German schools, narrowing the boundaries separating roles of historians and art critics. Therefore, Antirinascimento is discussed here as a reviewing proposal of the romantic and still prevailing notion of Renaissance as a period that, once surpassed "medieval darkness", reached reason's ultimate triumph. In opposition to the traditional interpretation of Renaissance as a turning point in history, Battisti investigates medieval features in Renaissance culture, artistic creativity as free assimilation and emulation of subsequent cultures. It is a historiographical proposal whose modus operandi is a utopian methodological skepticism free from conclusive results. Battisti was suspicious towards every theoretical premise. For him, there are no scientific assumptions, and knowledge should be balanced in mobile foundations, it should be updated and dread motionless. The prior intention of this thesis is to introduce this art historian and Antirinascimento into Brazilian academics. It may well be a fruitful reception to his legacy in Brazil's recent and active production in art history, known for its interdisciplinarity, revisory approach in current research, otherness as defining structure of cultural identity, all of which are highly esteemed to Eugenio Battisti
Doutorado
Historia da Arte
Doutora em História
Loewen, Andrea Buchidid. "Lux pulchritudinis: sobre beleza e ornamento em Leon Battista Alberti." Universidade de São Paulo, 2007. http://www.teses.usp.br/teses/disponiveis/16/16133/tde-19052010-114309/.
Повний текст джерелаInspired in tuscan airs, inflamed by ancient sources and girded by Roman ruins, Leon Battista Alberti composes, in latin letters, a modern doctrine of beauty sowed upon the treatises on the Arts. In that, beauty glares in pulchritudo and ornamentum: the former, proportional harmony of the parts within a body that does not accepts additions or subtractions or alterations, is inherent quality; the latter, adherent to the figure, is auxiliary light and fair complement. Evoking the rhetoric of Cicero and Quintilian, and invoking comely, organic, metaphors, the albertian precepts, by fusing the notions of decorum and aptum and accommodating aesthethical principles and ethical motivations, surpasses the separation between structure and ornament, attenuating the idea of a beauty only emerged from proportional relation, ending modern oppositions between ornatus and utilitas.
Anderson, Bruce. "The effects of the Thunderstick batting device on hitting efficiency." Scholarly Commons, 1987. https://scholarlycommons.pacific.edu/uop_etds/503.
Повний текст джерелаStignani, Serena. "Analisi della dinamica nel gesto sportivo della battuta nel tennis." Bachelor's thesis, Alma Mater Studiorum - Università di Bologna, 2013. http://amslaurea.unibo.it/6399/.
Повний текст джерелаLotto, Alessandra <1974>. "Aspetti della committenza veneziana in riferimento all'opera di Battista Zelotti." Doctoral thesis, Università Ca' Foscari Venezia, 2012. http://hdl.handle.net/10579/1241.
Повний текст джерелаLa figura di Battista Zelotti (1526-1578) è affrontata in relazione alla sua committenza veneziana. Attraverso una ricerca archivistica si sono scoperte informazioni che contestualizzano i suoi esordi veronesi, le prime commissioni in laguna, la decorazione della biblioteca dell’abbazia benedettina di Praglia. Alla luce dei nuovi documenti reperiti, molti aspetti del rapporto tra artista e committenza trovano una collocazione storica e culturale.
Metlica, Alessandro. "Giovan Battista Casti, "Il poema tartaro". Edizione critica e commento." Doctoral thesis, Università degli studi di Padova, 2013. http://hdl.handle.net/11577/3423629.
Повний текст джерелаIl presente lavoro consiste nell’edizione critica del Poema tartaro dell’abate libertino Giovan Battista Casti (1724-1803). Si tratta di una lunga narrazione in ottave che, secondo i dettami del genere eroicomico, offre una satira della corte di Caterina II di Russia, che l’autore aveva visitato tra il 1776 e il 1779 al seguito del corpo diplomatico absburgico. Il testo non approdò mai a una stampa autorizzata da Casti: l’alleanza firmata da Austria e Russia nel 1781 convinse l’imperatore Giuseppe II, presso cui l’abate si era collocato come poeta di corte, a proibire la pubblicazione del poema, che circolò a lungo manoscritto oppure in stampe incomplete e difettose. Un esame puntuale di questa tradizione ha condotto all’isolamento del codice che Casti fece redigere per la lettura imperiale del 1786 e all’acquisizione di 84 ottave assenti dalle stampe ottocentesche. All’edizione criticamente condotta di questi materiali segue un ampio commento, teso a illustrare i molteplici livelli di lettura del testo. Peculiarità del Tartaro, infatti, è la permeabilità tra XVIII e XIII secolo, tra Russia cateriniana e Impero mongolo: la vicenda, pur essendo ricca di allusioni alla politica e alla vita di corte sotto Caterina, è trasportata allegoricamente ai tempi di Gengis Khan, al fine di mostrare lo stato di perenne barbarie della società russa. Ritraendo Pietroburgo come la perduta Karakorum, e Caterina come una sovrana dispotica e “orientale”, Casti si poneva in contradditorio con Voltaire e con gli illuministi francesi, che nella Russia cateriniana avevano visto, al contrario, un punto di riferimento per l’Europa dei Lumi. Il nostro lavoro riporta, in appendice, l’indice dei travestimenti storici predisposto dall’autore, e utilizza questi materiali per un esame rigoroso degli obiettivi polemici del poema.
Ek, Fatma İpek Şengel Deniz. "The archaeological sublime:history and architecture in piranesi's drawings/." [s.l.]: [s.n.], 2006. http://library.iyte.edu.tr/tezler/master/mimarlik/T000527.pdf.
Повний текст джерелаKeywords: Piranesi, architectural drawing, archaeology, architectural history, the eighteenth century. Includes bibliographical references (leaves.144-176).
Kobusch, Beate Pio Giovanni Battista. "Das Argonautica-Supplement des Giovanni Battista Pio Einleitung, Edition, Übersetzung, Kommentar /." Trier : WVT, Wissenschaftlicher Verlag, 2004. http://catalog.hathitrust.org/api/volumes/oclc/56679096.html.
Повний текст джерелаTavernor, Robert William. "Concinnitas in the architectural theory and practice of Leon Battista Alberti." Thesis, University of Cambridge, 1985. https://www.repository.cam.ac.uk/handle/1810/239042.
Повний текст джерелаPearson, Caspar. "Visions of the city in Leon Battista Alberti's 'De re aedificatoria'." Thesis, University of Essex, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.248667.
Повний текст джерелаFurlan, Francesco. "Les Livres de la famille (De familia) de Leon Battista Alberti." Paris, EHESS, 1994. http://www.theses.fr/1994EHESA002.
Повний текст джерелаThis thesis studies the context, the genesis and the process of the writing of de familia by leon battista alberti (1404-1472). It is composed of two volumes respectively entitled "context, genesis and writing of a dialogue" and "tradition and text". The first volume tackles in its introduction the problem of the different forms of alberti's writing (treatise, dialogue, ludus) and of their epistemological significance; it studies next the ancient models, the forms, the methods and the humanist context (chapter i and ii), then chronology, typology, conception and composition of alberti's italian dialogues (chapter iii), as well as the progression of dialogue, the fonction of characters and the production of the truth in de familia (chapter iv). The volume ends with an appendix dedicated to "family, woman and love" which studies, in the whole of his work, the perceptions and ideas of alberti on these subjects in the light of ecclesiastical conceptions and practices of the merchant milieu of the time. The second volume contains a critical edition of the four books of de familia. It is precedeed by a substantial introduction which retraces in a new manner the genesis of the work and the modalities of its circulation and which reconstructs for the first time the connection between the known manuscripts in a rational way. Three distinct stemmata corresponding to the three sections, under which the book was effectively circulated, are proposed
Nakayama, Juliana Kiyosen. "Análise do tópico discursivo nas sustentações orais do caso Cesare Battisti." Universidade Estadual de Londrina. Centro de Letras e Ciências Humanas. Programa de Pós-Graduação em Estudos da Linguagem, 2016. http://www.bibliotecadigital.uel.br/document/?code=vtls000208766.
Повний текст джерелаThis paper investigates the construction of discursive topic and its introduction, expansion, rupture and closure procedures in oral arguments before the Federal Supreme Court (FSC), based on partial transcription of the extradition trial session (Ext 1085) and warrant security (MS 27875) on the Cesare Battisti case, which occurred on June 8, 2011. The part of the transcription of the trial session chosen takes into account the concentration of oral arguments of private lawyers, public lawyer, representative of the Union and the representative of the Public Prosecutor before the Federal Supreme Court and thus it allows the study of the discursive topic front of the institutions that they represent their speakers. The choice of the corpus was made by national and international impact of the event that happened between Brazil and Italy, with regard to their diplomatic relations. President Lula, on his last day of his mandate in his ultimate decision as President of the Republic refused the extradition of Cesare Battisti to Italy. This presidential and sovereign decision of Brazil led to the judgment of the act before the Federal Supreme Court in Brazil, under the request of Italy, which judged the permanence of Battisti in Brazil. The methodology used at this study was empirical and inductive based on functionalist view of Halliday (2004), Marcuschi (2006) and Galembeck (1999), qualitative character. By studying the oral arguments focused on interactions, highlighting this perspective, presents a vast universe of possibilities of analysis, since speech basically permeates all human activities. In this sense, the speech-in-interaction opens space for different interdisciplinary studies, being able to be explored in many other scenarios. The inclusion of the study of oral arguments and their interactions in Conversation Analysis field lends originality to the work herein. It is hoped that in this way, it can give rise to more interdisciplinary research. Considering the language used by speakers in their oral arguments, it is clear that there must be shared knowledge for the interaction to be effective, especially with regard to the Federal Supreme Court context, taking into account many legal concepts used. Considering the final votes of Justices of the Federal Supreme Court, the judgment now analyzed: 5 out of 4 in behalf of Battisti, prior expectation of the judges was probably answered. It was also prepared a study on the functioning of the Federal Supreme Court on the oral arguments of the trial session. For further explanation of what happens in the highest court of the judiciary, the data was included in images, tables and diagrams.
Battis, Ulrich [Verfasser], and Hans J. [Akademischer Betreuer] Wolff. "Erwerbsschutz durch Aufopferungsentschädigung / Ulrich Battis ; Betreuer: Hans J. Wolff." Münster : Universitäts- und Landesbibliothek Münster, 2008. http://d-nb.info/114078661X/34.
Повний текст джерелаMüller-Bechtel, Susanne. "Die Zeichnungen als Forschungsinstrument Giovanni Battista Cavalcaselle (1819 - 1897) und seine Zeichnungen zur Wandmalerei in Italien vor 1550." Berlin München Dt. Kunstverl, 2006. http://d-nb.info/988739305/04.
Повний текст джерелаStechly, Seivertson Tracie L. "Response time to batted balls." Morgantown, W. Va. : [West Virginia University Libraries], 1999. http://etd.wvu.edu/templates/showETD.cfm?recnum=1195.
Повний текст джерелаTitle from document title page. Document formatted into pages; contains vii, 52 p. : ill. (some col.). Includes abstract. Includes bibliographical references (p. 36-39).
Heyl, Ute von. "Giambattista Mengardi (1738-1796) : Umbruch zum Klassizismus in der venezianischen Malerei /." Hildesheim : Olms, 2002. http://catalogue.bnf.fr/ark:/12148/cb391258040.
Повний текст джерелаHeniford, Ryan C. "The Effects of Batting Materials on the Performance of Turnout Thermal Liners." NCSU, 2006. http://www.lib.ncsu.edu/theses/available/etd-01052006-184853/.
Повний текст джерелаDenman, Sheila D. "Slow and rapid isotonic weight training : effects on batting related response time." Virtual Press, 1986. http://liblink.bsu.edu/uhtbin/catkey/447844.
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