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Статті в журналах з теми "Battisteri"
Piva, Paolo. "Il battistero paleocristiano di Piacenza." Antiquité Tardive 5 (January 1997): 265–74. http://dx.doi.org/10.1484/j.at.2.300976.
Повний текст джерелаBani, Luca. "Andrea Battistini, Galileo." Transalpina, no. 16 (March 14, 2013): 262–63. http://dx.doi.org/10.4000/transalpina.1960.
Повний текст джерелаCossiri, Angela, and Giovanni Di Cosimo. "O Caso Battisti." Revista de Direito Brasileira 2, no. 2 (June 1, 2012): 341–60. http://dx.doi.org/10.5585/rdb.v1i1.83.
Повний текст джерелаMokounkolo, R. "Hommage à Adalgisa Battistelli." Psychologie du Travail et des Organisations 28, no. 1 (March 2022): 2–3. http://dx.doi.org/10.1016/j.pto.2022.01.002.
Повний текст джерелаVayre, E. "Hommage à Adalgisa Battistelli." Psychologie du Travail et des Organisations 28, no. 1 (March 2022): 4. http://dx.doi.org/10.1016/j.pto.2022.01.004.
Повний текст джерелаdi Nuovo, S., and D. Guglielmi. "Hommage à Adalgisa Battistelli." Psychologie du Travail et des Organisations 28, no. 1 (March 2022): 3. http://dx.doi.org/10.1016/j.pto.2022.01.003.
Повний текст джерелаLageat, Yannick, Michel Petit, and Jean-Aimé Rakotoarisoa. "René Battistini (1928-2017)." Physio-Géo, Volume 11 (January 19, 2017): 9–11. http://dx.doi.org/10.4000/physio-geo.5601.
Повний текст джерелаCossiri, Angela, and Giovanni Di Cosimo. "O Caso Battisti." Revista de Direito Brasileira 2, no. 2 (October 2, 2012): 341. http://dx.doi.org/10.26668/indexlawjournals/2358-1352/2012.v2i2.2708.
Повний текст джерелаBurstein, Zuño. "Telémaco Battistini Sánchez (1895-1960)." Revista Peruana de Medicina Experimental y Salud Pública 27, no. 1 (March 2010): 142–45. http://dx.doi.org/10.1590/s1726-46342010000100019.
Повний текст джерелаBurstein A., Zuño. "Germán Battistini Moore (1916-2010)." Revista Peruana de Medicina Experimental y Salud Pública 28, no. 2 (June 2011): 385–87. http://dx.doi.org/10.1590/s1726-46342011000200029.
Повний текст джерелаДисертації з теми "Battisteri"
Orlandi, Lucia Maria. "Battesimo e battisteri nella Tarda Antichità. Ritualità, architettura, spazio sociale." Thesis, Paris 4, 2017. http://www.theses.fr/2017PA040094.
Повний текст джерелаThe aim of this work is to define the social elements related to baptism for the period from the 4th to the 7th c. This perspective deals with practical behaviours and mental attitudes that are generated within the society by the very existence of the baptismal ritual. This social-historical approach has been combined with other two perspectives: history of liturgy and theology, and history of art and archaeology. The sampling of the geographical areas under analysis considers mainly the Eastern Mediterranean, but also some of the Western regions, in order to be as much wider and representative as possible. The quantitative archaeological and topographical data, gathered from the record of 436 baptisteries, have been related to the evolution of liturgy as well as to historical and social contexts in the various areas, as derived from different documentary sources and from scholarly literature. Baptism, together with the thoughts and practices that are connected to it, and derived from it, has turn out to be fundamental in the transformation of social structures that takes place in Late Antiquity. It contributed, amongst other factors, to the process of slow change of the social schemes, that characterized the transition between Antiquity and Middle Ages: Christianity gradually became a source of uniformity for collective identity, by bringing together different social strata on the base of the same ideals. This process of social “democratisation”, not without contradictions, began with the general spread of baptism
Orlandi, Lucia Maria <1989>. "Battesimo e battisteri nella Tarda Antichità. Ritualità architettura, spazio sociale." Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2017. http://amsdottorato.unibo.it/8239/1/Orlandi_Lucia%20Maria_tesi.pdf.
Повний текст джерелаBaptism and baptisteries during the first centuries of Christian era have been largely treated in scientific literature, mainly from two different and autonomous perspectives: on the one hand, history of liturgy and theology, on the other hand, history of art and archaeology. Our aim is to combine these two approaches, by adding a third one, that of social history. This perspective deals with practical behaviours and mental attitudes that are generated within the society by the very existence of the baptismal ritual. The chronological frame which is considered goes from the 4th to the 7th c., a period in which the normative and institutional structure of the Church(es) is still developing. The sampling of the geographical areas under analysis considers mainly the Eastern Mediterranean, but also some of the Western regions, in order to be as much wider and representative as possible. The analysis includes the five patriarchal sieges (Rome, Constantinople, Alexandria, Antioch, Jerusalem) and several provinces: western Syria, Cyprus, Caria, Pamphylia, Lycia, Crete, Dodecanese (main islands), Palestine, northern Egypt, Macedonia, Thrace, Liguria, Flaminia and Sicily in Italy, Africa Proconsularis. The archaeological and topographical data, derived from the record of 436 baptisteries, have been related to the evolution of liturgy as well as to historical and social contexts in the various areas. Baptism, together with the thoughts and practices that are connected to it, and derived from it, has turn out to be fundamental in the transformation of social structures that takes place in Late Antiquity. It contributed, amongst other factors, to the process of slow change of the social schemes: Christianity gradually became a source of uniformity for collective identity, by bringing together different social strata on the base of the same ideals. This process of social “democratisation”, not without contradictions, began with the general spread of baptism.
Rohrmüller, Marc. "Arnoldson, Battistini, Caruso & Co." Saechsische Landesbibliothek- Staats- und Universitaetsbibliothek Dresden, 2013. http://nbn-resolving.de/urn:nbn:de:bsz:14-qucosa-107131.
Повний текст джерелаSarasini, Federica <1976>. "Storiografia dei restauri musivi e architettonici relativi al battistero neoniano di Ravenna." Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2008. http://amsdottorato.unibo.it/627/1/Tesi_Sarasini_Federica.pdf.
Повний текст джерелаSarasini, Federica <1976>. "Storiografia dei restauri musivi e architettonici relativi al battistero neoniano di Ravenna." Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2008. http://amsdottorato.unibo.it/627/.
Повний текст джерелаLauri, Laura. "L'affaire Cesare Battisti : enjeux politiques et littéraires." Thesis, Bordeaux 3, 2018. http://www.theses.fr/2018BOR30006.
Повний текст джерелаCesare Battisti’s name is indeed that of a famous hero of the Great War, but it also evokes, traumatically, the crimes imputed by the Italian judiciary to the provocative and inflexible activist born in 1954 near Latina, in the Latium, who was given a life sentence in absentia, after a trial which was contested as based on charges presented by a single ‘penitent’. There is no doubt that Cesare Battisti was only a minor figure during the Years of Lead. In France, his exceptional ‘case’ was widely mythicized. Nevertheless, Battisti is still vilified. He thus makes for an enlightening transverse study, allowing us to leave behind the invectives and move on to much needed, dispassionate research, as documented and objective as possible, into that painful era and its aftermath. The origins of this puzzling, complex, and contested individual, highly perceptive and capable of numerous metamorphoses, together with his background, allow us to understand better his drift towards violent, extremist left-wing groupuscules. A mechanism is then set in motion, leading to a ‘case’ which seems endless, in its judicial complexities in Italy, but even more so in France where the sentences of the courts are interwoven with a vast media compaign, and later on in Brazil, still today. The inflexibility of the protagonist is a major factor in this situation. It entails a torrent of articles, statements, and very committed monographs from intellectuals, reverberated in the media and subsequently in the political sphere. Why this intensive media coverage, with all its twists, when the other refugees benefitting in France from the ‘doctrine Mitterrand’ can remain largely anonymous? Certainly because of Battisti’s main tactics— becoming a writer, and therefore an intellectual, thus sacred and unimpeachable in France— which also allows him to keep up his political fight, indirectly, between the lines. His crime novels, which are carefully crafted, and fed by his adventures and observations as an exile, reach far beyond the supposed limits of the genre, and raise questions that can capture our contemporaries’ interest. The defendant becomes an accuser. He highlights the many dead ends of the modern age. Thus he reshapes his image, through fiction, by means of omission and division. Analyzing Cesare Battisti’s life in its successive stages teaches us a lot about the cogs and wheels of a historical crisis, and about what still troubles our society
Marinho, Fernanda 1982. "Eugenio Battisti e o léxico conceitual e historiográfico do antirrenascimento." [s.n.], 2013. http://repositorio.unicamp.br/jspui/handle/REPOSIP/280560.
Повний текст джерелаTese (doutorado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciências Humanas
Made available in DSpace on 2018-08-22T20:26:32Z (GMT). No. of bitstreams: 1 Marinho_Fernanda_D.pdf: 13219367 bytes, checksum: 713a6b51d616454de72391bbe1229641 (MD5) Previous issue date: 2013
Resumo: O Antirrenascimento, de Eugenio Battisti, foi publicado pela primeira vez em 1962, durante um período no qual a cultura italiana, ainda com certa dificuldade devido aos resquícios do fascismo, batalhava por uma expansão político-cultural. O livro volta-se aos estudos da cultura popular, das ilustrações científicas, da iconografia das bruxas, da arqueologia das fábulas, compondo um variado mosaico do tecido cultural quinhentista. A presente Tese de doutorado o analisa sob três perspectivas principais: a trajetória biográfica de seu autor; o léxico conceitual do termo que intitula a sua obra; e o contexto historiográfico que a abrange. Battisti nasceu em Turim, em 1924 (faleceu em Roma, em 1989), tendo testemunhado a Segunda Guerra Mundial e, quando ainda jovem, durante o pós-guerra, militado junto aos movimentos de resistência em sua cidade natal. Nesta época envolveu-se principalmente com produções teatrais, demonstrando desde já especial atenção nos assuntos de cultura. A construção de seu pensamento estrutura-se num percurso crítico cujo leitmotiv é identificado como uma muito particular inquietude que lhe instigava à incessante revisão do status quo. Um ceticismo operante que organizava seu pensamento crítico em estruturas dialéticas como as oposições entre comédia e tragédia, entre renascimento e barroco, entre clássico e anticlássico, mas também - e principalmente - incitava-lhe à constante renovação e questionamento destas classificações. O termo antirrenascimento é abarcado nesta Tese para além de suas analogias com o termo maneirismo, com a crise do Renascimento ou do áulico clássico. Mas vem compreendido, acima de tudo, como uma categoria retórica de caráter vanguardista. Battisti fez parte do cenário cultural italiano ligado à escola de Lionello Venturi, oposta à escola de Roberto Longhi. Participou ativamente de fundamentais mudanças dos rumos da historiografia, quando esta experimentava uma maior influência das escolas alemãs, estreitando os confins que separavam os papéis do historiador e do crítico de arte. O Antirrenascimento, desta maneira, é aqui abordado como uma proposta de revisão da romântica, e ainda prevalente, noção de Renascimento enquanto um período que, superando as trevas medievais, alcançou o triunfo máximo da razão. Contrário a esta tradicional interpretação do Renascimento como turning point da história, Battisti investigou as manutenções do mundo medieval na cultura renascentista, a criatividade artística enquanto livre assimilação e emulação de ulteriores culturas. Trata-se de uma proposta historiográfica cujo modus operandi é o ceticismo, de metodologia utópica e livre de resultados conclusivos. Battisti desconfiou de toda premissa teórica - nada lhe é pressuposto científico. O conhecimento deve equilibrar-se em bases móveis, deve se atualizar e temer o estanque. Pretende-se aqui, primordialmente, a apresentação deste historiador da arte e do livro O Antirrenascimento no âmbito acadêmico brasileiro. Acredita-se numa frutífera recepção de seu legado na nossa recente e ativa produção em história da arte, caracterizada pela interdisciplinaridade, pelo caráter revisional dos estudos correntes, pela alteridade como constructo definidor da identidade cultural, determinantes estas tão caras a Eugenio Battisti
Abstract: Eugenio Battisti's Antirinascimento was first published in 1962 during a period in which Italian culture, while still coping with some restraints due to remnants of fascism, battled through political and cultural expansion. The book goes through studies in popular culture, scientific illustrations, iconography of witches, archeology of fables, composing a diverse mosaic of fifteen century's cultural fabric. This doctoral thesis analyzes its three main perspectives: the author's biography; the conceptual lexicon of the term which entitles his work; and the historical context of the encompassed period. Battisti was born in Turin in 1924 (and died in Rome in 1989) thus witnessing the Second World War and, as a young man during the postwar period, militating in his hometown's resistance movements. During this period he got involved mainly with theatrical productions, showing early signs of interest in cultural matters. His thoughts' progress is structured in a critical path whose leitmotiv can be identified as a very unique concern, inciting a constant review of the status quo, an ongoing skepticism that organized his critical thinking in dialectical structures exemplified by the opposition between comedy and tragedy, renaissance and baroque, classic and anti-classic, but, especially, inciting a constant renewal and questioning of these classifications. In this thesis, the term "antirinascimento" is encompassed beyond analogies with the term "mannerism", with renaissance's or classic aulic's crisis. It is understood, above all, as a vanguardist rethoric category. Battisti was part of the Italian cultural scene related to Lionello Venturi's school, which had a difficult conflict with Roberto Longhi's school. He took part in fundamental shifts in historiography in a time tremendously influenced by German schools, narrowing the boundaries separating roles of historians and art critics. Therefore, Antirinascimento is discussed here as a reviewing proposal of the romantic and still prevailing notion of Renaissance as a period that, once surpassed "medieval darkness", reached reason's ultimate triumph. In opposition to the traditional interpretation of Renaissance as a turning point in history, Battisti investigates medieval features in Renaissance culture, artistic creativity as free assimilation and emulation of subsequent cultures. It is a historiographical proposal whose modus operandi is a utopian methodological skepticism free from conclusive results. Battisti was suspicious towards every theoretical premise. For him, there are no scientific assumptions, and knowledge should be balanced in mobile foundations, it should be updated and dread motionless. The prior intention of this thesis is to introduce this art historian and Antirinascimento into Brazilian academics. It may well be a fruitful reception to his legacy in Brazil's recent and active production in art history, known for its interdisciplinarity, revisory approach in current research, otherness as defining structure of cultural identity, all of which are highly esteemed to Eugenio Battisti
Doutorado
Historia da Arte
Doutora em História
Nakayama, Juliana Kiyosen. "Análise do tópico discursivo nas sustentações orais do caso Cesare Battisti." Universidade Estadual de Londrina. Centro de Letras e Ciências Humanas. Programa de Pós-Graduação em Estudos da Linguagem, 2016. http://www.bibliotecadigital.uel.br/document/?code=vtls000208766.
Повний текст джерелаThis paper investigates the construction of discursive topic and its introduction, expansion, rupture and closure procedures in oral arguments before the Federal Supreme Court (FSC), based on partial transcription of the extradition trial session (Ext 1085) and warrant security (MS 27875) on the Cesare Battisti case, which occurred on June 8, 2011. The part of the transcription of the trial session chosen takes into account the concentration of oral arguments of private lawyers, public lawyer, representative of the Union and the representative of the Public Prosecutor before the Federal Supreme Court and thus it allows the study of the discursive topic front of the institutions that they represent their speakers. The choice of the corpus was made by national and international impact of the event that happened between Brazil and Italy, with regard to their diplomatic relations. President Lula, on his last day of his mandate in his ultimate decision as President of the Republic refused the extradition of Cesare Battisti to Italy. This presidential and sovereign decision of Brazil led to the judgment of the act before the Federal Supreme Court in Brazil, under the request of Italy, which judged the permanence of Battisti in Brazil. The methodology used at this study was empirical and inductive based on functionalist view of Halliday (2004), Marcuschi (2006) and Galembeck (1999), qualitative character. By studying the oral arguments focused on interactions, highlighting this perspective, presents a vast universe of possibilities of analysis, since speech basically permeates all human activities. In this sense, the speech-in-interaction opens space for different interdisciplinary studies, being able to be explored in many other scenarios. The inclusion of the study of oral arguments and their interactions in Conversation Analysis field lends originality to the work herein. It is hoped that in this way, it can give rise to more interdisciplinary research. Considering the language used by speakers in their oral arguments, it is clear that there must be shared knowledge for the interaction to be effective, especially with regard to the Federal Supreme Court context, taking into account many legal concepts used. Considering the final votes of Justices of the Federal Supreme Court, the judgment now analyzed: 5 out of 4 in behalf of Battisti, prior expectation of the judges was probably answered. It was also prepared a study on the functioning of the Federal Supreme Court on the oral arguments of the trial session. For further explanation of what happens in the highest court of the judiciary, the data was included in images, tables and diagrams.
Battistelli, Giulia <1989>. "Stimuli-Responsive Nanoparticles for Bio-Applications." Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2016. http://amsdottorato.unibo.it/7578/1/giulia-battistelli-tesi.pdf.
Повний текст джерелаLázaro, Maria Alice de Oliveira. "Leopoldo Battistini-realidade e utopia : percurso estético e artístico do pintor italiano em Portugal (1889-1936)." Master's thesis, Instituições portuguesas -- -Universidade Lusíada, 2001. http://dited.bn.pt:80/29943.
Повний текст джерелаКниги з теми "Battisteri"
Zacchè, G. Porta Fidei: Le registrazioni pretridentine nei battisteri tra Emilia-Romagna e Toscana : atti del convegno di Modena (8 ottobre 2013). Modena: Mucchi editore, 2014.
Знайти повний текст джерелаPaini, Gianni. Galliano: Basilica e battistero. Cantù [Italy]: Cassa rurale e artigiana di Cantù, 1994.
Знайти повний текст джерелаIl Battistero di Parma. Parma: Artegrafica Silva, 1988.
Знайти повний текст джерелаSinisgalli, Rocco. Il Battistero di Firenze. Fiesole [Italy]: Cadmo, 2000.
Знайти повний текст джерелаIl Battistero paleocristiano di Piacenza. Piacenza: Edizioni Tip.Le.Co., 2001.
Знайти повний текст джерелаCesare Battisti. [Turin, Italy]: UTET libreria, 2008.
Знайти повний текст джерелаStefania, Cornaglia, and Motta Gisella, eds. Il Battistero di Baveno: Lago Maggiore. Verbania [Italy]: Alberti libraio, 2009.
Знайти повний текст джерелаDossier Cesare Battisti. Milano: Kaos, 2011.
Знайти повний текст джерелаSabatini, Silvio. Lucio Battisti: "superstar". Roma: Gremese, 1998.
Знайти повний текст джерелаMendogni, Pier Paolo. Il Battistero di Parma: Arte, storia iconografia. Parma: PPS, 1996.
Знайти повний текст джерелаЧастини книг з теми "Battisteri"
Gray, Sandra Leaton, and David Scott. "Marie Battiste and Indigenous Knowledge." In Women Curriculum Theorists, 104–18. New York: Routledge, 2023. http://dx.doi.org/10.4324/9781003289319-9.
Повний текст джерелаCalì, Vincenzo. "„Niemandsland“ Cesare Battisti, das Trentino und die Grenzdiskussion 1914/15." In Der Kriegseintritt Italiens im Mai 1915, edited by Johannes Hürter and Gian Enrico Rusconi, 101–16. München: OLDENBOURG WISSENSCHAFTSVERLAG, 2007. http://dx.doi.org/10.1524/9783486706291.101.
Повний текст джерелаWilcox, Vanda. "The Execution of Cesare Battisti." In 1916 in Global Context, 173–87. Routledge, 2017. http://dx.doi.org/10.4324/9781315180076-13.
Повний текст джерелаCau, Maurizio. "The Execution of Cesare Battisti." In The Mediatization of War and Peace, 265–88. De Gruyter, 2021. http://dx.doi.org/10.1515/9783110707373-017.
Повний текст джерела"Il Battistero di Firenze nella storiografia medicea tra Cosimo I e Francesco I." In Romanesque Renaissance, 243–62. BRILL, 2021. http://dx.doi.org/10.1163/9789004446625_012.
Повний текст джерела"Note epigrafiche sul battistero Lateranense per una riconsiderazione del programma architettonico di papa Ilaro." In Öffentlichkeit - Monument - Text, 640–42. De Gruyter, 2020. http://dx.doi.org/10.1515/9783110718881-101.
Повний текст джерелаIyengar, Kalpana Mukunda. "Kahani Literacy Project." In Advances in Educational Technologies and Instructional Design, 209–27. IGI Global, 2022. http://dx.doi.org/10.4018/978-1-7998-9542-8.ch013.
Повний текст джерела"Displacement and Shifting Geographies in the Noir Fiction of Cesare Battisti." In Exile Cultures, Misplaced Identities, 209–23. Brill | Rodopi, 2008. http://dx.doi.org/10.1163/9789401205924_013.
Повний текст джерела"You Can Call Them, If You Like, Emotions: The (Un)Orthodox Songs of Lucio Battisti." In Made in Italy, 126–38. Routledge, 2013. http://dx.doi.org/10.4324/9780203157527-18.
Повний текст джерелаTASSI, L. "RESEARCH TO FIND THE MOST SUITABLE SYSTEM OF ILLUMINATION FOR THE PRESERVATION OF THE SCROVEGNI CHAPEL, THE BATTISTERO OF PARMA AND THE SISTINE CHAPEL." In Science, Technology and European Cultural Heritage, 752–53. Elsevier, 1991. http://dx.doi.org/10.1016/b978-0-7506-0237-2.50135-0.
Повний текст джерелаТези доповідей конференцій з теми "Battisteri"
Maretto, Marco, Vicente Mas, Eva Alvarez, Barbara Gherri, Carlos Gomez, Maria Rosaria Guarini, Anthea Chiovitti, and Gianluca Emmi. "A multidisciplinary approach to urban fabrics analysis. The historical centre of Valencia." In 24th ISUF 2017 - City and Territory in the Globalization Age. Valencia: Universitat Politècnica València, 2017. http://dx.doi.org/10.4995/isuf2017.2017.5674.
Повний текст джерела