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Статті в журналах з теми "Autobiography"

Автор: Grafiati

Опубліковано: 4 червня 2021

Оновлено: 7 вересня 2024

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1

Welch, Kathleen E. "Logical Writing in the Education of John Stuart Mill: The Autobiography and the Privileging of Reason." Browning Institute Studies 16 (1988): 153–68. http://dx.doi.org/10.1017/s0092472500002145.

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Анотація:

In his Autobiography, published posthumously in 1873, twenty years after it was first drafted, John Stuart Mill writes a series of logical essays on ideas. The people who appear in the book do so as personifications of these ideas rather than as palpable characters. This writing strategy leads Mill to make ideas rather than people exciting, and this unusual hierarchy makes his autobiography not only a fascinating book but a peculiar one as well. One in fact wishes that Mill had thought of the title The Autobiography of an Idea sixty years before his intellectual grandson, Louis Sullivan, used it for his autobiography. Mill composes his autobiography of personified ideas with a series of logical essays on his remarkable education and on his political and philosophical writing. Consequently, deductive writing forms these essays, a kind of writing that is not surprising for a logician and an essayist but rare for an autobiographer.

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2

Depkat, Volker. "Autobiography as Political Legacy in Transition Periods. Benjamin Franklin and Konrad Adenauer Compared." European Journal of Life Writing 9 (December 28, 2020): BE51—BE74. http://dx.doi.org/10.21827/ejlw.9.37325.

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Developing consciousness of epoch as a category of autobiographical time, the article approaches the autobiographies of Benjamin Franklin and Konrad Adenauer as acts of political communication in historico-biographical transition periods. The temporal semantics of Franklin’s and Adenauer’s autobiographical texts anchor in a consciousness of epoch, which suggests that (a) the foundations for an anticipated ideal future have been laid through the political decisionmaking of the autobiographer, and that (b) it is uncertain whether the succeeding generations of political decision-makers will continue to pursue the political course that, in the eyes of the autobiographer, will eventually realize the anticipated utopia of an ideal world. The article thus moves away from an understanding of political autobiography as justification of political decisions taken and not taken in the past. Instead, it investigates autobiography as acts of political communication legitimating the past with a future anticipated at the moment of writing the autobiography. This angle sheds light on political autobiography as a future-oriented continuation of politics by autobiographical means. The temporal semantics of the autobiographical text anchoring in a given consciousness of epoch and the communicative functions of the autobiographical act thus extend well beyond the endings of the text and the autobiographer’s life.

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3

Boros, Gábor. "Body and Mind in Two Discourses on Method." KÜLÖNBSÉG 21, no. 1 (March 12, 2022): 171–87. http://dx.doi.org/10.14232/kulonbseg.2021.21.1.292.

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The point of departure of my presentation will be the fact that in his monumental History of Autobiography, Georg Misch considered Descartes’ Discourse on Method a fine example of intellectual autobiography. Yet, the Discourse is a highly complex text far from a simple autobiography. And what is even more, and more disturbing is that for his work, Misch made intensive use of Dilthey’s concept of an autobiography that was meant to capture the sense of “life as narrating itself” laying down the proper, i.e. “objective” foundation for the historical sciences. But how shall we take “sincerity” in this case, which is the distinguishing feature of a real autobiography in the Dilthey-Misch sense? I will apply a kind of hermeneutic method trying to move back and forth in a double hermeneutic circle: I will take a look at Misch’s whole concept of an autobiography, and at the historical data in Descartes’s life and works presented in Baillet’s The Life of Monsieur Des Cartes in order to understand the autobiographic character of the Discourse moving again from the details to the whole and vice versa. In my view, Descartes’ “history of his intellect” cannot be taken as an autobiography in the Dilthey-Misch sense nor in a usual sense. The body-mind problem will play an important role in my argumentation.

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4

Garziano, Svetlana. "Le projet autobiographique de Vladislav Xodasevič." Chroniques slaves 5, no. 1 (2009): 19–37. http://dx.doi.org/10.3406/chros.2009.936.

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The article “Vladislav Khodasevich’s Autobiographical Project” studies the question of the autobiography’s status in Vladislav Khodasevich’s work. This writer develops autobiographical genre's criteria in his critical and theoretical works. The present study is composed of three parts : Khodasevich about the autobiography and the biography, memories and the diary and the autobiography Infancy [Младенчество, 1933]. The author of the article distinguishes two structuring elements in Infancy : things’ futility and humor. phy Infancy [Младенчество, 1933]. The author of the article distinguishes two structuring elements in Infancy : things’ futility and humor.

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5

Hanssen, Jorid Krane. "The researcher-initiated autobiography’s work as an actant in producing knowledge about the social." Qualitative Research 19, no. 3 (March 1, 2018): 311–22. http://dx.doi.org/10.1177/1468794118760748.

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This article addresses how a researcher-initiated autobiography’s work as an actant may offer illuminating insights into how we as humans and nonhumans are associated in networks. The aim is to discuss how the effects of these associations produce knowledge about the social. With inspiration from actor-network theory and by using an example of a researcher-initiated autobiography from the study ‘The Daughters and Sons of Rainbow Families’, the discussion firstly concentrates on how associations between the autobiography and the researcher may produce emotional effects. Secondly, the discussion focuses on how a researcher-initiated autobiography works as an actant ‘in itself’. This indicates the necessity to trace associations between the written events (actants) in the text, and discuss their effects. As an example, the article addresses how associations between written events concerning family members, produce knowledge about the relations between the members.

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6

Zweers, A. F. "An Autobiography, is an Autobiography, is an Autobiography." Canadian Slavonic Papers 34, no. 4 (December 1992): 487–92. http://dx.doi.org/10.1080/00085006.1992.11092006.

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7

Klein, Holger. "Robert Nye’s Falstaff: A Remarkable Case of Creative Reception." Revista Alicantina de Estudios Ingleses, no. 25 (November 15, 2012): 209. http://dx.doi.org/10.14198/raei.2012.25.16.

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Анотація:

Among fictitious autobiographies as well as among historical novels, Robert Nye’s Falstaff (1976) is a special case in that it is not the autobiography of a historical personage, but of a dramatic character —who happens to be one of the most famous in Shakespeare, indeed in world drama, to be dictated by Falstaff to various amanuenses. After briefly discussing the sub-genre of fictitious autobiography, this paper will analyze the varied use of intertextuality, the tensions fabricated between the autobiographer and his helpers, and the critical thoughts and tendencies which Nye absorbed in preparing the work with particular emphasis on the clash between the Shakespearean intertexts and the diction surrounding it.

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8

Watson, Julia. "Is Relationality a Genre?" European Journal of Life Writing 5 (September 21, 2016): R16—R25. http://dx.doi.org/10.5463/ejlw.5.201.

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Review of Anne Rüggemeier, Die relationale Autobiographie: Ein Beitrag zur Theorie, Poetik und Gattungsgeschichte eines neuen Genres in der englischsprachigen Erzählliteratur [Relational Autobiography: A Contribution to the Theory, Poetics, and Genre History of a New Genre in English-language Narrative Literature] (Wissenschaftlicher Verlag Trier, 2014)

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9

Vizcaíno-Alemán, Melina. "The Autobiography of an Ancient Statue." Aztlán: A Journal of Chicano Studies 38, no. 1 (2013): 45–71. http://dx.doi.org/10.1525/azt.2013.38.1.45.

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This essay focuses on Fray Angélico Chávez’s 1954 narrative La Conquistadora: The Autobiography of an Ancient Statue as a critical model for re-reading Mexican American women’s literature and Chicana feminist art. The statue of La Conquistadora, which arrived in Santa Fe in 1625, is venerated as the oldest Marian representation in the United States. The autobiography is worth serious study because of its transvestite narrative voice: the female statue tells “her-story” as written by the male author. In La Conquistadora Chávez crosses gender and genre in ways that prompt a critical assessment of the autobiography’s significance through a deconstructive reading that draws on Southwest studies, feminism, and queer theory. This analysis offers a fresh perspective for determining how gender works in the life writings of early-twentieth-century Mexican American writers and the feminist works of contemporary Chicana artists.

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10

Greene, Jody. "Francis Kirkman's Counterfeit Authority: Autobiography, Subjectivity, Print." PMLA/Publications of the Modern Language Association of America 121, no. 1 (January 2006): 17–32. http://dx.doi.org/10.1632/003081206x96096.

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This essay explores the relation between print culture and literary authority in seventeenth-century England, through the career of the rogue author, translator, and autobiographer Francis Kirkman. Barred from traditional forms of authority by his middle-class birth and rudimentary education, Kirkman claimed new forms of self-authorization promised by the press. In his autobiography, The Unlucky Citizen, as well as in his biography of the impersonator Mary Carleton, the self-styled “German Princess,” Kirkman developed strategies of counterfeiting authority to compensate for the traditional entitlements he, like Carleton, lacked. These strategies involved harnessing the press to circulate authoritative versions of his authorial persona that were intended to substitute for his unauthorized status. Kirkman's ultimate failure to “gain some Reputation by being in Print” is instructive for scholars interested in the history of autobiography and in the changing conditions of authorship in the first era of print culture. (JG)

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11

Alsaleh, Asaad. "Mourid Barghouti’s I Saw Ramallah: The Impossible Return of the Displaced Autobiographer." Humanities 8, no. 2 (March 30, 2019): 69. http://dx.doi.org/10.3390/h8020069.

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This article examines and problematizes the idea of return in the autobiography of Mourid Barghouti’s Ra’aytu Ram Allah (I Saw Ramallah). After thirty years of living in Egypt and Budapest, Barghouti returned to his hometown Ramallah in 1996 for a short visit that composes the core of his text. I investigate how Barghouti’s text unveils the Palestinian exile as a permanent state, but also as a challenged, resisted, or accepted the process of shifting people and places over time. By re-examining this autobiography within the frame of reading it as a displaced text, (or “displaced autobiography”) I show how I Saw Ramallah seeks to move beyond the state of exile and expose its aftermath, especially when the displaced person is back in his or her homeland. I also explore how the author’s return to his original place invokes the memory of a remote past, inviting a buried or forgotten selfhood. I argue that by recalling this past, which occurred before displacement, a displaced autobiographer like Barghouti attempts to “fix” Palestine as a land for the people who have memories and history in it.

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12

Menu, Jean-Christophe, and Fabrice Neaud. "Autobiography." European Comic Art 14, no. 1 (March 1, 2021): 41–68. http://dx.doi.org/10.3167/eca.2020.140104.

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In this email exchange, Jean-Christophe Menu inveighs against the deterioration of comics autobiography into a formulaic ‘genre’. Fabrice Neaud maintains that the autobiographical enterprise is necessarily a dangerous undertaking in which a precarious subject comes into being, unlike the ‘proximate’ autobiography featuring a ready-made persona in search of peer approval. He employs a Darwinist evolutionary metaphor to demonstrate the colonisation of the ecological niche that houses comics autobiography by an ‘autobiography-lite’ better adapted to the market. He details the criticisms that have been made of his work (‘egotistical’, or formally over-conservative) and laments the tendency to equate artless scribbles with ‘sincerity’. Menu regrets that a distanced and selective portrayal of family life can be read as invasive of privacy, with devastating legal consequences.

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13

Кауфман, Александр. "Autobiography." Историко-экономические исследования 16, no. 1 (2015): 151–80. http://dx.doi.org/10.17150/2308-2588.2015.16(1).151-180.

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14

Zinov'ev, Aleksandr Aleksandrovich. "Autobiography." Russian Studies in Philosophy 46, no. 3 (December 2007): 3–13. http://dx.doi.org/10.2753/rsp1061-1967460300.

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15

Chesterton, G. K. "Autobiography." Chesterton Review 26, no. 1 (2000): 23–27. http://dx.doi.org/10.5840/chesterton2000261/27.

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16

Chesterton, G. K. "Autobiography." Chesterton Review 47, no. 1 (2021): 7–9. http://dx.doi.org/10.5840/chesterton2021471/22.

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17

Salikhov, Kev M. "Autobiography." Applied Magnetic Resonance 53, no. 3-5 (March 23, 2022): 491–520. http://dx.doi.org/10.1007/s00723-022-01466-y.

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18

Menu, Jean-Christophe, and Fabrice Neaud. "Autobiography." European Comic Art 14, no. 1 (March 1, 2021): 41–68. http://dx.doi.org/10.3167/eca.2021.140104.

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Анотація:

In this email exchange, Jean-Christophe Menu inveighs against the deterioration of comics autobiography into a formulaic ‘genre’. Fabrice Neaud maintains that the autobiographical enterprise is necessarily a dangerous undertaking in which a precarious subject comes into being, unlike the ‘proximate’ autobiography featuring a ready-made persona in search of peer approval. He employs a Darwinist evolutionary metaphor to demonstrate the colonisation of the ecological niche that houses comics autobiography by an ‘autobiography-lite’ better adapted to the market. He details the criticisms that have been made of his work (‘egotistical’, or formally over-conservative) and laments the tendency to equate artless scribbles with ‘sincerity’. Menu regrets that a distanced and selective portrayal of family life can be read as invasive of privacy, with devastating legal consequences.

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19

Unger, Douglas. "Autobiography." Iowa Review 32, no. 3 (December 2002): 82–93. http://dx.doi.org/10.17077/0021-065x.5603.

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20

Raheem, Amaara. "Autobiography." Performance Research 23, no. 2 (February 17, 2018): 116–21. http://dx.doi.org/10.1080/13528165.2018.1464770.

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21

Greene, Jonathan. "Autobiography." Appalachian Heritage 16, no. 2-3 (1988): 36. http://dx.doi.org/10.1353/aph.1988.0079.

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22

Healy, Eileen. "Autobiography." Journal of Neuropathology & Experimental Neurology 73, no. 2 (February 2014): 175–87. http://dx.doi.org/10.1097/nen.0000000000000029.

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23

Edward Seidensticker. "Autobiography." Biography 22, no. 1 (1999): 46–56. http://dx.doi.org/10.1353/bio.2010.0159.

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24

Fristad, Mary A. "Autobiography." Journal of Clinical Psychology in Medical Settings 23, no. 4 (October 4, 2016): 323–26. http://dx.doi.org/10.1007/s10880-016-9469-4.

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25

Weber, Michel. "Autobiography." Process Studies 37, no. 2 (2008): 211–13. http://dx.doi.org/10.5840/process200837235.

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26

James, D. "Autobiography." Postgraduate Medical Journal 71, no. 841 (November 1, 1995): 703. http://dx.doi.org/10.1136/pgmj.71.841.703-c.

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27

Peterson, Durey H. "Autobiography." Steroids 45, no. 1 (January 1985): 1–17. http://dx.doi.org/10.1016/0039-128x(85)90061-3.

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28

Shields, David. "Autobiography as Criticism, Criticism as Autobiography." Iowa Review 39, no. 1 (April 2009): 150–52. http://dx.doi.org/10.17077/0021-065x.6676.

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29

Horoupian, Dikran S. "Autobiography Series: Autobiography of a Peripatetic Neuropathologist." Journal of Neuropathology & Experimental Neurology 76, no. 6 (May 18, 2017): 480–90. http://dx.doi.org/10.1093/jnen/nlx033.

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30

Thoms, Victoria. "Martha Graham's Haunting Body: Autobiography at the Intersection of Writing and Dancing." Dance Research Journal 40, no. 1 (2008): 3–16. http://dx.doi.org/10.1017/s0149767700001339.

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In this article I employ modern dance pioneer Martha Graham's memoirBlood Memory(1991) to complicate understandings of autobiography. Following a deconstructive perspective (Buse and Stott 1999; Derrida 1994) and taking up feminist critiques of both autobiography (Benstock 1988; Chanfrault-Duchet 2000) and the effects of embodiment (Phelan 1997; Albright 1997), I theorize autobiography as a haunting interstice between writing and the body. I suggest that while the written account is an important means to chart a life, there are forms of autobiography that remain unrepresentable in the frame of writing. This impossibility is most poignant inBlood Memoryas Graham struggles to represent the autobiographical significance of the embodied performance yet is haunted by the inability to fully articulate in writing its significance for her. I argue that in encountering the written autobiography we should not disavow this haunting but rather acknowledge its importance as a means of encountering that life.To trouble tacit assumptions about written autobiography, I ask, How might written autobiography be understood as haunted? And how might dance serve to illustrate its haunted state? Lastly, what are the possible effects of understanding written autobiography as haunted? To address these questions I first consider the unsettled encounter with Graham'sBlood Memory. I theorize the effects of this encounter as stemming from the shadowy but persistent presence of Graham's danced oeuvre as an alternative form of autobiography and argue that this oeuvre could also be considered an autobiographical text. Then placing the “proper” written autobiography in dialogue with the danced autobiography, I posit the haunted status of autobiography itself–as always already troubled by multiple and alternative textual productions of self that can be both bodily and written in form. Finally, I suggest the possible effects of considering autobiography in this way.

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31

Olden-Jørgensen, Sebastian. "Kongedatteren og hendes ghost writer." Danske Studier, no. 2022 (October 9, 2023): 27–50. http://dx.doi.org/10.7146/danskestudier.vi2022.141206.

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On the first of May 1673 Leonora Christina (1621-98), daughter of King Christian IV and his morganatic second wife Kirsten Munk, finished her so called French autobiography (preserved in her own hand in The Royal Library in Copenhagen and issued in a new critical edition in 2021). The text is addressed to some »Monsieur« and gives a charming and rather smug account of her turbulent life as viewed from the prison cell in Copenhagen where she had been locked up since 1663. Traditionally the anonymous addressee has been identified as the scholar Otto Sperling the younger (1634-1715) who is supposed to have used the autobiography as the main source for a short Latin biography of her in his De foeminis eruditis, an unfinished collection of 1.399 learned women of all nations and ages preserved in the manuscript collection of The Royal Library in Copenhagen. A systematic comparison between Sperling's Latin biography of Leonora Christina (soon to be published in Fund og Forskning i Det Kongelige Biblioteks Samlinger) and the French autobiography demonstrates conclusively that Sperling's text is not based on hers, and it is therefore highly improbable that he is the »Monsieur« for whom she wrote her life's story. The real addressee possibly is Admiral Henrik Bjelke (1615-83) who fits the bits of information on »Monsieur« that can be gathered from the French autobiography and other sources. This new understanding of the text's genesis not only changes the identity of the original addressee and offers a better explanation of several details such as the autobiography's unmitigated aristocratic bias. It also means that Sperling's Latin biography is not merely an adaption of another known text but an original source based on a series of interviews with Leonora Christina around 1690. This brings his text in much greater proximity to the old lady herself.

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32

DR. REHMAN SARWAR BAJWA. "A Critical and Research Review of Written Thesis on Autobiography at PhD Level in Pakistani Universities." DARYAFT 16, no. 01 (June 26, 2024): 85–103. http://dx.doi.org/10.52015/daryaft.v16i01.389.

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In universities, research on Autobiography has not only clarified the general requirements of this genre but also made it much easier to determine the boundaries and restrictions of this sort. Initial research in universities was limited to the intellectual and technical examination of Autobiographies. A reader takes interest in the genre of Autobiography not only because of his attachment to the personality of Autobiography, but also because of the political, social, cultural and cultural elements of the era of Autobiography. The Article examines the Thesis, written in Pakistani universities on Urdu Autobiography at the PhD level so that the techniques and tradition of Autobiography can be further improved.

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33

Cogeanu, Oana. "Autobiography Reloaded." International Journal of Foreign Studies 6, no. 2 (December 31, 2013): 59. http://dx.doi.org/10.18327/ijfs.2013.12.6.59.

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34

Proudfit, W. L. "An autobiography." Cleveland Clinic Journal of Medicine 54, no. 1 (January 1, 1987): 55–59. http://dx.doi.org/10.3949/ccjm.54.1.55.

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35

Okely, Judith. "Autobiography, Anthropology." Anthropological Journal of European Cultures 31, no. 1 (March 1, 2022): 1–11. http://dx.doi.org/10.3167/ajec.2022.310102.

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In the 1980s, the theme for a future ASA conference had to be personally proposed by a potential organiser at the conference two years earlier. The proposer had to personally convince attending participants, who decided by a visible vote of hands. This recollection on the theme ’‘Anthropology and Autobiography’’ traces the successful 1987 vote for the 1989 conference proposed by myself with Helen Callaway. Before the vote, there were many negative comments claiming our proposal was mere ‘navel -gazing’ and a ‘feminist plot’. Inspired by the problematisation of the use of ‘I’ in Clifford and Marcus’ ‘Writing Culture’, we wanted further confrontation of the gender, age and personality of the participant observer. This article includes references to Malinowski’s controversial Diary and the proposers’ struggles with earlier publishers. Comments are made about the photographs in the ensuing volume. Bizarrely, it is now taken for granted that the specificity of the fieldworker is crucial when it comes to the choice of subject and rapport with key individuals in the field.

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36

De Medeiros, Paulo, and Sonja Herpoel. "Iberian Autobiography." Bulletin of Hispanic Studies 85, no. 2 (March 2008): 163–66. http://dx.doi.org/10.3828/bhs.85.2.1.

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37

Øyehaug, Gunnhild. "Dreamwriter (Autobiography)." World Literature Today 90, no. 6 (2016): 50–53. http://dx.doi.org/10.1353/wlt.2016.0124.

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38

Palmer, Michael. "Autobiography 13." Chicago Review 43, no. 2 (1997): 92. http://dx.doi.org/10.2307/25304171.

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39

Gunnhild Øyehaug and Translated by Kerri Pierce. "Dreamwriter (Autobiography)." World Literature Today 90, no. 6 (2016): 50. http://dx.doi.org/10.7588/worllitetoda.90.6.0050.

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40

R., R., and Philippe Lejeune. "On Autobiography." Poetics Today 11, no. 3 (1990): 719. http://dx.doi.org/10.2307/1772844.

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41

Palmer, Michael. "Autobiography 7." Iowa Review 26, no. 2 (July 1996): 154–55. http://dx.doi.org/10.17077/0021-065x.4639.

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Wilson, Ruth A. "Ecological Autobiography." Environmental Education Research 1, no. 3 (October 1995): 305–14. http://dx.doi.org/10.1080/1350462950010305.

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Bliss, Carolyn, and Janet Frame. "An Autobiography." World Literature Today 66, no. 2 (1992): 408. http://dx.doi.org/10.2307/40148345.

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Neubeck, Gerhard. "My Autobiography." Marriage & Family Review 30, no. 3 (January 15, 2001): 39–46. http://dx.doi.org/10.1300/j002v30n03_03.

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Barraclough, K. C. "An Autobiography." International Materials Reviews 35, no. 1 (January 1990): 59–60. http://dx.doi.org/10.1179/095066090790324000.

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Nguyen, Chi Thien. "An Autobiography." Manoa 18, no. 1 (2006): 85–92. http://dx.doi.org/10.1353/man.2006.0040.

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Gonatas, Nicholas K. "Autobiography Series." Journal of Neuropathology & Experimental Neurology 69, no. 11 (November 2010): 1168–72. http://dx.doi.org/10.1097/nen.0b013e3181f55cd4.

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